“(Lament) for the mighty one my spouse who liveth no more.
_ _ _ _who liveth no more; for the mighty one who liveth no more
_ _ _ _who _ _ _ liveth no more; for the mighty one who liveth no more
_ _ _ _ _ _ _ _ my spouse who liveth no more
_ _ _ who liveth no more
_ _ _ _ great god of the heavenly year who liveth no more.
Lord of the lower world who liveth no more.
Lord of vegetation, artificier of the earth who liveth no more.
The shepherd, the lord, the god Tammuz who liveth no more.
The lord who giveth gifts who liveth no more.
With his heavenly spouse he liveth no more.
(The producer of) wine who liveth no more.
Lord of fruitification; the established one who liveth no more.”
- A Hymn to Dumuzi/Tammuz [Transliteration and Translation of Aramaic cuneiform Texts from the British Museum, discovered in the Royal Library of Ashurbanipal in the ancient capital city of Nineveh, Assyria (now located in modern-day outskirts of Mosul, Iraq)]
(Note: While worshippings, mythologies & cult practices of Dumuzi have been dated back to the early years of Sumerian civilization of Ancient Mesopotamia - when early humans began to settle down and develop one of the world’s first and most complex systems of agricultures, his cult were later spread to the Levant and Greece & integrated into their cultures, under the new names of “Tammuz” and “Adonis.”)
Revisiting and tried to expanding one of my drawings 2 years ago that I made of Aphrodite and her mortal lover, Adonis; with the goddess of spring and nature, fertility crops and queen of the underworld, Persephone belongs to @coloricioso. The backgrounds were based on various natural locations and ancient Greco-Roman ruins sites of Cyprus, Syria, Palestine and Lebanon; which often have sacred syncretic myths associated with Aphrodite and Adonis themselves. (Below here are the Greco Roman ruins that I took inspiration of: Baalbek/Heliopolis, Lebanon; Tadmur/Palmyra, Syria; Scythopolis/Beit She’an or Beisan, Palestine; Salamis, Cyprus)












