What we have so far, in the sketch we've worked outāand what many quite good writers never go beyondāis a projected piece of fiction that, if well-written, will be no more than a persuasive imitation of reality. It shows how things happen and may imply certain values, but it does not look hard at the meaning of things. It has no real theme.Ā [...]Ā The writer, in other words, has done the first job done in all serious fictionā[s]he has created a convincing and illuminating sequence of eventsābut [s]he has not done the second, which is to 'mine deeper!" as Melville says, dig out the fundamental meaning of events by organizing the imitation of reality around some primary question or theme suggested by the character's concern.