For a supposedly gender-neutral society, it's fascinating how the only mortal woman over the age of 30 that we meet at Canaan House is persistently framed by other characters' expectations of domesticity, despite being one of the most powerful people in the system and famous for her professional achievements.
Gideon describes Abigail's confident and unsettling demeanor, before adding "but she was wearing an apron and it was hard to feel intimidated by her."
Later, Cytherea asks her about children, and Abigail has to "bracingly" steer the conversation back to her work, and the manuscript which she has been "married to longer than I have to Magnus". When later confronted about murdering her, Cytherea dismisses that work as a "hobby".
It's not until Harrow the Ninth that Harrow - a narrator who spends much of the story being unwillingly bracketed into the Mithraeum's horrors of familial domesticity - offers a perspective on Abigail that doesn't focalise her primarily as a cook, wife, barren hegemonic foster mother, or unwholesome hobbyist.