#tonkoopman

[deborahdeshoftim5779]

Carl Phillip Emanuel Bach’s stunningly innovative concerto’s for Cembalo and Piano. Played by Ton Koopman and Tini Mathot. 

[dolcissimamiavita]

バッハのパストラーレ（田園曲）BWV590 は　日航機事故で世を去った友人が好きだった曲

マリー=クレール・アランの演奏するレコードを貸してあげたら「パストラーレがとても良かった」と言っていたっけ

これはクリスマスイブにちなんだ曲でもあります

ベツレヘム郊外の田園で夜通し羊の番をしていた羊飼たちに思いを馳せつつ

#bach #pastorale #noel #bwv590 #orgue #tonkoopman #バッハ #パストラーレ #オルガン #クリスマス

[deborahdeshoftim5779]

Ton Koopman directs the Amsterdam Baroque Orchestra in Bach’s second Orchestral Suite (probably my favourite) in B Minor. 

[deborahdeshoftim5779]

Ton Koopman directs the Amsterdam Baroque Orchestra in Bach’s first Orchestral Suite, C Major. 

[deborahdeshoftim5779]

Ton Koopman explains Bach’s extremely beautiful Cantata, Actus Tragicus (Gottes Zeit Ist Die Allerbeste Zeit). I always feel humbled when hearing this cantata, which really can soothe those who are mourning and bereaved, as is currently the case today. Koopman, as one of the pre-eminent interpreters of Bach’s music, brings a great depth in his explanation. 

[deborahdeshoftim5779]

Conductor and musician Ton Koopman discusses Bach’s Cantata 56, with some touching and pertinent insights into Bach’s musicianship and how he considered his own music. In particular, I like the highlight on Bach’s sense of disappointment that his employers were often an obstruction to his musical work, as is evident from his letters. I did not realise that this Cantata is actually about someone suffering from gout, asking to go to heaven. The instrumental parts for this cantata are indicative of Bach’s skill with illustrating words. 

[deborahdeshoftim5779]

Eine spannende Diskussion über die Matthäus Passion des Johann Sebastian Bachs, zwischen die Bach Gelehrten. 

[bachandbao-blog]

BWV 171

‘Gott, wie dein Name, so ist auch dein Ruhm’

Ton Koopman, Marlis Petersen