Tons of spoilers for the Haunting of Hill House miniseries.
thewondersmith replied to your post: Man, I rewatched the Haunting of Hill House...
Yeah! I heard one of the other endings they were considering was having the Crains succeed in burning down the house, which could have been a a really interesting metaphor for making peace with your trauma / finding ways to live with mental illness and addiction / letting go of narratives about your life or family that don’t serve you or that are actively harming you.
It’s just majorly disappointing that a show that up until then, did a pretty great job critiquing the idea that it’s a ~man’s~ job to ~protect~ his family (it almost destroyed their family!!!) turned around at the last moment and was like, “yeah nah, everything Hugh did was actually right and fair, and Steven is totally in the clear to do the exact same thing. Also the house was actually benign and even good(?) this entire time!!! Don’t think too hard about the implications of Nell and Olivia being trapped in that fucking awful house because at least they’re there together!!! Steve should totally continue to lie this family! No lessons have been learned at all!“
I KNOW! It felt like the writers just chickened out so hard at the end, and having Luke burn down the house would have been a nice bit of catharsis.
GOD. I spent a lot of the last episode going "You know, this isn't so bad, even though the pacing is shot to hell, maybe we were caught up in the moment and the frenzy of expectation when Andrea and I binged it when it came out :la" Even the reactions of the Dudleys to their daughter's death was like "Okay, they're clearly not well, this isn't an unambiguously good thing." BUT THEN we get to Steve's giant monologue at the end, set to the montage of Odes to Traditional Marriage with a dude-with-guitar ballad underscoring it, and Mrs. Dudley being happy at the end with her two eternally-trapped ghost children who've had to chill with Poppy for twenty years.
Just so very much of it. The fact that Steve gets the literal last word, when his whole narrative has been him proscribing himself over others' stories. The fact that his wife Takes Him Back. The fact that the story proper ends with Steve and the dad, but none of the living women. The fact that Nell never gets real reconing for the fact that the house ruined her entire life and wrote her suicide in the fucking stars. The fact that the dad gets to happily embrace the wife who killed a child and the daughter whose life was ruined, and I guess just chill in hell forever. The fact that Theo's pushy "love" "interest" is apparently endgame. The fact that Shirley's big thing has to be wrapped around a boring infidelity plotline, not her control-freak nature and manic need to fix things. Gah, it's just so fucking maudlin. I was watching it while cross-stitching a freaking Christmas stocking and it was too twee for me!
So Andrea and I have been reading the novel (her for the first time, me maybe the third time?), and I always forget how queer and female it is. The show is very much its own beast, they are barely related at all, but it does just feel so wrong to slap that name over the show’s ending. I’ve seen that they’re doing a second season (not with any of the same characters, anthology-style), adapting The Turn of the Screw, and I am...cautious. That books not nearly as close to my heart, but the creators also lost all of my trust >___>