For old times sake is actually such a heartbreaking and beautiful sentiment. Like, let’s do it for the love that used to be here. It is reason enough.
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For old times sake is actually such a heartbreaking and beautiful sentiment. Like, let’s do it for the love that used to be here. It is reason enough.
We all know existential dread, but I propose (and please tell be if this is already a thing) existential awe.
Sometimes when I handsew or weave or something I get this immense feeling of connection to humanity. People for thousands of years all over the world have sat down and sewn a garment. Archeologists find needles and awls all the time. When I'm tablet weaving I have the same frustration at the arduous process of threading the tablets as the person 2600 years ago must have felt when they made the bands that were found in a celtic man's burial mount not far from my home. They probably also felt their back after a few hours of this.
Something, anything
Give me a pole
Branch to hold onto
Some semblance of existence
Of acknowledgement
Good god give me a rod
So that I may see
May catch a glimpse
Of what's on the other side
Of what is to come
Because I see a road
Muddied and worn
With an end
No hill
No tunnel
Somebody tell me
Grip me by my shoulders
And tell me its all for something
That there is meaning
To this cyclic chaos
That my devotion
That my continuance
Stands for something
Anything
Hold me
Like a mother consoling her child
And whisper sweet nothings
Tell me the acclaim
The fame
Is not worth it
My soul
My life
My tears
Tell me, I will come out of it unmoored
– Silvie
do you ever feel like your soul has a color? mine shifts with the stars
just a personal thought
Sometimes I really do wonder...if I’d been encouraged to turn my hobbies into a career, would that have made things better or worse? Right now, my hobbies, be it drawing, writing, yada yada, are my escape. They’re what I turn to when I’m bored or when life gets heavy. But if I’d chosen them as my career… would they still feel that way? Or would I have gotten sick of them too?
It’s not like what I’m studying now doesn’t interest me, it does. But even if I’d become an artist, I think I’d still be the same insecure person I am now, constantly feeling like my best efforts never quite measure up to others.
Would I have been more successful if I’d pursued art? If I’d trained harder, would my talent have actually bloomed? Would I be happier? Would I be different? I guess I’ll never really know. All I can do is wonder.
History has a funny habit of preferring the sensational explanation over the simple one. Ancient writers loved poisonings, secret plots, and masterminds lurking behind every event. It makes for a better story, but the mundane explanation is usually the more likely one.
Take Olympias. Later sources repeatedly cast her as a scheming poisoner, blamed for Arridaeus’s condition and even hinted at behind Philip’s assassination. That narrative fits a very familiar ancient stereotype about politically powerful women. It also conveniently turns complicated court politics into a villain story. But once you strip away the drama, the simpler explanations often make far more sense: illness, personal grievance, factional tension, or rumor hardening into “fact” over time.
You can also see how messy things become when historians remove or sideline people because they’re narratively inconvenient. The Pixodarus affair is a good example. If Arridaeus is stripped of identity, Alexander’s reaction suddenly reads like reckless ambition. Put him back into the situation Philip had created, though, and the episode looks very different: a vulnerable prince being used as a diplomatic pawn and a furious Alexander trying to stop it.
Ancient historians weren’t neutral observers. They were storytellers working with rumor, propaganda, and their own cultural assumptions. When the sources give us the most dramatic explanation possible, it’s often worth pausing and asking whether the simpler one might actually be closer to the truth.