A short comic I made about my experiences as a seasonal worker, and the way places change you.
Prints & PDF
$LAYYYTER
The Bowery Presents
Jules of Nature
Sweet Seals For You, Always
🩵 avery cochrane 🩵

blake kathryn
we're not kids anymore.
Show & Tell

gracie abrams

tannertan36
Claire Keane
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

roma★
𓃗
cherry valley forever
he wasn't even looking at me and he found me
hello vonnie
sheepfilms

shark vs the universe

seen from United States
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seen from Australia

seen from Singapore
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@styxcharm
A short comic I made about my experiences as a seasonal worker, and the way places change you.
Prints & PDF
Iris Van Herpen Fall Winter 2026-27 Haute Couture Collection
H.R. Giger “The Watch Guardian” (1993)
Janelle Monáe for PAPER Magazine
Bubbles, Algae, and Plastics Go Haute Couture in ‘Iris van Herpen: Sculpting the Senses’
Just finished a cross stitch of this!
a knight and a priestess. working on character designs for a new comic
Free Ornamentation III. This work is dedicated to the public domain ♡
Here are 543 images (1.5GB) of items at the Philadelphia Museum of Art arms and armor exhibit You're free to use them for anything, even c
casual reminder that this museum has their entire collection digitized and available free for public use: https://art.thewalters.org/ and they have armor/weapons there
Free Ornamentation IV. This work is dedicated to the public domain 🐌
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
Anklet
c. 1898-1899
by René Lalique
Musée des Arts Décoratifs
Julia Fernandez
anatomy of a humiliation
How would you describe a dragon to someone who has never seen a dragon?
"Horse but make it a lizard and give it bat wings and horns"
didnt know how to interpret "make it a lizard" so i wrote lizard and drew an arrow pointing to the horse so people know its a lizard. Also didn't know what bat horns were so I gave it a horned bat nose
"A body like a big cat but completely covered in scales, the head of a crocodile with the horns of an ibex, and the wings of a bat on its back"
On it boss o7, ive mashed all these animals together and threw scales all over it. This the dragon you saw?
"Take a lizard, extend the neck. Add a pair of bat wings to the back. Add horns and sharp teeth."
Seems like we're onto somethin' boss! Though idk how it'd be so fearsome bein such a small thing.
"Big-ass lizard with wings" "big lizard" "Giant lizard" "Big fucking lizard"
don't seem too special?
"Imagine a winged alligator that was 70 feet tall and aware of its existence"
i dont know if this is a dragon but it could definitely be some kind of god
"Dinosaur with wings and horns?"
Dunno which dino you were talkin about so i just picked a random one. Stegosauus :}
"Big snake with legs and horns that can breathe fire"
Ah. Hm.
"A dragon is like a tree, in that it's a made up category for a broadly similar type of mythological creature that has no relationship to other dragons, but you know a dragon when you see one the way you know a tree when you see one."