WE HAVE ENOUGH DEAD FRIENDS by lena oleanderson [ID in ALT.]

oozey mess

❣ Chile in a Photography ❣
NASA
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost
Mike Driver
sheepfilms

blake kathryn
RMH
Cosmic Funnies
occasionally subtle
untitled
Three Goblin Art
"I'm Dorothy Gale from Kansas"
Keni
todays bird

PR's Tumblrdome
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Jules of Nature
$LAYYYTER
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@t-e-poetry
WE HAVE ENOUGH DEAD FRIENDS by lena oleanderson [ID in ALT.]
Wildness Before Something Sublime Leila Chatti
I Do Know Some Things Richard Siken
Emily Skaja, from "I Liked Myself Better as an Exquisite Skeleton", pub. The Offing [ID'd]
Morning poem by Robin Becker
Dust by Dorianne Laux
Ilya Kaminsky, “Still Dancing: An Interview with Ilya Kaminsky”
killing myself @twofacedcalf
- Ollie Schminkey, My Father.
“If you give children a vocabulary that’s large enough and complex enough to express their emotions and their ideas, you give them access to complex feelings and emotions in themselves. So that if you talk to a teenager and all they can say about how they feel is BAD, and they haven’t got, you know, a larger vocabulary for lonely, abused, insecure, frightened…I mean there’s this huge panoply which…I remember when my daughter was just telling me that she just felt bad, I bought her a thesaurus. I said, “Look up, is it sort of over lonely, or is it insecure…and look up under lonely, you’ll find two hundred words for lonely. Which one?” But what that does is that it makes you feel that there’s this huge complexity of emotions and there are words for all of them. If you want children to feel less frustrated and less disenfranchised and less unable to even feel comfortable with their own emotions, you’ll have to give them a vocabulary that’s as complicated as their inner lives. And one of the things we see in children is this incredibly reduced capacity for reporting their inner lives to the exterior world. One of the things is just teaching them poems, just teaching them to memorize poems in school, they don’t have to interpret them, if they just internalize the language of the poem, the complexity of the emotion in the poems…” -Jorie Graham, in a conversation
the night shift
marie howe, in an interview with krista tippett of on being
Ok since I never disappoint my fans please enjoy the poem I wrote for the prompt "beginnings". All feedback is welcome! & Ok to reblog if you so wish :-)
In the beginning, there was light.
Then, there was the sun.
In the three days in between, light, having no source, was everywhere.
It flowed like honey (but honey didn't exist yet)
And its strands braided together (but braids didn't exist yet)
To form bridges (but bridges didn't exist yet)
That I walked on (but I didn't exist yet).
On New Year's day
I sat alone on my living room couch
Clinging onto the glass of champagne like it was a crucifix.
When the seventh firework of the New Year erupted loud enough to shatter glass
I gripped it so hard that it burst, the pearly gold of champagne and my blood flowing and meandering
Between the shards of glass embedded in my hand.
In the three minutes in between the shattering of the glass and me calling 999
I stared at the crucifix on the wall
(My grandmother gave it to me one Christmas)
(I always thought it a strange gift for the occasion)
(To give a token of one's death on the day of his birthday)
(But Jesus died before he was born)
(Was born with intimate knowledge of his death)
There was the ambulance.
The nurses were all yawning
They told me not to drink so much alone
They told me New Year's was one of the busiest times for them
They told me they knew someone would come to them with glass shards in their hands.
My grandmother died three days later
(It did not come as a surprise)
(Thyroid cancer)
Three days after that, she was buried in a cemetery she chose for herself.
That January morning, the sun was not there.
Just the black, jagged branches of trees penetrating the pencil grey sky.
I wore the same pencil grey skirt I wore at the funeral to visit my sister that day.
(I didn't have time to change)
(The cemetery and the hospital were on opposite sides of the town)
(My sister knew before that she would not be able to make it to the funeral)
She was tired, after hours of labour, clutching her newborn to her chest like it was a crucifix.
"I'll name her after grandma," she said.
"I don't want to talk about grandma," I said.
My sister asked me to show her a photo of the cemetery.
(My grandmother and I spent the last few months looking at each cemetery in town)
(She decided on the last one we saw)
(I thought it was the ugliest and I said so)
(She said that might be so, but she was too tired to see any more)
And my sister looked at the black branches
Flowing and meandering in the sky
And said "those must look lovely in the spring.
Like a grove. Like a garden.
The honey gold of sunlight on the bough's very first leafs and buds".
It was January. Winter had just started.
I had plans to mourn spectacularly and broodingly.
I wanted to wander around a graveyard at night, wailing loud enough to scare away the ghosts.
(But people have cried in graveyards before)
I wanted to get a paper cut while reading the Revelation to John and stain its pages with blood.
(But the Bible has been stained by so much blood already)
I wanted to write the most profound of poetry.
(But all the poetry worth reading has been written already).
But I fell asleep in the hospital chair next to my sister and niece.
And when I woke up, there was spring.
Franz Wright, Out of Delusion, from his collection Wheeling Motel/Natalie Diaz, Postcolonial Love Poem/Marguerite Yourcenar, Feux/ @ijaazat [x] / Sylvia Plath/ Susan E. Isaacs/ @gaycommunist [x] / Emil Cioran, Tears and Saints/ Thomas Pynchon, Gravity's Rainbow/ Emery Allen, Holy Things in This World
You will fashion a blade. You will buy a bone-weary pommel and produce a knife. Carve your name into the nearest dead tree. Like a good witch does. A bad bitch does. Cut. Cut the years’ past umbilical and bury it on the east side of your home. Or eat it instead. Whatever you want, girl. Whatever you want.
— Jessica Helen Lopez, from “Obsidian Knife to Cut the Shit Out,” The Blood Poems