THE SECTION // 11.1K M
As usual, it’s the Irish one he hears first.
“Keep up, Styles. It’s your boyfriend we’re off to see.”
“He’ll have heard that, Niall, you arse. Thank you so much.”
Louis just has time to text Zayn: fuck.
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THE SECTION // 11.1K M
As usual, it’s the Irish one he hears first.
“Keep up, Styles. It’s your boyfriend we’re off to see.”
“He’ll have heard that, Niall, you arse. Thank you so much.”
Louis just has time to text Zayn: fuck.
Never Stare by Throwthemflowers | E | 1945 Louis is trying to survive figure drawing class. The nude model is Harry. It's downhill from there.
Don't Know What to Think (When I'm Looking at You) by smallearthcat | E | 3829 One of the last things Zayn had expected was that touring meant he'd be drawing more often.
Eyes Shut Fingers Open by lostlenore | nr | 4072 Liam gets off the bus in front of the fine arts studios feeling like he should’ve arrived wearing nothing but a trench coat and expensive heels.
Christmas Glows With Love by Beanno28 | E | 4837 Harry, a photographer, is taking photos for a porn magazine cover. Louis, a solo porn star, is up for just about anything!
Draw by dolce_piccante | T | 8343 AU. An overworked university student, an endearing chatterbox, art, loads of fluff, and nudity. Lots and lots of nudity!
dodging lions and wastin' time by ferryboatpeak | T | 9373 zayn and harry both want niall to model for them. only one of them understands why.
The Section by bananaheathen | M | 11144 In which Louis is a TA for an Intro to Cinema course, and Harry is an undergrad with a bit of a crush. Or, the one with "Name: Harry Styles, Date: me please" As usual, it’s the Irish one he hears first. “Keep up, Styles. It’s YOUR boyfriend we’re off to see.” “He’ll have heard that, Niall, you arse. Thank you so much.” Louis just has time to text Zayn: fuck.
Baby, Teach Me How To by FallingLikeThis | E | 13316 At 10 am, the door to the studio classroom shuts with a bang that makes Harry jolt in his seat at the sound of it. He turns to see an absolutely gorgeous man standing there, hand still on the doorknob. His hair falls in a windswept swoop over his brow and he’s got a sexy scruff on his cheeks that Harry immediately can’t help imagining between his thighs. The man’s eyes shine with mirth, lips quirked into a wicked grin at having gotten a reaction from nearly everyone in the room. Harry watches him with unfettered curiosity, idly thinking he’d be a beautiful subject for a portrait as the man’s hand falls from the door. “Hello, class,” he says, clapping his hands in front of him and Harry’s eyes have a hard time staying in his head. This is Professor Tomlinson? Or Louis is Harry's art professor and they both know it's forbidden to fall in love. Somehow, they manage to anyway.
Please Be Naked by Only_angel_28 | E | 17445 Louis starts squirming, desperately needing something to do with his hands. Needing to do anything, really, to distract him from the perfect male specimen standing naked in front of him. In the end, the only thing he can do is strip out of his own jeans and briefs, which he does with trembling, clumsy fingers, his heart beating out a violent, chaotic rhythm in his chest the entire time. He hears Harry’s sharp intake of breath, and slowly raises his eyes from where he was staring at his own bare feet to meet his gaze. “So,” Harry says bashfully, his voice gone even deeper somehow. “We’re naked.” “Yup,” Louis squeaks. “You okay?” No! “Yup,” Louis repeats, sounding just as unstable as he did the first time. This is the last favor Louis Tomlinson is ever doing for Zayn Malik. (Because, after today, he’ll be dead, but that’s neither here nor there.) *Or the one where Louis agrees to help out Zayn with one of his art projects and ends up getting much more than he bargained for.
ALSO peters last couple lines remind me of maxon in The One
I’m starting to think about something and it’s so hard to think about (delusion talk)
If you followed me for a while, especially pre sectioning (rolling back to April - May 2013) I was in the horrible horrible mental state and I was talking about all these things from my parents poisoning me to a microchip in my brain fulled by Jamie and the others mostly but you know, not taking your medication and being on the medication can fuel that and my horrible mania depression cycle. Lets just say I was very schizoaffective, then the affective cooled down and I became super schizophrenic..... anyway.
As you might know my house burnt due to someone lighting fires and it’s been so hard and horrible to understand. I don’t know whether to believe or not anymore but after that happened I have/had been so fixed in the belief that I switched to a different universe as a result that when home burned down so did my home universe and I have to make comfort in this one. Sadly with my varying mental health at the time due to my dreams of being an astrophysicist I believed that I discovered something when I achieved this that ‘the section’ found a way to go back in time changed my universe and fucked with my aspirations in a result not leasing myself down the path of me being miserable and not an astrophysicist. And now my parents want to sell the property I connect with home, I couldn’t let that happen when I was young I would cry whenever that was mentioned. It felt I would lose something that they would succeed. Now that they say it I feel like that part of me is dead, I’m going down the path of me becoming an artist. I’m studying the opposite of physics, maybe the section did succeed? Maybe I was delusional about the whole thing?
I don’t know what to believe anymore, maybe I’ve been wrong with my thoughts, maybe they’ve won. But the way my life is going I’m ok with it. I’m happy what I’m doing.
If the Snarling Lions were created by the Section,
why were they trying to kill the Inspector the first time we saw them on screen?
Curren$y & The Alchemist - The Tonight Show (Official Video)
The Section - Swan Song
Inspiration......
EP Review(s): The Immediate Family - Slippin’ and Slidin’ and Can’t Stop Progress
The Section is now the Immediate Family.
Made up of guitarists and vocalists Danny Kortchmar and Waddy Wachtel; bassist Leland Sklar and drummer Russ Kunkel, the Section backed artists such as James Taylor, Linda Ronstadt, Stevie Nicks, Keith Richards, Warren Zevon and Jackson Browne. With the addition of Steve Postell on guitar and vocals, they’re now making their own music as the Immediate Family and proving being an exceptional backing group doesn’t necessarily translate into being an exceptional band.
On the EPs Slippin’ and Slidin’ and Can’t Stop Progress, the bandmates mix new studio originals with live versions of Taylor’s Kortchmar-written “Machine Gun Kelly” and Zevon’s “Werewolves of London.”
Why except for Steve, we’ve all been fired by James Taylor, “Werewolves” co-writer Wachtel sings on the latter.
These are formulaic rock ‘n’ roll bangers (both title tracks); an even-worse-than-the-original remake of the Don Henley-Kortchmar co-write “New York Minute;” the SRV copy “Cruel Twist;” and funky highlight “3:45 Coming Through,” which is also nothing more than “Feats Don’t Fail Me Now” slowed down and outfitted with new lyrics. Toss in breezy ballads like “One More Time or Two” and it all sounds like a band trying too hard to recreate the past.
Grade card: The Immediate Family - Slippin’ and Slidin’ and Can’t Stop Progress - D+/C
6/10/21