Soooo 2025 has been fun so far

seen from United States
seen from United States

seen from Malaysia
seen from Türkiye

seen from United Kingdom
seen from Malaysia

seen from Germany
seen from United States

seen from Australia
seen from United States

seen from United States
seen from Philippines

seen from United States

seen from United States

seen from Australia

seen from China
seen from United Kingdom

seen from United States

seen from Germany

seen from United States
Soooo 2025 has been fun so far
When I say the online book community has problems, Iām actually including the queer creators that get all up in arms about the most inane thingsālike dogpiling on that one woman who said Heated Rivalry was made with a sapphic gaze as it was written by a bisexual woman (yet again kicking off a debate about what women are allowed to read/write), or when a bisexual author dared to voice her disappointment that her (queer) MF books didnāt do as well as her WLW books (because surely she should hope for half her books to flop for the sake of a political statement, thatās how lesbian liberation will be achieved), or when another sapphic book by a bi author featured a fairly prominent (queer) MF side-pairing (because apparantly there can only be one kind of politically correct narrative format in sapphic romance novels). There are ways to say āThis book wasnāt for me because itās not written to my particular taste,ā without moralizing it. I canāt believe an actively hostile environment is being created towards bisexuals (starting with bimisogyny, because of course, and involving plenty of misgendering towards nonbinary authors) and everyoneāincluding bisexuals themselvesāis not only allowing it to happen, but fully participating in it because otherwise they will get thrown out of the tiny sapphic reader community. Itās sad, but Iām glad I donāt participate and I only lurk in these spaces. I am learning very quickly to stop thinking of leftist/liberal content creators as normal people, and thatās been helping me take their āhot takesā less seriously. With this level of exposure, theyāre more like TV personas. And the purity testing can only exist when you spend a lot of time in bubbles such as online spacesāreal life is too complex for all that. Normal people are just reading and enjoying all these queer books, and hopefully learning and thinking about queer people more because of it.
Gareth x Professor Kayden! Not long now until Kiss The Villain releases!šš
This past week, a white man from Australia got a 100k two-book deal within a month of posting on booktok and over 200k followers within a few videos. It turns out he doesnāt even have a manuscript for the publisher, Simon and Schuster Australia. Meanwhile BIPOC, queer, women, and WOC who are the backbone of BookTok, BookTube, BookThreads, etc have been posting content multiple times a day for years and still struggle to be seen. Many people have spoken out against publishers who told them that there was no budget for their stories.
No shade to the guy , because he genuinely was earnest about being on an online book community and very genuine, but this situation sheds a light on something weāve all known was true about the industry. As an illustrator and writer, huge thanks to all the BIPOC and queer writers and content creators who shared their struggles to get published or seen. Iāve learned so much and have felt a little less alone and less spurned thanks to your stories. Keep writing, keep creating yāall
Ko-Fi
Support my work on other socials
Weekly blog
Updates every Friday over at my official author profile. Topics are wide-ranging and cover all manner of things relating to writing.
https://cafitzroy.com
Donāt get me wrong, I love romance, but why do book readers romanticize the mafia, stalking, kidnapping, possessiveness, controlling and all the red flags?
enjoyed the prophecy fulfilment while it lasted