Luigi Russolo - Risveglio di una Città

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Luigi Russolo - Risveglio di una Città
Ambient track created by granular resynthesis of sound objects, including several acoustic instruments, voice, a bird and a special guest - egg cutter :)
Silenzio Interiore (installazione sonora 2013)
Per maggiori informazioni: http://www.costantinorizzuti.com/silenzio-interiore/
Realizzato nel 2013, Silenzio Interiore è ancora un work in progress perché il progetto iniziale di costruire delle "Icone Sonore" automatizzate capaci di interagire e integrarsi con l'ambiente circostante non è stato ancora portato a termine completamente. Questo lavoro esposto nel 2013 prima presso la Galleria Nazionale di Cosenza e poi presso la Galleria Santa Chiara è un trittico costituito da tre diversi oggeti capaci di riprodurre suoni mediante un programma di composizione automatica eseguito da un calcolatore. In occasione di USE[LESS] è stato esposto presso il Museo del presente soltanto Silenzio Interiore III la più piccola delle tre sculture sonore decorate dal Maestro Alessandro Carpino.
I wanted to thank both Hansi Raber and Jerobeam Fenderson for their work and inspiration. I have been playing, hacking and patching and having lots of fun doing it
http://giorgiomagnanensi.com/category/oscilloscope-fun/
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oscilloscope, sound objects
Phantoms
IDEA: Phantoms of sound and objects.
WHAT: Marc Behrens presents his solo exhibition 'Phantoms' as an interconnected sound and object array. The exhibition focuses mainly on the sound installations 'Unit', 'The Unknown' and 'White Phantoms' and integrates them with a number of smaller sculptural works. He materializes his own phantoms and tells their stories through combinations of sound and physical objects. All those materials, mostly organic but transmutable, all those sound objects are vibrations, reshaped, redefined. Like phantoms not of the artist’s body, but of the artist’s ideas and spiritual acts.
WHY: Phantoms are the placeholders for induced memories, imaginary places, ideas, entities or objects that you can only relate to by way of someone else’s accounts, since you have not been there, since you have not been with them.
BY: Marc Behrens at The MART in Dublin, curated by Matthew Nevin & Ciara Scanlan, in conjunction with Goethe-Institut Irland.
Teapot Opera
2015
Interactive sound objects