At what point does The Witch portray religion as evil? Evil is what's expressed in this film. The devil. There's no emancipation for the heroine. She just falls to the dark side in the end. There's no nuance. Damn it, they killed babies and twins. The father was a religious fanatic and was taken by the devil because of it.
I’m confused why I got this ask. The story of “The VVitch” is, essentially, about a Puritan family using their teenage daughter as scapegoat for everything bad that happens to them (due to her gender and awakening sexuality) because of their religious patriarchal beliefs. That’s what causes them to believe Thomasin is a witch and the responsible for everything happening to the family. It’s considered a masterpiece of Folk horror; the folkloric witch is not the same as real witches, but many missed that detail. Moving on.
“Ultimately, as far as the end of The Witch, it’s real if you believe it is real. And that’s sort of the stance for the characters in my films”, said Eggers. When asked how his four films are connected, Eggers answered: “I have a primal narrative that comes out. It's not something that's designed, it just sort of happens. Everyone likes to die naked and insane…! I'm interested in folklore, mythology, fairytales, and archetypal stories.” He said this about “The VVitch”, but it’s true to every one of his films: “The plan was to make a world that’s utterly believable so that you can invest in the world and invest in the characters. You can be transported into their worldview as well. That’s what helps you believe in witches the way that these people would have. You can believe in supernatural stuff. Even the supernatural is articulated in a way that could, aside from a few shots, be explained scientifically.”
This is the collective psychosis angle of interpretation; Eggers creates his stories in a way the audience can choose either to believe the supernatural is real, or it’s a case of mass hysteria with characters using the supernatural as scapegoat for their inner demons. The meaning of the story is the same. Which, of course is the main reason the mainstream interpretation of Eggers’ “Nosferatu” is a load of rubbish.
Eggers wrote an entire essay about the role of the supernatural on his stories: “My interest in the macabre is often one of liberation. It is liberating to control my fears by recreating them cinematically. It is liberating to feel close enough to the darkness of death to fear it less. […] In earlier periods witches, vampires and werewolves could be the external scapegoats to our inner fears.”












