tumblr might’ve eaten my ask in the process of submitting it so i want to send it again just in case but i loved burning money! it was so so so good! something that was interesting to me was mai (and the others’) disgruntlement with the foundation—which makes sense, big corporation encroaching on small community—but it’s the first time i’ve really seen a stance like that in fics? so i was curious about your thoughts on it! mostly because the foundation is usually depicted as doing good and nothing else, which isn’t true, of course, there is more depth to it, and i really liked and thought your depiction was interesting (even if it was intended to be a one-off thing) so i wanted to ask you about it :) if you don’t mind!
it seems it did eat it, so i'm glad you sent it again!
i absolutely do not mind, and i am happy to elaborate on that -- not only in the context of the fanfic, but also in terms what i think of the canon and fanon depiction of the work of the wayne foundation, and bruce's philanthropy.
that scene in burning money is, after all, symptomatic of my own politics. but as i always say, there was also a time when dc attempted to take in-world politics seriously -- leslie is a sign of that! so i do not see why i should not, given batman is an inherently political text, more so than most superhero comics (where the power fantasy elements are not as pronounced in their relation to class and the category of crime). and batman is just impossible to read without a consideration for these elements of discourse.
the love that contemporary comics (and i do think it's much more emphasised nowadays; the editorial seems to feel a need to continuously justify bruce, and there is not an ounce of modesty in how charity is portrayed) and fanon have for the foundation is something i find perturbing; the excitement regarding it even in the more progressive fandom spaces, the willingness to indulge this narrative of saviourism is really hard to ignore. and that is a narrative i have little patience for -- i, personally, like bruce as a multi-dimensional character, his flaws included. and that does not exclude keeping in mind that he is in a position of power.
the wayne foundation is not a grassroots organisation; and as such it is bound to have it's problems at the very core of its mission. the main issue is that it has a huge potential to become an instrument of biopower; that is to say, that people in charge get to say what sort of help the area will 'benefit' from most; and that is often a calculated choice that has little to do with the existing structures and even simply the wishes of people in question. while not directly related to the foundation, this is also something that i wanted to come across in the paragraph about the plan to make the crime alley into the entertainment district (btw, my rundown of the history of east end is by no means a canon one; i took different elements and mentions from comics and even adaptations into it, since it all remains vague otherwise). even when providing the people with a new (albeit limited; there was another bit that i ended up cutting out, about crystal being a nurse and the foundation putting a lot of money into nurse training programmes, since it is productive) range of opportunities, what it often leads to is yanking the populace around according to their latest charitable ideas, rather than providing long-time support.
here is also another thing to consider, that being -- no matter bruce's best intentions, he also cannot control everything that goes on in the foundation (which again, he should not -- but that also means that his 'stellar morals' will not save it from corruption and even just administrative troubles -- like the 'queues' that arlo mentions in burning money).
and about the scene you bring up in particular -- i want to say that this principled (!) reluctance to engage with the foundation it is not supposed to reflect the attitude of the community as a whole, but some part of it. mai, especially, has a personal connection to willis (and jason); this is very much a matter of pride and resentment regarding jason's death.
i have another wip with a scene of a somewhat similar, if not more open, conversation -- that one starring benny harlowe, who mentions that after jason's death the foundation seems to have doubled down in their efforts to 'fix' the alley (a trope somewhat popular in fanon, along with catherine todd/jason todd foundations), and he says: "The whole time I was thinking, why now? What was it, our boy’s trust fund? They murder our kid and then come back with a check?"
while I do not (obv) think the whole crime alley knew Jason (neither as jason nor robin; canon does not give us much reason to think that bruce would approve of robin-era jay venturing into the alley), nor do I subscribe to modern-era exaggeration of bruce's celebrity status, I do think most people in east end would hear about a billionaire adopting a child off the streets and the child dying not that long after; and there is surely some bitterness and distrust to come with that knowledge. is this what they are -- disposable charity cases? this is, needless to say, not true to bruce's feelings -- but what does it matter? there is little dignity to be found in this whole situation (with the system) to begin with.
this got ridiculously long... sorry about that! and thank you for reading!
