Your Rep Book: What is it? What to include? Where to start? Plus my TOP TIPS 🎤 ~
So, you’ve heard about rep books? But don’t know where to start or what to include in yours? Never fear, I’m here to (hopefully) clear things up a bit and answer any questions you may have. A rep book or rep folder is essentially all of the songs that you’ve chosen to have as ‘go-to’ options for auditions. The songs that show off best what you can do and, most importantly, are VARIED and DIVERSE so that they cover most eventualities when you have an upcoming audition and need to choose a song.
What to Include - a ROUGH guide:
🎤 At least TWO contrasting contemporary ballads
🎤 At least TWO contrasting contemporary uptempo songs
🎤 At least TWO contrasting legit (pre-1965) ballads
🎤 At least TWO contrasting legit (pre-1965) uptempo songs
🎤 If you’re classically trained, it’s good to have a classical song or a song from an operetta, e.g. Gilbert & Sullivan
🎤 At least ONE Stephen Sondheim song
🎤 At least ONE ‘golden age‘ song by a composer like Gershwin
🎤 At least ONE Disney song
Some Questions You Might Have:
🎤 What exactly do I mean by ‘contrasting’? - The songs in your repertoire could be contrasting in a variety ways. For example: character, musical style, time period, etc. After all, the term ‘contemporary‘ is a really broad category that covers A LOT of material so it’s good to have a couple of DIFFERENT options.
🎤 Why have two options? - It’s always good to have a backup in case the audition panel asks to hear something else and you don’t want to be caught short with nothing else relevant to show them. However, you also don’t want to show them something that’s super similar to what you just sang - there’s a reason they asked to see something DIFFERENT, after all!
🎤 Why does Sondheim have his own category? - A couple of reasons. Firstly, in general, you shouldn’t sing Sondheim at an audition unless they specifically ask for it OR if you’re auditioning for a Sondheim show. Secondly, Sondheim songs are very specific and unique in style and often very difficult for both the vocalist and the pianist so it’s always good to have a Sondheim option ready in case you need it, but it shouldn’t take the place of one of your contemporary songs, if that makes sense!
🎤 Make sure you’re equally comfortable with all of the pieces in your rep folder/book
🎤 Make sure each piece is roughly within your casting type (this includes age, ethnicity, look and gender)
🎤 Do not lower or raise the key - always sing the song as written
🎤 Always be clear on your chosen tempo. Don’t be afraid to go over to the pianist and politely yet assertively mark out your tempo for them before you start. Remember, the pianist is on your side and you are in control of your own audition.
I might make some future posts that go into more detail about how to present your rep book and sheet music, as well as the individual song categories, but that’s all for now! x