アナム 本格インド料理 銀座店 🍽️

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アナム 本格インド料理 銀座店 🍽️
Vietnam & her dear friend, Y/N or Thuy. Vietnam is not wearing historically accurate clothing since the slim shape of the áo dài didn’t become fashionable until the 40s, c. WW2 or post-WW2. Reader or OC is wearing the áo giao lĩnh.
If I can do this over again, I would redraw Vietnam’s ao dai as an ao giao linh.
﹏﹏﹏﹏𓊝﹏﹏
Disclaimer, I don’t think Y/N or Thuy would be in the right to wear one since it’s meant for aristocrats but I had to cover up the modern-day polo. There’s also the question of cross dressing since the way it’s worn for men is different from women, and Reader is supposed to be female for my fanfic. I don’t know, insert disguising-as-man trope here, like Elizabeth Swann. Yet, I’ve seen modern-day photos are pretty and the models wear it similar to the men?
The person in the photo is ambiguous so if you want to use the photo, but worried about who they are, not to worry! The description and tags included women, girl, man, and boy.
🌴 👘
𓆞 ⋆.˚ 𓆉 𓆝 𓆡⋆.˚ 𓇼 𓆟
Official art by Hima found here
You can find the translation here
Background – Photo by Anh Le on Unsplash
Liarm Pantheons
There are two broad categories of pantheon for Liarm, the protector Pantheon. Which are the pantheons of Light, Darkness, Voice, and Rune, and the Invaders or the Pantheon of the Void. The former are deities native to the beings of Liarm, who answered the desperate calls of their worshipers during The Dysjunction. Giving their followers the strength to push back the tides coming out of the Voidscream and the Great Enemies leading them.
Meanwhile the most selfish, decadent, and desperate beings turned to worship of the greater powers of the Far Realm. Some jaded and looking to experience something truly alien, others hoping to appease one of the more active forces of the Void. In recent years their powers have begun to wax. Like something is about to happen.
Pantheon of Light
Pelor: Light of Life
Lathander: Sunrise/Gloaming
Heironeus: Midday/Noon
Sune: Sunset/Twilight
Pholtus: Moonlight
Celestian: Stars
Pantheon of Darkness
Nerull: Death Darkness
Rao: Peace of Darkness
Masque: Deeds done in Darkness
Istus: Fate tied to the stars and bones
The Raven Queen: Psychopomps
Auril: Cold, darkness of winter
Pantheon of Runes
Annam: God of Runes, runic and written magic
Obad-Hai: Nature in the masculine, runes in the form of markers in the wilderness, primal runes
Hiatea: Nature in the feminine, hedge witchery
Thrym: Snow, frost giants, despite their pantheons being opposing he and Auril are consorts. Surtr: Fire, fury, militarism, tyranny, runes in combat
Kord: Strength, sports, warriors.
Pantheon of Breath Asgorath: Unity, wholeness voice
Bahamut: Voice of Inspiration
Tiamat: Voice of Command
Hextor: Voice of Conquest
Garyx: Voice of Destruction
Sardior: Voice of Thought
Pantheon of the Void
Atropus: The World Born Dead, The Destined End, Mordiggian
Tsathoggua: The Toad, The Sleeper Dagon: The Scholar of Madness, He Who Knows
Ithaqua: The Windwalker, The Hungering Cold
Pale Night: Mother of Demons, The Ancient
Hastur: The Unspeakable, The King in Yellow
Abhoth: The Foulness, The Fecund
Huế ~ costume ~ Annam
Wedding dresses of Vietnamese women in the North, Central and South regions in Nguyễn dynasty In the North, the bride wore 3 áo ngũ thân on top of each other. The outermost layer is translucent, while the inner layers can be red, green or yellow. The innermost layer is an yếm made of white silk. More details can be seen here. In the Central region, the bride either wore 3 áo ngũ thân on top of each other similar her Northern counterpart, or just 2 layers of red and blue. As the top layer is translucent, the layers combine to form magenta. She wore white pants, many gold jewellery and an elaborate hair bun. At the end of Nguyễn dynasty, when sumptuary law is no longer strictly enforced, many brides from rich families also wore Nhật Bình, an attire previously reserved for noblewomen. In the South, the bride wore 2 áo ngũ thân on top of each other. The outer layer is green, and the inner layer is red. She also donned a nón cụ with white pants. Credit to Kris Nguyen.
Spirit of Hartshorn - Chemtrails: Deadringer
Bernatzik : Southeast Asia
A cura di Kevin Conru Testi di Ian C. Glover, Jacques Ivanoff, Alison Nordström e Christina Angela Thomas
5 Continents, Milano 2003, 252 pagine, 302 illustrazioni in bicromia, inglese, ISBN 978-88-7439-044-1
euro 55,00
email if you want to buy [email protected]
Il volume finale della serie in tre parti dedicata a Hugo Bernatzik esplora il lavoro svolto dal fotografo austriaco nel Sudest asiatico e in Indonesia, in un’epoca in cui era al culmine delle sue forze, sia dal punto di vista tecnico e artistico che in una prospettiva antropologica. Sono le fotografie realizzate da Bernatzik presso i popoli del Sudest asiatico (compresa l’isola di Bali e il Malabar in India). Le principali regioni trattate sono Birmania, Siam, Cambogia e Annam. Come con gli altri libri della serie, si potrebbe sostenere a ragion veduta che questi ritratti di tempi ormai perduti siano più “arte” che “etnografia”, ma comunque si considerino queste fotografie, c’è un profondo senso del tempo e del luogo che non può fare a meno di catturare l’immaginazione.
13/09/20
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