The Joker: The Man Who Stopped Laughing #9
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The Joker: The Man Who Stopped Laughing #9
this trio is superior
Born on this day: decadent and charismatic German-Italian actress, model, scene-maker, style icon, “Lady Rolling Stone” and ultimate rock chick Anita Pallenberg (6 April 1942 – 13 June 2017). Pallenberg was an alluring occasional presence in art-y bohemian nightlife in early 1990s London. I recall her DJ’ing at the Horse Hospital once, and coming face to face with her when I opened the bathroom door (“I always need to pee!” she cackled). But before that, buried in the listings of Time Out magazine (in the pre-internet days when it was a dense essential bible that we all relied on), I read about a screening of Pallenberg’s old home movies in East London. It announced she would be present, possibly hosting or emceeing. The venue was a palatial industrial loft in Shoreditch (possibly someone’s apartment), just before gentrification went full tilt boogie there. I sat alone in the back and overheard people conferring that a vintage Cadillac had been dispatched to collect Anita. She arrived late and alone - and sat next to me! Pallenberg – looking just like she did in that 1995 Calvin Klein ad by Steven Meisel with that other ravaged countercultural survivor Joe Dallesandro – radiated elegantly ruined glamour. I never got to meet Nico, but this was a very respectable equivalent. We made small talk. As Pallenberg’s friend Marianne Faithfull describes in her autobiography, “She spoke in a baffling dada hipsterese. An outlandish Italo-German-Cockney slang that mangled her syntax into surreal fragments.” Pallenberg glugged red wine and chain-smoked throughout (there’s a theory she was one of the inspirations for Patsy Stone in Absolutely Fabulous). She also kept up a running commentary on what was happening onscreen (mostly images of herself – clad in Ossie Clark and vintage finery – and Keith Richards in the late sixties cavorting on their jet-set travels). At one point, things turned intimate – a seemingly post-coital Anita and Keef canoodling in bed together. The camera zoomed in on her naked breast. “That’s my neeeple,” she declared in her gravelly Marlene Dietrich voice. I can’t wait to see the upcoming documentary Catching Fire: The Story of Anita Pallenberg. Portrait of Pallenberg by Michael Cooper, 1967.
Complete ❤️❤️
Ravaged
Words: 962 Pairing: Astarion/f!Durge (DurgeResisted) Read on AO3 Summary: He wanted to finally do some good and change lives. So Astarion became the hero he himself would pray to be saved by oh so long ago. TW: Canon typical violence. Tags: Fluff, Setting the scene. A/N: This idea has been a little brain worm that has been wriggling in my head for a while now, based on one of Astarion's spawn endings. Thank you for checking this one out. This one was rather short, but longer chapter ahead.
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𝙿𝚛𝚘𝚕𝚘𝚐𝚞𝚎
Screwed over by Slade Wilson gang 🤩
And their honorary ‘screwed over by Slade Wilson by association’ member
I think they deserve to interact as a group at least once
My reproductive parts have just spontaneously exploded....
😳😳😳🥵🥵🥵🥵
It would actually be really good for Talia’s characterisation if Damian’s trauma would be contributed by Master Dusk because in Robin Damian said that he left him outside for the wolves then Talia and Ra’s banished him. This could clean away all the theses of bad and racist writing and bring a new element to damians childhood. It’s not too late to erase the “abusive mother” because it’s basically done to smear Talia and villanise her even if she would never do it.
Master Dusk could be the solution to all our problems I’m begging you DC.