Joyously Utterly Ridiculous with a dash of Politics
So there's this outspoken Blue House head chef, Jang Bong Hwan, who gets in some trouble and is running away from the police when he has a near-death experience. But instead of regaining consciousness in the 21st century, he wakes up in the body of softspoken Kim So Yong, the Queen Cheorin in the Joseon period (19th century). Here he gets thrown into marriage preparations to King Cheol Jong, and swept up in the secrets of the palace.
AC Overall: 9/10, just good fun at first...and then I really got into the plot
Lord Jesus when I tell you I CACKLED at the mere premise of this womanizing man waking up in a Joseon woman's body--and a Queen much less! So I watched the first few eps just out of sheer awe of the plot and hilarious shenanigans that ensued. And honestly didn't pay the rest of the plot much attention...
But then it became something worth paying attention to, and it grasped me until the end of the drama. Very thoughtful. This is a comedy with some political undertones, and a romance (or 4) to die for (lol).
Favorite things about the drama: the silly comedy, the plot, the character development, the list goes on. And kudos to the team for not making the gender swap too weird, I've seen other dramas do it less tastefully. It's a step.
Let's face it, Bong Hwan as So Yeon was the best thing that happened to that palace, to Cheol Jong, Bong Hwan himself, to So Yeon herself, to the country...etc. The ~growth~ Bong Hwan went through as a result was *chef's kiss*. From the jumping-into-any-body-of-water-to-get-back-home, to establishing the "no touch" rule between him and the King, to being willing to further ~explore~ romance, sex , pregnancy as a woman, was beautiful, thoughtful, even intriguing to watch, and didn't seem abrupt or distasteful. Do wish we could've seen So Yeon in 21st century Korea as a man more too, though we did get glimpses of her trying to unsuccessfully bag some men at a club and then engaging with a woman in the kitchen's storage room as Bong Hwan himself used to do. I suppose Mr. Queen's developing attraction to Cheol Jong could be imagined as being from/because of So Yeon's co-habitating yearning soul but, I prefer to believe he organically developed that soul-soul attraction while So Yeon's soul was galavanting around Seoul.
Now, I'm a fan of Welcome to Waikiki (S1...couldn't watch S2 it was so...not Waikiki) so it was hard for me to see Kim Jung Hyun as anyone other than goofy ass Kang Dong Gu. And honestly, his acting here was...aight. His way of portraying the King as comely-in the agreeable sense only imo-was by lowering his eyelids and looking like a zombie. Forgive me, but i. wanted. more. nuance. They had a hard time convincing me he was pretending to be meek around the palace and was truly a force beyond. Shin Hye Sun's acting carried the drama, she was a star in portraying Bong Hwan's soul and So Yeon's soul at the right moments. A little extreme at times...but the drama called for it.
And I can't not shout-out the side characters here too. Court Lady Choi and the Royal head Chef need a spinoff, they were so cute together, and maid Hong Yeon deserves the man of her dreams--maybe the King's best friend Hong, maybe not. I was so proud of her for turning down Kim Hwan so beautifully...and let's be real, he deserves someone too, such a sweetheart! Both Prince Yeongpyeong and Byeong In needed a happy ending too...why was it that both these men looked like they had been crying in every scene??
Speaking of my Byeong In...in every drama I have a "man", which is usually the one who could do no wrong because he's so good to look at (both inside and out, thankyouverymuch). Most of the time it's the second lead, and that held true here too. My man...I know his character's a little gross for romantically loving his (adoptive?) cousin the Queen, but I kept rooting for him, even when he became a bad apple and tried to force her to be the Kim family's puppet. And I must admit Mr. Queen had a point when he accused Byeong In of not noticing the change in his loved one after the soul switch. How could he still believe that was his So Yeon?? But I forgive him, he redeemed himself by letting the Queen live, get away, and ultimately find her King and make it back to the palace for some sweet revenge.
(Not gonna mention the family drama or Eui Bin here, it was exhausting enough to watch. But Eui Bin redeemed herself too, I guess.)
All in all I really loved this drama, and it's something I know I wouldn't have appreciated before this year, honestly. Lots of laughter, good chemistry between the King and Queen, and the storyline wasn't bad either. Give it a watch if you need some silly laughs with a dash of romance and substance.
P.S.: Kinda mad that in the end, the real So Yeon got to ride the wave of love from the King that had developed for Bong Hwan's soul...So Yeon didn't earn his love! And I felt bad for the King too, having lost Bong Hwan and his ~energy~ without so much as a goodbye. (And it would've been cool to see Mr. Queen give birth...) But hey, they all needed a happy ending after everything they went through those last few eps.
MZ Overall: 6/10, i needed to know how this whole thing would end
AC described this as a "comedy with some political undertones" but I would say the opposite: a political show with some comedic undertones. WAY too much plot. I was not trying to follow all that. AC also said to me that this romance was a "slow burn" which was JUST A STRAIGHT UP LIE. I was struggling at the end. There is a lot to like about this show if you like physical comedy and politics. I'm very whatever about this show though.
As usual, AC and I have disagreed completely on a drama. Firstly, this show did NOT need to be 20 episodes. After 10 I was truly asking myself if I was going to invest another 10 hours of my life in seeing it through. That was when I decided to watch it while crafting, so I'll see the major plot points (dramatic background music is a universal language!) without feeling like I had to have my eyes peeled.
By the end, I was staying to figure out how they were going to resolve the whole thing with Jang Bong Hwan. Would he go back? Would he stay and somehow fuse with So Yong? I don't know what I wanted but what happened was.... not it.
Ok, so I wasn't staying only to see how it ended... I was also there for Lady in Waiting Choi. She had the absolute best bit in the whole show, with the smutty kaleidoscope. Why was I ROLLING when she brought it out? The writers did not have to do her like that but there it was and I loved it. The side characters are generally good in this show overall, which also made it fun to watch.
I would use the rest of this time to complain about how Lady Uibin and Kim Byung In were terrible love rivals, but that is quite frankly my most boring take. Instead, I'd like to talk about queerbaiting. I am from the era of fandom tumblr that was held in a chokehold by gay ships such as Merthur, Destiel, and Johnlock, so I am no stranger to this concept. What I haven't made up my mind on is how queerbaiting shows up (or not) within k-dramas. And while I'm completely comfortable with accusing white people of the global west in engaging in this sort of practice, I would not extend this lens to cultures I only know through slivers of the media they produce. Which is to say that I can't speak to one of the hallmarks of queerbaiting: trying to "lure in" queer/ally audiences using these suggestions of representation.
So for the purposes of this blog, when I say "queerbaiting," I'm referring to how showrunners write/create visuals/otherwise hint at romantic relationships between people of the same gender, but who are ostensibly straight. I'd say this is part of the undercurrent of Mr. Queen, and particularly the relationship between Bong Hwan (as So Yong) and Cheol Jong. It is usually played for laughs: So Yong's body has physical responses to Cheol Jong, that Bong Hwan mentally fights off. Bong Hwan still has his urges, leading him to seek out courtesans, pick out the concubines for Cheol Jong, and TRY TO KISS HONG YEON AS SO YONG. The writers go through great pains to establish Bong Hwan as a Straight Man (TM), which begins to crumble after he and Cheol Jong have sex (but he's drunk and in a woman's body and thinks he is having sex with a woman, so it's not gay, just lowkey sexual assault!!!). What begins to dissolve is how much Bong Hwan is portrayed as pushing back against the affections of So Yong towards Cheol Jong. Especially towards the end, how much of the kissing, affection, and care was Bong Hwan? This is a question that is up for the viewer to decide, even up to the end.
When Bong Hwan wakes up in his body back in the 21st century, the first thing he does is attempt to find out what happened to Cheoljong. He then figures out that their lives changed forever because they met each other. He learned that he can ~fight injustice~ in any era blah, blah, blah. No addressing how he was about to die for Cheol Jong, or how he had fully even stopped trying to get back to his body, or how Cheol Jong felt like he "lost something" after the fight.... No, just Cheol Jong being straight with So Yong and Bong Hwan getting to go back to his life as a Man.
Listen, I know this show was not supposed to be a rom-com, but am I so wrong for still wanting some kind of resolution for this? They really wrote themselves in circles trying to make sure we know they are straight, and yet they throw in just enough doubt... In my view, classic sign of queerbaiting.
And to disagree with AC again, I have seen genderswap/gender changing done MUCH better in other shows. Take You're Beautiful (2009) for instance: when the heroine has to pretend to be her twin brother to join an all-male band, one of the bandmates never figures out that he is a girl, so struggles with his growing attraction to her. This show was far from perfect, but we actually see the characters deal with the fallout of the gender swap rather than just be like "oh that happened." We see something similar in Coffee Prince (2007), which sees the main male lead struggle a lot over his attraction to the main female lead, who presents as a man. Both of these, while far from perfect, at least portray something about what means to contend with sexual/romantic attraction in homophobic/transphobic society. Both of these shows were made over 10 years ago; you would think that by now we'd be doing a bit better.
