this is my blog. I reblog stuff and sometimes write stuff, and very rarely do I draw stuff. You're welcome to scroll around, but if you find something, you dont like do be polite about it,ok? or you could just go out, you know, don't waste your time in my blog. You could find something better, yeah? Well, I'm just putting this in case someone passes by here. My blog is closer to a ghost blog than an actual journal-like blog
Okay so I don't know what exactly I should be putting here, but! This guide I'm reading about making master-lists for tumb says I can organize it however I want.
Essentially, I just wanna make it easier to fish out my writing dribbles so I might or might not add or edit this post every now and then.
currently worked on Wip:
its a piece for a writing challenge and i haven't posted any info abt it yet but here's the link to the challenge post if you want more info on it
Other works in progress:
this sci fi idea that i posted my thoughts on and currently working on and off on making it into an actual story
this is a short 2 chapter piece that i only wrote one chap from then forgot about it cuz life stuff, don't really know if i will ever complete it might actually absorb it into another story or something or make a story from it but its here if anyone's curious
this is also another story idea that i only posted one chap from it's on the back burner for now but I'm hoping to work on it more hopefully
Drabbles:
(those aren't actual works just things i wrote for one reason or another)
my first drabble chappy
my second drabble chappo inspired by the reblogged drawing from @zandrapaints (i was awestruck while doom scrolling and couldn't not write for it ><)
My third drabble chap was inspired by the reblogged drawing by @sk00pa
Guess this counts as my oldest drabble chapter so far? Cuz i probably wrote this in my pre tumbler era, I dont quite remember 🤔 it was fun to read again after all these years might come back to it later but for now a drabble it stays right here
well i guess this is it for now? i've got more works somewhere else but they aren't getting their place in this list until i fix them so that's it for actually posted stuff (probably)
This is smth I got inspired to write by a prompt I don't recall the blogs name but you'll see it if you click the link here
i'm probably gonna add more to this masterpost as i find more stuff i wrote and forgot abt but meh it's good enough for a list so far, gotta get some sleep now im sleepy ;<
I would love to hear all the complexities of the political subplot of JoR if you're willing :)
ALRIGHTY!
This is barely figured out so humor me
There are four kingdoms on the Continent of Ephes:
The Council of Nylix
The Kingdom of Ferven
The Vynduris Empire
The Deserts of Sar
Now, about 4 years before the plot, there was a 5 year war called the Great War of the Caverns, which was between Ferven & Vynduris over miles-worth of caves filled to the brim with Raw runestones (crystals made of pure charged magic that even non-casters can use, and the easiest source of magic power to be found)
Vynduris won the war with some sneaky underhanded support from Sar, as well as being MUCH bigger and having more allies to easily survive the trade cutoff that happened when Nylix (trade center of Ephes) cut off supplies to both of them bc it was done with their shit
Maps are below
Vynduris is Red
Nylix is blue
Ferven is Green
Sar is Yellow
Before the War:
After the war:
Ferven previously owned the mines, but as part of reparations, they were forced to give it to Vynduris, though Nylix & following amendments to the treaty decided that Vynduris would share the runestones as a peace offering
Currently, negotiations are still being made as of the plot beginning, but tensions are starting to rise again as magic grows unstable and the new king of Sar has closed off the deserts to the other kingdoms. Runestones have been stolen, and a lot of weird occurances have made the elected leader of Vynduris very unnerved, and made the king of Ferven more wary of his giant neighbor.
Jak, the former speaker for the political party currently in power has a shredded reputation due to the things he's said and his new tendancies toward isolation (His bosses are still trying to negotiate with him via Khenan)
The Talos family are a prominent name in Vynduris, and have covered many publication and tax jobs in the past, but Khenan isn't a very good public speaker, and his sister Vimadé is more distant from the family to deal with files. The situation with Khenan's 2 sons is also quite fraught, and the rest of the nobles prefer to keep their distance before this whole thing goes up in flames
Siren, being an Anarchist and sower of chaos and death, decided to kidnap and torture Jak for the funsies of it about nine years ago, at the start of the war, incapacitating him to make sure he and several other nobles did nothing to stop the war, he has currently been hired by Primirn to distract from the caverns
Prim, Scholar in the Palace of Ferven, has been smuggling Runestones for an experiment sonce the war ended, and has created massive problems and inconsistencies in Magical records, which is causing the kingdoms to consider pointing fingers at one another. He also has conscripted the help of the royal jester to get him eyes and resources in Ferven
Cori has done exactly as Prim asked, and gathered blackmail details on both Jakkon Erwhyn and Khenan Talos, using them to steal resources and get reports on the status of Vynduris and the overall political climate of the empire
At least 40% of the populace wouldn't object to Jak being assassinated
Wild is the son of Khenan and the Wolves get relentlessly framed for Kidnapping him
Ronan is a highly aggressive Feren having to travel through the empire that stole his family's livelihood
Rose is Jak's sister-in-law and essentially his bodyguard (also a Runestone Expert)
Khenan is being deeply blackmailed
Phenik was exiled from Sar
And Mangrove is a literal god
They're bound to catch governmental attention and it turns into an obnoxious level of obstacles for them during the plot
If your characters share a history (same family, same event, or same loss) give them the same wound running in completely different directions. One goes cold. One goes loud. One performs fine. One disappears into work. They were all broken by the same thing and you would never know it from the outside because people are not consistent about how they fall apart. Put all of them in a room. That room already contains your entire story.
These two are the first two in the team, and the ones who pretty much know each other best. They've both rescued the other, and they have a unique sort of brothers-in-arms relationship where they appreciate the other and the other's combination of abilities, specialties, and even unique flaws.
They're the perfect complementary pair: A young angry long-range fighter who's always ready to fight & An older/wiser Peaceful Melee fighter who's ready to negotiate and talk things out
Their ranges of Cool vs Hot-headed cover a wide spectrum, and allow them to get a variety of things done that they couldn't do alone
Ronan:
Ronan is rescued by Finn when they meet, and he's intensely distrusting at first, though he eventually warms up and asks Finn for his help because he knows that if he gets into a particularly bad fight, he's going to need a retreat strategy, and this kindhearted man who offered to help him is likely his best bet.
Ronan admired Finn's patience & Ability to make intelligent and careful decisions that allow both of them to use their abilities to the fullest extent, and he especially admires Finn's kindness and determination to fight for the good of others. On top of all these things, Ronan was first drawn to Finn when he noticed the man's talent with combat, and he's absolutely obsessed with having Finn teach him better policies for Melee combat.
However, Ronan dislikes the fact that Finn is a bit of a stickler for the rules, and judges his violent habits due to his own goals and priorities when it comes to teamwork and lifelong aspirations. He's also often dissatisfied with how Finn prioritizes keeping him safe over the overall effectiveness of the mission because he doesn't want to be treated like a child, and he just wants to fight.
Finn:
Finn first finds Ronan fighting for his life with a pair of brass knuckles against an ambush by a group of thieves, and he's intensely impressed by the fortitude of this weird kid. He wants to help him instantly, but he never expected this weird 17-yr-old to have one of the most bizarre stories he's ever heard, and he instantly decides that he has nothing better to do, so why not escort this guy around and help him out. It's the least he can do.
Finn admired Ronan's resiliance and competance with his resources, as well as the fact that Ronan is obsessed with properly rationing and preserving resources, namely food and money. It concerns him slightly how resourceful and adept this kid is at using literally anything at his disposal to create tools for survival, but he does admire the determination and sheer energy to fight and consistency to stand with honor, even if he is a little violent for Finn's tastes. Finn was also impressed by the humility Ronan showed when asking him to join him and how instantly he shifted Finn into a higher leader position and was ready to do whatever he asked, though not without sharing his own opinion.
Of course, though, every partnership comes with flaws, and Finn is extremely not a fan of how reckless and violent Ronan is. Every day with him, Finn has to remind him not to act impulsively, and if he wants to negotiate instead of fight, Ronan is more of a hindrance than a productive ally because he's always right behind Finn glaring at the enemy with his hand on his weapon. Ronan's sheer determination is good, but he's sometimes a little too persistent, forcing Finn to grab him by the collar so he doesn't hurt himself. Ronan also isn't the smartest, socially, street-wise, and especially not book-wise, and Finn has to reason with him constantly because once Ronan is on board with a plan, he sticks to the plan.
Overall, these two like one another a lot, Finn & Ronan see each other as a surrogate Father/son but also a reliable combat partner whose opinions and skills they value even if their priorities are very different, instantly bonded by trust and the need for someone to watch their back in combat
It always sounds really basic when I say that my favourite flower is a red rose. You misunderstand, however. I have no love for the picture-perfect, tightly spiraled grocery store bouquet roses. I'm talking about the roses that grow in front of my house. These beauties:
I don't know how long they've been there or the name of their variety. All I know is when I stick my nose by the flowers, it's the sweetest thing I've ever smelled. I love roses for their scent.
Anyway. This is a flower appreciation post. Reblog and tag your favourite flower.
for the record im not technially 100% anti-AI, in the sense that its a broad category of tech being lumped under one umbrella term so it feels over-zealous to say i hate all of it all the time forever. but i also think trying to discuss what it actually IS good for is difficult right now when i cant take one step without something trying to convince me to use chatgpt to summarize my life and speed up my hobbies and turn my friends into chatbots and optimize my life into oblivion. i am certain there is nuance to the topic but can we stop cramming the square peg into the round hole before you start trying to sell me on the legitimate benefits of the square peg. please.
here's my super-quick, easy-to-digest summary that i use when i can't spend more than like 15 seconds on it but need someone to know the basic distinctions:
generative AI - bad evil AI. chatbots, LLMs, image generators, etc. this the one that steals shit.
analytical AI - helpful medical AI. this the one that helps detect cancer early.
game "AI" - fake AI. 100% human created and dictated. this the one that determines game mob behavior n stuff.
Pixel post dividers for everyone! It's not much, but feel free to use them if you'd like.
I don't know the ideal size for these, so let me know if they're too tall. I can make them a bit shorter next time.
reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
Why is the mountain range square. How did the mountain range form. Why is there one singular volcano in the center. Why does it act like a composite volcano but have magma that acts like it’s from a shield. If it’s hotspot based volcanic activity why is there only one volcano.
And then the misty mountains!!!! Why isn’t there a rain shadow!! And why is there a FOREST where the rain shadow should be!!!!!!!!
Wind blows clouds in from the sea, but mountains are so tall the clouds can't get past 'em, so you get deserts on the windward side of mountain ranges because clouds can't get there to water the land, or do so only very rarely.
this is because, as clouds are forced upwards by rising land, they cool and dump their rain. so the side of the mountain facing the ocean (or an inland sea, or a great lake) gets all the rain as the clouds are squeezed out, and the opposite side gets nothing.
my favorite thing is the american great lake snowbelts! so, the 'flow' of weather across north america, in very general terms, blows from the northwest on down south and east to the gulf of mexico.
so the wind is blowing from west to east, and in the winter it's a dryer wind than in the summer because it's colder. but after blowing across a great lake for a hundred miles, the wind is wet again. and that wet turns into snow. so for all of these lakes, the big cities are on the west side, not the east sides, because the east sides absolutely suck to live on.
the sole exception is buffalo, NY, which literally has to be there because, unfortunately, that's where all the important canal stuff between lake ontario and lake erie is happening.
also this always strikes me as cool, check out where cleveland is:
it's right at the edge of that snowbelt. and you see way more cities west of it than east, too.
#but again. mordor looks like that becaue sauron made it#and he's an ass
On a Watsonian level, sure.
On a Doylistic level, Mordor looks like that because plate tectonics was a fringe, ludicrous, laughable theory that nobody outside serious geology nerds had ever heard of until scientists proved seafloor spreading in the early 1960s. The first edition of the LotR trilogy was published in 54-55. We literally did not know that plate tectonics was real until almost a decade after the book was published, so obviously, it was not something Tolkien could have been considering as he made his maps.
I don't know enough meteorological history to know when white people figured out about rain shadows and added it to geology classes, or what would have been taught about volcanoes and such. But any education Tolkien got on the subject would have been in childhood/adolescence; his college education focused on the liberal arts, not the sciences, and his professional study was linguistics and the middle ages. So anything Medieval and earlier European authors wrote about he had a pretty good chance of knowing about. But not much exposure to modern science. So his science knowledge was probably limited to "what English schools taught at the turn of the 20th Century."
I mean, it's true he didn't know about plate tectonics, but he did know what mountains look like, and that it's not normally That. And it wasn't his style to break that kind of norm without cause.
LotR has recurring themes of the reckless imposition of one's will on the natural world creating ugliness, an order you thought was inherently an improvement that in fact is inferior to what you have displaced. (Typified by reckless tree-felling; a reflection of the despoiling of the English countryside and the world by Progress.)
Mordor is a rectangle because Sauron is an asshole.
#the rain shadow thing otoh was undoubtedly total ignorance#but those mountains were made as the fortress of a demigod#too steeped in evil to understand beauty#it's *supposed* to look like something that Shouldn't Exist#like quite often this is something that happens in worldbuilding yes#things are arranged Wrong because a person doesn't grasp the underlying logic#but mordor is a bad example for the same reason it's an obvious one#it's So Very Wrong because it was designed to be wrong#to give you a bad feeling with how much it shouldn't look like that#if he just wanted it unapproachable on all sides it could've been in a caldera formation it didn't *need* corners#the corners were a choice#tolkien's job involved lots of looking at maps and things okay#meanwhile people whose lives revolved around the weather generally knew where the rain happened#long before it was formalized into 'rain shadow effect'#people not having The Science doesn't mean they don't have eyes and brains
I wrote an entire paper in college analyzing the geology of the Misty Mountains and to a lesser extent the White Mountains (the Misty Mountains are easier because we get a cross-section via Moria). One thing I discovered that still knocks me for a loop when I think about it is:
Moria is the only place in Middle-Earth where mithril is found, right? That's kind of a big deal. So, why? What makes that location so special? Is it just random?
I found a paper that had just been published *that year*, 2011 or 2012 as I was writing it, that studied the locations of precious-metals mines in the Pyrenees, the similarly long skinny mountain chain that divides Spain and France. This paper discovered that where there was a bend in the mountain chain, from one of the continental plates having an awkward corner in it that got subducted under the other plate, that had dug deeper into the mantle and caused precious-metal-bearing ores to flow up to the surface in ways they didn't do anywhere else in the Pyrenees.
There's a conversation in The Fellowship of the Ring where one of the hobbits -- I don't have my copy handy or I'd get the direct quote -- asks why they can see the Misty Mountains ahead of them at one point if they're still heading south from Rivendell, and it's explained that south of Caradhras (which you may recall is the surface mountain under which Moria runs) the mountain chain bends and runs southwest instead of due south for a while.
Tolkien had absolutely no way to know *why* this particular feature of a mountain range was associated with intrusions of rare and unique metal ores, but he had gone backpacking in mountains enough to know How Things Should Look.
(And as prev excellently points out, when Jirt made screwed-up geology it was very much on purpose. Mordor shouldn't be square! Mount Doom shouldn't be doing any of the things it does! A composite volcano shouldn't even have especially hot lava! Even the Gulf of Udun, the circular feature at the upper left corner of the square, shouldn't be like that -- perfectly round features should be impact craters or calderas, not The Mountains Just Do This In A Suspiciously Convenient Way. These are all the way they are because Sauron forced them to be, in defiance of the laws of nature. Remember, he's akin to Balrogs and was a Maia of Aulë -- he's a volcano spirit in many ways.)