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almost home
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
Cookie Run:Kingdom Official!
Fai_Ryy
macklin celebrini has autism
I'd rather be in outer space 🛸

Origami Around
let's talk about Bridgerton tea, my ask is open
The Bright Sessions

#extradirty
Today's Document

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YOU ARE THE REASON
Lint Roller? I Barely Know Her

@theartofmadeline
The Bowery Presents
todays bird
occasionally subtle
NASA

seen from Austria

seen from Poland
seen from United States
seen from Brazil
seen from Saudi Arabia
seen from Venezuela

seen from United States
seen from Türkiye

seen from Colombia
seen from United Kingdom

seen from Türkiye

seen from Canada
seen from Argentina
seen from India

seen from Slovenia
seen from United States
seen from Kenya
seen from United States

seen from Italy
seen from United States
@succmytiddie
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im a triple threat
codependent, clingy, and constantly upset
Bulma 💖 forever a classic
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I’M IN LOVE WITH THIS
why do ppl think its ok to waste my time
yo FUCK baby yoda we love baby appa in this house
Compilation of all the times Toph called Aang his best nickname ever, in chronological order. Sorry Aang, you’ll forever be known as Twinkle Toes.
Awe he gave him a thumbs down
They’re working hard to give you the same wooden chair DIY that you’ve had for a while.
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.
Then she puts her hair up, and her face lights up.
“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
It matters that this happened in 1995. It wouldn’t fly today, wouldn’t be the right choice, we’ve moved past it, but it mattered and was important that it happened the way it happened today. It’s one of the stepping stones.
“Life is suffering. It is hard. The world is cursed. But still you find reasons to keep living.”
Princess Mononoke (1997) dir. Hayao Miyazaki