Day 6 - Alternative Form
I'd rather be in outer space 🛸

Game Changer & Make Some Noise
Show & Tell
Not today Justin
noise dept.
Claire Keane
tumblr dot com
let's talk about Bridgerton tea, my ask is open
almost home
Cookie Run:Kingdom Official!

bliss lane
🪼
art blog(derogatory)
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macklin celebrini has autism
The Bowery Presents
Lint Roller? I Barely Know Her
h

❣ Chile in a Photography ❣

titsay
seen from Argentina

seen from Poland
seen from Mexico
seen from Argentina

seen from France

seen from Germany

seen from United States

seen from Canada

seen from Malaysia

seen from Bangladesh

seen from China
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seen from United States
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@sunshy-art
Day 6 - Alternative Form
HIS SHOES BRO. HIS FUCKING SHOESSSS THIS DESIGN GOES SO HARD. THE VISIBLE CLASPS IN HIS INHIBITOR RINGS SO THEY CAN ACTUALLY CLICK ON AND OFF!!!! FOLDS IN THE WHITE MATERIAL SHOWING THAT ITS FABRIC AND MALLEABLE NOT SMOOTH AND STIFF LIKE GAME SHADOWS CERAMIC. also bro def needs velcro to fast his shoes he does not know how to tie a not
Day 5
Miracle of Love
Who's your favourite Zonai?
Broke: Rauru/Mineru
Woke: Construct
returns after 2 months with art from a completely different fandom
Greetings. hows it goin KLSDFKLSD
ive been going through it (a bit o' burnout with a dash of my health going ough augh oogh) but hewwo ill make a bit of an effort to post more again owo
Carnation
Nico doodles from my twitter
How to Draw Native People: a Tutorial/Reference Guide
As requested, here is a basic guide for how to draw Indigenous peoples (mostly focused on North America)! Also please note that this is not an exhaustive list of Native American phenotypes/features, and more like an intro on very common features that can be found in us, and even then, not altogether at once on a single person’s face. I highly encourage the use of references and care taken into research when drawing. I may do a part 2 that goes slightly more into depth, but for now, enjoy part one.
Resouces:
How to draw Native Skin tutorial (don’t draw us red!)
List of Native American Celebrities, which include their tribe(s) and home country, with 1,250 names, to use for your referencing pleasure
How to draw black people by Peachdeluxe, & Black hair in depth by misslaney for mixed black Natives
How to draw Asian People, a guide by Chuwenjie, for mixed Asian Natives AND because it includes a lovely tutorial on monolid eyes, a shared feature of Native people
get drawin!!
tips to becoming a good artist:
- draw things that make you happy - dont buy into the capitalistic notion that you have to keep a singular art style - realize that standard of quality is fake and good art is subjective - dont make art to please an audience, make art for the pleasure of creating - remember that you made this, with your own hands! you made this from nothing! you can create beautiful things. the power of creation is in your hands - draw more things that make you happy - remember that what high class fine art snobs think about your art doesnt mean anything - remember that art schools are only useful in preparing you for the industry and will not, actually, “teach you to draw” - you dont need to be taught to draw. you just need to draw - awaken yourself to the fact that you can change anything about your art at any moment and you dont need to ask for permission for it - draw even more things that make you happy
So you might be saying: Lion why a guide on drawing black people? Well young blood it’s because a lot of people cant…seem…to draw…black people..Amazing I know.
Racist (caricatures) portrayals of black people have been around forever, and to this day people can’t seem to draw black people like they are human. If your artwork resembles any of the above even remotely your artwork is racist and offensive. If you try to excuse that as a stylistic choice you’re not only a terrible artist, but racist too!!! Congrats.
Whitewashing is also a problem. A lot of people refuse to draw black features on canonly black characters. While this example isn’t colored, lightening the skin-tone of a character is also considered whitewashing. So lets start with features!
Now all black people have different noses thats a no-brainer, but black noses tend to have flatter bridges, and wider nostrils. Please stay from triangular anime noses and small button noses. Your drawings should not depict black people with abnormally large noses. (Especially if you do not draw other characters this way)
If you feel like the way you draw lips on black characters is offensive or resembles a caricature,it probably does and you should change it. ABSOLUTELY AVOID PLACING LIPS AT THE BOTTOM OF THE FACE.
Hair is so diverse! Please get used to drawing braids, locs,kinks and coils! If you can learn to draw ringlets and long waves you can learn how to draw black hairstyles.
Add clips! Learn how to draw baby-hairs and never be afraid to add color Pinterest and Google are free my dudes! Also try using square brushes for blocking in coils.
OK THAT’S ALL YOU GUYS
P.S Take a screenshot of hate/ ignorance in the comments and dm it to me for 10% off a commission
Genuinely had no idea about the lips at the bottom of the face thing and I didn’t realize the way i drew the hair was considered lazy! I’ll definetly keep these things in mind and make sure not to do any of my previous mistakes on any future drawings
artist tips
don’t save as jpeg
as a former yearbook editor and designer, let me explain this further
if youre only planning on posting your art online, them please save it as .png ;this is also better for transparencies as well
BUT
please, if youre planning of printing your art, NEVER use png. it makes the quality of the image pretty shitty. use jpeg or pdf instead. and always set your work at 300dpi to get a better printing quality - this means, the images are crisper and sharper and theres no slight blurriness. i had a talk with my friend who is currently taking design, and pdf is much better to use when youre working with a bigger publishing company because it still has the layers intact, but if youre only planning on printing your stuff at staples or at some small publishing store, the jpeg is the way to go.
this has been a public service announcement
I’ve replied to this once before but I see it’s doing the rounds again.
This is all utter bullshit.
I’m sorry but if your qualification is working on the school yearbook, you have no qualifications. Do not pretend otherwise. As a former professional photo manipulator for advertising brochures, I can say that you’re not comparing apples to oranges here - if anything, you’re comparing fruit to farmyard machinery:
JPEG is a lossy format. It is suitable for web imagery because it sacrifices detail for reduced file sizes, but in doing so it introduces artifacts that weren’t in the original; if you load a JPEG for editing, then save it as a different JPEG, then you’re adding more artifacts formed from those first artifacts. Do this often enough and you end up with a horrid glitchy mess that looks like a puddle’s reflection after a stone’s been thrown in. You’ve seen those memes that have 3 or 4 different “found at” tags along the bottom, that look like fingerpainted copies of the original? That’s why.
PNG is a lossless format that comes in two primary flavours, PNG-8 and PNG-24, which use 8 and 24 bit colour respectively. 8-bit colour is what you have in GIFs, a limit of just 256 different colours in a predetermined palette, usually automatically chosen by your software when saving. These files will look the same as GIFs, potentially with large patches of solid colour instead of the usual gradual shading seen in 24-bit imagery. This is usually better for small banners or pixel art, as it can yield smaller filesizes than GIF format. (There is an animated version called MNG but it has very little web support, hence the continued use of GIFs.)
PNG-24 is great for larger images where detail is as important as colour depth, as well as printable RGB images and (if supported by the client) full colour images with gradient transparencies. It most certainly does not make “the quality of the image pretty shitty,” as it preserves every nuance. File sizes can be smaller than JPEG for small images, or significantly larger for large images.
PDF is a container file, whatever you put into it will be pretty much preserved as it was, so you gain nothing but lose nothing.
TIFF is what you need to be using for archival or print-quality imagery. It has support for multiple layers, multiple colour channels (RGB as well as CMYK, which is essential for accurate print rendering), and everything is preserved exactly as it was seen on-screen when being composed. There are compressed versions available, they use similar methods to PNG in order to maintain detail without sacrifice; next to whatever your graphics program uses natively, this is the most interchangeable format available for professional use.
DPI is important only when used in combination with image dimensions; in and of itself it serves no purpose. If you make a brilliantly detailed 640x480 image & set it to 300dpi, you’ll receive a brilliantly detailed 2 inch x 1.6 inch print. This is great if you want to make a postage stamp, but not if you’re creating an A4 flyer! Determine the image’s dimension then set the DPI accordingly; 72dpi isn’t hideous especially for text-heavy work (it’s ~3 pixels per millimeter), and 150dpi can be suitable for many images. Unless you’re interested in photo realism, 300dpi is usually overkill - for our hypothetical A4 flyer, you’d need a file of 2490x3510 pixels for edge to edge printing, with a correspondingly high memory requirement and filesize even if using a compressed format.
Keeping the layers intact is utterly unimportant for print work unless you want to use a separated colour print method that requires multiple passes to lay down each ink. If you send a file with all the layers, masks, etc. off for printing you’re liable to get it sent back unactioned, as they won’t want to take responsibility for choosing the wrong elements for printing. Save your work with everything intact, then save a flattened copy especially for printing purposes - this is one of the reasons Save Copy As… is a common option in graphics manipulation software.
This has been a Public Service Rebuttal.
Reblogging just because I read that first one when it was going around yesterday I was thinking “Thats utter horseshit but I don’t know my stuff well enough to articulate why” so THANK YOU.
For more about maximising print quality See Also: Pantone swatches, Vectors, Calibration and Proofs.
It is not the prettiest but here is a little chart I made of skin tones.
The idea is to eye-drop anywhere on the chart to get a unique skin tone instead of getting stuck in the loop of “white, tan, dark”.
GUYS I FOUND THE FLESH CLOUD
FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLESH CLOUD FLE
Tysm OP!!!
6 years later and i still use this goddamn flesh cloud for picking out skin colours
HAIL THE MIGHTY FLESH CLOUD
POC blush tutorial
Feel free to repost, but please credit me
How I draw skin Part 2: DON”T DRAW NATIVE PEOPLE WITH RED SKIN!!!! A tutorial
For the first tutorial on how I draw skin, see the post here.
But seriously, I’ve seen too many drawings of Native characters with literal red/pink skin to count so just in case some of you are having troubles with drawing Native people, I’ve provided a guide for you. Please take my swatches if it helps!! and no more red skinned people, please <0<
Disclaimer: this tutorial is mainly about the artistic depictions of Indigenous Peoples in North America, where the slur and redskin caricature originated, but it would still be racist to draw other non-North/Central/South American Indigenous groups like this so…..don’t.
???? As a native American I’m naturally lighter toned, yeah im darker than all my friends but light native Americans exist too,,,, we arent just poor people who got harassed off of our land and look a traditional way
Where did I lose you?
this was gonna be a tutorial and i guess it still is but if anything it’s just a really long and drawn out “essay” on drawing people with epicanthic folds. one of my biggest pet peeves is people drawing asian people exclusively with the same type of eye they’d give white people or anyone else who typically doesn’t have the fold! however i know that most people are taught with the standard white person eye (google image search for “eye” and it’ll all be pictures of white people’s eyes) so learning to draw epicanthic folds is a consciously learned thing.
therefore i bring you this, which attempts to break the mechanics of epicanthic folds down into something that’s a bit easier to digest and implement in your own art!
style can be argued i guess but it’s not that hard to stylize eyes with folds if you do proper observation and research. eyes with epicanthic folds are as diverse as eyes without so it’s not like you have to adhere to a strict model for them (although many people think that you have to) and all it takes to distinguish the two in stylized art (and even in semi/realism once you think about it) is a few lines! like i said this is a learned process but it’ll make your asian characters (and characters of other races even) a bit more interesting and believable.
[Has this been done yet]
DC shitposts