Less than a month until we open Michael Pink’s newest work, Dorian Gray! This week we’re introducing you to members of his creative team, beginning with longtime collaborator, London-based composer Philip Feeney. Feeney penned the scores to Pink’s most popular ballets, including Dracula, Peter Pan, and Mirror Mirror. What’s the key to Feeney’s success? Pink praises Feeney’s gift for creating music that feels cinematic, and helps guide the action of the scene. Great seats still available! http://bit.ly/doriangraymke
"Philip Feeney has become one of England's most important composers of music for dance. Since Thursday, Boston Ballet audiences have been able to find out why as they've heard his sumptuous, original score for The Hunchback of Notre Dame." - Boston Herald
Apart from over forty scores he has composed for Ballet Central, Feeney has collaborated with many different choreographers including William Louther, Jane Dudley, Christopher Gable, Michael Pink, Didy Veldman, Michael Keegan-Dolan, Derek Williams, David Nixon, Adam Cooper and Sara Matthews.
As a pianist, he has worked with many companies, including Northern Ballet Theatre, the Gulbenkian Company, Birmingham Royal Ballet, London Contemporary Dance Theatre, Rambert Dance Company, Carlos Acosta, Adventures in Motion Pictures, White Oak Project and the Martha Graham Company. Read his complete bio here: http://philipfeeney.com/biography