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I have my issues with the S2 finale but hot damn do I love Ghoulcy.
This scene with them said it all in my opinion.
Cooper took her agency in the Wrangler and then he gave it back to her.
He saved her but he didn't take control of the situation.
This wasn't his fight or his choice.
It was Lucy’s choice and Cooper wasn't going to take it from her again.
She's his Vaultie and she has his respect.
Then he turns to keep the centuries old promise he made.
And what does Lucy do?
Before she remembers his betrayal, her father, her mission, the Legion or Max or Norm or anything else?
She takes a step towards him as he walks away.
Instinct.
Folks.....that says it all.
Settle in for Season 3 and Season 4, etc.
We have a ways to walk in the Wasteland.
They're endgame or nothing. Long haul ghoulfuckers. Long haul.
DON'T SCARE US LIKE THAT!!!!!!
Ghoul Boy
bring back 16-20 episode seasons I beg you. The weird paving issues and the "hmm they didn't really do much" feeling would be lessened if they had MORE TIME TO COOK. Of course it feels off, because there's not enough time in 50 min, and 8 episodes to give everyone enough time in their stories.
Can we talk about this woman? She is a sex positive weirdo on the spectrum that can cut someone's head off and still refuses to swear. She wants to be a polite neighbor but will shoot you full of poison if she has to. She will fuck this random Knight because she is locked in a room and bored, after giving a sex ed lesson to the same Knight.
She is delightfully surprising and it is wonderful.
I need Cooper Howard leaving bruises and marks on a partner for reasons. Marking up his girl all pretty like~
Mornings Echo
Pairing: Cooper Howard/F!Reader
(tw for: rough handling, grinding, biting, threats of violence, skin marking, groping, filthy talk, mild nipple play, jealousy, possessive behaviour) [1.6k words]
Fic Masterlist
Link to AO3
I think Fallout might actually be the first time I've seen morally gray characters and a complicated political intrigue plot in a future context. And fittingly for us, that political intrigue is almost entirely done in corporate context. Not countries and kings and resources, companies and employees and products. It's easy to take a medieval context and mess around knowing right from wrong and who wins in the end, but it's much harder to sell to a modern audience problems they're facing now pulled all the way to their terrible future conclusions and force them to form their own opinions about right from wrong, what can and can't be redeemed, how far is too far. It makes people very uncomfortable. I love that this show has taken so many people (Like Barb, for instance) and shown how those horrors not of their own creation put them in a situation, and the lengths they felt they had to go to survive- but not just that, the awful weight of it on anyone with a conscious too. You see the same loops play out over and over. The same thing that happened to Barb in her corporate job happened to Coop in the Wasteland is happening to Lucy in the Wasteland. The fathers and daughters of it all. The way Maximus is trapped in cycle after cycle of trying his best, screwing up, starting over only to somehow end up in an even bigger mess. The infinite parallels between Norm and Hank, making you wonder how Hank ended up that way and if it's anything like the circumstances pressing on Norm now. The soldiers (like Cooper and his buddy) seeing war after war and the lies the government and society are selling them to participate. Muldaver going from political activist to Utopia president to raider queen in a quest to save everyone. The vault dweller with the inbred club pointedly saying putting yourself first at the expense of others is EXACTLY what they've been taught to do because this is still America and it's exactly what saved their ancestors. The struggle against and amongst the overseers and the overarching theme of knowledge damning you to a thankless cause that ultimately seems to ruin you and not even succeed. And all of this is coming out of a platform owned by one of the world's (and ofc America's) richest and most wicked billionaires, known for his poor treatment of his own workers. I don't think for a second that's going under the radar for the writers, it somehow only makes the whole thing that much more relevant. Also, for all the morally gray characters, the trying their best unpleasant good guys and so on, there are real bad guys too. We've yet to see one good reason for anything Hank has done. He just seems like a bit of a vengeful sociopath if we're being honest. Even if he truly loves his family, the stuff he's done has all served a different end that he only claims very unconvincingly is for the betterment of all society. He truly lacks empathy and does not attempt to correct that, but rather leans into it. Because in our real world situation, even if they sometimes have positive qualities, there are absolutely villains. People whose actions are not morally complicated, they are simply selfish, cruel, and detrimental to everyone except themselves. All that to say, I really do think this show is doing a spectacular job at something very difficult and uncommon, and is quite brave and bold in its message despite everything.