Yipwon Hunting Idol Yiman People Upper Sepik Papua New Guinea


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Yipwon Hunting Idol Yiman People Upper Sepik Papua New Guinea
A Marseille, au Musée Cantini, une très belle expo sur l'œuvre d'Alberto Giacometti.
L'expo finit intelligemment avec un cabinet d'œuvres provenant de cultures ayant influencé Giacometti.
"marratampirivit" (mannequin funéraire), malangan - Nouvelle-Irlande, Papouasie-Nouvelle-Guinée, fin XIXe s.
"mboy"(gardien de reliquaire), kota - Gabon, fin XIXe s.
masque sépik - Papouasie- Nouvelle-Guinée, XXe s.
"éyéma byéri" (gardien de reliquaire), fang - Gabon, fin XIXe s.
masque "gie-zo", dan guerzé - Côte-d'Ivoire, fin XIXe s.
voir 1 et 3
cuillère à riz, baoulé - Côte-d'Ivoire, fin XIXe s.
Sepik girl, Papua New Guinea, by Alexander Khimushin
Sepik
let’s get nonsensical!
Well what do you know, some more bread. Half rye half wheat flour plus sunflower seeds this time.
Kau lucu. Aku bingung memilih: antara menertawakanmu atau menyayangimu.
Chandra Wulan
Abelam people The Tambaran is a structure which serves as a men-only meeting house for ritual and initiations. The Tambaran is also used for worship of the yam cult, the yam being the staple food and sacred item for people along the Sepik river. The giant spirit Ngwalndu, shared between the Abelam and Southern Arapesh peoples, is said to be embodied by noises which resound from the Tamabran. Yam cultivation forms a large part of Abelam society. The growing of large yams (often over 2 metres in length), determines the status of an individual and of the whole villiage. At yam festivals, an individual would give his largest yam to his worst enemy who would in turn be obligated to grow an even larger yam or have his status fall each year in which he was unable to do so. During the yam growing season, strong emotions were kept to a minimum as they were thought to impede the growth of the yams. Fighting was taboo as was sexual activity. It was thought that the yams had a spirit and could sense any of these powerful emotions.