Gives you Wine?
"I'ma be real, I don't know why this batch turned out like this"
- Milk Maid Anon
Oh um, thank you! I’m not much of a drinker myself but….
This seems like something a grape connoisseur like you might enjoy!
@umavines
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seen from France
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seen from United States

seen from United States

seen from Türkiye
seen from China

seen from Canada
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seen from United States
seen from Iraq
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seen from Canada
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seen from United Kingdom

seen from Türkiye
seen from Israel
seen from China

seen from United States
Gives you Wine?
"I'ma be real, I don't know why this batch turned out like this"
- Milk Maid Anon
Oh um, thank you! I’m not much of a drinker myself but….
This seems like something a grape connoisseur like you might enjoy!
@umavines
﹉﹉﹉﹉﹉ᥬᩤ﹉﹉﹉﹉﹉
Crowley begging and pleading…I’m quite jealous- why couldn’t we see that? ゚(゚´ω`゚)゚。
💥💥💥 who are these people to not only reject his pleas, but be so strict with him 💥💥💥💥💥💥 they should feel honored that they got to see Crowley beg 💥💥💥💥💥 Unappreciative fools 💥💥💥💥💥
David Tennant as Romeo in the Royal Shakespeare Company’s Romeo and Juliet (2000) - Part 3
Excerpts from a Scotland on Sunday article on David at the RSC in 2000
“He is perfect casting, because of the intensity he brings to his work," Michael Boyd says. While Tennant's great friend and former landlady, the comic performer and author of Does My Bum Look Big in This?, Arabella Weir, says: "He's astonishingly focused for his age and amazingly straightforward and honest. He's trustworthy and he's honourable."
There is still something uncynical and unspoilt about him, though. He confesses that being with the RSC can be scary. "Not only because you are in the home of 'world class classical theatre' (as all the brochures tell you), but these big Shakespearean roles come with a lot of historical baggage attached. People tell you how romantic Ian McKellen was as Romeo, or how masculine Sean Bean was, or how marvellous Laurence Olivier was. You feel the weight of all those ghosts, those performances that have taken on a mystical resonance. And because it's Shakespeare, you feel it's hard to make it believable, because it is so beautiful. With this play, everyone has so many ideas about it, that you almost want to play against the beauty. We did the balcony scene the other day and I was doing: 'But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun!' And I was going: 'How can I say that?' It is beyond parody, but all you can do is be personal with it and make it your own, if that doesn't sound too pretentious. I know that's how Alex [who plays Juliet] feels about famous lines like, 'Parting is such sweet sorrow'."
The intensity of the rollercoaster he is on is overwhelming. Stratford is a grueling, sometimes stifling, hothouse. Rehearsal followed by show, followed by rehearsal, in one long punishing schedule. After one-and-a-half hours in the rehearsal room, there is just time for a snack before voice warm-ups for the matinee of The Rivals. There, Tennant's rapier-thin young blade gets involved in sword fights and various cunning derring-do disguises, then he is off again for lunch. And back on again, for The Comedy of Errors. A short show, but a physical one, as Tennant slides down those banisters, executes pratfalls and turns in a brilliantly funny double act with Ian Hughes, who plays his manservant, Dromio. He also does the neatly witty trick of lighting two post-coital cigarettes after seducing his long lost twin's wife and then buries his head in Nina Conti's cleavage. Later Tennant is in his dressing-room, stripped to the waist, slapping Simple moisturizer onto his face, swigging pints of mineral water, and packing up his make-up box, an old-fashioned leather bowling case. As we leave, we trip up over a bloody but unbowed Hotspur, about to go on stage and die in Henry IV, Part 1. Falstaff is plumped in the corner and wishes us a courteous good night, while various make-up girls daub elderly knights. "It's like this every night at this time," says Tennant. "You can't move for men in armour and there's blood everywhere."
Photo credits include: Shakespeare Birthplace Trust, photostage.co.uk, the Royal Shakespeare Company, and more
Other parts of this Romeo photoset [ Part 1 ] [ Part 2 ] [ Part 4 ] [ Part 5 ]
thanks for the advice, love! I've been refreshing when it happens - it's just seriously getting on my nerves! takes away from my system I have going! :P
You’re very welcome sweetheart! I have a degree in Computer Science so I know the more advanced stuff to computing =) Captcha’s really are horrible though and it’s so weird that they don’t have a refresh rate - normally if you can’t read the lettering (because let’s be honest) some of that lettering is really hard to read you can normally move to another word and enter that.
In this case the capcha system is actually so much easier to read, although it lacks the appropriate buttons to change the captcha or listen to it in audio format etc…
So all I can recommended to you is to delete your Internet Cookies and all of your history. The only problem is that you will have to enter any usernames/emails/passwords again since your entire web browser will erase everything, although this can sometimes overcome glitches in website (such as the captcha glitch you’re dealing with) and to me this does sound like a glitch.
A quicker way to refresh is to use CTRL + R. This is a quick manual refresh through your keyboard and such a good shortcut to use. It also saves you using your mouse. If you have a number of tabs running with multiple windows (including Tumblr) your CPU usage will be used more so everything might seem a little slower. Try limiting your tabs as your system could freeze (not permanently, only for a couple of seconds or up to a minute)
I really hope this helps you and good luck getting everything to work properly! =D