sattya [email protected] (sattyayoga) https://ift.tt/2tBsPHQ
seen from Italy
seen from Brazil
seen from China
seen from Japan

seen from Germany
seen from China
seen from United States

seen from Spain
seen from Moldova
seen from China
seen from Russia
seen from China
seen from Nigeria
seen from Germany
seen from United States
seen from Yemen

seen from Malaysia
seen from Singapore

seen from United States
seen from United States
sattya [email protected] (sattyayoga) https://ift.tt/2tBsPHQ
SATTYA [email protected] (sattyayoga) https://ift.tt/2yq0j1v
When doing #kurmasana I find deeper to lift up not only my heels but also my hips from the floor so my back and legs can stretch so much more. It is important to keep attention on shoulders and elbows which should not collapse to the pressure of the legs as it might cause an injury. Practice always with love and truth! Keep #ahimsa and #sattya inside and out of the mat. #yoga #yogatips #yogapractice #yogalove #lifeisaplayground (en EKAM)
Still a bit more work left #mural #sattya#brightcolors #sunnyday #art #art_empire #art_spotlight #art_collective #whimsical #nepalart #instaart #instaartist #illustrator #illustration #social @ascensun
His name is Sattya Stanislas Lysandros Ratowski. He is my dear friend - Onet's (Puji Siswanti) 6yr old son. He was taken 6months ago by his father and now he may either still live around Bali - Indonesia or in Belgium (where his father's family resides) or in France or in Greek. He could be anywhere. If by chance any of you kind people meet / see him, please tell him - his mother misses him so so much and there is never a moment she does not think and pray for his wellbeing. She loves him dearly. I truly hope for his son's happiness, Phillippe - his father will let him reunite with his mother, cause no child deserve to be parted from their parents, in this case to be parted forcefully from a mother. #helpreuniteOnetandSattya #Sattya #missingchild #missingson #ignitetheactofkindness #regram from @cindaga
REACHING AN UNDERSTANDING
It's taken me a while to figure this place out, at least in the way I can enjoy it and not be pushed into dismay by constant honking and random streetside carts full of goat legs. I've finally fallen into the hidden currents of Patan (consider it southside Kathmandu, but with a 2300-year history of its own), sometimes bored and a bit uncomfortable, but hey, that's what I signed up for.
The turning point was Wednesday, the day after I wrote my previous entry and made the decision to leave Patan and, perhaps fatefully, the first day of the chariot pull. This is an important festival here, all of Patan turning out to pull an 80-foot tall, bronze and wood and sapling-laden chariot through tiny streets and alleys, and yell "AISTE!" During the procession I met a Nepali named Bal, who invited me to his house to have coffee, then later surprised me at my guesthouse at 8 am two days later to ask pertinent info for my horoscope.
On the way back from a sunset coffee and awkward conversation on Bal's rooftop, I saw a small woman walking along in a rough horizontal, pushing a cart with 15 containers holding 10-20 liters of water each (an aside: I don't understand how women are not allowed to pull the chariot, but this kind of backbreaking work is fine). She turned out to be Dilmaya, and she was so grateful for my help (and, I suspect, my interesting presence) that she invited me for dinner the next night and hasn't stopped blowing up my phone since. I'm amazed that she does this route on her own, as it took us 15 minutes to get this cart through cracked, unlit streets, and then it was still a walk-up and two flights to her apartment.
When I came back for dinner the next night, they had invited the whole neighborhood out. Iswor, who keeps texting me with the question "How r you bro" was there, as were a steady stream of people staring in from the shared balcony. Awkwardly, I was the only one eating, and the meal I had come out for was of the take-out variety, comprised of the two greasy staples of Tibetan-Nepali fast food cuisine — dumpling-like momos, and 1950s American-Chinese food-like chow mein.
Sitting next to me, carrying his roll of canvas and poetry books under one arm, was the night's most interesting product, Asim Sagar. He showed me the two books of ghazals (lyrical poems, usually set to music) he'd already published, with another five on the way. He showed me the mountain landscapes he'd painted from postcards, having never been to see them himself. They were simplistic and beautiful, with charmingly naive details like yaks and peasants added to each one. He told me about a poetry contest he'd entered, and come in 6th out of more than a thousand.
At first I waited for the inevitable sell, but as the night progressed I changed my disposition. For some reason or other I was an attraction here, someone to impress and confide in. Most people did this by introducing their wives and cousins, showing me photographs and cell phones. But Asim's pride was in his artistic creations, and he wanted to show them to someone who understood. In some simple twist of fate, I did.
On my way back home, I stopped off at a "cold store" for a beer. People were hanging out in the courtyard accessible through the other end of the store. I drank beer and raksi, a fermented rice spirit, and partook in some weird raksi-accompaniment, tomato-soaked fish out of a can. With some of the fellas I went for a nighttime inspection of the chariot, housing maybe the same hold man who implored the crowd to "AISTE!" at other times, bathed in the light of devotional candles.
Friday was a wash, but Saturday I bartended Sattya's one-year anniversary party, which was nice, and gave me some insight into the organization that had lured me all these many miles. I made a green tea-honey-cucumber-mint punch to complement the 6 liters of raksi they'd gotten donated and it went over pretty well. Getting back into a familiar rhythm was also a nice thing, and I was pleased to see Sattya do something exceedingly well — which hadn't been my experience with the cancelled workshop I had been slated to teach.
Here's what I wrote on coming home that night:
How fucking gorgeous was tonight? It ended in getting a surprise ride home — a bigger thing than you'd imagine at 10:30 pm, the hour that everything is usually desolate and stray dogs start getting growly ideas — and getting dropped off on the edge of devotional, tea-candled Saturday night in Patan. Among these tea candles were two giant chariots, and they contained all the secrets of the world. The first thing I saw on this round was a guy clearing all the candles off a cross-bar of chariot with a sweep of his hand, and a boy trying to pull the children's chariot until I told him no, to the delight of his parents.
And that was just the afterglow. What really happened is I got involved with the thing I'd been seeking, the alternative pulse of this regimented city, and was welcomed. I got to fuck off a bit and eat free pasta, and was still appreciated. I forget how much I enjoy being a bartender.
Sunday I went to my favorite cafe here — Higher Ground, get the carrot cake — and ran into a girl I'd met at the Sattya party. We exchanged numbers and some insight struck me — right, this is how things go when they're going. We tried to meet up at the chariot pull, but I decided last minute not to be a bystander. I pulled the massive thing, along with 300 other able bodies, through a canyon of apartment buildings, one of whose sides the 15˚-bent tip of the chariot got snagged on. From a full stop we would grunt and pull at the three ropes tethered to it, then run in a mad dash for 50 feet or so over uneven streets that spat bricks into our path, trying not to get trampled. In these moments, I leaned on the rope as much as I pulled on it. I had three separate conversations of "Where are you from?... Having fun?" When I eventually broke off, after about 500 feet of this, I was blown away by the level of adrenaline I had coursing through my veins, and the feeling of accomplishment I got from having participated in such an incomprehensible and sacred thing.
Yesterday I went to the hospital for the stomach thing (diarrhea!) that is keeping me off trekking for a few more days. I had one of those utterly alien experiences that I like when I'm not feeling threatened by it, with the same people who were crowding the doctor's door that I was waiting for excitedly stepping onto a scale, treating it as more a novelty than a diagnostic tool, having their their children bend down to read its scratched-up window. I eventually got some good, compassionate advice, and a $2 booster shot of Hep B immunoglobulin (note to the savvy — getting a rare tropical inoculation like Japanese Encephalitis here instead of in the US would have saved me $500!). I went home and watched some movies.
And today, waking up after 11 hours for some guesthouse lobby french-toast-and-internet, I made a new friend. She has a remarkable English vocabulary for a 6-year-old Nepali, but she still was no help with the crossword. So I proceeded to bang my head against the wall while letting her fast-forward her way through How to Train Your Dragon, The Aristocats and Fantastic Mr. Fox. She would rewind certain sections to an extent that made me pull her hand away from the button, and a few times she counted along with the time signature. And still I was pretty amazed whenever she would laugh at something, it would pull me out of my smug little over-the-crossword watch and get me engaged. Kids are pretty magical in that way.
And then we took these funny pictures:
DECISIONS, DECISIONS (a word whose repeating only serves to delay the inevitable)
As of about an hour ago, I informed the two founders of the Sattya Media Arts Collective that I won't be teaching the course I've come to Nepal to teach. I did this after considerable soul-searching, I did it via text message (although let it be known I called before sending). I still haven't received a reply [ED: it took them 24 hours].
It was a lot of things, but mostly a matter of timing. Their timing, with a one-year anniversary party coming this weekend, a $9,000 kickstarter half-fulfilled and entering that 10-day do-or-die period, and some personnel things seemingly in flux (i.e. I was given a flyer advertising the position of the guy who brought me in to stick to bulletin boards alongside my workshop flyer). My timing, with 6 weeks left to make something transcendentally memorable of my time here, which was so far consumed by 2 great weeks with my dad, and 2 more recent boring weeks at a quiet, out-of-the-tourist-district guesthouse. The prospective students' timing also wasn't right this week, when I was originally supposed to run the workshop (was told is was exams, maybe), and might not be right in the still-TBD future, while I cooled my budget jets in this strange, early-to-sleep city with no real friends.
And still I could have gutted it through, and it might have been amazing. The workshop still gets me amped — a 5-dayer that demonstrates my quirky methods in the service of idea generation and "honing the tools of curiosity." This I thought about over another boring weekend, head held down by the kind of depression which indicates: You have a decision to make. And in the end, this city without a coalesced, active art scene (that I've seen) can't compare to a month-long trek through the Himalayas, with stops for random monasteries and burning the leeches off of my feet.
It's one of those things that isn't a perfect solution, with the only one of those existing in before-the-fact theory. This week, I've been thinking a bit about another difficult — and as it happened, disastrous — decision, made by (of course) my favorite calamity-prone basketball team, the NJ — soon to be Brooklyn — Nets.
At the start of their NBA tenure, they were faced with a difficult situation — as one of 4 teams selected to make the jump from the carnivalesque, always precariously-financed ABA, they had to come up with nearly $5 million 1977 dollars to pay the NY Knicks for metro-area territorial rights, and $3 million to pay the NBA. Their owner, Roy Boe, a vaudeville type who'd bought the team for $1.1 million in 1969, was squarely in over his head. The solution he found has been regretted by generations of Nets fans since — he sold off the team's best player, Michael Jordan before there was a Michael Jordan, to the Philadelphia 76ers for $3 million. Julius "Dr. J" Erving, the godfather of playing above the rim, won an NBA title with Philadelphia in 1983, after two with the ABA Nets. The NBA Nets never won another.
As New Jersey's team becomes Brooklyn's, an era marked by losing, poor decisions, tragedy, bad luck and comical antics comes to an end — and many people trace this right back to the selling of Dr. J (the "curse of"?). Rightly or wrongly, Boe is the godfather of a circus — which they once had to give up their arena and forfeit a play-in game for the playoffs for the literal sort of!
A lot of memories about the team are going around this week, but one is not — the alternate history one where they kept the game's most exciting player and had an entirely different fate. But if we're going to construct alternate histories, we have to deal with the facts of the time, the facts which led Boe to find an unconventional solution to a lose-lose situation, and enabled his team to move forward with the pieces that were left.
Just to be clear, I am not in any way equating my decision with one that led to a generation's worth of failure.