#boxtown

[berrymimes]

commissions from the last few months 🩵

( for @thedoodlingsnail , @riddle-me-ri , @honkula , @mr-viwick )

[gryficowa]

I'm coming to the conclusion that if Dana Terrance and the creator of TADC like Tara Strong were white Jews, no one would attack them… It seems that you can only attack queer women for the smallest mistakes (or for nothing at all like Dana Terrance), but when Tara Strong wrote the most disgusting things about Palestinians and harassed the creators of boxtown for antisemitism (even though Alex Hirsch and one of the screenwriters are Jews), no one cared

Fuck you activists, especially those who use "Blackness" to attack people in the age of edgy humor, and trans women for attacking Dana Tarrance for simply responding to a fan. Since none of you cared about Tara Strong, where will she be held accountable for her racism and harassment of the creators of Boxtown? Because Palestinians/Muslims were targeted and suddenly you don't fucking care?

Fucking fake activists

[odinsblog]

With the rapid expansion of data centers driven by artificial intelligence, the tech economy is repeating historical patterns of environmental racism. Once again, marginalized communities are left to bear the costs of America’s “progress.”

Civil rights leader Dr. Benjamin F. Chavis Jr. defines environmental racism as the deliberate targeting of predominantly BIPOC and low-income communities for polluting industries and the placement of toxic waste. For decades, these neighborhoods have been exposed to harmful pollution from industrial sites built right next to where they live, work, and go to school. The resulting toxic dust, ash, soot, and chemicals have been proven to increase the risk of asthma, cancer, and other serious health problems.

This isn’t by accident. Over and over again, studies have shown that these environmental burdens aren’t evenly shared; they fall hardest on communities with the least political power and the fewest resources.

Long before artificial intelligence and data centers entered the conversation, environmental racism was already a deeply rooted reality in the United States. It has taken many forms: contaminated water, toxic air, industrial dumping, and the exploitation of land and sacred sites.

Perhaps the most widely recognized example is the Flint water crisis. In 2014, lead-contaminated water began flowing through the city’s taps. It wasn’t just a mistake; it was a failure of government at every level, and the residents most affected were overwhelmingly Black and low-income. Despite years of warnings and complaints, officials failed to act until irreversible harm had been done.

A few years later, nearby Benton Harbor faced nearly the same crisis: lead in the water, aging infrastructure, and a slow response from authorities. In both places, the consequences were devastating, especially for children, whose developing brains are particularly vulnerable to lead exposure. But the crises also spurred a powerful wave of community organizing, legal action, and policy change. Together with experts and advocates, residents pushed for solutions replacing pipes, distributing filters, and demanding federal accountability. Their fight helped ignite a national conversation about the dangers of lead in U.S. drinking water and prompted a federal commitment to replace all lead service lines within the next decade.

Today, Memphis faces a new chapter in this same struggle. Elon Musk’s AI company, xAI, has faced criticism for operating a massive data center in the predominantly Black neighborhood of Boxtown. The facility, intended to support the ‘Grok’ chatbot, is powered by 35 methane gas turbines that have operated without proper permits and are not equipped with the pollution controls usually required by federal regulations. These turbines emit pollutants like nitrogen oxides and formaldehyde, exacerbating health issues in a community already grappling with high asthma rates.

Today, Boxtown’s ZIP code is more than 90 percent Black, with a median household income of about $36,000. The area is also home to over 17 industrial facilities, some sharing an industrial park with xAI, that emit enough toxic pollution to be listed in the EPA’s Toxics Release Inventory.

At a recent Memphis City Council hearing, Boxtown resident Alexis Humphreys voiced her frustration and fear over the pollution caused by the nearby xAI data center. Holding up her asthma inhaler, she said, “I can’t breathe at home, it smells like gas outside. How come I can’t breathe at home and y’all get to breathe at home?” Her words powerfully capture the daily health struggles faced by community members living amid the facility’s harmful emissions.

Community leaders have also spoken out. KeShaun Pearson, executive director of Memphis Community Against Pollution, described the situation as a “human rights violation,” emphasizing that xAI’s actions are depriving residents of their right to clean air and a healthy environment.

In response to these concerns, the NAACP and the Southern Environmental Law Center have filed a lawsuit against xAI, alleging violations of the Clean Air Act. They argue that the operation of the turbines without proper permits and pollution controls has led to increased health risks for the community. Residents of Boxtown are calling for accountability and action to protect their health and environment from further harm.

This isn’t a new fight; it’s the latest chapter in a long struggle against environmental racism, corporate neglect, and systemic inequality. No community should be forced to choose between access to digital technology and the right to breathe clean air or drink safe water.

As we build the future of AI and cloud infrastructure, we must also decide what kind of future we’re building it in. Regulators, tech companies, and the broader public have a responsibility to treat data centers and digital infrastructure like any other major development, with transparency, accountability, and justice at the core. Equity and community power must guide this growth, not profit margins alone. Because progress that comes at the expense of vulnerable communities is not progress at all.

—EMARI PAM, How AI is Fueling a New Wave of Environmental Racism

[deaddee-anime-brownfanlady]

INDIE Animation and other animated works I'm excited to hopefully see in 2023.

[hkthatgffan]

I know this question comes in the midst of TADC hype and all, but any thoughts on the recent casting news and fundraising success for Matt Braly's upcoming indie animation project?

Pretty exciting. I mean, the fact the show was fully funded in just under 15 minutes is crazy. I can't recall of another project that has had such a quick fundraising goal reach occurred especially for indie animation. Just goes to to show the powerhouse that Matt Braly is. Even before the reval of Alex being on it, they got fully funded and all through his own reputation to back it. Makes me really confident in this project.

And that's another thing worth mentioning. Before this, the only other Indie animation project that isn't GLITCH related that I can recall that I was as interested in was Boxtown; a mystery comedy series that Alex Hirsch was also revealed to be a VA on. That project was announced all the way back in 2022 IIRC and to this day, it still hasn't come out. IDEK what the deal with it is. It only raised a little over $31K in funding and beyond just a VA change given Tara Strong was also part of it and booted for uh...obvious reasons, I've not heard anything else regarding it. This was also back before Indie animation became as big as it is now so I suspect if the show was announced now it may have done better off. But long story short, that series has yet to materialize and given how many years it has been with not really any new announcements, it remains to be seen what could happen. With this project, given it is fully funded and more, has big VA names behind it like Alex, has an established fandom of Amphibia and GF fans behind it who are fans of Matt Braly's work and overall interest greater than Boxtown probably had, I feel more confident on it making it to the finish line and releasing somewhere down the line. Hope Boxtown too makes it out one day as I was once pretty excited about that show and for the people who did back it, it would be a fulfillment of their pledge.

[mattdarktoon90]

The 20 Modern Cartoons So Far!

[thowawayuntilfurthernotice]

I don’t give a fuck if Tara Strong voiced a bunch of characters in various shows, games, and movies. She’s an awful human being with no redeeming qualities whatsoever.

Bullying a small company because they don’t wanna be associated with your dog shit world views is pretty low, even for you Tara.

What gets me is that, she’s acting like her getting fired from an indie project is gonna hurt her career. Like she’s some anime voice actor living in Texas who’s only making $300 doing anime dubs.

She’s at that point in her career where she doesn’t even have to audition for stuff, but she’s gotta jump on the “I’m being cancelled for no reason!” bandwagon, because fuck forbid you learn how to deal with the consequences of your actions like an adult, right Tara?

Also, fuck every single one of her colleagues who is standing by her or continuing to stay silent.

It’s funny, you see these actors constantly get on their soapboxes when it comes to social issues and doing the right thing, but the second someone holds them accountable for their actions, they quickly turn around and play the victim.

Fuck Tara Strong, and fuck the entertainment industry.

[hecctwo]

various fanarts done in the boxtown discord