{Finnick Odair x Reader} - To Survive The Ocean, First You Must Swim - Chapter Seventeen
Finnick Odair x Reader
Warnings: mentions of rape, violence, death, suicide, depressive ideologies and suicidal thoughts
masterlist | chapter eighteen (upcoming)
I don’t remember much of the screening. For three hours the game summary was played, but I wasn’t there. I should have been there, conscious of my facial expressions and demeanor, but my mind slipped away without a bit of awareness. My dissociation only broke in the moments Emery’s face was plastered onto the TV. I was able to keep my eyes fixed to the screen for most of the times he was shown. But the moment he died, broadcasted like a simple plot device for entertainment, I couldn’t bear to watch. My eyes fell to my feet, and a couple of tears managed to break themselves free. I suppose crying is acceptable, given that the Capitol still believes we were long-lasting lovers. After his last moment in the spotlight lapsed, I was gone again.
The anthem attacking my ears is the morning alarm, and I wake up to see President Snow entering the stage. A girl behind him carries the Victor's crown, and as he places it upon my head, our eyes lock. The warm smile he manages to portray doesn’t make it to his gaze, and although I know he has no reason to harm me, every survival instinct that has been ingrained into my DNA from centuries of evolution tells me to run. Looking at him feels like looking at death in the face, but not in the sense that I have come to know. All the other times that I teetered among the edge of fatality: it felt cold, dark, and calming. As if the end was truly the end, and that giving into the Grim Reaper would simply cause the cease of existence.
Looking into Snow feels eternal, as if death is only a gateway to a perpetual damnation. Burning hot torture, like the endless Hell talked about in mythology. I have never known a death so scary as the one presented to me in Snow’s eyes.
Turning away from him, I have to find relief, I must find a familiar face—any familiar face—to take me away from the horrific vision I just encountered. As I bow and wave to the cheering crowd, my eyes lock with Finnick’s.
His stare provides a tranquil comfort that is disconcertingly familiar, and I hold his gaze for as long as possible. Not just to bring comfort to myself, but also comfort to him. Because standing right next to me, is the man who sold him out for prostitution over the past several years.
Entering the lion's den I am bombarded with colourful Capitol people who surround me like a tourist attraction. Snow’s mansion is filled with food and hungry sponsors, the decorations are as luxurious as you would expect for the Victor’s Banquet. Finnick lulls behind me as I shake hands and take pictures with sponsors. Subtly moving me back if they stagger too close, and nudging himself in front of me if they get too touchy. His manner was helpful, and not particularly presumptuous. But still, I find myself moving away from him at some point in the night. People don’t usually stand up for me like that, for all the times Emery looked after me, it was always emotionally. I, on the other hand, was always the one to step in between him and the bullies that leered too closely.
“Can I get a photo with the three best District four Victors?”
A portly middle aged man tucks himself in between us, Hadley on his left, Finnick and I on his right. His wife—I assume—holds out a camera. As both Finnick and the strong-smelling man press against me on either end, I find myself arching towards Finnick more. The smell of citrus, seasalt, and cedarwood is a far more optimal choice than potent body odor and strong liquor. The wife's hand waves out, motioning us to lean in a little closer to fit in the frame. As we do, Finnick wraps his arm around me in a casual posing-for-the-picture manner. But no matter how casual his demeanour or intent, the feeling of his skin still burns into me. Not a painful, scorching blaze, but one that still captures the attention of every nerve, neuron, and receptor in my body. Unlike the feeling of most flames, it calls me closer instead of warding me away. After the flash hits my eyes and his contact dissipates, the ghost of his touch remains. I can almost still feel his arm around me. Haunting my skin in an alluring, disconcerting, paranormal phenomena.
A woman who claimed she sponsored me asked to toast with her, a male sponsor asked if I ever tried a Capitol cocktail. Myriads of people came by, talking about how much they loved me, how much they rooted for me, how much they spent on me, and often, how much they’d love to share a drink with me. Several of them put drinks in my hand, and looked me in the eyes jarringly until I swallowed. I probably should have started saying no after the first two or three. I was never a major people pleaser, but right now my tongue seems to be twisted in knots, and I’m too dazed by the new environment and echoes of the game to keep my spine straight. Technically, it has been a few days since I exited the arena, but with the anesthesia it feels like only this morning that I was fighting for my life. At some point, though, Finnick again comes to my rescue. Putting his hands on my back he exclaims that I have too much on tomorrow to be hung over. Leading me away from a man with slurring words, who spilled some of the liquid he was trying to pass to me.
I’ve never really had alcohol before, so I have no measure for what being drunk feels like. However, I am pretty certain I’m already in the realm of having a decent hangover tomorrow. The music feels like it's surrounding me too much, too deeply? The lights definitely are brighter now. My demeanour must be getting unsteady, because Finnick keeps his hand on my back as he walks me to a car. At some moments I seem closer to the ground than others. Sona, who I know is hammered, declares her love for me as I leave the building.
“I love you too!” I scream back at her.
I need to leave right now.
“I agree.” Finnick chuckles, and I cringe as I realise I said that outloud.
“I think I might be a bit drunk. I’m feeling a little loopy.” Oh my god please shut up.
“Oh, I know you are.” He smiles as we get into the car. I stumble a little as I climb onto my seat, and Finnick chortles behind me.
“You’re laughing but it’s not funny.”
“I’m sorry, Angel.” Finnick says, still laughing. He buckles my seatbelt before moving to the other side of the car.
“If I puke I’m aiming for you.”
“What a threat!” His tone is light, but his forehead wrinkles as he stops laughing for a second, edging backwards as he tries to assess if I really am about to vomit on him.
“Alcohol is so weird. Like a simple liquid can render any individual a complete moron. And there's so many different types as well. Every beverage passed to me was different. So weird, what's your favourite drink?”
“I don’t really like most of them. I prefer something plain like whiskey as opposed to a bunch of mixers.”
“Well aren’t you finicky.” I giggle as if it was the funniest thing ever said, a wordplay only someone in my state could appreciate.
“Hah hah.” He rolls his eyes with deliberate impudence.
“Am I being annoying? I feel like I’m being pretty annoying.”
“No, you’re being funny,” he laughs while continuing, “You need to have more confidence.”
“Easy for you to say. Oooh I’m Finnick! I’m sexy and blonde and everyone loves me!” A grin becomes plastered on his face as he responds in a low, teasing voice.
“So you think I’m sexy?”
“No, I think you think you’re sexy. Unfortunately misconstrued self conceptions are about as ubiquitous as drunk Capitol people.”
“Oh please, I heard you in the arena. You said I was cute, don’t even try to deny it.” He winks at me and I roll my eyes.
“Just keep your mouth shut.”
“I know you want a piece of this, who wouldn’t? You know, I reckon if you kiss me now, you could blame it on the alcohol tomorrow.”
I raise my brow.
“Kidding of course. I would never let you kiss me in this state, I want you to be fully sober for our first kiss.”
“How much have you had, Finnick?”
“Maybe a little.”
When we get to the building I find myself glad to only be in kitten heels, but even in the nearly-flat shoes my feet still stumble. Finnick holds onto me as we make our way into the building and up the elevator. His arm is gentle but firm. As he encircles my waist, his grasp is strong enough to hold me up but also delicate enough to not be controlling. He lets me move by myself and simply acts as a crutch for support. Entering the living room, his arm stays around me. The warmth of his skin feels magnetic, a disturbingly comfortable temperature, and in my hazy state I lean into the heat. No. I shouldn’t be allowing this. He’s too close and I’m too intoxicated to mind.
“Let go of me, I can walk by myself.” I shove him off of me, but only make it a few steps before hitting my leg against the metal edge of the coffee table and plummeting.
“Shit—”
Finnick's voice rings behind me as my head raises from the floor.
Feelings of anger and embarrassment are accompanied by pain as I see blood pour from my leg. I want to cry. Not from my hurt limb but hurt ego. Finnick kneels down next to me, his hand on my shoulder as he looks at the injury.
“Are you okay?”
My gaze avoids him as I nod.
“Did you hit your head? Does anything else hurt?”
“No. Just my leg.”
Finnick gets up and moves swiftly to the kitchen, returning with steri-strips and anti-septic at lightning speed. Pulling me up onto the coffee table he then crouches by my legs.
“Pass it to me, I can do it myself.”
“That’s what you said about walking, and look where that got you.” Finnick softly mumbles while soaking a cotton ball in the anti-septic.
“My mom is a medic, I know how to deal with a wound, pass it to me.”
“Angel, please.” He whispers gently, and I realise that I’m probably being more difficult to deal with than peak-inebriated Hadley right now, so I shut up.
Finnick tenderly removes my shoes, and wipes up the trickled blood with a wet cloth, before pressing the cotton ball doused in liquid against my wound.
“I still have more medical experience than you do.”
He smiles. “I’m sure, and once you’re sober I’ll be perfectly content with letting you deal with your own cuts and bruises, if you like. But for now, let me handle it.”
A deafening silence rings through the atmosphere, and Finnick is the one to break it.
“Tomorrow, during your final interview, you should play into the role of being a devastated widow.”
My brows furrow as he continues, applying the steri-strips to my cut.
“Capitol citizens, they’ll pity you, but they will also be less inclined to want you. The Victors they pay money for are shiny and glamorous. A sorrowful widow would be such a bore, they wouldn’t want to buy someone that will only dull their mood.”
I think back to earlier today when I cried in Finnick’s arms. Am I deflating his mood? I’m a hassle for him, I know it. Is my mourning a burden to him? Is that how he got the idea?
“Am I dulling your mood? Is that what you’re implying?”
I shouldn’t be speaking to him like this, but my face is too warm and my mind is too cloudy to care. Finnick looks up at me, his perfect features creasing like crinkled artwork.
“No, Angel. You know that's not it.”
“Do I know? You’re annoyingly impossible to read. And why wouldn’t I be dulling your mood? Crying and getting wasted and injuring myself. I’m sure you would rather be having fun with Sona and the others at the banquet rather than having to babysit me.”
“You're drunk—”
“Exactly. I’m ruining everything.”
“No. I mean you’re drunk, and it’s making you think irrationally. Do you think I want to be at the banquet? Partying with fascists that want to sleep with me and enjoy watching children die?”
My face flushes even more red than it was before, and embarrassment once again strikes me like a hammer.
“No… I suppose not.”
“Bugs.”
“Yeah?”
Finnick’s brows unfurrow and he sighs. Looking down at his feet, his hands fall to his knees as he finishes tending to my leg. Deliberately, his voice lowers as he continues.
“Don’t ever feel like you’re a burden to me,” his eyes meet mine once again, “You’re not, and you can always rely on me. Feeling upset and distraught is natural, don’t ever think badly of yourself for it. What I mentioned was a strategy. That’s all. It’s not indicative of any feelings I have, it’s just to protect you.”
I listen with sincerity for the most part, but those last two words trigger something in me for reasons unclear.
“Protect me?” My legs stand in a clumsy manner, “I don’t care about what Cornelia told you before she died, it’s not your job to protect me.”
“Bu—”
“It’s Emery’s. And you’re not him.”
I manage to quickly pace to the hallway without another tumble, leaving a wordless Finnick on the living room floor. But when I reach my room, I walk straight past it and into Emery’s. It's not really his bedroom. The stale chamber was cleaned to remove all evidence of the seldom days he stayed here. But it’s all I have right now; so I climb into his bed with staggering limbs, peel off my dress, and close my eyes. In my head I pretend that he is still here, that we are having a sleepover like when we were young, and that I mustn’t interact with him. Not because he’s a figment of my imagination, but simply because he’s trying to sleep.
The moment my eyes open I am attacked by the piercing sun, seeping its way into my corneas even when I squeeze my eyelids shut. I must get up and close the curtains to stay comfortable, but I also must stay in bed to stay comfortable. What a dire situation. The internal conflict is quickly resolved when I come up with the genius idea to shove my face into the pillow.
But just as I reach the precipice of sleep the burning desert in my throat makes itself unignorable, and sitting up causes an excruciating headache to take the spotlight. Right as I’m about to leave the bed, something grabs my attention in the corner of my eye. On the bedside table sits a water bottle, and two tablets in a silvery sheet. There's many people who may have left out the items for me, but the most likely answer seems to be Finnick. What does he think of me sleeping in Emery's room? The question becomes irrelevant as the events of last night become more crystallised.
My head falls to my hands while the interaction with Finnick replays. I was mean, unnecessarily mean, I can admit that. What I said was true, but it’s not something I should have articulated to him like that. It truly isn’t his place to adopt the role of protecting me. In relation to the games, sure. But holding me as I cry, swatting off Capitol-people, helping me walk, taking care of my wound… it all felt too intimate. It’s not his fault, really. From an objective point of view it would have been more wrong of him to not help me in those instances. However, I still feel the need to put some distance between us. I don’t know why the feeling of Finnick being there for me churns my stomach and sends goosebumps up my arms, but it does. It’s too uncomfortable.
A groan escapes my throat as I collapse back into the sheets. Sona marches into the room shortly after, squealing about my “big day before I return home.”
“Sona please… Can you whisper?”
“Aw, my baby’s first hangover.” She speaks as if this is a momentous occasion, with pride lacing her tone.
“How are you so cheery? You were more wasted than I was.”
“Hangover medication, I thought Finnick said he left you some?”
“Oh yeah, he did.” So it was him.
“Well, it should kick in shortly. Until then, man up! You just survived the Hunger Games for goodness sake, you can handle a headache.”
Sona lets me go back into my bedroom to put on pajamas, before dragging me to the kitchen for breakfast, and luckily I wouldn’t have an opportunity to see Finnick even if I tried, because after a few minutes of shoveling porridge into my mouth my prep team sinks their claws into me.
“Sweetie, your leg!” One of them exclaims with a concerned countenance, watching me remove my pajama pants.
“You’re lucky the dress Dara picked out for you is long.” Another mumbles as she folds my clothes.
Dara says nothing at that moment, but when she zips up my dress she softly whispers in my ear.
“How’d it happen?”
“Hit my leg on the coffee table.”
My dress is silver this time, with sparkles and rhinestones, the shoes are equally sparkly and decorated.
I feel like a mirror ball.
A pretty mirror ball, sure, but a mirror ball nonetheless. I hadn’t even seen one since last night. Sona was the one to tell me the name of the strange sphere hanging from the roof reflecting light.
Pretty quickly I am in the interview seat, and pretty quickly Caesar starts questioning me about Emery. I must be careful to find a balance, to show my despair for Emery’s death but not my hatred for the games that caused it. Enough to ward off Capitol people from wanting to sleep with me, but not enough for them to assume I’m attacking them, or attacking the games.
“I can see the death of the man you love completely disheveled your life,” Caesar states softly, “but tell me, what made you decide to move on? As an outsider watching, it seemed you went from despair and suicidalness to a resolution to survive quite suddenly. What was the thought behind that change?”
“Well, going into the games, to be quite frank I assumed we would both live to the end, and then I would simply sacrifice myself for him,” ‘oohs and ahhs’ come from the crowd, but I continue without pause, “But when he died, I felt empty. But I realised, I was willing to die so that he could live, and when I did die I would never have wanted him to give up on life. So I know he wouldn’t want the same for me, that he would want me to try, and that he would want me to live. And I didn’t want him to die in vain.”
After several minutes of milking my teary responses, Caesar decides that it’s enough. Moving on from the painful subject, he brings up my fight with Seraphina, and Everard.
As Caesar asks me questions unrelated to Emery, I find my mind creeping back to District Four. By the end of today I’ll be on a train home, and the feeling fills me with both excitement and dread. I don’t want to see a life without Emery, but I also cannot bear to be in this glittery, colourful, vibrant hellhole anymore.
Back in District Four I live in an area called the Inner Harbour, a relatively middle class sector just right next to the beaches and the Docks, but not close enough to low coastlines to be a hazard. The Tides, on the other hand, are a low-lying area right next to the Docks that often gets mild flooding a few times a year; during particularly bad storms. Emery and his family lived in this area, they luckily lived in a two story, so they kept most items and furniture upstairs. This only made it harder, however, when Cynthia became wheelchair bound. Shortly after I get home I’ll buy Cynthia and her family a home in the Inner Harbour, or even in the Merchant ward.
When I return back to Four, I’ll no longer live in that little house a ten minute walk from the Docks. No, I’ll be in a Victors Mansion. Neighbouring Finnick’s house instead of Emery’s suburb. A ten minute walk away from the Merchant ward, situated right by a private beach with a riprap seawall to protect from any overflowing water. My mom wouldn’t be dumb enough to sell off our home, if I were to ever die she would be kicked right out of the village, but still I won’t see much of it from here on out.
Returning to my room, I find that my reaping day clothes have already been packed away. The only thing remaining from home is the sapphire necklace on the bedstand, probably placed there by one of the Avoxes.
I wish I knew her name. The blonde avox girl who was appointed to me. Simply referring to her as the “avox girl” is disgustingly dehumanising. I understand that the demeaning aspect is the entire point, but being complacent in calling her that degrading phrase makes me feel sick.
Clothes for the journey are laid out, and after changing I head back to the living room. It is there that Dara gives me a hug, and plants a kiss on my cheek. I never thought I liked her all that much, but she did start to warm up to me. Sort of like a dog that is really cute, but has a tendency to drool all over you. I’ll see her and the rest of my prep team in a few months, though. The thought of seeing her again is nice. However, to be perfectly candid, I'm not too fond of the rest of my prep team. Some of them I like more than others. I give them verbal farewells while still in Dara’s arms.
“My beautiful siren, you truly are a work of art, with or without my dresses.” Smiling at Dara’s weirdly intimate comment, I give her another hug.
“You truly are an amazing artist Dara, and I can’t wait to see you soon.”
“Me neither. Goodbye, good luck, and safe travels back!”
“Goodbye Dara!”
In the car I sit next to the window and Hadley. Finnick is on the other side, and Sona is seated at the front next to the driver. I’m glad I’m not sitting next to Finnick. Things have been kind of weird between us. No words have been said, and there have been little opportunities to say such words, but there is still an awkwardness in the air, obvious to both of us. I want to apologise to him, I should apologise to him. But how? I’ve never been good at communicating, really. Especially not with him. And how do I tell him that even though I’m sorry for what I said, his proximity is still—inexplicably—off putting to me? I’ll have to figure it out quickly. I don’t want him to feel upset. We had come so far in these past few weeks, it feels disappointing to enter this train with the same distance we had leaving it not long ago.
Boarding the train, I head straight to my room. I need to apologise to Finnick, but I’m just not sure how, in this moment.
{Finnick Odair x Reader} - To Survive The Ocean, First You Must Swim - Chapter Sixteen
Finnick Odair x Reader
Warnings: mentions of rape, violence, death, suicide, depressive ideologies, self harm, and suicidal thoughts
masterlist | chapter seventeen
My eyes open again, and while it feels like only seconds have passed Finnick is no longer in my view. The last time I gained consciousness the medics forced me back into a lulled state. Now they want me awake. I feel stronger, more stable than I did before. I don’t remember eating anything since the morning of the final day—however long ago that was—yet I still feel full.
My cheap hospital gown feels softer than any clothing I’ve ever owned, but I must take it off and change back into the arena clothing. Just like every year, they want to air the reunion with my team.
The glass wall has been tinted black and solid, but in the shiny material I can still see my reflection. Taking off my gown, I can see that all my cuts and bruises have disappeared, and in its place is soft skin only achieved by an eternity in cushy mansions avoiding the sun. Even scars I gained before my time in the arena have vanished. My nails have been shaped, and my hair looks even fuller than it did before Everard and Seraphina played tug-of-war with it. The arena clothes have been washed and sown.
Just as I clip my belt, the black glass slides to the left, and a desolate hallway is behind it.
At the end of the hallway is a chamber, my legs want to run but my head doesn’t want to risk falling on camera. While this part of the show isn’t live the gamemakers won’t bother sparing me the embarrassment either way.
But still I rush to the room with intentional quickness, my team is waiting for me at the end; Sona, Dara, Hadley, and Finnick—
Oh, not Finnick.
He's technically not my mentor, right. I’ll see him later. I find myself walking to the end of the hallway with far less urgency. My slower pace must just be the result of the rational side of my brain kicking in.
Finally entering the room I hug Sona first, squealing praises at me. Dara envelopes me next, and while her voice is a lower register her fawning is equitable to Sona’s. Then Hadley wordlessly wraps her arms around my body. Instead of smelling of alcohol, she smells of roses and vanilla.
“You smell good.”
The three of them laugh, and I furrow my brows in confusement.
“You just survived the Hunger Games, and the first thing you say is you smell good, oh my sweetheart.” Sona chuckles as she rubs my head, clearing her throat before continuing, “Come on now, Dara must get you ready.”
Well what else am I supposed to say? The feeling of several cameras bore into me, and it is affecting my thoughts. As I walk towards Dara I feel a palm on my arm.
“Good job.” is all Hadley says before putting the hand back in her pocket and stepping back.
“Thank you.” And just like that I am taken away from the numerous cameras and led to the elevator.
A lavish meal is laid out on the District Four dining table. The rest of my style team embrace me before sitting me down at the table. Never in my life have I been so glad to eat a meal that isn’t fish. The portion size is limited, and when I ask for more Dara rants to me about how all her work would be ruined if vomited on the dress. While her explanation is skewered, the reasoning is logical. I’m guessing the medics instructed her to not let me eat too much, but she places an extra spoonful of veggies onto the plate anyway, winking. One of my other stylists complains to her that vegetables are the worst part of the dish. In District Four however, fresh fruits and veg are a privilege, and the nourishment they provide is unexpendable, so we don’t hold the same attitude towards the food group.
Sitting down, silently I find myself glad that Sona isn’t here to watch me, I think she would faint. After the several weeks I’ve had I don’t feel even slightly guilty about the rate and manner of which I plan to demolish this food. Just as I’ve finished unceremoniously shoving the majority of the roast beef into my mouth, Finnick bursts through the door.
He leans in to hug me, but steps back as I start choking.
“I’m fine, I'm fine!” I say between coughs when I see him prepare to hit my back.
“Sorry, did I startle you?” He laughs as I chug my glass of water. I can tell my face is bright red, but I hope he assumes it's from the lack of oxygen and not the embarrassment of nearly dying from eating the moment after making it out of a literal death arena.
“Don’t laugh.” I say while holding down laughter myself, but the look on my stylists’ faces push me over the edge and we both chortle in unison. Part of it is the humour of the situation, but another part is the relief of it all finally kicking in.
Finally calming down I don’t even have a moment to try and dodge before Finnick pulls me into a tight embrace.
“You survived.”
“I did.”
After a moment of silence I pull away, and when I turn back towards the dining table I realise the prep team had vacated the area. I don’t know what else to say to Finnick, and he doesn’t know what else to say to me. If we were in a different situation I probably would have teased him some more or even tried to shoo him away. But this moment feels too vulnerable for that. I’m still not used to being vulnerable with him. It's far easier to throw mindless jabs and insults with no real clarity on the extent of how much I believe them.
Every other time we’ve had a sensitive moment, it's been with the doom of the games weighing down on us. Now there's no external pressure, and every action and response hangs heavier in the air; it can all be truly absorbed. The atmosphere is volatile, like any minor movement could cause a catalytic response.
Not hating Finnick is still a weird feeling. I almost find myself searching for reasons to be mad at him—just so that I can return to that same, familiar, comfortable state.
Finnick is the one who eventually breaks the silence.
“You should keep on eating, Dara is probably anxious to get her claws on you right now.”
“Right… Do you have any advice for the interview?”
“Be grateful, and joyous, but not obnoxious. Do not show any signs of distaste or disgust for the games,” He pauses and takes a deep breath, “even when they mention Emery.”
My stomach sinks and suddenly my ravenous appetite is lost. Since my resolve to keep on living I’ve had this nagging feeling in the back of my mind. Gnawing at my consciousness, begging for recognition. I kept on pushing it down, ignoring and avoiding it. But the mention of his name forces me to confront the deadly feeling. Emery is dead. I will never see him again. I will never touch him, never laugh with him, never cry to him. He's gone. Tears fall from my eyes, but the one person who always cradled me through my sobs, who always found a way to pacify the pain, is gone. Finnick holds me again, but it only causes me to cry harder. Because the man who embraces me smells of citrus instead of pine. The arms that engulf me are strong instead of scrawny. The voice that placates me is deep instead of silvery. It feels like I’m betraying Em, allowing Finnick to try and comfort me.
Finnick whispers my name—not a silly nickname, my actual name—and puts my hand on his chest. As I feel his steady heartbeat, mine starts to slow as well. I remember learning in health class that when you feel someone’s pulse yours will sync with it, it's called physiological synchronisation. Finnick probably learnt the same thing the year before me. He breathes with me until my sobs dwindle to meager teardrops. A classic move in Comforting-the-Distressed 101, but the effort has an effect anyways.
“Thank you.” I say once I regain the ability to speak without gasping.
“In the interview keep on taking deep breaths. You can’t let them see how sad you really are. The Capitol doesn’t take kindly to honesty.”
Nodding, I look back at my plate. Time is running out, and I know the stylist team is getting antsy.
“Good luck, Angel.”
“Why are you still calling me that? I lived, didn’t I?” A shallow smile graces my lips as my eyes turn to my hands.
“I just like the name, I suppose. Just because you’re no longer moribund doesn’t mean it isn’t still fitting.”
My brows furrow at that comment. “In what way?”
His smile is witting. As if I’m missing out on an obvious truth. Finnick shakes his head, and lets out a wry chuckle before walking to the door.
“Goodbye, Finnick.”
“See you later.” As the words escape his lips, the smile seems to reach his eyes.
After finishing my meal I head to my room, where the style team has set up hair equipment and boxes filled with copious amounts of makeup.
“We’re running late, so there isn't enough time for you to shower. Luckily you were cleaned while they were doing the cosmetic care on you when you were under.” One of the women says, clearly not too happy with how long it took for me to finish my meal.
“But we don’t blame you though, Finnicks the one that should have waited till after the interviews to talk to you.” Another chimes in.
They pull at my hair and prod at my face, giving me simple makeup with blue eyeshadow and shimmering pink gloss, shortly afterwards Dara walks in. The dress in her hands is pale blue and made of silk, with a cowl neck and slit in the skirt. I slide into blue kitten heels, and Dara places the sapphire necklace around my neck. The material of the dress is so light it barely feels like I’m wearing it, though she begrudgingly had to give me padding for my hips and chest.
“It was the gamemakers idea, not mine, a sort of compromise.” Dara rolls her eyes, though her face molds back into joy as she looks over the final product. “You look ravishing, as always.” She beams, placing a hand on my exposed back as she guides me to the elevator.
The room she leaves me in is desolate. There is a metal coloured plate for me to step on to be lifted to the stage, but apart from that, nothing else. Dara gives me a quick smile before running off to change into her own costume, for this interview she and the rest of my team will be featured.
As I prepare myself to be exhibited through thousands of screens, I realise that this will be the rest of my life. For the rest of my life I am entertainment for the Capitol. The interviews, the victory tour. Even once myriads of following tributes take my place as the new shiny hot gossip, I will still be screened when there is opportunity. Every moment I step foot in the Capitol—and there will be more moments—I will be performing, plastered on screens and magazines. Even when I turn eighty I’ll be a piece of nostalgia for them to blab about and ridicule for any degree of aging. For the rest of my life I am not a survivor nor human; I am a show girl. A performer. A facade.
Speaking of performers, Finnick enters the room with his classic, charismatic smile.
“I don’t really feel like talking right now. I want to puke.” I offer him my honest thoughts.
His hands move to his lips as he imitates a zipping motion, smiling, he gives me another hug. Capitol culture always seemed to have a lot of physical contact, but everyone has been extra touchy now more than ever.
Sounds of the anthem bellow from above, and I take a step onto the silver plate. I give a sulky smile to Finnick as the metal begins to rise. Blinding lights, crowds cheering, an anthem booming. Once again, I must perform.
I lwk want to introduce Annie in future chapters, considering shes would be mentored by Bugs next year. There won't be any romance between her and Finnick though. What r we thinking?
Hell yeah!
Fine but as a very minor character/doesn't really interact with Finnick
You hadn't been the same since your games, not really. You were loud mouthed and bubbly, like a kettle always ready to pop off at something. You were brave.
But what happened in the games changed you in every which way, though some days were better then other. On the better days you could hold some sort of conversation, intertwine hands with the man you loved most, laugh quietly at whatever joke Finnick relayed. On days like today existing seemed impossible, hollow from negative thoughts that ripped up your insides as you stared at the floor.
On days like today you were still in those games, paddling through waves that always pushed you under. Fighting against every ex ally and 'opponent' every son and daughter in the arena.
Today you were reckoned with the 'joys' of victory speeches, you had no idea fucking why anymore, your games were short of 4 years ago, Finnick's coming upto 7 maybe even 8. Yet you still had to give those stupid speeches time and time again, you didn't even get to write the speeches yourself.
You'd been bubbling with nerves from just before the reaping, trying your hardest to mentally prepare for it. You just wanted to be home, on the beach front where it was quiet, and safe. But no you were hussled back onto the train, all the way to the capitol to read some stupid script, to be pupeteers for Snow and everyone involved.
You didn't even have the energy to be angry anymore, you used to be. Before the games you were filled with red bubbling anger that spilt every reaping, every time someone became the focus of attention in the games - or the opposite, ripped to shreds by Ceaser Flickerman and anybody else who chose to watch the games. Now, you were just exhausted, you woke up exhausted and fell asleep exhausted.
The train rumbled as you sat in the makeup chair, staring into nothingness, two capitol hairdressers brushed and combed through your hair, reminding you to put your chin up every few minutes. Getting more passive agressive each time.
You could feel there eyes burning into the back of your scalp as you have no choice but to stare back at yourself in the mirror, hatred building up within you, before falling back down into misery. It seemed to sit in the pit of your stomach almost all the time, you were an anxious, miserable mess.
You just wanted to go home.
The two hair stylists didn't even bother working from the tips to roots of your hair, ripping through your beach waved hair. "Head up." They grunted again, tilting your head up themselves this time.
Finnick sat opposite you, hair already brushed and rounded into something picture perfect, makeup already airbrushed into already perfect skin.
"Do you remember your speech darling?" A warm voice asked, paitent, slow. He took one of your hands into his, resting his elbows on his mid-thigh. Your speeches got simpler and simpler each year, but somehow they get harder and harder every year. Finnick had gone through it with you as much as he could, he didn't want you to embarass yourself infront of everybody and ofcourse you didn't either.
You didn't remember. It was just last night you went through it, you didn't remember it. You hated yourself, not even half a decade ago you could've remembered a page worth of speech; infact, you could've ran circles around Finnick. You look down again, staring at your knees whilst you bit your lip, eyes watering.
God- don't cry, don't fucking cry.
Finnick hated you, if he didn't pity you so much he would've been gone with the wind. You should've just died in those games and-
"Hey... I'm not mad." He whispered leaning even closer to you.
The hairstylist still brushed at your hair, starting to backcombing it into position. It was almost predicatable what they'd do with your hair, half up half down into braids with sequins and the most expensive gems.
Finnicks eyes softened further, grabbing the small peice of paper which held your speech on. Fully prepared to go through it again.
"Head up." The women barked again, she said it so often it basically became background music.
"You hate me." Your voice wobbled, taking a dragged breath as you wiped your eyes with the palm of your hands. In your head Finnick hated you, deep down he hated you in every cell of his body.
He exhaled, each breath full with empathy, his sweet girl. He quietly but firmly kicked those damn hairdressers out before looking to you.
Eventually he took each hand into his, thumb brushing over each knuckle slowly. "Were gonna go through it once more, ok? You got it." He whispered pressing a feather light kiss into your hairline.
You sat there staring at the floor, finnicks hand leaving yours to stroke through your hair, slowly scissoring through fairy knots.
"We fight in the Capitols name, for all that is good. Myself and Finnick praise those with the odds in the favour, congratulations to them and their families. Happy hunger games, may the odds be ever in your favour." He says stroking your face, pressing a kiss right near your eye as your eyes gloss over.
He gently stands up, you copying what he does as he wraps his arms around you, kissing your forehead with a firm grip on your back.
"It's gonna be okay, it's gonna be over soon. I promise." He whispered, struggling to keep his own voice from shaking.
Pairing: Finnick Odair x Reader
Word Count: 15.8k
Chapter Summary:
Sometimes, he wishes his father was an angry man instead of a sad one.
-
Haymitch hates himself enough for all three of them. Finnick sees it in the way the man avoids his eyes, in the way he drowns himself in silence now that there’s no alcohol left to do it for him. In the way he haunts his end of the medical wing like a specter, a voiceless banshee—bringing with him the tidings of decades of death and disappointment.
Katniss doesn’t seem to notice. Or care. Her hatred for her mentor is raw, all-encompassing, and it spills over to Finnick every time she looks at him.
Like now.
-----
Chapter 16: Finnick spends his childhood waiting; his only real companions are his anger and loneliness, and they never let him go. He does the same now in Thirteen, with only his grief for company.
Haymitch has a lot of problems with Thirteen and the militarized moles that run it. But his biggest issue, by far, is with the lights.
Synopsis: Here!
Playlist: Listen up!
Tag list: @melancholicmelanin, @yvy1s, @glomp-me, @honethatty12, @swftlore, @hashcakes, @antoheartit, @finnickodaddy, @lilifl0wer, @antoheartit, @kermitcrimess, @persophonekarter, @aawdrea, @obaewankenobis, @xyxlyn, @meandurdaughtergotaspecialthing, @innercreationflower, @kisskittenn, @xngelsau, @honethatty12 , @drunkfrogg, @sundawn1990, @blackdxggr , @ferrarifinnick, @sadsnails69, @paperncvks, @gaz0xx
A/N: This was posted back in April on Patreon, and it would have been longer if my friend hadn't told me to stop being a deadbeat daddy and to feed my children, and feed you i shall. Believe it or not, this chapter was written way before sunrise on the reaping came out, at least way before I read it, and I went back and added some things to make it more lore-accurate. I'm trying something new with the chapter summaries. I'll include a bit from the chapter itself, and then an original summary I make up to describe the past and the present, kinda as a writing exercise for myself. I think I'll go back and do the same for the other chapters. Tell me what you think of it! This contained the very last AI voice line from years ago. Farewell, AI Finnick. You can rest now. I hate this past so much; it feels so underwritten and overwritten, even though it's supposed to mimic and make you feel the monotony of Finnick's childhood. I'm trying to get through all the asks you beautiful ppl send me, and I'm damn near a whole year behind, but I'm chugging along! No asks left behind.
My Ko-Fi
MY PATREON
Past (ii) - Finnick
[5] - DISTRICT FOUR
Finnick doesn’t understand why everyone is dressed in gray.
He tugs at the stiff collar of his shirt, the fabric scratchy against his neck. It’s his father’s shirt—too big, sleeves rolled awkwardly at his wrists. His small hands peek out, fingers cold in the chill coming in from the sea. He looks around at the adults gathered near the docks, watching the way they stand in quiet clusters, speaking in voices softer than the tide.
The men are mainly silent, their nets piled beside the docks, untangled but unused—dry. The women wear dark shawls, their eyes fixed on the water, speaking in low murmurs that Finnick can’t quite catch. They look at him sometimes, but not for long. He hears someone whisper his name, but his father’s hand tightens around his shoulder, and the voices drift away like foam over the waves.
His father doesn’t speak at all.
The boats are ready, their hulls rocking gently against the pier. Finnick’s feet dangle off the edge where he sits, swinging back and forth, toes brushing the surface of the water. The sea is calm today, almost too calm. The kind of stillness that makes Finnick fidget because it feels like everything is holding its breath.
A shadow falls over him, and he tilts his head up to see his uncle Ewan standing nearby. The man carries a small wooden box, worn and plain, no bigger than the space between Finnick’s hands.
His uncle crouches beside him, setting the box down carefully between them. His large hands linger over the lid, rough fingers tracing the edges.
Finnick squints at it, confused. “What’s in there?”
His uncle hesitates, then ruffles Finnick’s hair gently, though his smile doesn’t reach his eyes like Finnick’s used to. “Something of your ma’s.” His voice cracks, just for a second. “We’re giving it to the sea.”
Finnick frowns. “Why? Won’t she need it?”
The man’s eyes soften, but he doesn’t answer. Instead, he pushes the box closer to Finnick, the weight of it surprisingly light when Finnick picks it up. He doesn’t know what he expected to feel—something warm maybe, or heavy, like her presence still lingers there. But it’s just empty wood.
He doesn’t open it. No one tells him not to—no disapproving looks or warning grunts from his father. It just feels like he shouldn't look, something timid and afraid stopping his little fingers short of the latch. Instead, he traces the chips and grooves that must have been made by accident.
His father appears beside him, back from talking to the man whose boat he’s borrowing. He’s standing tall, gaze locked on the horizon. Without a word, he crouches down and begins tying knots at the end of a long fishing net, the kind Finnick has seen hundreds of times. But this one is strange—new, silver-threaded, and untouched by the sea. It doesn’t smell like fish or salt.
“Why’re we bringing the net, Pa?” Finnick asks, glancing at the boat where another man coils more of the shimmering rope.
His father’s fingers tighten around the knot, tugging it firm. The muscles in his jaw shift, but he doesn’t meet Finnick’s gaze. “For your ma,” he says quietly.
Finnick looks down at the box in his lap. “But she’s not here.”
“She is,” his father replies, and though Finnick doesn’t understand, he doesn’t ask again.
-
The boat glides smoothly out to sea, the oars dipping silently into the water. Finnick sits near the bow, wrapped in a too-large jacket that smells like fish and his father. The wooden box rests beside him, shifting slightly with the rocking of the boat.
They don’t talk much as the shore disappears behind them.
Finnick watches the birds, their wings slicing through the sky in slow circles. His father rows, the sound of the oars steady and rhythmic, like a heartbeat. Other boats follow them—three or four, filled with people from the village. Some of them hold lanterns, their faint glow reflecting off the water like small stars.
“Pa,” Finnick says, pointing at one of the lanterns. “Are we having a party?”
His father’s grip on the oar falters for just a second.
“No, Finn,” he says softly and leaves it at that.
The sea stretches endlessly in all directions, swallowing sound, swallowing light. When they’re far enough from shore that the land is nothing but a thin line in the distance, his father stops rowing.
Everyone does.
The boats drift together in a loose circle, and for a long time, no one moves.
Then, slowly, his father stands. Finnick watches as he reaches for the box and cradles it carefully in his hands. His uncle lifts the net, holding it between them like something fragile.
“Hold this,” his father murmurs, passing one end to Finnick.
The net is cold in his hands, the weight of it unfamiliar but not heavy.
“What’re we catching?” Finnick asks, glancing over the edge of the boat. There are no fish beneath the surface, only his reflection staring back at him.
His father doesn’t answer.
The adults begin to lower their nets into the water, their movements slow and like they’re scared of disturbing the sea. Finnick mimics them, and together, they hold the net until there’s nothing left between their hands but empty air. He watches as the net slips below, disappearing into the deep.
The box follows, held gently in his father’s hands until the water begins to pull it away.
“Pa,” Finnick whispers, watching it drift further. “I think we lost it.”
His father kneels beside him, wrapping his arms around Finnick’s small frame.
“The sea knows her now,” his father says quietly, voice thick like the fog that's started rolling over the water.
Finnick glances at the place where the net and box vanished, frowning. He squints, trying to catch sight of something below the surface, but all he sees is the way the sea swallows everything.
His father’s breath shakes against his ear, but Finnick doesn’t know why.
By the time they return to shore, the sun has begun to set. The lanterns that once flickered across the water now hang low, their flames nearly spent.
Finnick’s father lifts him from the boat, setting him carefully onto the dock. His feet feel strange on the wooden planks, as if the sea still rocks beneath him. The adults gather near the end of the pier, whispering words Finnick doesn’t quite catch.
Finnick lingers by the edge of the dock, watching the waves lap against the shore. His father stands behind him, staring out over the horizon.
“Pa,” Finnick asks softly. “Is Mama coming home?”
His father doesn’t answer right away.
The sky darkens, the last light of day bleeding into the water, but Finnick doesn’t leave. He waits, even when his eyes grow heavy, and his fingers ache from the cold.
At last, his father speaks, his voice low and rough.
“She is home, Finn,” he says. “She’s with the sea now.”
Finnick’s small brow furrows. He doesn’t understand.
But when his father reaches down, gently taking his hand, Finnick doesn’t pull away.
The waves hum softly against the dock, and somewhere beneath them, his mother rests.
[9] - DISTRICT FOUR
Finnick’s never liked school.
It wasn’t his schoolmates—not really, not entirely. Sure, there were kids who annoyed him, kids who tried too hard to be his friends, or girls who blushed and giggled whenever he looked their way. But it wasn’t them. It wasn’t even the long hours of sitting still in a hot, stuffy classroom. No, the problem was bigger than that.
Finnick has never liked school.
Not that he hates it, exactly, but what’s the point? At nine years old, he already understands that half the kids around him won't make it past fifteen, and the teachers won’t admit it, but they know it too. Every year, someone’s older sibling would vanish, name called in the Reaping, their faces never seen again. But here they are, pretending that what they want to “be” someday matters.
As the rest of the kids file into the room, Finnick sits hunched over his desk, his pencil scratching as he doodles on the edge of a workbook page. A boat drifted on a sea of lines, its tiny sails catching a wind that didn’t exist. His pencil moves lightly, quickly, the tip scratching faint grooves into the paper. He likes drawing boats—they remind him of his pa, of the ocean, of a life that feels bigger than this tiny classroom. He doesn’t want anyone to see, though. This isn't for them.
“Hey, Nick!” A voice squawks beside him. He winces at the nickname, keeping his head down. It grates on him every time.
It’s the mayor’s daughter and her twin brother. They always sit near him, always try to catch his eye, their attention thick and syrupy. They must be convinced he’ll be flattered by it. He isn’t.
“My name isn’t Nick,” Finnick mutters, not looking up. “Don’t call me that.”
“Don’t be so serious,” the girl teases, nudging her brother and giggling. “What’re you drawing?”
“Nothing,” he says, flipping his workbook close, hiding the boat from view. His face stays blank, but his grip on the pencil tightens. He can feel their eyes lingering, waiting for him to cave, to give them something more, but he keeps his gaze steady on his desk. People always want more. They want him to charm them, make them laugh, and give them pieces of himself. But Finnick isn’t interested in giving anyone anything. Not really.
Before they can push further, the teacher claps her hands at the front of the room, calling for attention. Finnick leans back in his chair, arms crossed, watching as the twins finally take their seats.
“Today, we’re going to go around and share what we want to be when we’re older!” she announces, her smile wide, eyes crinkling like this was the most exciting topic in the world. “Think big now, everyone.”
Finnick barely keeps from rolling his eyes. Think big. He glances around, watching the other kids’ eager faces. Some of them are beaming, already raising their hands, ready to share.
“I wanna be the president.”
“I wanna be a diver!”
“I want to drop the anchors.”
It’s all just make-believe, a little game that they all agreed to play, like imagining their way out of Four can somehow keep them safe.
“What do you want to be when you’re older, Nick? I bet you want to be something cool.” The girl whispers.
He scowls, pressing his pencil a little harder into the paper. “That’s stupid,” he says flatly.
They both blink, looking at him like he just told them something shocking.
“What’s stupid?” the boy asks, frowning.
“This.” Finnick gestures toward the chalkboard where the teacher had written, What I Want to Be When I’m Older in big, loopy letters. “None of this matters. We’re nine. Any of us could be dead in three years.”
A gasp comes from somewhere behind him, and the twins go quiet, their smiles fading. Finnick glances around, taking in the uncomfortable faces of his classmates, the way some of them looked down at their desks.
“Finnick,” the teacher says sharply, her tone slicing through the silence. “Do you have something you’d like to share with the class?”
He shrugs, his gaze steady. “It’s stupid. All this ‘what do you want to be’ stuff. Anyone in this class could go into the arena. So what’s the point of pretending?”
The room goes quiet, a few kids fidgeting in their seats. Some look down at their desks. The mayor’s daughter glances at him, her smile gone, her cheeks flushed. Finnick can feel the teacher’s glare, the heat of it like the sun bearing down on him.
“Well,” she sighs, setting her chalk down with a clatter, “if you’re so sure of that, why don’t you tell us what you want to be?”
He feels his stomach twist, irritation flaring. Finnick hesitates, biting the inside of his cheek. For a second, he almost says it—I want to be a fisherman, like my pa. Or at least, he used to. Used to picture himself out there hauling in nets with the salt in his hair and the wind at his back. He wants to tell her about the boats, how he likes the smell of the sea at dawn, how he wants to live on the waves, the way he thinks his mother must have done before she’d left them.
But he can feel the eyes on him, the curiosity waiting to pounce, and he remembers. He remembers making the mistake of saying that very thing out loud once, had made the mistake of foolishly and eagerly saying that his ma will come back from the sea. He can’t forget the way these same kids had laughed at him, taunting him for believing that. They’d laughed, calling him a “baby” for thinking she’d ever come back for him.
The memory makes him angry. But worst of all, remembering makes him embarrassed, makes his cheeks flush hot and his eyes and ears burn. He sets his jaw, his face closing off. He presses his lips together, refusing to answer.
“Finnick?” Mrs. Pritchard’s voice has a sharper edge now, a warning.
“I don’t want to be anything,” he says flatly, crossing his arms over his chest. “It’s stupid.”
A few kids giggle. Mrs. Pritchard frowns, her patience thinning. “If you don’t have anything productive to share, perhaps you’d be better off in the headmaster’s office.”
She doesn’t wait for him to argue, just points to the door with a look that tells him this isn’t up for debate. He shrugs, slinging his bag over his shoulder as he walks out of the room, not sparing the mayor’s twins another glance as he makes his way to the door. He doesn’t care. Headmaster Thomas would threaten him, tell him he needed to be respectful, but Finnick’s good at tuning him out.
-
The headmaster waits for him, and like always, his office is stale and stinking faintly of tobacco, mildew, and old herring. The man’s beady eyes peer over a thick stack of papers, settling on Finnick with a practiced frown as he shuffles his notes. Finnick sits there, slouched in the chair as the man drones on about “attitude” and “respect.” Finnick barely listens, his eyes fixed on a crack in the wall, the way it spiders out across the paint like a web. Headmaster Thomas keeps going, waving his hands, his words more bark than bite.
“You keep this up, and I’ll be forced to call your parents,” Thomas finally says, crossing his arms. “Clearly, you need a lesson in discipline, young man.”
Finnick blinks, then laughs.
“Yeah, good luck with that,” he says, his voice light but mocking like the man is stupid—which he is. “My mom’s dead, and my pa’s at sea more than he’s on land. He’s probably halfway to the Outer Islands by now, so you’re better off talking to one of those fish. But if you really want a meeting, you can ask the waves.”
The headmaster’s face goes tight, his mouth pressing into a thin line. He holds Finnick’s gaze for a moment, and Finnick holds it right back, unflinching. After a beat, he just sighs, nodding toward the door, waving Finnick off with a dismissive flick of his hand.
“Fine,” he says, his voice weary. “Go on. You’re dismissed for the day. Come back tomorrow with a better attitude.”
Finnick leaves without another word, swinging his bag over his shoulder as he steps out into the bright afternoon. Getting sent home early is no real punishment.
He walks down the main road, kicking rocks and watching his shadow stretch out long beside him. The streets are filled with adults; the only kids not in school are Finnick and the ones on their parents’ backs. The further from the main square he gets, the emptier it is. The sound of seagulls fills the air, wings beating against the steady roll of the ocean. The day is warm, the air thick with the smell of salt and seaweed, and he finds himself heading toward the harbor like he always does, like maybe, just maybe, today would be different.
But when he gets to the docks, he only sees the usual faces, the men unloading crates and stacking nets, his shoes scuffing against the cobblestones as he scans the docked boats. Hoping, just once, to see his pa’s ship docked early. One of them is the sand-haired deckhand who works alongside his father, a burly man with a weathered face and a daughter who died in the arena two games ago. He sees Finnick and shakes his head, his voice gruff but not unkind. “Not today, lad. Sorry. Might be another week yet.”
Finnick just nods, not letting the disappointment show on his face. He shrugs like he doesn’t care, but the familiar ache settles heavily in his chest. “Yeah. Thanks.”
He keeps walking, heading for the edge of town, his path well-worn by now. He reaches the little shack near the edge of the village, where the old couple keeps watch from their creaky porch. They’d helped look after him sometimes when he was younger, giving him warm soup and gentle smiles that made his chest ache a little. When they see him approach, the old woman, stooped and gray, waves him inside, her face creased with a welcoming smile.
“Stay for dinner, Finnick?” she calls, her voice crackling with age. Her husband, nodding along beside her, pats the chair next to him, an open invitation. “We’ve got stew on the pot.”
“Thanks, but no,” he says, forcing a smile he doesn’t feel. “I have homework.” He doesn’t really, but he’s tired of their food, tired of the same stew they make week after week, tired of being reminded that he needs someone else’s kindness to get by.
They don’t argue, just nod and wave as he turns back toward the shore. He’s already spent too many nights eating with them, bowls of bland stew and stale bread, everything tasting like the dust of old age. Today, he wants to be alone.
He keeps walking until he reaches the shore, the place he always ends up. He sits down, his knees tucked up to his chest, his hands digging through the sand until his fingers close around small, smooth stones. The tide rolls in slow and steady, brushing over his shoes as he picks it up and throws it, watching it arc and then disappear into the water. He throws another, then another, each one skimming the surface before sinking out of sight.
He stays until the sun dips low, the sky stretching into streaks of orange and pink that melt into the horizon. When he finally rises, dusting off his clothes, his body feels heavy, the emptiness familiar now. Something he wears. He trudges back to the small, lonely house, pushing open the door to nothing.
The house is empty, quiet except for the creak of the floorboards beneath his feet. He drops his bag on the table, heading to the kitchen to make himself dinner. There isn’t much—just some bread, a can of fish, a few wrinkled potatoes his father had left behind. Standing on tiptoes, he pulls bread from a shelf, slicing it carefully with a dull knife, eating it plain and dry because he hasn’t figured out toast without burning it yet. He stands on his tiptoes again to drag down a bowl and mashes the potatoes as best he can, the motion automatic, his hands moving without much thought.
He eats standing up, staring out the window at the last of the light fading from the sky. The house feels like it’s holding its breath, and he tries to ignore the hollow feeling in his chest, the ache that spreads through him like a bruise. He hates it. Hates the quiet, doesn’t know how to get rid of it. He used to scream and scream in hopes that it would echo back and feel like something or someone. But it’s a silence that can’t be filled by one person. He hated it for so long that he convinced himself that he liked it.
When he’s done, he rinses his bowl, puts it back on the shelf, and heads to his room.
He gets himself ready for bed. He cleans up, brushes his teeth, and climbs into bed alone, tucking the thin blankets around himself. Pulling the blanket up to his chin, the fabric rough against his skin. His gaze drifts to the window, to the sliver of sky he can see through the cracked glass. He blinks, his chest tight, his lip quivering, but he swallows the feeling down, burying it deep. He isn’t a baby. He isn’t going to cry.
But as he lies there, the empty house pressing in around him, he can’t help the way his eyes grow damp, the tears slipping down his cheeks as he stares up at the ceiling, his breathing steady, his heart heavy with a loneliness he’s too young to understand but too old to shake. He pulls the blanket up over his face.
You’re not a baby, he whispers to himself, closing his eyes against the dark. You’re not a baby anymore. And he lies still, breathing through the ache, waiting for the dawn.
-
Finnick doesn’t mind the sea. In fact, most days, he loves it. Loves the way the waves kiss the sand in endless rhythms, the way the breeze carries the smell of salt and freedom. But today, the sea feels like it’s mocking him.
It’s a slow day at the harbor, the air still and the water stretching out like an endless mirror. The boats are docked, their nets hanging empty, swaying in time with the tide. Finnick’s perched on the edge of the pier, a fishing line dangling from his hands, though he doesn’t expect to catch anything. His dad’s boat is gone again, off toward the Outer Islands.
“Another week,” the same sand-haired deckhand had said earlier, not unkindly. “Might be longer, lad. He’ll be back when the winds favor him.”
Finnick had nodded like it didn’t matter. Like he didn’t care.
But he does care. He cares a lot.
The others tease him sometimes for how often he comes down to the docks, asking if his dad’s boat is back yet. ‘Docked Odair,’ they call him with grins, their voices loud enough for everyone to hear. He laughs along with them, shrugging it off, but the words stick. They always do.
“Oi, Finnick!”
He glances up to see Nyle and Mareen, the twins from school, waving at him from the shore. They’re a little older, the mayor’s kids, with hair always combed neat and clothes that aren’t patched three times over. He knows they’re here for the same reason they always are—to hover, to chat, to bask in whatever scraps of his attention they can gather.
“What’re you doing all the way out here?” Mareen asks, her voice light as she approaches. She’s holding her sandals in one hand, her bare feet sinking into the sand.
“Fishing,” Finnick replies simply, his eyes on the line.
Nyle snorts. “Out here? You know you’re not gonna catch anything like that, right?”
Finnick shrugs, reeling the line back in. “Guess I like the quiet.”
He knows it’s a lie the moment he says it. The quiet isn’t what he likes—it’s what he’s stuck with. Quiet means his Pa isn’t back yet. Quiet means another night in an empty house, eating dinner alone. Quiet means nothing to do but think.
“Hey, Finnick,” Mareen says, sitting down on the pier beside him. Her smile is wide, too wide, like if she makes it big enough he won’t have any choice but to see it. A gift instead of a natural reaction to seeing him. “We’re having a picnic later. You should come.”
Nyle flops down on Finnick’s other side, grinning. “Yeah, bring your charm, man. My sister won’t shut up about it.”
Mareen flushes. “Shut up, Nyle.”
Finnick doesn’t respond. He just lets the line dangle in the water, staring out at the horizon. He doesn’t want to go to their picnic. He doesn’t want to hear their chatter or play their games or pretend that he fits into their polished little world.
“I’ll think about it,” he says anyway, because that’s easier than saying no.
The twins talk over him, voices overlapping as they tease and laugh. Finnick nods along, throwing in a word or two when it feels necessary, but his mind is elsewhere. He watches the waves, watches the sunlight dance on the water, and wonders if his Pa is out there somewhere, hauling nets under this same sky.
Eventually, the twins get bored. They wander off, leaving Finnick alone with the waves and the faint hum of the harbor in the distance. He stays there for a while, the fishing line still in his hands, even though he knows they were right. He won’t catch anything.
When the sun dips lower in the sky, Finnick finally stands, brushing sand from his pants. He heads home, his footsteps slow, dragging through the dirt paths that lead back to the small house.
Finnick moves through the familiar motions—untying his boots, rinsing his hands, fixing himself something to eat from the scraps in the cupboard. The bread is stale, the fish salty, but he doesn’t mind. He eats standing by the window, staring out at the fading light.
When the dishes are clean and put away, Finnick climbs into bed, pulling the thin blanket up to his chin. He stares at the ceiling, his chest tight, his mind restless. He thinks about the twins and their laughter, about the men at the docks, about the boat that might not come back for another week, or two, or more.
You’re not a baby anymore, he tells himself, blinking up at the dark. You don’t need anyone.
But the thought doesn’t feel true, not really. Not tonight.
As he drifts off to sleep, he dreams of the sea. Of waves crashing against the shore, of nets full of fish, of Pa’s voice calling his name, as happy to say it as Finnick is to hear it. He dreams of home, the kind that isn’t empty, and for a little while, the quiet doesn’t feel so heavy.
-
The first time his father called him Odair Jr., Finnick felt a swell of pride so big it threatened to burst out of him. He was four, maybe five, standing on the deck of their little boat, the salt air sharp in his lungs.
The sun hadn’t fully risen yet, but the sky was already streaked with pale pinks and oranges as Finnick clambered into the small boat. The cool morning air smelled fresh and crisp. His pa was already at the helm, his broad back to Finnick as he maneuvered the boat out of the harbor. The wooden planks creaked under Finnick’s feet, and the soft slap of the waves against the sides of the boat made everything feel alive, as if the ocean itself was welcoming him.
"You ready, lad?" Pa asked without turning around. His voice was low, steady—the same voice Finnick had heard a thousand times before, but now it felt different, like it was meant just for him.
"Yeah," Finnick said, trying to sound more confident than he felt. He wasn’t sure what he expected, but the reality of it was even better. The boat rocked gently beneath his feet, and he could see the wide expanse of the sea in front of him—endless, blue, and full.
Pa smiled, his face lined with the deep creases of years spent under the sun. "Good. I’m going to teach you how to read the sea today. You’ll know where to fish and when. It’s in the water, Finn. You just have to learn to listen to it."
Finnick nodded, his heart swelling with pride. He’d always wanted this—his father's attention, his approval. His mother used to say he looked like him, but it was more than just the way his features resembled the older man’s. It was this, the way his father’s hands worked with the ropes, the way he handled the boat with the ease of someone who had done it his whole life. Finnick wanted to be that, wanted to be him—strong, capable, and confident.
Pa handed him the nets. “You take this end. Watch me,” he said, guiding Finnick’s hands. "The sea’s like a woman, Finn—treat her right, and she’ll reward you. Treat her wrong, and she’ll show you who’s boss."
Finnick looked up at him, eyes wide. "What do you mean?"
Pa's lips curled up at the edges. "The sea’s got moods. She’s gentle one day, rough the next. You’ve got to feel her, not fight her. You’re in her world now. Just like you’ll be in mine one day." He slapped Finnick’s back with a hearty laugh.
The warmth of his father’s hand on his back was searing. It felt like he was being given something important. He smiled and nodded, his chest puffing out just a little bit more.
They worked together in the quiet of the morning, casting the nets into the water. Finnick watched the way his father moved—fluid, confident, as if he were one with the sea itself. He felt something stir inside him, a deep, aching desire to prove he could do this, too.
“Ready, son?” Pa’s voice broke through his thoughts, and Finnick nodded without hesitation.
The boat rocked beneath his feet, but his father’s big hands steadied him, his voice low and warm.
“Look at you,” his pa said, his grin wide beneath the shadow of his weather-beaten cap. “Odair Junior, eh? You’re a natural.”
Finnick had grinned back, wobbling as he tried to mimic his father’s stance—feet planted wide, knees slightly bent, hands gripping the net like he’d been born to it. His pa laughed, a deep, rolling sound that seemed to carry over the waves, and Finnick felt like the whole world was smiling with him.
They spent the day like that, his father showing him how to spot the best fishing lines, how to tie different boating knots, how to read the water like it was speaking to him.
“The sea tells you everything you need to know,” Pa said, his accent curling the words in a way that made them sound like a secret.
By the time they returned to shore, Finnick’s arms ached and his face was sunburned, but he couldn’t stop smiling.
He wanted to tell his ma about everything he’d done, about what pa had called him. But when they got home, she was already in bed, her figure small and still beneath the thin blankets. His pa’s smile faltered, just for a moment, before he clapped Finnick on the back and told him to get washed up.
Finnick’s father was a man built by the sea: Kaius Odair.
His skin was darkened and rough, creased like the wood of his boat, and his hair was streaked with silver long before Finnick’s time. He was tall, broad-shouldered, with hands as big as Finnick’s whole head, calloused and strong from years of hauling nets and tying ropes. But it was his eyes that Finnick remembers most. Green as shallow tides, with a sharpness that could cut through the thickest fog. His father’s gaze could command a room—or a crew—with a single look, but there was a softness there too, hidden beneath the layers of salt and wear.
“He’s got your eyes,” Finnick used to hear from the women in the village, the very same ones who'd swear his eyes were his mother's after the sadness took her away. “Spitting image of his mother, but those eyes? Those are yours.” His father would smile at that, a quick, fleeting thing, and ruffle Finnick’s hair.
“Good thing he got her looks,” he’d say, his voice low and teasing. “Don’t need another face like mine scaring the fish away.”
-
Finnick’s feet sink into the wet sand as he walks along the beach, hands shoved deep in his pockets. He doesn’t know why he always ends up here—maybe it’s habit. Really, he has nowhere else.
The tide is out, the waves lapping gently at the shore. He picks up a shell, turns it over, and hurls it into the water. It skips twice before sinking.
He wonders, not for the first time, what his life would have been like if his mother hadn’t walked into the ocean that night. Would she be standing here now, calling him back for dinner? Or would she still be in bed, staring at the ceiling while he whispered stories to make her laugh?
The truth is, he doesn’t know. And that, more than anything, makes him angry. Not knowing.
He kicks a piece of driftwood, sending it tumbling down the beach. He knows she wasn’t well. His father always said the sea took her, that she didn’t mean to go. But how could she just leave him behind?
-
The days—years after his mother’s death felt heavy in a way Finnick doesn’t have the words for. The house, once filled with the quiet hum of her voice and the soft shuffle of her steps, is now still. His father’s movements are slow, mechanical, like he’s going through the motions of life, but not truly living it. He works harder than ever, disappearing into the boatyard for hours, sometimes days. When he returns, his eyes are shallow pools, his back hunched. His mother’s absence had hollowed them both.
Finnick sits at the kitchen table, the chair creaking beneath him. His fingers trace the edge of his mother’s favorite cup, the one she’d always used for tea. It's cracked now, the line of damage stark against its faded floral pattern.
He walks to the door of the shed one evening, watching as his father hammers away at the wood, his face set in a permanent scowl. Finnick stands in the doorway for a long time, waiting for some sign, some acknowledgment. He clears his throat. Finnick shifts his weight, his fingers curling into his sleeves.
“When will you come back home, Pa?” he asks, his voice small, unsure.
His father doesn't look up, doesn’t even stop his work. “Don't know. Tomorrow, maybe. A week,” he grunts.
Finnick swallows, but the words feel like stones in his mouth. He wants to shout, to demand more, but he stays silent.
Sometimes, he wishes his father was an angry man instead of a sad one.
-
Finnick sits on the edge of the pier, his feet swinging over the water as he watches the boats bob in the harbor. The sun is setting, turning everything gold and pink, but he’s barely paying attention.
The deckhand said something earlier. Something about how lonely it must be, being an only child.
Lonely.
Finnick frowns, kicking his heel against the wood. It hurts. He does it again. He doesn’t know why the word feels so weird, but it does.
The waves slap against the posts below, steady and soft, and Finnick closes his eyes for a second. He tries to imagine someone sitting beside him.
An older brother, maybe. Someone big enough to make the kids at school leave him alone. His brother would probably be strong, with broad shoulders like Pa’s. He’d show Finnick how to tie better knots, how to throw a punch the right way, how to stop feeling so small all the time.
His brother wouldn’t let the house be so quiet. He’d tell jokes at dinner or sing the shanties their pa used to hum when Finnick was little. He wouldn’t make Finnick wait alone, standing at the docks every day, hoping their pa might come back sooner this time.
Sometimes, he thinks it might be nice to have a sister instead. A big sister who’d teach him how to look for the good fish or help him build something better than a lopsided sandcastle. Someone who’d let him follow her around without rolling her eyes.
He picks up a pebble from the pier and turns it over in his fingers. “Do you think Mom wanted more kids?” he whispers to no one. He doesn’t really remember her face anymore, not clearly, but he remembers her voice sometimes. Soft. Quiet. He doesn’t think she smiled a lot, but when she did, it made her whole face look different.
Maybe things would’ve been different if she hadn’t left.
Finnick throws the pebble into the water. It skips once, twice, before sinking out of sight.
Other times, he pictures a little brother instead. Someone smaller, someone who’d look up to him the way Finnick always looked up to Pa. He’d teach him how to swim, how to hold his breath underwater, how to pick up crabs without getting pinched. If anyone teased him at school, Finnick would stand in front of him, arms crossed, until they backed off.
He thinks about a little sister, too. Someone with a laugh that could make the house shake. He’d show her where to find the best shells, how to braid seaweed into her hair. He’d carry her on his back to the market and make her dinner when Pa was gone. He’d promise to keep her safe.
But, like his parents taught him, an Odair's promise doesn't mean much at all.
The dock creaks under his weight as Finnick shifts, picking up another pebble. He rolls it between his fingers, frowning at the horizon. He wonders if his pa ever thought about having more kids. Or if they talked about it, before she walked into the sea.
Finnick throws the pebble harder this time, but it still sinks. Everything does, eventually.
He pulls his knees up to his chest and rests his chin on them, staring out at the water. It’s not like he’d wish a sibling into this life—not with the Games waiting for them like a storm cloud that never goes away. But still, he wonders what it might have been like.
How it might feel to share the waiting.
Someone to sit with him on the pier. Someone to hold it all with him and help carry the weight.
Someone he could be proud to look like.
But there’s no one else. There never was.
-
“Finnick!” Mareen’s voice rings out, bright and eager, as she waves to him from the shore.
He’s sitting on the edge of the pier, his feet dangling over the water, a fishing line in his hands. It’s all the same as before. He doesn’t look up, pretending not to hear her until she’s closer.
“You’re out here again?” she asks, tilting her head. Her sandals dangle from her fingers, her toes curling against the wooden planks. “What are you even fishing for?”
“Nothing,” Finnick replies simply, reeling the line back in.
Nyle appears beside her, his grin wide and teasing. “You just like looking dramatic, don’t you?”
Finnick rolls his eyes. “And you like hearing yourself talk.”
The twins laugh, their voices overlapping as they settle beside him. They’re always like this, popping up wherever he is, dragging him into their orbit. Part of him finds it annoying, but another part…another part didn’t mind.
He tells that sad, lonely part of himself to shut up.
“You’re so serious all the time,” Mareen says, leaning her chin on her hand. “It’s kind of cute, you know.”
“Don’t you have someone else to bother?” Finnick asks, though his tone has as much bite as a guppy.
Mareen grins, her eyes glinting with mischief. “Yeah, Finnick. You’re just so…damn mysterious.”
Her voice catches slightly on the curse, like she’s not quite sure how to use it. The word sits heavy in the air, awkward and out of place. Finnick glances at her, raising an eyebrow, but doesn’t say anything.
Nyle, not wanting to be outdone, leans in with a smirk. “Yeah, you’re so mysterious, it’s damn annoying.” He stretches the word out, as if saying it slower will make it sound more natural. It doesn’t.
Finnick exhales sharply through his nose. “You two sound ridiculous.”
“What? No, we don’t!” Mareen protests, her cheeks flushing. “We curse all the time. Like sailors!”
“Real sailors,” Nyle adds, puffing up his chest.
Finnick rolls his eyes again, turning his gaze back to the water. “Sure you do.”
The twins exchange a look, deflating slightly, but they quickly recover. Mareen nudges Nyle, who nudges her back, their laughter bubbling up again as if they can’t stay serious for more than a moment.
“You’re no fun,” Mareen declares, sticking her tongue out at him.
“And you’re too much fun,” Finnick replies dryly, though there’s a faint twitch at the corner of his mouth.
He stares out at the horizon again, the fishing line slack in his hands, and wonders if his pa’s boat is out there somewhere, sailing farther and farther away.
-
Finnick doesn’t like school.
Not the hard benches or the creaky desks, not the endless droning of the teacher who talked more about the Capitol than anything useful, and certainly not the other kids who always whisper about him. The classroom smells of chalk dust and sweat, the air warm and stale, the kind that makes his skin itch. Every day feels like the last—a steady crawl of hours marked by the sun shifting across the classroom floor.
At lunch, he sits alone, chewing on the dry bread his father left for him that morning. The crust scrapes his gums, but he barely notices. His eyes are fixed on the window, on the thin strip of blue that peeks through the grime. Beyond it, he knows the sea is waiting. The waves seem so much closer than they are, as if he could step out of the classroom and straight into the surf.
He wonders what it would be like to spend the whole day out there, toes digging into the wet sand, watching the tide roll in and out. He imagines the salty spray of the water on his face, the sun warming his skin. It feels like freedom, and so out of reach.
“Your mom was weird, too,” a voice cuts through his daydream.
Finnick freezes.
It’s one of the older boys, leaning over his desk with a smirk. His voice is loud enough to carry, but not loud enough for the teacher to care. “Always quiet. Always sad. Guess it runs in the family.”
Finnick doesn’t respond. He just clenches his fists under the desk, his nails digging into his palms. He doesn’t let the boy see the anger bubbling under his skin. He’s good at that—at staying quiet, at keeping things locked down, far, far away.
Eventually, the boy gets bored and moves away, laughing as he joins his friends. The sound of their voices fades into the dull hum of kids talking and eating and talking some more, but Finnick’s chest feels tight, his heart pounding against his ribs. He should have punched him.
What makes him angrier than anything is not what the boy said, but the fact that he may remember more about Finnick’s mom than Finnick does.
It’s not fair—none of it is fair. Other people have these perfect, vivid memories of her, while his own are nothing but fragments: the way her hair smelled like saltwater, the hum of her voice when she thought he wasn’t listening, the cool press of her hand against his forehead when he was sick.
Some days, he wonders if he’s making it all up.
The rest of the day passes in a blur, a long stretch of waiting for something—anything—to change. The teacher’s voice drones on, the words blending together into meaningless noise. The other kids whisper and snicker, their voices grating like sand in his ears.
When the bell finally rings, Finnick grabs his bag and slips out of the classroom before anyone can stop him. He doesn’t head home right away—he walks toward the docks instead, his feet moving automatically, the sound of the waves growing louder with each step.
The tide is low, the wet sand glinting in the afternoon light, and he stops at the edge of the pier, his bag slung over his shoulder. For a moment, he just stands there, staring out at the horizon. The sea stretches endlessly before him, the waves rolling in a steady rhythm, and he wonders—not for the first time—what it would feel like to let the sea carry him away. He’s never felt closer to his mother.
-
[10]
The first thing Finnick notices when his father comes back is how much older he looks. His face, always tanned and weathered, seems more lined now. His shoulders, usually strong from hauling nets and working on the water, now sag, as though they carry something heavy and invisible that he can't put down.
“Finn,” his father says, his voice low and gruff. He drops a small bag onto the kitchen table, filled with the usual trinkets—shells, carved figures, bits of polished stone.
Finnick doesn’t rush to greet him. He just sits at the table, arms crossed, watching as his father moves around the room. The silence between them is thick, the kind that's settled over their home ever since his mother’s death. He doesn’t ask where he’d been, or how long he’ll be staying this time. He already knows the answers. Out and Don't know. His father’s return is never something to celebrate. It’s a pause in the dragging boredom, nothing more.
“Brought you something,” his father says, pulling a small charm from his pocket. It’s a smooth piece of driftwood, carved into the shape of a fish.
Finnick takes it, turning it over in his hands. The carving is small—about the size of his palm—and it feels rough, the edges uneven. His father has handed it to him with barely a word, the gesture almost absent. The lines of the fish don't remind him of the waves his father can read so well. They don't remind him of the sea at all. They feel like something forgotten, or a half-finished thought.
“Thanks, Pa,” Finnick mutters, his voice quieter than he means it to be. He sets it on the table.
He glances up at his father, hoping for more. Maybe a smile. Maybe something to remind him of the man who once called him Odair Jr., who had taught him to read the sea and pull the nets. But his father doesn’t look up. His rough, calloused hands keep working on something in front of him, automatic, his attention fully absorbed in the task at hand.
“Put it with the others,” his father says absently.
“Yeah,” Finnick replies, his voice flat. He rubs the fish charm between his fingers, feeling its grain, but it doesn’t soothe him.
His father hesitates for a moment, his hand resting on the back of a chair. He finally speaks, his voice rougher than usual. “You’ve been managing alright?”
“I guess,” Finnick replies, his voice flat. “Same as always.”
There’s a pause. Finnick feels it pressing down on him. His father nods slowly, but the movement seems to be more for himself than for Finnick. The words hang in the air.
His father sits down slowly, his movements stiff, almost reluctant. Finnick watches him, waiting for something—anything—but his father just stares at the table, his hands folded in front of him.
The driftwood fish charm sits between them, small and unimportant. His father hadn’t even looked up when he gave it to him. Finnick shoves the charm into his pocket and turns away, walking toward the window where he can see the sea. But the ocean feels far away now, as distant and uninviting as his father.
His father is here, but not really. And Finnick, for the first time, isn’t sure if he wants him to be.
-
Finnick crouches by the shoreline, his toes digging into the cool, damp sand. The sun has just begun its climb, casting a golden glow over the water, but the village is already awake. He can hear the hum of activity behind him—men shouting, nets being hauled, the rhythmic clatter of crates against the docks.
He should be helping. His father always said that every able hand was needed, but Finnick likes these mornings to himself, when the tide is low, and the world feels full.
He drags a stick through the sand, tracing lazy patterns—swirls, lines, a crude sketch of a boat. His eyes dart to the horizon every few seconds, scanning for his father’s return, though he knows better than to expect it.
“Morning, lad.”
The voice startles him, and he turns to see Old Garris, one of the harbor workers, standing a few feet away. The man’s face is creased like an old map, his eyes kind but weary.
“Your dad’s not back yet,” Garris says gently, as if Finnick hasn't already figured that out.
“I know,” Finnick replies, shrugging. He turns back to his drawing, trying to appear unfazed.
Garris doesn’t say anything else. He just nods and moves on, his boots crunching against the rocks. Finnick watches him go, a small pang of envy tugging at his chest. Garris has a son, an older boy who works alongside him, their laughter echoing across the docks.
Finnick imagines what it would be like to have that—someone steady, someone who’d stay. But then he shakes the thought away, burying it beneath the sand.
-
He can still hear his ma humming sometimes, though he knows she’s not there. But for a moment, it feels like she’ll walk through the door, arms full of whatever she gathered that day.
His father always said it wasn’t her fault. She didn’t want to leave.
Finnick wants to believe him. But sometimes, especially in the long, quiet nights when the house feels like it’s swallowing him whole, he can’t stop the anger from creeping in.
She should’ve stayed.
The thought always comes sharp and cruel, and he hates himself for it. He knows she didn’t have a choice. But that doesn’t stop the ache in his chest, the anger that rises when he thinks of how she used to hold him like he was the only thing keeping her tethered to the world. But he must’ve imagined that too, because he wasn’t enough to make her stay.
Finnick stands at the window again, forehead pressed against the cool glass. His breath fogs the pane, and he wipes it away, trying to focus on the horizon.
His father used to say his mother loved the sea. She was happiest by the water. Finnick wishes he could feel that connection, could believe the sea took her because it couldn’t bear to let her go.
He doesn’t.
Why couldn’t you stay?
The question burns hot and bitter, and then another follows, twisting his stomach:
Wasn’t I enough to make you stay?
-
The harbor is quiet except for the steady lap of waves against the shore. Finnick sits cross-legged on the dock, a spool of rope in his lap, his fingers fumbling with the loops of a knot. His brow furrows in frustration—it isn't coming together like he wants.
“You’re crossing it wrong,” his father’s gravelly voice comes from behind. Finnick startles. He hadn’t even noticed his approach.
His father steps closer, crouching beside him. “Here,” he says, taking the rope. His hands, calloused and sure, moved deftly, looping and pulling the strands with practiced ease. “Like this.”
Finnick watches closely, his heart racing. It has been so long since his father has noticed him, let alone helped him with anything. When he hands the rope back, Finnick takes it carefully, his fingers tracing over the knot.
“That’s it, boy,” his father says, a flicker of a smile tugging at his lips. “Haven’t seen anyone tie a knot like that in years.”
Finnick’s grin breaks through, wide and triumphant. “You taught me,” he says, his chest swelling with pride.
His father pauses, his green eyes meeting Finnick’s for the first time in what feels like forever. They soften, a faint light sparking in them that Finnick thought had been extinguished so long ago. “Did I?” he murmurs, almost to himself. “Guess I did. Don’t know where the time went.”
For a moment, Finnick sees him—the man his father used to be. The one who laughed loudly and spun him around until they both collapsed in the sand. The man who told him stories of sea monsters and storms and treasures hidden in the deep. That man was still there, somewhere, buried beneath the weight of grief and silence. Finnick’s heart aches with the realization.
The moment is fleeting, as all their moments seem to be now. His father stands, his gaze shifting back to the horizon, the lines of his face hardening again. “Don’t let it tangle,” he says, his voice distant once more, and walks away.
But Finnick holds onto that glimmer, fragile as it is. His father hasn't disappeared completely. Not yet.
Finnick tries to bridge the gap, even if he doesn't know how. He trails after his father like a shadow, waiting for an opening, a chance to pull him back. Sometimes, he lingers in the doorway while his father mends nets or polishes the carvings he no longer gives as gifts.
“Wanna go to town tomorrow, Pa? There’s a festival…”
His father doesn’t look up. “We’ll see, Finn,” he mutters, and that distance yawns.
They never see. Finnick goes by himself.
Other times, Finnick tries sitting with him, side by side, staring out over the water in quiet company. He thinks maybe that can be enough—that maybe just being there will help.
“Pa, what are you thinking about?” Finnick asks once, the question tumbling out before he can stop it. He holds his breath, hoping to be rewarded for his bravery.
His father shakes his head, his gaze fixed on the horizon. “Nothing worth talking about, boy,” he says, his voice barely more than a whisper.
His face goes warm, embarrassed that he even hoped for a different answer. Finnick bites the inside of his cheek, his chest tight with the words he doesn’t say. I’m worth talking to.
Even then, he keeps trying. He mimics his father’s voice, hoping to make him laugh. He asks about his day, trying to tie knots the way his father had taught him. He even leaves little carvings of fish and seashells on the workbench, though his own hands aren't as skilled. But his father’s responses are always short, distracted. His eyes look through Finnick, as though he isn’t there at all.
“Pa,” Finnick calls one morning, clutching the edge of the table where his father works. “You wanna go fishing together this weekend? Just you and me?”
His father doesn’t meet his gaze. “Don’t know, Finn. Maybe next time.”
There is no next time. Not for fishing, not for stories, not for all the little things Finnick wants to do together. The silence between them grows heavier with each passing day, thick as the salt-soaked air of their small home. Finnick feels the distance like the pull of a tide, dragging him further and further from his father, no matter how hard he tries to hold on.
One morning, Finnick watches from the shore as his father prepares to leave again. The sky is still soft with dawn, but the harbor is as active as ever. His father moves with practiced ease; checking the nets, securing the crates, his broad shoulders hunch against the wind. Finnick hugs his knees to his chest, digging his toes into the cool sand until he feels a buried shell prick him. He wishes he would stay—or better yet, wishes he could go with him.
“Pa?” Finnick calls, small voice carried by the breeze.
His father glances up, his face shadowed beneath his weathered cap. “What is it, Finn?”
Finnick hesitates, his throat tightening. He wants to ask why his father had stopped singing, why the house felt so empty even when he was there, why he always seemed to be looking for something just beyond the horizon. But the words tangle inside him, and all he manages is, “Be careful out there.”
His father smiles faintly, though it doesn't reach his eyes. “Always am,” he says, stepping onto the boat.
But as he pushes off from the dock, Finnick notices his father pause. His hands rest on the tiller, his head turning slightly, his green eyes casting back toward Finnick. For a moment, Finnick swears his father’s gaze softened—not with the dull haze of grief or exhaustion, but with something else, something that feels like a spark of recognition.
“Finn,” his father calls, his voice low but carrying across the water.
Finnick straightens, his chest tightening. “Yeah, Pa?”
“You did good with the knots yestermorn,” his father says, his lips twitching into a small, uneven smile. “Making your ma proud. I feel it.”
And then he turns away, his figure once again solid and unreachable as the boat drifts into the horizon. But the words linger, hanging in the cool morning air like sea mist. Finnick sits back down, his fingers finding the grooves in the sand. His father had noticed. He had remembered.
It isn’t much. Just a glimmer. But it is enough to hope. Enough to try again.
Present (II) - Finnick
DISTRICT THIRTEEN
One.
Two.
Three.
Four.
Five.
Six.
Seven.
A high-pitched beep rings, echoing throughout the empty room. Seven seconds this time. Finnick isn’t sure where the sound is coming from; it’s muffled enough to elude him.
His fingers move with purpose as he loops the rope into intricate knots before untying it and starting all over again. His fingers feel raw, as raw as the skin around his eyes. Both dry and wet, his eyes go long stretches of time without blinking, where he sees nothing at all. He stares at nothing, eyes going in and out of focus. He drifts aimlessly around the room, never moving from his bed.
A bedpan, then nothing.
His vitals, then nothing.
A schedule, then nothing.
His lips are chapped and bleeding from him biting off the dry skin. But the pain from the torn skin, the metallic taste of blood is all beyond him now. His hands, his eyes, his lips, his mind—they’re all independent of each other, all these parts that used to make up a whole person.
He counts again.
One.
Two.
Three.
Four.
Five.
Six—
Fingers snap in front of him in a moment where his eyes decide they want to see after all.
“Finnick.”
Limp brown hair, tired eyes, scowl—
“Katniss.” Finnick croaks; how long has it been since he’s last spoken? “What—” His voice cracks, but he doesn't bother clearing his throat. He doesn't bother finishing his sentence. Doesn’t bother with the water at his bedside that Katniss nods at. Finnick doesn’t bother with a lot of things. Instead, he sinks his canines into the raw, post-peeled divots of his bottom lip and focuses on his hands.
The rope is knotted. The rope. He requested it. Or…was it given to him? He can’t remember which. Who would have known to give this to him? He never… Who knows him well enough?
Star.
You do. You’d know just how to help him. But if you were here, there’d be nothing to fix. If you were here—
“You were crying.” Katniss’s gruff voice startles Finnick out of his thoughts. She must not be doing much talking these days, either. “Again.”
“Oh.” He sniffs, abruptly aware of the wetness on his face. He doesn’t apologize, and he doesn’t think she’s expecting him to.
Her movements are sluggish and drawn out enough that he's able to pick them up in a world that feels too fast-paced for him to pick apart. Whether it's deliberate or not doesn’t matter to him, just slow enough for him to notice without trying.
She lowers herself into a chair across from him, stiff. Maybe each movement for her requires all the brainpower that isn't going towards her attempts of staying angry at him. She sits with her elbows on her knees, hands dangling loose and almost useless between her legs. He's reminded of how numb and useless his limbs became once the fog absorbed into them.
His heart monitor spikes, before abruptly going back to slightly above steady. Not even that can be bothered to remember its scripted response to a dangerous stimulus.
What was the point?
She doesn’t comment on it. In fact, they don't speak. She doesn't ask why he's crying. She doesn't offer comfort. She just sits there, gray eyes focused somewhere over his shoulder. At what? He'd find out if he bothered to glance behind himself.
Finnick focuses on the rope, the one thing he has complete control over. With it, the rope burns along the reinforced calluses on his hands. His hands work automatically, looping and pulling, over and over. He tries not to think about the reasons he requested it. Or maybe it was given to him. He can’t remember anymore.
The silence stretches between them, unbroken except for the sound of rope slicing through his fingers. Finnick doesn’t look up, but he knows she's still there. Solid but as steady as wet sand under his feet at high tide.
She shifts in her seat, subtle enough, but still catching attention. He glances at her, but just briefly, and notices the way her jaw tightens, the way those useless hands curl into fists.
“Why are you here?” He asks finally, because if not him, then who?
Katniss shrugs as if it's normal for them to share space and air instead of just a wall. Her gaze is still fixed somewhere unreachable. He only knows because his gaze is going down the opposite road from hers. “I don't know.”
Finnick nods, accepting her answer without question.
They sit in silence, one of the many things they now share, for a while longer—the unspoken weight of the Capitol pressing down on both of them. Finnick thinks about you—about the things they might be doing to you. He wonders if Katniss is thinking the same thing about Peeta.
She stands suddenly, the chair scraping against the floor. Finnick looks up at her, his hands stilling on the rope. “You’re not eating.”
“I know,” Finnick replies. She likely heard one of the doctors mention it while she was avoiding her own meal. He can’t tell if it’s a reprimand or an observation, something she doesn't understand, or maybe just something she wants him to know she knows.
Katniss doesn’t say anything else. She just nods once, a curt, almost awkward gesture, before turning and walking toward the door.
Finnick watches her go, the sound of her boots echoing in the hallway. Then he looks back down at the rope in his hands.
One.
Two.
Three.
-
The coarse fibers scrape against his raw fingertips, but he doesn’t stop. He doesn’t feel it. Not really.
He’s mid-loop when the sound of boots in the hallway reaches his ears. It stops outside his door, followed by the sharp click of the handle turning.
Katniss steps inside. He doesn’t remember when she even left, doesn’t know how long he was in the room by himself, raw and splintered. Doesn’t know if this is the same day or if he lost another one somewhere between the knots of his rope. She looks just as haggard as she does in his memory.
She doesn’t say anything at first. Her gray eyes scan the room, taking in the bedpan by the wall, the untouched water pitcher on the table, the schedule taped to the door. Finally, her gaze settles on him.
Her jaw tightens.
“Finnick,” she says, her voice flat, almost bored.
“...Katniss,” he replies, just as flat.
Her lips press into a thin line, and for a moment, Finnick thinks she’s going to leave. There’s none of the tentative camaraderie they built in the arena. Whatever fragile understanding they had then was shattered the moment they were pulled from the Games.
She hates him now.
He doesn’t blame her.
Back then, her hatred was born of mistrust—a natural suspicion, given the circumstances. But now, it’s worse. Sharper. Heavier. Laced with something deeper.
Betrayal.
She hates the lies, the tricks, the role he played in manipulating her. She hates him for surviving when Peeta didn’t.
That last one, Finnick understands.
He hates himself for surviving when others didn’t, for being pulled out of the arena while you were left behind. He understands the way Katniss’s hatred festers, the way it eats at her from the inside out. He understands because he feels it too.
But her hatred for him isn’t all-consuming. There’s someone she hates more.
Haymitch.
Finnick should hate Haymitch, too. The man broke his promise, his word. He’d sworn to protect you, to keep you safe, and he failed, just like Finnick had.
But Finnick can’t bring himself to hate him. Not really.
There’s only so much space inside him for hatred, and it’s already filled. His hatred for Snow burns hotter than anything else, but even that has to fight for room against the worry for you that consumes him.
Haymitch hates himself enough for all three of them. Finnick sees it in the way the man avoids his eyes, in the way he drowns himself in silence now that there’s no alcohol left to do it for him. In the way he haunts his end of the medical wing like a specter, a voiceless banshee—bringing with him the tidings of decades of death and disappointment.
Katniss doesn’t seem to notice. Or care. Her hatred for her mentor is raw, all-encompassing, and it spills over to Finnick every time she looks at him.
Like now.
She stands stiffly by the door, her arms crossed over her chest. “You’re not eating,” she says.
This feels familiar.
“I know,” Finnick replies, his voice barely above a whisper.
Katniss narrows her eyes at him, and he can feel the weight of her judgment pressing down on him.
The camaraderie they’d built in the arena is gone. There’s no trace of it left. Just the cold, sharp edge of her anger and the heavier silence that fills the space between them. Despite it all, she visits him. When she’s not wandering off on her own, she sticks close for the same reason she avoids everyone else.
No one else understands.
No one but him.
Maybe that’s why she doesn’t leave.
Despite everything, she stays.
Her eyes flick to the rope in his hands, watching as he loops and pulls, over and over. He wonders what she sees when she looks at him. A broken man, probably. Another victor crushed under the Capitol’s heel. She’d know.
She shifts towards the seats, the movement drawing his attention. When he glances at her, he catches the way her gaze softens, just for a moment, before she looks away.
Finnick knows she’s angry. Angry at him, angry at Haymitch, angry at the world. But beneath that anger, he sees something else. Something raw and aching that mirrors his own pain.
She doesn’t trust anyone else with it.
He knots the rope again, the fibers digging into his skin.
She takes a step closer, her eyes darting to the rope in his hands. “Why are you doing that?” Katniss asks, her voice quiet now, almost hesitant.
Finnick doesn’t look up. He tightens the knot. Pulls it apart. Starts again.
Just like that, Finn. You're making your Ma proud.
“It helps,” he says simply.
Katniss scoffs, but it’s a quiet sound, almost absent. She moves over to the chair by the wall—the same one he saw her in last, the same one she always occupies—like there's a gun pressed to her spine and sits. Sinking down, ropes suddenly cut, boneless and witless.
For a long moment, neither of them speaks. She sits up straighter before abruptly sinking down again.
Finnick keeps working on the rope. His fingers twist and pull, his mind looping back to you, to the Capitol, to the things they might be doing to you.
He wonders if Katniss's mind does the same thing. Work itself in familiar loops, treading familiar waters, retracing its footsteps in the sand. He always ends up in the same spot—has since he was a kid—maybe she does too. Maybe that's why she finds herself here despite wishing they were both dead.
Maybe he's mistaking her for himself.
When she finally stands some time later, or no time at all, her movements are abrupt, jerky. “I heard a new head doctor is coming,” she says, her voice clipped. “For you.”
Finnick nods but doesn’t move. It seems he scared off the last two assigned to him by the simple fact of not talking. He had plenty to say, just not to them.
Katniss hesitates, her hand on the door. She glances back at him, her expression unreadable, before shaking her head and stepping into the hallway.
Finnick listens to her footsteps fade, the silence rushing back to fill the void she leaves behind.
One.
Two.
Three.
He knots the rope again.
Haymitch
DISTRICT THIRTEEN
The light’s buzzing again.
Though it never stopped to begin with. That’s apparently a rule in the hospital wing: keep a constant dim light as opposed to a blinding white in the day and total darkness at night. It’s his only companion in this place. A sharp, incessant drone that drills into Haymitch’s skull and scrapes against every frayed nerve.
It’s loud as shit.
He told them about it. The doctors, the nurses, the officious types who march through the hallways with their clipboards and schedules inked on their arms. He’s told them about it, but they dismiss him with a dismissive nod, the kind that says they aren’t hearing a damn word he’s saying. Just another symptom of his condition, they say. Nothing to worry about, they say.
It is something to worry about. The buzzing is loud enough to crack his skull open, loud enough to melt his brain and peel his muscles from his bones. It may even kill him if he’s lucky. It hums in time with the fluids they keep pumping into his veins, trying to stave off the jaundice creeping across his skin.
They don’t take him seriously. They fill him with fluids at regular intervals, ignore his yellowing eyes, and mutter about detox like it’s an inconvenience. They’re a hyper-military district, not the sort of place equipped to deal with withdrawal. They don’t understand it, don’t care to.
He stares up at it, the light, his arms heavy and limp at his sides. He stares at it, his ally and his enemy, and wonders how he could have failed this spectacularly.
The light buzzes back.
It’s a full-time thing for now, after his heart rate dropped dangerously low, saline dripping into his veins to keep him alive just enough to suffer. His skin feels stretched too tight over his bones, sallow and thin.
“Let him ride it out,” one of them said when he was doubled over, dry-heaving bile into a bucket. “He’ll be fine.”
They don’t understand what this does to a person, how it scrapes you raw from the inside out, hollows you out. He begs for death sometimes, quietly to himself, and other times yelling it out loud. And when he’s not begging for death, he’s begging for a drop of alcohol.
The light buzzes.
Haymitch knows what they see when they look at him. A washed-up victor. A relic of the past, barely worth saving. If they had their way, they’d leave him here to rot.
Every inch of him is a sickly yellow that reminds him of the color of old whiskey bottles. He thinks of Hattie Meeny then, even though he hasn't thought of her in years. His body shakes, a dull tremor that won’t stop, no matter how tightly he grips the blanket draped over him. His throat is dry, and every breath feels like sandpaper. His nose is equally as dry. Itches like a bitch.
He hates the feeling and always attacks the offending body part with chipped nails and spite, punishing the dead skin cells for reminding him he’s alive.
It’s childish, incredibly fucking stupid, even.
But it’s even worse when he can’t reach it. His nose itches so far up that he contemplates taking the needle out of his arm just to reach it. Instead, he wiggles his nose around, sniffles obnoxiously, rubs and rubs, pinches, and stretches until he finds mild satisfaction in the sore, but itch-free feeling. That is, of course, until the stinging pain comes in. So harsh and immediate that it makes his eyes tear up, and his head whip down as something ruptures warm and wet.
A nosebleed.
The burn is almost worth it just to see the nurses’ reaction, a look of fear-tinged surprise breaking through their careful nothingness like a pickaxe when they come across him bloody and cursing and coughing. Red staining his pale white shirt, sliding past his lips, down his chin, and drip, drip, dripping onto their oh-so-pristine floors as he stumbles off of his cot to throw up—the taste of iron bleeding down his aching throat enough to trigger an abrupt and immediate revolt of stomach acid.
They try to come near him with a wet cloth, likely to clean the blood before it dries. But he knows it’s more for their benefit than anything else. So they wouldn’t have to look at the mess he made, probably can’t stand the sight of him even more now. Good.
He uses the sleeve of his cardigan to wipe haphazardly at his chin and upper lip, gathering the blood that managed to make its way into his mouth, and spits it on the floor, waving them away from him with a grunt.
They’ve made sure to put the itty bitty trash can closer in reach.
The light feels extra loud today. Louder than the voices that whisper in his head, louder than the accusations that scream at him when he closes his eyes. The buzzing drowns it all out sometimes, but not always.
Not today. Today, the guilt has free rein to roam.
He asks the light this time, “How did I fail this spectacularly?”
The light buzzes back, mocking him.
He closes his eyes, trying to block out the sound, but it doesn’t help. It’s always there, like the memories. Some of the shadows move out of the corner of his eyes; he feels them brush against his sensitive skin whenever he lets his guard down, and he knows it’ll get a lot worse before it gets anywhere close to better.
He thinks about all of you kids. His kids. That’s what you are, really. His damned kids.
Every single one. The ones who didn’t make it out of the Games, the ones who did. Every tribute from Twelve, every victor who’s walked the line between survival and surrender. More doves for him to let down.
He cares about them. He does. It’s not something he can deny, even if he wanted to. Katniss, Finnick, you, Peeta—all his, in the way only tributes can belong to each other.
He let you both down.
You and Peeta, the best of them all. The ones who still believed in something better, even after everything the Capitol had done to you. He should’ve protected you. That was his job. His responsibility.
But he failed.
And now you’re in the Capitol, suffering God-knows-what at Snow’s hands, while he’s here, tethered to a bed and staring at a light that won’t shut up.
Haymitch has spent his whole life failing the people who matter. He failed his family. Failed the tributes he couldn’t save. Failed the rebellion when it mattered most. And now, he’s failed his kids.
The buzzing grows louder, drowning out his thoughts, his regrets, his shame. He clenches his fists, the IV needle tugging painfully at his arm.
No one believes him about the light. No one believes him about a lot of things.
He thinks about Katniss and Finnick. The other two. The ones who are too much like him for comfort. Those two? They’re the hardest to look at.
Katniss with her fire, her fury, her unrelenting need to fight even when it burns her from the inside out. Katniss, so young and so angry, her edges sharp and jagged in a way that reminds him of himself before the Capitol filed him down. Nothing like Burdock was. She’s prickly and distant; she’s Twelve through and through. And that? That’s what pisses Snow off the most. That someone so beneath him managed to outsmart him. Haymitch knows—he lived it—and she’ll pay the price for it. Haymitch can see where it all might go wrong for her—how she could end up like him, or worse. Maybe not as lucky as he hoped she’d be.
And Finnick. God, Finnick, who was failed so profoundly, so spectacularly. Finnick with his charm, his secrets, the way he bends and breaks himself into whatever shape the Capitol demands. Snow forced him down a path Haymitch narrowly avoided, two different roads leading to the same gallows. He still doesn’t know which outcome is worse: the hollow life he’s living now, or the crueler one Finnick endured.
Those two, Katniss and Finnick, are fighters. Think first, question later. Products of a cruel world that forced them to become cruel in turn. And Haymitch sees so much of himself in them that it aches, like tearing open an old wound that never got to heal.
They’re too much like him. Too damaged. Too good at pretending they aren’t.
He’s tried to guide them in his own way, but what good has it done? Katniss hates him. Finnick… Finnick doesn’t have the energy left to hate him, but he should.
They’re survivors, though. Stronger than he ever was. Maybe they will survive what Haymitch didn’t: losing his love. Maybe Plutarch was right and the fact that they’re only kids won’t matter in the long run.
It’s you and Peeta who keep him up at night.
You and Peeta, who are too good for this world, too good for the Games, too good for Haymitch Abernathy.
Peeta, with his impossible kindness. Emotionally intelligent in a way that makes Haymitch’s chest ache. He’s selfless, charming, softhearted—a compassionate fool in a world that chews people like him up and spits them out. Peeta’s the kind of person you want to believe in. The kind of person worth protecting.
And you…
Haymitch remembers your Games vividly. How could he forget? It wasn’t the Capitol’s usual spectacle. The tributes devolved into savagery faster than he’d thought possible. The Careers turned on each other at the Cornucopia. The bold ones hunted at night, more animal than human. And there was that one kid, the one who ate the bodies—Haymitch can’t even think about that without feeling sick.
And then there was you.
You played the Capitol’s game. You had sponsors because you acted your ass off, but Haymitch saw through it. Not a lovable rascal, just lovable. You ran when confronted. Hid when chased. Tried to warn others off for their own good. Even with an impressive weapon in your hands, violence was a last resort for you, always.
How did you manage to hold on to your humanity in the midst of all that horror? He remembers thinking that back then too, but he…he never got around to asking you. He likely never will.
Like Peeta, you saw a light that had gone out in Haymitch a long, long time ago.
Of course, he cares about all these kids—his kids. But the two of you? He knows Finnick and Katniss would agree with him saying you’re the best of them.
And he let you both get captured, let them clip your wings.
“How did I fail this spectacularly?” he asks the buzzing light above him again and again, his voice hoarse and cracking this time, almost a prayer.
It buzzes back at him, sharp and unrelenting, mocking him, the frequency drilling into his skull. If he stays here long enough, it really might melt his brain and flay the muscles from his brittle bones.
But even that may be too kind for him. The IV bag empties with a soft click, and the nurse comes in to replace it. She doesn’t speak, just swaps the bag and leaves without looking at him.
The buzzing resumes, louder now.
He calls to his love, muttering her name over and over. He even tries her poem, muttering it with a clumsy and halting tongue.
But she never shows.
She must be mad at him; she should be. But it kills him, her becoming yet another person on the long list of people who are rightfully pissed with Haymitch.
There feels like a ball of poison, an aching nothingness, settling in his chest and against his lungs. Pressing his ribs outward and stomping on his pitiful liver that’s already waving the white flag.
Is this what it feels like to be pregnant?
No, pregnancy would come with purpose. It’s a bitter thought. This is just rot. A self-inflicted rot whittling away at the corners of his insides, reminding him that even his own body wants him dead. Instead of life growing inside, it's the absence of it. Haymitch is nurturing a slow death, incubating regret and bile and booze. It's teething on his spinal cord, filling him up like some cruel joke nature decided to play on the desperate. Curling up inside him, gnawing away like it’s starving too.
He wants to reach down his throat and sink his fingers into whatever he touches, even if it hurts—especially if it hurts. Into the rotting and stinking meat, dragging it out, kicking and squirming. See this bundle of joy with his own two eyes, just so he can know there’s something in this world more miserable than him.
Is this the alcohol draining from his veins, making sure they both hurt as it’s evicted? Or…or is this just who he is without his own special brand of medicine? It’s been so long since the last time he met himself. But what a fucking reunion, huh? No handshakes or polite smiles, just a punch to the gut and a reminder of how much he hates the company.
He doesn’t remember much about the boy he used to be, back before the bottle. Before the loss after loss after loss. Just a shadow, vague and shapeless, blurred by time and grief and things better left buried. Maybe he wasn’t worth knowing then either. He doesn’t want to meet the man beneath the booze. He’s certain he won’t like him, and the feeling would be mutual.
So he clenches his fists and wills the ache to pass, like it’s something external, something that can be outlasted. But deep down, he knows better. The real poison isn’t in the alcohol leaving his body—it’s in everything it’s taking with it.
He presses his fingers into his temples. And on top of that, the light is still so fucking loud.
He wishes Chaff were here. A friend. Someone to suffer with him. Bastard probably knew what was waiting for him in Thirteen and chose the cannon instead. The thought almost makes him chuckle, and probably would have if he weren’t so afraid of moving. It’s a better thought than the alternative—that the old boy was this close to making it out, to finding something like freedom, and just…didn’t.
Seeder visits him sometimes. But she doesn’t bring her boys.
It’s for the best. They’re good kids, but they shouldn’t have to see him like this—like a ghoul. And Haymitch can’t guarantee he wouldn’t have hated them for breathing near him, for being young and alive and unbroken.
He already snaps at Seeder, voice harsh and ugly. Every damn time she visits. It’s a vicious cycle. He can’t stop himself, but he hopes she understands. Hopes she knows it’s not her fault, that he doesn’t mean it, not really.
It’s the light.
She takes it in stride, her steady presence both infuriating and comforting. He wants to blame her. Wants to blame anyone. And every time he apologizes, she just shakes her head and sits with him anyway.
She understands; he knows she does, but it doesn’t make him feel any better. Her boys shouldn’t have to see him like this, but she shouldn’t either.
When she comes to see him today, pausing to take in the pathetic state of him and his room, he already feels Jr, his little bundle of bullshit, kicking up unjustified rage. He’s on his back and bloody, lying as stiffly as the cot underneath him, and she does nothing more than frown. She steps around the dried vomit, picks up the cloth and jug of water the nurse left behind, and begins dabbing at his skin. He flinches at the feeling of ice-cold water, glaring up at her but too weak to do more than that.
“That’s fucking freezing.” He grumbles, coming out as a wheeze when he meant to bark. She pauses and stares at him a little oddly—and he’s close to telling her to get the hell out if all she’s come to do is judge him—but she starts cleaning him again before he can. Wiping at the stubborn flecks of blood in his facial hair and at the sweat that’s left his forehead drenched. He doesn’t even know it’s there, doesn’t even notice it until she wipes it away and says:
“This water isn’t cold, Haymitch.” She hums, gentle with her movements, the first softness offered towards him in what feels like years. “It’s still room temperature.”
Oh.
“I’m losing my mind.”
Seeder shakes her head, “No, you aren’t.”
“How the fuck would you know?” He sneers and immediately feels like the piece of shit he is when she barely flinches this time, already used to him turning the venom slowly poisoning him on her. He stares up at the ceiling, mumbling a half-assed apology that he really does mean under his breath. She nods understandingly, like she always does, and doesn’t leave even though she should.
But she stops cleaning him, moves to sit in the chair beside him. It’s only a few feet away, but it might as well be a cavern. She takes the cloth and the quiet softness with her, leaving him with nothing but his own miserable company. It feels like a punishment, though he knows it isn’t
When his throat aches, his nose stings again, and tears blur his vision, Haymitch gives Seeder the only excuse that makes sense. “It’s the lights,” he mutters, his voice hoarse and brittle, like the words themselves are cracking under their own weight.
She doesn’t respond right away. He knows she’s still there—can feel the weight of her gaze—but she doesn’t rush to fill the silence. She just lets it hang between them.
For a moment, he wonders if she’s finally had enough, if she’s going to leave him to rot like he probably deserves. Her silence presses down like the damn IV in his arm, heavy and relentless, and the association he’s made up has given him yet another reason to be angry at her. He expects her to brush it off, to press a cold cloth to his forehead, or start talking about his recovery like it’s something he can plan on a chart.
Instead, she surprises him. “I miss him too,” she says, her voice low and soft. His chest tightens.
The words hit him hard, cutting through the fog in his head like a sharp breath of cold air. He opens his mouth to respond, maybe with something half-clever or half-cruel, but nothing comes. Haymitch blinks, the buzzing light above him suddenly louder, harsher, but not enough to drown her out.
He doesn’t need to ask who she means. And she doesn’t say it outright either. He’s glad; he wouldn’t be able to handle hearing Chaff’s name outside of the confines of his mind.
Of course, she misses him. They all do.
The room feels smaller all of a sudden, or maybe just quieter. Haymitch swallows hard, dragging the heel of his palm across his nose, not bothering to react to the pain of semi-dried blood pulling at his nose hairs.
Haymitch squeezes his eyes shut, wishing she hadn’t said it, wishing the words didn’t hit the soft, tender parts of him he’s spent years pretending didn’t exist. He lets the words settle like the faint hum of the sea he can almost remember. But Haymitch has never seen the sea in person, so he’ll never be able to remember it, even if he tried.
He waits for the anger that usually follows Seeder’s visits to flare, but it doesn’t. There’s nothing left to burn.
“I’m glad one of us can say it out loud,” he manages after a long moment, his voice scraping against the silence.
Seeder’s eyes stay on him, calm and steady. “Doesn’t make it easier.”
“No,” he rasps. “It really doesn’t.”
The weight of his own words pulls Haymitch’s gaze from the ceiling. He opens his eyes and turns his head just slightly, enough to catch the edge of her expression—the tight line of her mouth, the shadows under her eyes. The grief that mirrors his own.
He doesn’t know what else to say. Doesn’t know if he even can say anything. So he settles for the truth, raw and uneven as it feels on his tongue. “Bastard probably had the right idea,” he mutters, his eyes flicking back to the ceiling. “He knew what this place would do to him.”
Seeder huffs out a breath that’s almost a laugh, though it sounds more like a sigh. “If he were here, he’d tell you to stop wallowing and get your ass up.”
Haymitch can hear him saying it now.
“He’d tell me to pour him a drink first,” Haymitch counters, though there’s no venom in his tone. Just a quiet, aching fondness.
Seeder exhales sharply, a sound somewhere between a laugh and a sob. “You gonna make me miss you too, Haymitch?”
The words hit like a gut punch, and Haymitch clenches his fists, the IV tugging painfully at his arm. He doesn’t answer because what the hell is there to say to that?
For a long time, neither of them speaks.
He swipes at his nose again with the sleeve of his already blood-streaked shirt. He shouldn't have said anything. Shouldn’t have cracked the door open.
He tries to swallow, but his throat is too dry. His chest trembles with something he isn’t ready to call crying.
“…Remember when…” The words come out broken, half-swallowed, and gasping between breaths. “He’d…hide that damn flask in his prosthetic? Thought he was so clever.”
Seeder huffs quietly, shaking her head with the faintest flicker of a smile. “He was clever. We just pretended not to notice.”
Haymitch lets out something that could be mistaken for a laugh—if not for the sharp breath that follows, hitching painfully. It hurts his throat. “One time…he forgot it was in there during Snow’s banquet. Or maybe a birthday. Took it out and the whole thing clinked—loud as hell during a speech. I thought the Peacekeepers were going to drag him out right there.”
Seeder chuckles softly, shaking her head. “And what did he say?”
“Said it was ‘for emergencies only.’ Told Snow he’d been gifted it by some high-ranking Capitol official and didn’t want to be disrespectful.”
“And they believed him.” Seeder sighs, exasperated but fond.
Haymitch’s lips twitch, but the smile doesn’t last. “Should’ve been here,” He mutters. His voice is hoarse, the weight of it dragging through the sterile air. “He’d have hated this place, but—he should’ve made it.”
Seeder’s expression flickers—briefly—before settling into something unreadable. She doesn’t answer right away. Her hands fold neatly in her lap, and for a long moment, the only sound between them is the quiet hum of the IV drip.
Then, softly—like it’s not meant for anyone else but him—she says, “It’s not the same without him.”
The ache in Haymitch’s chest tightens like a fist around his ribs. “Yeah. Well.” His lips twist bitterly. “We could use his bullshit right about now.”
The memory sits between them, like something fragile wrapped in glass. It stretches just long enough to remind them of what they’ve lost before the weight of absence settles in again.
Haymitch’s grip tightens around the edge of his blanket. His knuckles ache from holding on too hard, too long. The ache beneath his ribs sharpens, rising until the pressure feels unbearable. He feels it rising—grief, anger, guilt—swirling under his skin until the only thing left is exhaustion. “Shouldn’t have been him.”
“I know,” she says quietly.
Haymitch doesn’t look at her when he feels the first tear slip down his cheek, doesn’t bother wiping it away. His breaths come quicker, chest tightening as the weight of everything bears down on him again. It breaks him down and doesn’t bother remaking him.
“I can’t do this,” he gasps, his voice breaking. “I can’t…”
Seeder doesn’t argue. Seeder doesn’t try to fix it. Doesn’t pretend it’s something he can shake off. Seeder doesn’t move to comfort him.
“I know.” She nods, “You’re doing it anyway.”
It’s not the answer he wants, which probably means it’s the one he needs. She leans back in her chair, her presence grounding in a way that makes him want to scream and sob all at once.
The light buzzes on, relentless as ever. But Seeder doesn’t leave. She stays in that chair, shoulders slightly hunched, staring at nothing—maybe the same nothing Haymitch’s been drowning in. She doesn’t leave, even as the hours drag on and that out-of-body irritability and anger unthaws. And for the first time in what feels like forever, Haymitch doesn’t beg her to go.
Haymitch doesn’t thank her. He doesn’t have it in him. But when she reaches for the cloth again, wiping the dried blood from his chin, he doesn’t pull away.
Summary: More time has passed in District Four and you're slowly acclimating to your situation; however, it soon becomes apparent that things were too good to be true when you slip up.
A/N part one: Another time jump! Like I said in the last post, I'll probably be doing more time jumps as the series continues on. Once we hit that sweet sweet lovin' with our resident fish boy, it'll be more consistent in terms of storyline pacing.
part four
—————————
It's been a little over a month now and things are... better.
Somewhat.
It's hard to tell at times because you're trying not to think about it too much. Because then you'll spiral and it'll be harder to keep your story straight. However, you haven't spiraled too much since that night when you overheard Finnick questioning your stay once more to Mags and you broke down in the safety of your room.
Crazy to think of it as my room, you huff a laugh as you continue on your walk into town.
You're on your way to Deena's shop to work a shift. You had stopped back in shortly after Mags introduced you during your initial shopping trip, and you had asked Deena if she needed any extra hands around the store. She had lit up at the inquiry, immediately asking what your availability looks like and if you'd ever worked in a similar job before back in your home district.
You couldn't exactly tell her that you've had plenty of retail and customer service experience, from working at Target to waiting tables a a local restaurant in your hometown, because she would look at you like you had a second head at the mention of these random store names.
Granted, you wouldn't have to mention any of the stores, but just to be on the safe side, you say that you haven't had much work experience aside from helping out your family.
Deena wasn't put off by this, instead opting to show you around the store a bit more, explaining certain aspects of how she runs things -- what inventory looks like, how her prices work, the usual factors involved in retail.
You've been working there for the last couple weeks and it's been so nice.
Nicer than your previous jobs.
The big difference between Deena's store and your past experience was that there didn't seem to be any other employees and Deena was extremely easy-going. Your previous work experiences weren't the best, seeing as some of your old coworkers loved to mess with your work locker ("It's not like you really needed those chips, right? You've got plenty in reserves!") and constantly made jokes about your weight ("I don't get why our manager thought hiring Miss Piggy over there would do the company any good"). Plus, your managers never did anything to stop it because there wasn't really any proof you could procure to show what was happening and why would they listen to the newbie compared to their seasoned employees?
Thank god I don't have to see those douchebags again, you think as you push open the door, the bell above letting out a small chime.
"Hi sweetie! I'm so happy you're here -- I got something to show you!" Deena shouts from the back room behind the front counter. You quickly drop off your bag underneath the countertop and shuffle into the back, trying to locate where Deena might be.
Suddenly, there's a CRASH! from your left and you startle a bit as a few boxes tumble over from one of the stacks piled high all around the room.
"Ah shit, I did not mean for that to happen. None of the boxes hit you, right?" Deena pops up from behind the other stacks, dust particles floating around her slightly frizzy hair as she brushes her hands off on her pants. She's dressed in a comfy frock today, lightweight to combat the heat that seems to be taking over in Four.
You smile and shake your head, "None of the boxes hit me. Are you okay? It seemed like a pretty big stack to fall."
Deena lets out a small chuckle, waving off your worry with a wink. "Not the first tower to fall, certainly won't be the last! That's not what I wanted to show you though. It's over here, c'mon."
She leads you to a different stack, one that's a bit more sturdy and has an open box on top. You peer in and see an assortment of what appears to be materials to make jewelry -- brightly colored beads, different types of textured string, various clasps and hooks for necklaces, bracelets, and earrings.
Deena gives you a bright grin, "Neat, huh? I got the shipment in yesterday and haven't sorted through things yet, but I figured this could be a little project we work on during slow days. I've always wanted to sell something alongside the clothes and haven't found any good jewelry places that aren't ridiculously expensive to buy from."
"This is so cool! I used to love making bracelets when I was growing up." You slowly dig through the box, taking in the different color schemes and types of beads included as your brain starts to put together some ideas of potential products you could create.
"Back in Nine right? Did you ever think of selling some of your creations? I'd love to see some of your work if you brought any with you to Four!" You stiffen up while Deena's talking, not even realizing your slight slip-up when talking.
It's okay, it's nothing big. Nothing I can't fix.
You shake your head and try to not waver when speaking, "Sadly, I didn't have time to grab too many things when I was heading out from my house. We were running late to head to the train station and we had been busy with a few issues at the house, so I only really had time to say goodbye before I left."
Deena nods, but seems to still have some lingering confusion. She promptly jostles herself out of it, "Anywho, I thought that today could be an inventory day. We'll go through, take note of what came in, and put it away on the storage shelves back here. Then we'll probably call it a day as I'm not anticipating too many customers today seeing as the market by the docks is open."
You let out a small breath you didn't realize you were holding and get to work. Soon enough, you both fall into a rhythm and before you realize it, the day has turned into evening and your shift has come to an end. You bid Deena goodnight and grab your things, moving towards the door. Before you can exit though, Deena's voice calls out to you once more.
"Oh, by the way, I just wanted to say I'm really thankful for your help around the store! It's been nice having another person here." She appears almost bashful at admitting the last part and you have a slight realization that perhaps you and Deena aren't that different. You've appreciated having another person asides from Mags to talk to, seeing as Finnick still isn't making any attempt at getting to know you.
Your face softens and you shoot her a grateful smile, "I've enjoyed helping out! I... it's nice to know another person in Four." Deena's bashfulness morphs into appreciativeness, a shared look of understanding passing between the two of you.
"Well, sweetie, you've got a friend in me! We'll have to get together sometime outside of store hours, maybe go for a drink down at the pub near the water."
"I'd love that." With that, you slip out of the door and start the trek back to Victor's Village.
You make it back before dusk settles in, taking in the beautiful sunset that's slowly fading along the water's horizon as you walk up the path towards Mags' house. You're surprised you haven't run into Finnick yet and while opening the front door, it dawns on you that you haven't seen him in the past few days.
Weird, usually he's over here dropping something off for Mags.
You toe off your shoes and call out for Mags. Muffled noises are coming from the kitchen, so you figure that's your best bet on where she might be.
You wander in and are greeted with the delectable scent of garlic, onion, and fresh bread. You smile at Mags who turns away from the stove and gives you her usual greeting.
"How was your day today?"
She shrugs her shoulders, shaking her head a bit. You've come to know that as her way of saying same old, same old.
You lean against the island across from her, "Well, it smells wonderful in here! What are you making?"
She gestures to a recipe lying on the counter and slides it over your way. You can see at the top, Finnick's Famous Pasta!, written in a scrawl different from Mags' usual writing.
Oh, it must be one of Finnick's recipes then. You hum as you push it back her way. Mags motions towards you.
How was your day?
You beam a bit, "It was great! Deena actually got some really neat things in her last shipment, so we spent the day going through inventory and putting away the new items. She's wanting to make her own jewelry!"
Mags' face brightens at this and she reaches over the squeeze your hand, pleased that work seems to be going well for you. She turns back to the stove to stir the sauce that's simmering in a pot next to some boiling water, awaiting the fresh-looking pasta resting off to the side. She glances at you over her shoulder, nodding towards the table.
Go sit down.
You head to the table, sitting in the chair that you've claimed as "yours" over the past month. You look out the patio door as Mags finishes up cooking dinner and soon enough, the two of you are indulging in the slight feast that Mags has laid out for you.
Finishing up a bite, you wipe your mouth with your napkin before speaking, "Is Finnick joining us tonight? I noticed that he hasn't come around the last couple of days."
Mags was about to take another bite of her pasta, but freezes up at your question. You've gotten to know her better since you appeared on the beach, and as such, you feel like you've gotten pretty good at reading her expressions and body language.
Because of this, a sinking feeling starts developing in your stomach because of how she seems to brace herself after processing what you asked.
She locks eyes with you, seeming to be at a loss for what to say.
And it's in that moment that you remember who exactly you're living with... which book series you found yourself literally immersed in.
Fuck, I can't believe I forgot.
You mentally berate yourself because the answer is right there in Mags' eyes.
"He's in the Capitol, isn't he?"
A brief glimmer of shock passes through Mags' eyes before she solemnly nods at you. You glance down at your lap where your hands rest, finding that you've been digging your nails into the palms of them as soon as it hit you, your nails close to breaking the skin.
If he's in the Capitol... then that means he's probably having to see clients. Your stomach rolls at the very thought of the sinister things these people are subjected to.
It was unfathomable the first time you read it, it's even harder to bear when you've met one of them in person.
God, I don't even know if Mags was ever subjected to that. You catch yourself glancing at her once more in thought before you chance speaking once more.
"Is he... going to be there for awhile then?"
Mags shrugs her shoulders once more.
It's hard to tell.
You both sit in silence for another moment. You don't even realize you started speaking until the words are out of your mouth.
"God, I hope the ones he gets aren't completely god-awful to deal with. Hopefully he's able to leave soon and come home." As soon as the words left your mouth, you move your hands up to cover your lips. The blood has drained from both yours and Mags' faces as the truth behind your words settles between the two of you.
You start to shake your head as you remove your hands, opening your mouth to speak but Mags cuts you off with a hardened look. She gets up for a brief moment, grabbing her trusty writing pad and pen and takes her seat once more.
Pushing her plate out of the way, she furiously scribbles on the paper before hastily pushing it your way. You can see that she only wrote two sentences, but regardless, her words steal the breath out of your lungs.
How in the hell do you know about that? Who are you?
Well... it was good while it lasted.
A/N part two: I felt inspired to write a little something for this series as I don't want it to become stagnant and then forget about it. I'm also hoping to update my other writing pertaining to Dispatch, so if you're a fan of that, be on the lookout!
{Finnick Odair x Reader} - To Survive The Ocean, First You Must Swim - Chapter Fifteen
Finnick Odair x Reader
Warnings: mentions of rape, violence, death, suicide, depressive ideologies, self harm, and suicidal thoughts
masterlist | chapter sixteen
Finnick's POV
Sona glided across the stage with controlled elegance. The slight tint on her skin was accentuated by the white sea of paper her hand fell into, graceful, poised. I would not have been surprised if she was practicing the maneuver on the train. As a single strip became raised to her upper torso, a warm smile crossed her face as she called out the name.
“Finnick Odair!”
She beamed at the crowd, but her smile slightly faltered when I made my way through the swarm of people. Others also grimaced as I climbed the steps to the stage, a standard reaction to the reaping of a younger tribute. Taking a deep breath, I composed myself. I always knew I’d be a tribute, a victor, at one point or another. My entry into the games may have been earlier than planned, but I would take on the challenge just the same. As custom, I turned to lock eyes with my competition. Her hand wrapped around mind, she steadily shook it. I could tell from her eyes, she was determined, just like me.
Peacekeepers attempted to usher us towards the Justice Building, but as we started to walk my head instinctively turned to face the sounds of cries in the back of the crowd. A man who resembled Cornelia coddled a weeping girl. Her sister. I had seen her around on a few occasions, but at the time I didn’t even know her name.
When I wake up in the morning my bed is cold, but I prefer that to the heat of another body warming the covers. Pictor must have left before I woke up, but when checking the amount of sponsor money allocated to Bugs I find a noticeable increase in the balance.
Relief seeps itself into every fibre of my being. Dreadful, foreboding, relief. Bugs has already awoken, I must have slept through the alert. My exhaustion has been alleviated but not completely remedied. Just as she finishes preparing to leave for the feast I send the gift. Opening the container, her face melts as she sees its contents. My body feels lighter watching her sigh in solace. My shoulders ease up, my brows unfurrow, and as she thanks me my stomach flips. She always did have a way of making me feel immeasurably better, even in the worst of circumstances.
“You’re welcome.” I whisper, though I know she cannot hear me. I silently promised her I’d do anything to keep her safe, I will never fail her in that.
However, the gamemakers have decided to make the next day the last. I am again restless when I hear the cannons, and still conscious later when Bugs wakes up to the sound of the terrain crumbling. When she finally makes contact with Everard, it is not in her favour. Perched on top of her, his hand wraps around her throat. What can she do? What can I do? Even if I tried to send a sponsorship it would probably get automatically blocked. My thoughts racing I barely even realise what's happening before Bugs and Everard fall off the edge of the platform. She hates water. I figured that out the moment I saw her plead with Julia to let her work off the boat, it didn’t take a genius to come to the conclusion when only a few days before she almost drowned.
What will she do in the water? Can she even still swim? What if she starts freaking out and loses all control over mobility? Racing with questions my mind starts to spiral, but the descent to madness stops when I see Bugs swimming towards driftwood. She moves fluidly, as if she never took a break from the water. My heart pounds louder than the cannon that rings shortly after.
She survived.
Only two words ring through my head as I collapse onto the nearest seat.
She survived.
“Ladies and Gentlemen, I am pleased to present the victor of the Sixty-Ninth Hunger Games—”
She survived.
The announcement barely registers, and once it does I sprint to the roof of the Training Centre. It’ll take half an hour at the least for the helicopter to arrive, but I exert every muscle in my body anyways.
About twenty minutes later Sona arrives, her white curls have transformed to a light shade of blue. She must have done it in the past couple of days since I last saw her.
“She made it!” Sona squeals at me the moment she's in range, and pulls me into a tight hug. “Oh, your first victor! You must be so proud!”
I say nothing as she releases me, and her face turns dark as she suddenly remembers the dark truth.
“Poor Emery. Our girl must be absolutely so heart broken. Poor Emery. Our poor babies.” Sona chatters on and on, and while I have gotten used to it over the past few years, at this moment I just want her to be silent.
“I’m rambling, I’m sorry. I just… poor Emery.”
Every year she becomes more and more aware about the true horrors of the games.
“Don’t worry about it.” I plaster on a grin for her, and turn around when I hear more footsteps coming our way. Hadley walks up to us. The swaying in her step is enough to know she's been drinking again, but she’s more lucid than she typically was before the start of this year's games.
“Congrats! Congrats to me, congrats to you, and congrats to our newest victor!” Venom laces her words, she laughs at her own irony before sitting down on the concrete. I can’t blame her, because she knows just as well as I do the horrors that are to follow Bugs throughout the rest of her life.
Sona sulks and pulls on Hadley's arm, trying to get her to stand up.
“Getting drunk! And just before the final fight, how irresponsible are you!” Some variant of this conversation happens between the two of them every year, though the last time it took place on the rooftop was apparently the year I was crowned victor. Sona’s beratement is drowned out by the sound of the nearing hovercraft, I try to run up to it but it is now my arm Sona tugs on as she holds me back.
“I doubt anyone will be very happy if the Capitol Darling gets smushed by a hovercraft.”
The door opens, and Bugs is pulled out on a stretcher bed, several medics at her side pushing her towards the rooftop doors.
“Bugs!” I call out, but there is no response.
“She had to be sedated, was causing a real fuss when we pulled her out, and tried to hit anyone that came close.” One of the medics says, getting out of the vehicle and walking up to me.
“Is she okay?”
“She’ll be fine. She needs some nutrients and a couple of stitches, but compared to other victors we've gotten she’s in perfect condition.”
I thank the medic and walk to the doors as fast as I can without breaking into a full-blown sprint. Hadley and Sona trail behind me.
Reaching the hospital floor of the building, I walk into Bugs room at the same time they lift her from the stretcher to the bed. She’s lost a lot of weight, and is skinnier than she appeared on TV, even with the decent amount of food she had in the games. Parts of her hair have been torn out, and in the group of doctors standing just outside the door one of them mentions the words “hair transplant”. I turn to face them while speaking to Hadley and Sona with a scowl, “they must be talking about the physical alterations they plan on giving her.”
“I’m going to yell at whichever doctor attempts to give her breast implants, see you guys.” Hadley says before marching off to the crowd of practitioners. I had planned on doing that myself, but with Hadley volunteering I gratefully took a seat in the corner of the room. Thanks to Hadley, my full attention can now be focused on Bugs, and Bugs only.
Sona puts a light hand on my shoulder, and tells me her plans to confer with Dara before walking off. At some point I should do the same. About an hour passes before I almost get up to leave, but as I stand I notice the brows of Bugs furrow. Her eyes open languidly, and stare into mine for just a second before closing again.
“Bugs? Angel?” Sat at the edge of the bed, I plead for her attention in the softest tone I can muster up; there is no response. My hand lightly rubs over hers before I return to my seat.
{Finnick Odair x Reader} - To Survive The Ocean, First You Must Swim - Chapter Fourteen
Finnick Odair x Reader
Warnings: mentions of rape, violence, death, suicide, depressive ideologies, self harm, and suicidal thoughts
masterlist | chapter fifteen
Finnick's POV
I haven’t slept much since the beginning of the games. Mentors typically sleep when their tributes are asleep, and are alerted once their tributes awaken. But how can I sleep knowing that Bugs could be killed at any moment?
Technically Hadley is her mentor, but we’ve sort of swapped roles since the games began. Hadley has been scouting for sponsors for Emery, and adjusting her sleep schedule to match his. I have been doing the same for Bugs. Mentorship has never been extremely strict, and while we are assigned our mentorship roles and the gender of our tributes before the games even take place, the gamemakers don’t particularly care if we stick to them so long as the swap is within our district. While I think this is the first time an explicit swap has taken place, it’s not uncommon for same district mentors to partner up, sharing knowledge with both tributes and finding sponsorships for both as well, especially in the primed districts where alliances are common. Haymitch himself mentors both of the district twelve’s tributes on his own, though he doesn’t really have any other choice.
For all the times Hadley has been rude, inebriated, and even incapacitated, she is still one of the most insightful people I know. I never had to explicitly tell her my feelings for Bugs, yet she was still the one to suggest a swap.
In the past ten days my sleep has been in short intervals at a time, ranging from a few hours to a few minutes. I cannot be alert when I am asleep, and I cannot be alert if I am sleep deprived. It is a damning cycle. Even when I try to sleep, I can’t. What if something happens? What if I wake up and Bugs is dead?
Emery and Bugs sit now on the fishing platform, sharing laughter and kisses. It makes me sick. Sure, it’s racked up quite a few sponsorships, but I feel sick nonetheless. I know it’s pretend, at least I hope it is. Still, everytime I see Emery get to touch her, to talk to her, to kiss her, I want to gouge both his and my eyes out. It’s disgusting, I know. Bugs is fighting for her life and I am sitting here from the comfort of the Capitol seething with envy that someone else gets to touch her. As I watch the scene unfold, red marks start to grace my palm from how tightly I clench my fists. I can barely stomach the sight. I would do anything, be anything, for her. Yet that manipulative coward is the one she wants.
Manipulative coward, and an idiot apparently. Because that night when Emery is supposed to be on watch he instead falls asleep. I know he’s severely sleep deprived, but in such an environment how can you make that mistake? Thalia’s eyes flicker open. But not in the way that someone does when they’ve just woken up, no. She does it carefully, looking at Emery’s sleeping body and deciding that he is in fact unconscious before moving. I don’t even have to think to know what's going to happen. Thalia moves slowly, carefully. I however do not. Bugs has enough sponsor money. It’s against the rules. I could get persecuted for it. Tortured even. But it doesn’t matter. The Capitol could kill me and it would still be okay as long as Bugs survives. Thalia reaches for the knife. I select the bell. She gradually gets closer to Emery. My hand lurches for the release button.
It falters.
What if I wait just a second? Just long enough so that Emery gets killed but Bugs doesn’t? That way she’ll have no choice. She’ll have to fight for her freedom. There won’t be any incentive to kill herself. If I let Emery die, I could very well save her life.
But I can’t. How could I sleep at night knowing I forced Bugs into such a position, bringing her such great pain? How could I force Bugs to go against her wishes for my own selfish desire?
But how could I live with myself if she is dead? The concept of Bugs being dead is so atrocious, so egregious that I feel myself getting lightheaded. But is that what Bugs would feel if Emery died? The concept of Bugs feeling such excruciating, life-ending pain is the push I need to place my hand on the button.
But I am too late. By the time the parachute drops the knife is already on Emery's throat.
Thalia lurches at Bugs. She swings at her chest. There’s blood.
Bugs kills Thalia. I try to let out a sigh of relief but there’s no air in me. My head gets dizzy, and I realise throughout watching that whole situation I had forgotten to breathe. Becoming aware of my body, I release my fingers from their grip only to find bloody crest shaped marks on my palms. Raising said fingers to my lips I find more blood. I must have bitten the inside of my mouth at some point.
The bell was rarely ever given as a gift. When it was, the receivers were experienced trap makers. Using it like this was always a possibility, but no mentor would have been willing to reap such consequences. What if they kill Bugs for it? The Gamemakers certainly wouldn’t want to, she’s a fan favourite. Mircea Chrestos, the Head Gamemaker, has always preferred a good performance over politics. He would be reluctant. Snow on the other hand? He’d have no reservations. Only if it served him best though. Would it serve him best? On the right of the split screen is my mentors-only 24/7 broadcast of Bugs. On the left is the official live stream for the whole of Panem to view, aired with a delay. And as I watch Bugs awaken on that screen now, no sight or sound of the bell remains.
Only Bugs, Haymitch, Hadley and I know about the act of defiance. Defiance, not rebellion. It was against the rules but still within the parameters of Snow's grasp. Haymitch and Hadley have already faced… consequences for misconduct, Snow knows they’d be unlikely to do something as stupid as repeat my trivial, foolish action. So what response would serve him best?
Bugs sits idly in the open, not even searching for shelter when it starts to rain. She’s going to catch a cold. The cut on her chest might also get infected. She must be freezing. The thought of her freezing causes all the heating in my room to fail as I shiver as well.
One time during a particularly cold winter, Bugs had forgotten her jacket. Even from a several meter distance I could still see her trembling as the masses left the school to return home or to the docks. Yet Emery, who was standing right next to her, had neglected to even offer his jacket. That moment really stuck out to me, I could never understand it. Surely the discomfort of knowing she was shivering should have exceeded any discomfort brought by the cold itself, yet he still failed to offer her his jacket. Instead he kept his mouth shut and let her freeze.
Why was she mourning him again?
I shouldn’t speak ill of the dead. For all the poor things that Emery has done, he’s never brought Bugs so much pain as she feels now. Pain I caused. How could I let this happen? I hesitated, and in that moment of selfishness I killed the one person who gave Bugs the will to live. I’ve screwed everything up.
The more time passes the more I feel my guts churn. She could contract a sickness, or hypothermia even. ‘Please, do something’, a silent prayer rings in my head, I don’t know if it’s intended for Bugs or for some all-mighty deity. Either way, it was heard. For the first time in a long time, she moves. But my excited anticipation immediately dwindles down to horror as I see her reach for the matches. She’s planning on lighting a fire? If the primed see smoke coming from her area they’ll drop everything they’re doing to find the source. It’s suicide. She knows it. Emery’s death, my hesitation, it’s driving her to suicide. She wants to kill herself because of it.
Fuck that.
I don’t care if she wants to die, I need her to live.
The only way I can communicate with her is through sponsor gifts. A calendula based antiseptic. I was going to wait until she was more… optimistic before sending medication for her graze, I didn’t want her to immediately discard it.
Calendula flowers are grown in her mothers herbal garden, Anthea uses them for her antiseptics. I remember this from the first time I actually met Bugs, years before I had any care for her. I was ten, and a “recklessly bold” kid, according to mom. That was her way of saying I did stupid shit that got me injured a lot. Just like most of the fishers my mom wasn’t able to afford any proper medicine, but the apothecary always priced her medicine fairly, and even often gave discounts for children. After stitching up my calf, Anthea explained the origin of the sweetly scented ointment, and at the same time, in the corner of my vision, I could see a pair of eyes peeping through the side of the door. She scurried off quickly, and in all honesty I didn’t really think about her after she had hurried away. Hopefully the medicine will stir up some emotions, distract her from someone else other than Emery, so that she doesn’t continue on with the fire.
I almost jump for joy as she moves out from the open into a rocky shelter. Some time later the chip in her arms alerts me that she's asleep. I should probably at least try to sleep as well. The effects of the exhaustion are weighing strong; my brain feels disconnected from my body and my eyelids are so heavy it hurts. I need to be in the right state of mind for tomorrow, for whatever the primed, and the gamemakers, have planned. Taking one last look at Bugs, my heart sinks. Decorating her unconscious face is shiny tears. Such a grueling feeling is the mixture of enragement and despair. I want to go to the gamemakers right now and torture them the way they tortured her. I want to track Snow down and kill him for bringing such misery upon her. I want to be sent into that arena so that I can provide any form of comfort I could possibly offer her.
After Bugs’ tears started to fade, my consciousness did as well. The next day I can’t help but laugh watching her wrangle with the bow and arrow. Though in my eyes she has always walked with grace and charisma, I’m still not blind to the fact that she can be clumsy; and petty. When the bow string hits her cheek she gives it a look almost as malicious as the one she very often gives me. Almost, but not equal to, which is unfair considering I never slapped her in the face. But at least her hateful scowls have softened to annoyed glares in the past few weeks. She may not love me, she may not even particularly like me, but she doesn’t necessarily hate me anymore. As daunting as the impending danger is, it’s quite decompressing to be able to find a moment of peace watching her right now. She can distract me from even the worst situations.
Her grimace quickly turns to a look of fear as the sound of crashing rocks and wood rings through the screen’s speakers. I quickly switch my attention from the footage of Bugs to the official games footage, broadcasting a birds eye view of the edge of the mountain platform cascading down to the water. The primed have taken up hunting her separately, agreeing to meet back at their base after the sound of a cannon. Seraphina is the closest, based at the other end of the mountain terrain. Though still not close enough, which is why the gamemakers have decided to give her a helping hand.
The fight finished quickly, but at the time felt perpetual. I almost felt the melanin dissolving from my scalp as my hair turned grey from stress. Even after the fight ends, my blonde tresses are still at risk of being desaturated; the cut on her arm is getting increasingly worse. She needs medicine, or else she could very well die from infection. Unfortunately such medicine would cost a fortune, she has sponsor money but not enough. The other tributes are also lacking in food, so when the sky becomes tinted with orange trumpets ricochet throughout the arena.
Bugs would not survive a feast, with the state of her arm she would be surely doomed facing one primed, let alone three of them. But there is another option, a potential sponsor called for a meeting with me shortly after it became clear Bugs was not going to be able to persist with her arm in its current state. Knowing this sponsor, whether or not I should actually take his money is still undecided. An hour hasn’t even lapsed since the announcement of the feast when I meet with him.
“Hello, Mr. Odair” Pernell Pictor leeringly smiles at me with a voice that is calculatingly warm, malevolence seeping into the undertones.
“Mr. Pictor.”
He takes a seat on the velvet couch and I follow suit, pouring him a glass of whiskey before doing the same for myself. He nods his head in a polite appreciation and brings the crystal to his lips before speaking.
“I’m sure you understand as well as I do that your tribute will not survive longer than a few minutes at the feast, given her current state. I however am so kind as to offer an alternative. I am willing to buy the necessary medicine, as well as any other resources she needs to make it out of the games. Food, weapons, a trident maybe?”
Such a massive amount of money spent on a tribute never comes from the kindness of one's heart. Cashmere, a district one victor, received a high amount from Pernell in order to win the year before me. She had other sponsors, but he was easily the highest spender. Once she was safely out, he was the first one to visit her. According to Cashmere, he did the same to the girl who won the 57th, and the boy who won the 56th. While most victors are eighteen, all the ones he sought out have been sixteen or younger. From what I’ve heard, he stops visiting them once they turn twenty. Cashmere, the last recipient of his sponsorships, turned such an age a few months ago.
Most buyers don’t actually pay a dime, we are given away to those who Snow wants to earn credit with. And whenever money is being exchanged the receiving hand is always Snow. However, Pernell has a saviour complex, and only sleeps with those whom he feels he helped. He likes the illusion of a fair trade. His altruism is all but a facade though, he simply revels in the feeling of superiority, control. He craves others being completely dependent on him, completely in his debt. In Pernell’s fantasy he must be the sole saviour, however. In my year there were many extremely wealthy patrons sponsoring me, and there was no excitement in him being one of the many. While I have never been one of his victims I know the type well. However, in sheer desperation I still don’t quite properly process what he is intending until he continues his speech.
“She is quite a beauty. It would be a shame to see such a pretty face decaying on the big screen, don’t you think?”
Crystal shards cascade along the floor, and my now open palm twitches with dread and rage.
She would be better off dead. It would be a far better fate dying in that arena than dying with whispers of hands tracing her every crevice. The bruises of battle could never compare to the bruises of fingertips marking her soul and self, etched into her broken body and carved into her mind. Her skin is better off a corpsely pale than stained with black, brown and purple handprints that could never fade; not even after they have long become invisible to the eyes. She would be better off dead, I will not let her live through that.
I want to hurt him for even suggesting such an idea. I want to kill him for such a desire. I swear I almost do, my mind is transported back to my arena where every person was a prey for hunt. I feel my body edging off its seat as it readies itself to kill the newest target. A few seconds go by and I realise I must compose myself. A deep breath, then I flash him a carefree, charming smile and chuckle before speaking, “Sorry, I’ve been getting muscle spasms recently. Us mentors don’t get much sleep this time of the year. Unfortunately my girl is recovering from the loss of her love, I doubt she’d be willing to accept any sponsorships that restricted her from being able to grieve alone after the games come to an end. ”
I was forward. Far too forward, but I could not conjure up any other more subtle method of telling him to go to hell.
He smiles at me in return, one that is just as warm and easygoing, but his eyes are jarringly colder.
“I could only imagine the pain of losing a love, I’m sure you’re right, she would have to grieve by herself for a long time afterwards. As for your insomnia induced muscle impairment; do not worry. I know very well the sleep deprivation that comes with being a mentor.” He chuckles and drinks more of his whiskey, smiling at the Avox who kneels by the scattered glass with a dust pan in hand before continuing, “You, however, seem to be more sleep deprived than your peers though. If I were to guess, I’d say you care for your tribute more than they care for theirs. Would that be correct?"
“Well naturally I care about all my tributes, I wouldn’t say this one is very spe—”
“Oh but she is special, isn’t she? Because when I first intended to sponsor her I originally tried to get in contact with Miss Deadwood, only to find out that you two had changed mentees for no apparent reason at all.”
The smile I wear is still languid and lovely, but hidden behind it is my tightening jaw and grinding teeth. My mouth opens to say something but he interrupts me.
“Relax! I have no judgement or care for how you feel about any of your tributes, none of it is my place.” His eyes make contact with mine, “besides, you are still young, barely even eighteen. It’s natural at such an age to have feelings you cannot control.”
I say nothing.
“I do have one question, if I were to sponsor her anyways, would this be a great help for you?”
He only sleeps with those whom he feels he helped. When I die, I will already be covered in fingerprinted bruises marking my every limb, the hands of whom they belong to make no difference to me anymore. When I was first forced into this role, I slept with district four higher ups to keep her safe, to keep her name out of the bowl, and to keep her from the feared waters. It was almost as if I was trying to practice some form of autonomy. I tried to trick myself into believing that if I was doing it for a benefit then the pain of doing it would be reduced. But unlike the officials of district four, in the Capitol I have no bartering power. I am nothing more than subhuman to them. An attractive subhuman yes, but an object nonetheless. Some of my visitors commonly feel inclined to sponsor my tributes as opposed to the others, but it was never a fair trade, never a decided agreement. And this sick sponsor may get off on giving me the illusion of a choice, but there isn’t really any choice. There never is. I could very well reject his offer and allow Bugs to look death in the eyes, but that wouldn’t change my situation. It wouldn’t give me any more freedom or liberties to consent. If it’s not him, then it’ll simply be someone else, and then someone else will come along, and another. The cycle is endless and inescapable.
He awaits my response but he already knows what my answer has to be.
“Yes, it will be a great help.”
“And a great help deserves a great thank you in return, don’t you think?”