Day 17 of iconic naruto memes
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Day 17 of iconic naruto memes
Random Naruto AU musings/fanfic ideas incoming:
OK so, I was listening to Naruto theme songs in my room via speaker to drown out the sounds of my mother/housemate having a private appointment downstairs via zoom. (As you do)
Kakashi Hatake Mission Report #5 - Concerning guarding the Land of Waves bridge builder Tazuna, and the battle with rogue shinobi Zabuza.
Client: Tazuna - Bridge builder from Land of Waves. Currently constructing a large bridge to connect the Land of Waves with other countries.
Duties: Protection - Guard him from thieves and the like on the road to the Land of Waves until construction is completed.
Mission Rank: C
Report Four: Zabuza appears, battle with Haku:
“As expected, Zabuza and the rogue shinobi boy Haku appeared before us again. Sasuke and Naruto took on Haku, while I took on Zabuza, but the battle was stopped when Zabuza’s employer, Gato, betrayed him. During the battle Sasuke’s sharingan ability appears to have awakened”.
“Key point to remember: strong emotions might open Naruto’s seal. We may need to take precautions”.
Mission Notes:
- Haku used his kekkei genkai to make mirrors of ice.
- Anger weakened Naruto’s seal.
- Haku died saving Zabuza from my lightening blade.
- The citizens of the Land of Waves rallied and saved their country.
The Wave Arc isn’t as “complex“ as you think it is.
I sincerely don’t understand the noisy fandom’s obsession with the Wave Arc. I wouldn’t even consider it the fifth best arc (now that I think about it), let alone the best in Naruto. That’s crazy talk! (Is it nostalgia? It sure seems that way; thank goodness that I barely suffer from this affliction and I read this work in my twenties.) All it does is that it creates some ... how should I put this before someone accuses me of not putting my thoughts correctly into text? Anyhow, it creates motifs that are fully elaborated in Shippûden. That’s all it does. On its own, the arc’s fairly pointless as it’s entirely composed of self-contained “plots” that, without any linking factor, don’t serve any point save “this lead to that” and “that lead to this”, so that’s the end of that.
To elaborate on this a bit, anyone who’s studied formalism (I have, and I absolutely align myself with formalists and structuralists) would know that motifs can denote the “smallest unit of plot” and can be in a “bound” and/or “free” form. The bound motif, as the name suggests, is something the story can’t function without. What are the bound motifs in Naruto? Brotherhood; conflicts between brothers; inheritance injustices in regard to fathers; kin and legacies; etc; hence, most of Naruto’s motifs are about the consequences from the creation of conflict that result from disturbing the balance of the aforementioned concepts. Following me so far? In fact, everything you read in the manga has already transpired in the past. You’re simply going through the aftermath of it. The narrative creates new conflicts, yes, but they, too, are a result of the conflicts that have already happened. So every conflict that you see, save few, is either secondary or minor and is directly supported by the main conflicts.
In the Wave Arc, Haku has already experienced an ethnic-cleansing, which is why he aligns himself with Sasuke’s plight. What was the basis of this tragedy? Kiri’s fear of a rare ability that Haku’s blood carried. In case of Kimimaro, another ethnic-cleansing had already occurred; and we see the aftermath of a failed coup against ... yes, Kiri. Why does Kimimaro choose? He’s content with passing off his legacy, and the burdens that come with it, narratively to Sasuke. The motifs that surround the ethnic-cleasings, both of them from Haku and Kimimaro, are quite literally shifted to Sasuke’s narrative. In what manner? Kiri is one character that opts for genocide in retaliation to coup and in the wake of paranoia that surrounds a particular blood-line. Sasuke’s clan perished because of both.
So motif is also one of the dominant ideas (which can be a character, an object, emotion, a verbal pattern, recurrent image, etc.) in a work that can’t function without it. It forms a part of the main theme(s). That, technically, makes Sasuke a bound motif, without whom none of the themes that come from Haku and Kimimaro (among many other things, but let’s stick to the Wave Arc for now) can continue on. That also makes Sasuke a “leitmotif” or “leading motif” in the East Asian works (predominately from China and Japan and their martial history) that focus on filial piety, clan, and vengeance.
Why did I explain all of that to you? The reason is that the Wave Arc doesn’t take any of that anywhere as it introduces these motifs; and without any further elaboration on the themes, it’s just a glass-less-than-half-full introductory part of the narrative. How can something that’s so thoroughly incomplete be ... good writing? Yes, if you attach it with the rest of canon, it’s fairly good; but if you keep it isolated to be put on some pedestal then it’s ... odd, to say the least. I personally don’t care what you lot like, but it’s an objectively thread-bare arc, because of the manner in which it’s designed. Reading that and thinking, “wow, the entire manga should’ve just been like this!” would be akin to reading some Epic Poem’s in medias res and just fashioning the whole poem around it. You understand how incredibly ridiculous it sounds, no? Without the Kage Summit’s Arc, this arc wouldn’t amount to much of anything as everything that transpired in it was quickly buried under the next arc ... and essentially forgotten till the KS Arc’s formation didn’t begin to take root in Shippûden. I’m sorry, but I’ve never understood this fascination with Part I. Technically, which would make this an objective reading, it’s vastly inferior to Shippûden, and it’s not even close. You can find a million and one faults with Part II via fandom nit-picking, but in regard to structural complexity, there’s no contest. Really, like whatever you want, but don’t try and pass off your own (poorly conceived) subjective likeness as objective structural analysis. Part II is so out of this world structured compared to Part I that this whole “wave arc is so superior!” statements read like some sort of parody to me.
Naruto re-read VI
Chapters covered: 28-34 (fourth volume of the manga)
Site used: https://manga4life.com/manga/Naruto (official translation of the manga)
Disclaimer: This is intended as a list and simple observations of the topics that particularly interested me in the aforementioned chapters, in that sense, do not expect a linear -or totally deep- analysis.
Tumblr’s update doesn’t allow me to attach more than 10 pictures, therefore, many of them will be LINKED. Apologies.
(This one is my favorite)
I had this series on Tiktok where I fell asleep and woke up as the main character of the anime I was watching.
Naruto
4/4 (The end)
God Sakura in the land of waves arc is good actually fist fight me. She leaves the village for the first time and is thrown headfirst into a gruelling lifestyle only barely knowing what she was getting into with literally no trauma referance point. She could have, arguably should have cracked and broken down at some point, but no, she tried to protect Tazuna immediately after seeing Kakashi ‘die’, she stood strong when facing Zabuza when even Sasuke was literal seconds away from killing himself to calm down, she helped the boys get Kakashi to the bridge. They get there and she fucking EXCELLS in training immediately with no hesitation, no breaks for legends, she KNOWS Zabuza is alive and coming to kill them and watches over Tazuna by herself, she teaches herself empathy, even when she’s so on edge that she knocks a guy’s teeth out for bumping against her, WAVE ARC HAS RIGHT.
Like the common narritive in the fandom is ‘Sakura is annoying and bratty and bad until the Chunnin exams, and then she gets some character development and gets better’ but NO uh actually FUCK you she is Sakura Fucking Haruno and she’s been improving from day ONE it’s just slow. Literally done with this slander meet me in the pit