Queer Nonfiction Books Bracket: Round 1A
Choose a book:
Sister Outsider: Essays and Speeches by Audre Lorde
Mother Clap's Molly House: Gay Subculture in England 1700-1830 by Rictor Norton
Book summaries below:
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Queer Nonfiction Books Bracket: Round 1A
Choose a book:
Sister Outsider: Essays and Speeches by Audre Lorde
Mother Clap's Molly House: Gay Subculture in England 1700-1830 by Rictor Norton
Book summaries below:
What I found searching for Wilfred Owen's and Siegfried Sassoon's letters:
A collection of gay love letters documenting the heartbreak and joy of love between men for 2000 years.
This book is also on archive.org in full.
A letter from Wilfred Owen to Siegfried Sassoon
From Rictor Norton's anthology of gay historical letters "My Dear Boy".
"The importance of the love letter as a physical object in itself is not often sufficiently noticed. A love letter bears a symbolic meaning of greater importance than the written message it conveys. It is a love-token, a pledge of love, as well as a transmitter of sentiment. [...] Tchaikovsky wrote to Bob Davïdov in May 1893, 'I am writing to you with a voluptuous pleasure. The thought that this paper is going to be in your hands fills me with joy and brings tears to my eyes.' Sir Philip Sidney was delighted to receive a letter from Hubert Languet: 'for while I read, I fancy that I have the very Hubert himself before my eyes and in my hands.' Hans Christian Andersen wrote to the Grand Duke of Weimar: 'When this greeting reaches your hands, may you feel in it the pulsations of my heart.' Wilfred Owen told his beloved Siegfried Sassoon: 'for anything in any envelope of your sealing, I give thanks and rejoice.' In short, love letters are magical talismans of transcendence, protective amulets, touchstones of the power of love to unite, to exalt, to fulfil, to heal. As Jean Cocteau said to his lover Jean Marais: 'Write me two lines. Your short letters are my fetishes.'"
My Dear Boy: Gay Love Letters through the centuries, Rictor Norton
How Eighteenth-Century Homosexual History Validates the Essentialist Model
An absolutely wonderful essay by queer historian Rictor Norton on gay identity and culture in 18th century England. It’s a bit long, but thoroughly sourced and beautifully written. I ended up reading all 65 pages in one sitting because it was just SO captivating. Norton examines court records and pieces of 18th century British popular culture to paint a full picture of the sort of identity and subculture shared by “sodomites” and “mollies” during this time. He only touches briefly on lesbians and somewhat glazes over bisexuals in favor of a stark homo/hetero binary attraction, but it’s quite informative overall.
Also, if you’re even remotely interested in gay history, check out his website, which is absolutely chock-full of primary source lists and various essays on queer history, queer culture, and queer theory in general.
The Raid on Mother Clap's Molly House
Okay but seriously someone needs to make this a movie.
A molly house was basically the Georgian era version of a gay bar but with bedrooms and more illegal since they were popularized while the Buggery Act was very much a thing.
This specific molly house was held by a woman named Margaret Clap, or "Mother Clap", as she was affectionately known.
This molly house lasted from 1724 - 1726 before being raided by the police who had been watching the place for a while with the assistance of two men, Thomas Newton and Mark Partridge, who were at one time frequent costumers.
Thomas Newton was first contacted by constables and members of the Society of the Reformation of Manners when he was trying to bail Mother Clap out of prison for who knows what. They asked if he could be an informant and he said?? Yes?? For some reason??? Most likely because he needed money.
This guy was the type of guy who had slept with almost every molly in town, which made it easy for him to sell people out. The men he reported were either imprisoned, or executed.
Mark Partridge, who's name is censored as P----- in the written accounts of the trials, had a lover whose first name is unknown, and whose last name was Harrington. Harrington, whatever his intention was, had let it slip to some close friends that Mark was his lover. Pissed off that he was exposed as a sodomite, Mark went around "accidentally" spreading rumors about Harrington and his homosexuality which spread so much that he was contacted by the police. Whether he agreed willingly or he was blackmailed, when the police ask Mark to assist them in going into molly houses undercover to see who frequented them, Mark agreed.
He took the two constables, Joseph Sellers and William Davidson, around to all the molly houses he knew and would introduce one or the other as his "husband" which was a term used among mollies to recognize an official relationship despite marriage between two men being illegal at the time.
In one molly house, the men that were there had caught word that Partridge was sneaking police into molly house to get them arrested. They acted very hostile towards him and the other officers, and called Partridge a "treacherous blow-up" and "mollying-bitch" and even threatened to kill him, but Mark blamed Harrington for starting the rumor and claimed it was untrue, which calmed them down a bit.
Because of Mark's salty piece of trash attitude, he had caused many men to get arrested and hung.
The raid took place in 1726, when police surround the molly house and arrested all who were present, including Margaret herself. Many trials were held. Three men, Thomas Wright, Gabriel Lawrence, and William Griffin were hung in Tyburn, and Margaret Clap was pilloried and sentenced to two years imprisonment in which she died either during or shortly after.
Speaking of codes, Gertrude Stein in her story “Miss Furr and Miss Skeene” (published 1922 but written 1908–11) describes a female couple who are more than just merry: “They were quite regularly gay there, Helen Furr and Georgine Skeen, they were regularly gay there where they were gay. To be regularly gay was to do every day the gay thing that they did every day. To be regularly gay was to end every day at the same time after they had been regularly gay.” But perhaps Miss Stein’s writing is too deeply encoded.
Dr. Rictor Norton, bringing the sarcasm on slang terms for homosexuality and textual interpretation.
http://rictornorton.co.uk/though23.htm
Dyke, faggot, gay, queer: these are queer-words. When straights heard them for the first time in the 1930s or 1950s, they did not know what they meant. Becuase they had not created them -- queers had. When the mollies were tried in the early eighteenth century, the judges and juries heard worse they had never heard before and phrases they did not understand. In a homosexual trial in Britain in the 1950s the jury had to be handed a glossary of queer terms so they could comprehend the testimony they were about to hear. These are not words of social control; these are words indigenous to an ethnic culture. The fact that they happen to be fairly modern queer-words does not mean that queer culture is a modern invention: these particular words have simply superseded earlier queer epithets such as molly and tribade, both of which have had a longer history than dyke, faggot, gay, and queer.
The Myth of the Modern Homosexual, by Rictor Norton