dr baran al-hashimi: ive never been sued for malpractice and I rely heavily on ai
the pitt writers:

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dr baran al-hashimi: ive never been sued for malpractice and I rely heavily on ai
the pitt writers:
Just noticed that when Dean knocks over the traditional, uptight, and non sexualized Angel, it reveals a very sensual statue touching herself and in a state of undress, that was previously obscured
Then Cas appears
I’ve been watching this stupid show for 20 years, and still it keeps on giving. Bless 🙏
When establishing a betrayal plotline (i.e., some person or group of people betrays the main character) one of the main things needed to make it work is to establish an emotional attachment to the people betraying them first.
I'm reading a book right now where the main character's nation/government (including close coworkers + the father of her best friend) are most likely betraying her, but despite the fact that she is a high(ish)-ranking member of the military and the daughter of a high-ranking member of the government, there has been virtually no point where she shows any sort of emotional loyalty to them. She may need to turn her loyalty over to other people, etc....
And it doesn't seem to matter emotionally.
The people who she's realizing might be betraying her already don't treat her extremely well, and she doesn't seem particularly fond of them. Her loyalty is by virtue of birth, not patriotism, by most indications.
This isn't a problem unique to this book--the people committing the betrayal often have tells right from the beginning of a book, and it often ruins any sort of emotional arc. The reader already doesn't like them, and sometimes the main character doesn't either, so who cares.
If the betrayal is going to matter emotionally, there has to be enough of an emotional attachment to the people to make the loss of them matter. It should be a surprise, and it should hurt.
Gods, it's the way the story is set in stone. The way Grace's story is set in stone from the very beginning. The destiny-ism of it all!
Grace will go to space,
He will say goodbye to Earth (even after getting the chance to go back)
He will walk along a beach on an alien planet.
There were some stylistic choices in the movie that I think were interesting foreshadowing– the non-linear nature of the story , a random moment of surrealism in the 'Don't go crazy' screen room, and a particular music choice—
You are going to make a choice but it was never actually a choice. You wake up in space and even though we see you on Earth you WILL be in space one way or another. It's just a matter of when.
The song Gracias a la Vida plays after Grace and Rocky say goodbye, when you dream of Earth. You don't know it yet, but that was a goodbye to your planet.
You sit in a room surrounded by screens and a fake beach, but for a second, the waves lapping at your feet are real, and in the distance, a figure in a knit fox sweater walks towards you. He is you. You will become him.
The mysterious demon snarled in defiance before Satan.
Heat radiated off him and his glowing eyes blazed with fury.
As my demon lover took a stand against his lord,
I felt my love for him burn even hotter than the fiery depths of Hell.
Emberlynn Pinkle you depraved little genius
I was watching "scary-oke" episode when I noticed something...
The key chain Stan is holding looks like the one Ford showed Dipper when they went to crash site omega.
He took one from the gift shop!
But then realisation hit me!
On one hand, Stan was holding a key chain that represents the CSO, on the other hand, he was holding a snow globe that could be representing the interdimensional rift from "Dipper and Mabel vs the future" episode.
That was a good foreshadowing tbh.
BUFFY THE VAMPIRE SLAYER | 3.16 vs 6.21