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Top 20 BL Live-action of 2024

20. Love Is a Poison - This series made my wish to see Hama Shogo in a BL come true. I loved his character in Koisenu Futari (2022) and wanted more of his character’s interaction with Takahashi Issei’s character. Also, the series leaned into the surreal with the squealing, sparkling succulents. While the legal drama part of the series was light, it was the first time I was invested in the character’s careers since Beloved Enemy (2017) [which is going to have a Thai remake/adaptation]. I absolutely enjoyed the dynamics of a neo-super-darling seme paired with a devoted, kuudere uke. But, I wish there were fewer flashback/compilation scenes.

19. Unknown - I never thought Priest’s Da Ge will become something like this. I am impressed by the meticulous cultivation that source material underwent. That little carp really crossed the gate to become a dragon. The Unknown managed to tone down the golden finger bits and keep things realistic to an extent, fit the whole business venture arc neatly into Taiwan’s SME-heavy capitalism. It fleshed out Le ge, and his relationship with both his underlings and his junior and made him interesting. It gave me one of my favorite mob characters in a BL – an ex-gangster with his blacked-out tattoos running a street food stall. In line with Taiwanese tradition, this series not only employed high BL literacy but also dedicated time to educate. (more on it here)

18. Cosmetic Playlover - I was hesitant to watch this show since I had enjoyed the first few volumes of manga and lost interest in later volumes. I knew they were going to censor the hell out of the first volume. While I am still bitter about that fact, I still enjoyed the series.

17. Love is Better the Second Time Around - this had some of my favorite moments from a BL - two-faced seme employing all sorts of methods to seduce and ensnare the uke, return of the alone-at-the-railway-station trope, seme using helpless, feverish face and acting coquettish (some seriously charming gap moe), teasing a seme's seme (this one did it better than At 25:00 in Akasaka which fumbled it by choice) and kishōtenketsu - 4 part traditional East Asian narrative structure (which appeared in many series this year and the last) with family negotiation aiming at adoption reversal. (I wanted seme to recommend uke in his place to his native household - that way they can also get married, if and when it gets legalized.)

16. Living with Him – The reason why this series is on this list is pretty unique. I never understood Japanese focus and fetish of nape (the way navel is in south India) before this series. The camera managed to capture the uke's neck, especially when he had his head bent slightly, in a stunning manner. Overall, the camera language was very intimate without being bawdy, perfectly suitable for the domestic setting of this BL. I loved the series more than I did the manga.

15. Century of Love - Gave me Hindi serial style BL complete with a red cloth enveloping the main couple during their fated encounter. It is a lakorn, so that's to be expected. I felt that the pair's romance progressed at an uncharacteristically fast pace given the initial resistance. (In other words, I wanted their romance to progress slowly, like over 400 episodes.) I thoroughly enjoyed the characters including the villains.

14. Healing Thingyan – this BL from Myanmar is no longer available at SKY Production’s YouTube channel. I had a good time watching this BL set in a village in the context of New Year where friends become lovers after much hesitation and an interrupted confession from the year before. My heart was pounding when the couple poured water over the left side because that's where their hearts are at. Also, the religious restriction (I am a little weak to this trope) to physical intimacy as a tactic to skip kiss scene - I would have been irked if it wasn't for the execution - the couple standing under arching bamboo, wearing sarong and acting all sweet. It is set in 2019. Later, I came to know that allegedly (I would appreciate if someone can help me gain more clarity on this matter), SKY production could be a proxy of 7th Sense Creation, an entertainment company cofounded by Kin Thiri Thet, daughter of Senior General Min Aung Hlaing (Commander-in-Chief of Myanmar’s armed forces and Acting President against whom the Prosecutor of the International Criminal Court has filed an application for an arrest warrant, alleging his involvement in crimes against humanity targeting the Rohingya population. (source))

13. The Time of Fever - I'm not very sure if this one can be considered a complete story in itself but even if not, it is immensely satisfying. Age-blind casting shouldn't have worked so well but it did.

12. Gray Shelter - this one made me feel as though I read a nice short story or a novel. It was viscous like honey, the way such types of Korean BL novels (like Picked Up In Winter) tend to be. It had a very masculine vibe with underlying unease of depending and being depended on.

11. Hitochigai kara Hajimaru Koi mo Aru aka Love Can Sometimes Start with the Wrong Person [fansubs available at Drama Otaku] - substitute lover trope but this time the substitute is two-faced. Everyone has their own agenda but this love is a zero-sum game. (I wanted 3p ending though – not possible since one actor is playing both the twins). I loved all the scheming and all those little lies. This one had explicit use of BL terms like seme and uke by a main character.

10. Perfect Propose - workplace that brings workers to tears, corporate slave uke who decides to quit (without starting a job hunt 😔) and an untethered seme who grows hydroponics tomatoes in their balcony. It is adapted from a single volume manga and not a novel, yet it uses every minute it's got to make you feel ALL THAT.

9. High School Return of a Gangster - I was sad that they meant it as a bromance and worried for the future of BL creation in South Korea since it was Number Three Pictures, the company that created popular BL Unintentional Love Story and The Time of Fever, by its own admission struggling financially with limited recovery of production costs (more on this here). When I started watching, I couldn't care any less about their intentions. It was an absolute delight. I was still immersed in the exhilaration of Aavesham (2024) and had wished to see such things in the context of a BL. And this one delivered. I was shipping the underboss with his main lackey (they have history between them and reminded me of the relationship between Ranga and Ambaan) at one point and the next moment, shipping him with his foxy classmate. The series toned down the bully-loves-bullied aspect in the novel, and humanized and contextualized the main bully with his life in the underbelly of the economy, so much so that I felt bad when the bullies were prosecuted (what will happen to Hong Jae-min's sister😟) while gangsters and the rich who hire them went scot-free in the live action. The face-slapping part left a bitter taste in my mouth with the secretary facing the brunt (and the misogyny embedded in the socio-economic fabric that breeds such hatred) while the father isn't retaliated against enough. I read and enjoyed the novel, but face-slapping was even more makjang. It is tough to get accepted in live action form as it is, in South Korea, since the gangster is middle-aged and it is only towards the end of the novel that the characters are finally out of high school, unlike in Mr. Mitsuya's Planned Feeding [fansubs by @isaksbestpillow] with a significant age gap but both are adults and are in a Japanese BL. Gong (공, Korean for seme) (a suspected psychopath, raised under constant surveillance by his father) consciously falls in love with the middle-aged su (수, Korean for uke) inhabiting the body of a high schooler, going as far as visiting his previous residence and pursuing him as one would an old person.

8. My Damn Business - From the first episode, this one had me hooked. Week after week, I was eagerly waiting for those 8 minute long episodes. It acknowledged the manhwa side of BL and hinted at their iconic smut pages (in a way New Employee live action couldn't). It executed stalking horse trope, with Park Min-jae (R. I. P) playing the stalking horse, in a manner that had me giddy with excitement. I also appreciate GND STUDIO for casting darker-skinned actors – in this one and in Fake Buddies. GND studio also has decent BL literacy as is evident from the above-mentioned series. In the third episode, Fake Buddies used the East Asian tradition of representing gay and lesbian relationships through rose (from barazoku (薔薇族)) and lily (from yurizoku (百合族)) respectively to hint at the BL and GL couple.

7. Boku to Boku ga Sukina Kare to, Kimi to aka Me, Him, and You [fansubs available at Drama Otaku]- Honestly, I didn't expect to be this impressed by this one going in. I had such low expectations. I absolutely love the pairing between Higashi Keisuke and Hiroki Iijima, much more than Higashi Keisuke and Nakajima Sota in Ossan no Pants ga Nandatte Ii Janai ka! [fansubs by @isaksbestpillow] and Hiroki Iijima and Inukai Atsuhiro in Our Dining Table. The series played with my heartstrings a lot. I fondly remember several of the scenes and all the emotions they evoked in me. At the end, there was a longing for something, maybe some more time with those characters, especially the model and his uncle.

6. Pit Babe (2023) - omegaverse with enigma - Japan has like 1 manga but through PitBabe I discovered that enigma has become a popular secondary gender in Thai BL space. I love buff uke and I got one paired with a two-faced, loyal loser seme in this one. Super pretty villain, Tony, had me wishing for him to be an omega (I love megalomaniac omegas). I also enjoyed reading the book – every time it rained, that silent phone call, Babe's jealousy towards omegas, the suspense and the pregnancy scare.

5. Love Sea - MAME lifted me out of a BL slump with this one. I also enjoyed the GL pair a lot - there is nothing I like more than performative cuteness/winsomeness (കൊഞ്ചൽ konjal, aegyo, sajiao, kawaii) and benevolent sexism weaponized and employed for emotional manipulation. High EQ manipulators are so rare, my favourite type of yandere (especially when paired perfectly with someone who gets swept up in the moment easily, like Techno). I wonder why MAME doesn't write Janus-faced men that way too. And the men who perform winsomeness such as Tongrak, Kengkla and Tharn, when they do so, have motivations that aren’t Machiavellian enough.

4. Heavens x Candy - OP Pictures is bringing to screens BL that are otherwise tough to get made. This one explored otaku culture, loneliness, family and love through fan pilgrimages, cute and horrifying family dynamics, adult entertainment avenues and love hotels with those transparent walls of bathrooms. It healed my heart after the blow dealt by I Became the Main Role of a BL Drama.

3. Love Syndrome: The Beginning – I didn't expect this but I'm glad to have received it. I want more but now that the director, F Nontapat Sriwichai, has passed away, I don't expect anything anymore. If only his legacy would inspire someone with the ability and mettle. I prefer meriba endings over happy endings. So, when Love Syndrome III was the first to get an adaptation, I was drawn into Yeonim’s universe. The movie focuses on Gear and Night’s relationship and spends relatively less time on Day and Itt. Yet, it is not hesitant to portray the beginning of their relationships, especially the eroticized violence and the morbid conditioning (調教), showcasing exceptional BL literacy.

2. Kubi (2023) – [Fan-subs] I must praise the excellent production quality before anything else. It is about multiple legendary figures in Japanese history such as Oda Nobunaga, Araki Murashige, Akechi Mitsuhide, Mori Ranmaru and Yasuke. The movie has historically accurate ending with specifics changed to fit the narrative. It is based on Honno-ji Incident and Battle of Yamazaki. Those who died then, dies in the movie too but who killed who and why are fictional. (meta here)

1. Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa (2023) – this one and Kubi came out last year but I got the chance to watch them only this year. Thanks to fan subs by @furritsubs. I read and re-read those chapters from the novel and I'm still basking in the magic of Shinobu Gotoh's storytelling. First time since Unni R's story and screenplay for Charlie (2015), I got immersed in a love story where the couple barely even interact and the romance unfolds in a thriller-like fashion. While a lot of character motivation gets lost on the way in this live action, most important of them were impossible to miss when snow fluttered around in a bottle, when a delirious Takumi sought Gii in a crowded stairway landing and when Yoshizawa jumped out to stop Takabayashi from hurting. (ongoing meta series here)

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Top 20 BL Live-action of 2024

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