#mierke

[theaterfotografie]

Masken ein Workshop mit Susanne Carl im Staatstheater Kassel

Masken/Susanne Carl

[poolsidescientist]

Listen to the Playmoss playlist: South of the Shitshow-A Greg Serrano at Emory Fanmix by poolsidescientist by poolsidescientist ► LISTEN A fanmix about the ups and downs of Greg's life at Emory. Radical Face - Ship In Port Matt Mays - Take It On Faith Bastille - Flaws Sam Roberts - Brother Down Delta Rae - Morning Comes Pink Floyd - Money Janelle Monáe - Tightrope (feat. Big Boi) Our Lady Peace - In Repair Regina Spektor - The One Who Stayed and the One Who Left Kesha - Learn To Let Go (Lyrics / Arcade Fire - Put Your Money On Me First Aid Kit - My Silver Lining

For @mierke for the @crazyexfanworkswap (theme: Greg at Emory) and my first ever fanmix.

[goodpointsandbadpoints]

For the fic writers ask: ❤️😎💌

hi!! thank you! ☺️

❤️ What is your favorite line that you’ve written in a fic?

oooh. While trying to answer this, I realized that I don't usually have specific lines that I'm proud of (for some reason). But I found a few that I like because I'd like to think they convey a lot in one sentence.

From "the same," I liked how this one turned out: Leon looks like another person, a stranger, whipping through one headlight before the other.

From "Reaching, Searching, Never Stop," I enjoy the first line because I feel like it prepares the rest of the story: Chris’ mother would be disappointed by how little he plays his guitar.

😎 What fics do you prefer on a scale of canon compliant to wildly original?

For my own writing, I am 100% in the canon compliant camp. I have an intense desire to make things as "realistic" and convincing as possible, which includes making it work with canon. Plus, my interest is in the canon material, so I have a lot of fun doing the research (which usually includes watching playthroughs of the games).

As for reading, that scale doesn't really affect what I prefer. If something has an interesting premise, I'll read it, regardless of how canon compliant it is.

💌 Is there a favorite trope you like to write?

I'm sure someone could tell what I like based on my fics 😂. I usually end up writing friends-to-lovers (if it's a story with a romantic or sexual component at all). I like hurt/comfort, especially someone being comforted when they are crying/panicking. Yay.

I don't know if I'm a particularly trope-y writer though. This might be a PDA thing where I don't want to give the people what they expect or want, lol. It's usually only in hindsight that I realize I could have utilitzed a trope to make something more fun or interesting 🤦.

[theaterfotografie]

Der Gott des Gemetzels von Yasmina Reza

inszeniert für die Kleine Bühne 70 Kassel von Christian Hahn

Darsteller: Helmut Hartung, Djamila Groch, Gudrun Müller-Nohl u.  Marc Ziegler

[theaterfotografie]

Gift

Irrlichter eine Inklusive Theatergruppe

[theaterfotografie]

BOXES  tif – Theater im Fridericianum Kassel

Wir sortieren unsere Socken nach Farbe, unsere Teller nach Größe und die Menschen, denen wir begegnen, nach, ja, nach was eigentlich? Freund*innen und Bekannten? Daumen hoch, Daumen runter? Likes und Follower*innen? Komplizierte Algorithmen übernehmen für uns im täglichen Leben und im weltweiten Netz oft die Sortiervorgänge und Entscheidungen. Bei jedem Klick werden wir sortiert und neu gruppiert. Aber in welche Kategorie? Gehöre ich zu den angestellten Vegetarier*innen, die gerne Pauschalreisen buchen? Oder übergewichtigen YouTube-Tutorial Nutzer*innen, mit Vorliebe für eine Soja-Latte im Café um die Ecke? Nachdem der Individualismus seinen Höhepunkt erreicht hat, oder zumindest der Anspruch danach hartnäckig besteht, werden unsere Leben durch die Digitalisierung und ständige Ortung so durchschaubar und vorhersehbar wie noch nie zuvor. Ist und bleibt der Mensch einfach ein sicherheitsliebendes Gewohnheitstier, das sich der Illusion von Individualität nur solange hingeben konnte, wie ihm niemand allzu genau ins Leben blickt? Eine algorhythmische Versuchsanordnung mit Publikum.

 Leitung                        Sabine Koller                                                

Ausstattung                        Verena Waldmüller                                        Spieler*innen: Rena Marsch, Ulrike Haßfurther, Silvio Peer, Lydia Hertel, Celine Immel, Ilaria Heindrich, Carolina Zornik, Kathrin Brzezina, Lara Bickel, Leonie Werner, Petra Bettermann, Marie Kunigkeit, Sarah Schröder

[buehnentanz]

“... and Repead!”

eine Stückentwicklung für den Tanzclub des Staatstheaters Kassel

Leitung Agnetha Jaunich

[ao3commentoftheday]

I just wanted to let you know that this blog is brightening my day, every day, and I treasure that. Thank you so much!

Thank you! It brightens my day, too :) Everyone has such great questions and I learn so much from the reblogs! I treasure you too :)