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did you find bodhisattva whom you have karmic connection with
Lucifer instructed me to follow Manjushri a number of months ago. I guess that's karmic in terms of everything being karmic. I offer him the traditional rice grains and flower petals on occasion and prayed to him for emotional relief the other day. But mostly I'm still learning a lot about Buddhism so I just make sure to detour and learn more about him if his name comes up in the course of what I'm reading. I would not say I keep a very serious relationship with Manjushri yet.
Me, staring at the "Nezha is eternally 12/Nezha is often depicted as a kid so he's just a kid and nothing else" crowd: man, have you heard of Child Manjushri a.k.a. Wenshu Tongzi
(This is totally not an excuse for me to find cool statue pictures and talk iconography)
So, here is Bodhisattva Manjushri in his standard "graceful aristocratic prince" form, riding his azure lion. The statue in the picture doesn't have it, but oftentimes, he'll also be holding a flaming sword that symbolizes wisdom's ability to cut through ignorance and delusions.
This is "Holy Old Monk Manjushri", a variant that I came across a few times while temple-touring, but couldn't find many good online pictures of. It seemed like a thing that was popular around Mt. Wutai, based on the "Buddha-palita met Old Man Manjushri" tale. Sometimes his BFF Samantabhadra is depicted as an old man too, for matching purposes.
And this is Child Manjushri, with his five hair buns, often worshipped in an esoteric context. On Mt. Wutai, there are five major temples atop five peaks, each worshipping a different form of Manjushri, and the "middle peak" temple has a Child Manjushri in their main hall. Like, it's far from the most common variant, but neither is it this super obscure form that no longer enjoys active worship.
Lastly, just for fun: this is Yamantaka, a guardian deity/Wisdom King, who, in Tibetan Buddhism, is believed to be Manjushri's wrathful form.
If you wouldn't call Manjushri "the eternal child Bodhisattva" just because he has a child form, why would you say Nezha is an eternal child when he, too, has both child and adult forms?
Even though Nezha's child form is vastly more popular and well-known than Child Manjushri, I think my point still stands: A deity is capable of having multiple manifestations, of varying ages and appearances, each fulfilling a particular function and niche——none of which is the "One True Form TM", just different clothes they wear based on occasions and audiences.
To stretch the analogy a little, Manjushri's child form is the formal dress he puts on before attending a religious event, while Nezha's child form is the lotus T-shirt he wears a lot while appearing on TV, to the point it becomes his most iconic attire.
This doesn't mean he only has a single shirt, for goodness sake, and using his child form as evidence for the "eternal child" claim is like saying Nezha's only allowed to wear that one shirt and nothing else.
Game "The Buddhist Practitioner 2026" (Fake)
Hey!
Did you know that in the original story azure was not only known as the “lion-lynx demon” but was also the steed of manjusri?
Also! I heard that in the original Chinese translation he was actually female! Which would kinda make sense since he’s most likely castrated and would’ve lost his mane if he was a guy.
Anyway, how would Li Jing and even azure react to this? Is it cannon within your story?
While that is HILARIOUS to think about, Azure being female would not be canon. The whole castration thing was kinda fixed after the JE died and his magic, well, magically fixed azure.
Also yes! I was aware of the first bit! Manjusri is a very happy grandparent!
Mahamanjushree by Devendra Sinkhwal, Nepal
En la novela, Azure Lion es la mascota del boddishatva Manjushri. Simpre he querido ver un dibujo de ellos juntos. Me pregunto como hubiera sido su dinamica si el hubiera existido en LMK. Ya que el lore de Azure es diferente en LMK
Bodhisattva of Wisdom (Manjushri), 1400s, Nepal Gilt bronze with precious and semiprecious stones, gum tempera, and cold gold, 78.1 x 67.6 cm Cleveland Museum of Art
This image depicts one of the main bodhisattvas, beings only one stage away from full enlightenment. Because the historical Buddha was a prince prior to his renunciation and life as a wandering ascetic, bodhisattvas are depicted as royal princes. This example has the sharp features, sweet expression, and crisp details characteristic of images made in Nepal during the 1400s.
In his upraised right hand Manjushri holds the hilt of a sword that, like wisdom itself, metaphorically cuts through and defeats ignorance. His lower, rear left hand grasps a bow, once probably strung with a wire. Also missing is the arrow that he likely held in his lowered right hand. Arrows were often symbols for mantras, or strings of syllables thought to have the power to focus the mind and work like missiles to destroy negativity and affliction. The gesture of his lowered left hand indicates the transmission of Buddhist teachings. The lotus stem that rises at the left elbows originally held a book of sutras.
This figure is in the yogic posture of meditation with the big toe flexed in concentration. Yoga is of central importance in tantric Buddhism, because high-level practitioners are able to discipline the body to such an extent that the mind can also be controlled. via