This piece started as a composition exercise using a 12-tone matrix, which makes up the second half of the piece. The first half centers around a rhythmically driven five-note ostinato, with atmospheric pads and dissonant textures added.

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This piece started as a composition exercise using a 12-tone matrix, which makes up the second half of the piece. The first half centers around a rhythmically driven five-note ostinato, with atmospheric pads and dissonant textures added.
Analysing clipping.'s Splendor & Misery
United Vibrations - Shakti (Official Live Music Video)
just spent the last 6 hours and a half sketching a piece for piano an cello and I can't feel my hands anymore.
i know this meme is dead, but y'all can’t stop me
Jared E Davis' Atonal Jazz Techniques Explained
Jared E Davis Atonal Improvisation and Jazz music examples and analysis Please watch video above for detailed info: Hi Guys, Today, a quick look at “Atonal improvisation and jazz” book by Jared E Davis. Jared E Davis Atonal Improvisation and Jazz Please note: This Blog won’t contain a Pdf download due to any copyright infringement. PART 1: Jared’s book, is similar in some ways to John ‘O’…
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Polytonality: For Concerto/OrchestralWriting
CLICK SUBSCRIBE! Polytonality: For Concerto/OrchestralWriting lesson Please watch video above for detailed analysis: Hi Guys, Today, a quick look at composing with Polytonality for orchestral and concerto writing. What is Polytonality? Polytonality is the use of two or more keys at the same time: Example 1: Db Major/C Major [Basic root position] In this first example we have 4 bars of…
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12 tone jazz/fusion 20c classical quartal/quintal lines
CLICK SUBSCRIBE! 12 Tone Jazz/Fusion Quartal/Quintal improvising and composing concepts Please watch video above for detailed info: Hi Guys, Today, a look at employing 12 tone rows for Quartal and Quintal improvising and composing. Here is the first row: Notice the movement of 5ths and 4ths. Now, we will play it backwards with retrograde motion or reversal: Also, notice the use of changing…
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