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I am very excited to announce my first book of poetry (self-published) will be available via Barnes & Noble. 'Le Tournesol and other poems' is released the 31st of January 2023, and pre-orders are available NOW

These poems express my feelings and experiences relating to trauma, depression, anxiety, and finding love and happiness (there's also an ode to the late Queen Elizabeth II). The Hardback is US$16 and eBook is US$10 - but ships internationally 😁 Check it out, and pre-order if you're interested in queer poetry, poetry in general, or me in general 😉

#zee #Le Tournesol #and other poems #self-published #queer #LGBT #LGBTQIA+#gay #poetry #poems #poem #poet #zeehasablog #my poetry #Barnes & Noble #NZpoet #NZPoetry #NewZealandpoetry #NewZealandpoet

Le maschere della commedia dell’arte

IL MEDICO DELLA PESTE Le epidemie di peste, nelle tragiche e più o meno frequenti ricorrenze, mietevano vittime a migliaia. Questo curioso abbigliamento, prima ancora che maschera, era considerato dai medici un’indispensabile precauzione. Durante il dissacrante e cinico carnevale veneziano finiva per avere la funzione di esorcizzare, con il riso, dolore e morte.

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The masks of the commedia dell’arte

THE PLAGUE DOCTOR

The plague epidemic, in the tragic and more or less frequent recurrences, claimed victims by the thousands. This curious clothing, even before it was a mask, was considered by doctors to be an indispensable precaution. During the irreverent and cynical Venetian carnival, it ended up having the function of exorcising pain and death with laughter.

Le maschere della commedia dell’arte

LA BAUTA

(Da un quadro di Uwe Thurnau) Questo costume, costituito da una mantellina nera con cappuccio su cui si portava il tricorno mentre il volto veniva coperto da una caratteristica mascherina bianca o rena, divenne comunissimo nel sec. XVIII, fino a divinire un abito da passeggio in tutti i periodi dell’anno.

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The masks of the commedia dell’arte

LA BAUTA

(From a painting by Uwe Thurnau) This costume, consisting of a black cape with hood on which the tricorn was worn while the face was covered by a characteristic white or sand mask, became very common in the 18th Century, to the point of defining a walking dress in all periods of the year.

#12 of 12 #La Bauta #Uwe Thurnau #Le maschere della commedia dell’arte #The masks of the commedia dell’arte #commedia dell’arte #maschere #masks #in the collection of #zeehasablog #16th century #17th Century #18th Century #postcard #traditional #italia #italy #theatre #theater

Le maschere della commedia dell’arte

ARLECCHINA

La versione femminile di Arlecchino, di cui spesso ha il ruolo di moglie furba e maliziosa.

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The masks of the commedia dell’arte

ARLECCHINA

The female version of Arlecchino, of which she often plays the role of sly and mischievous wife.

#6 of 12 #Arlecchina #Le maschere della commedia dell’arte #The masks of the commedia dell’arte #commedia dell’arte #maschere #masks #in the collection of #zeehasablog #16th Century #17th Century #18th Century #italia #italy #postcard #traditional #theatre #theater

Le maschere della commedia dell’arte

ARLECCHINO Forse la più nota delle maschere, dal caratteristico costume variopinto. È il prototipo del servo furbo ed adulatore, abile in ogni scherzo e raggiro alle spalle del padrone.

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The masks of the commedia dell’arte

ARLECCHINO Perhaps the best known of the masks, with their characteristic colourful costume. He is the prototype of the sly and flattering servant, skilled in every joke and deception behind the master's back.

#10 of 12 #Arlecchino #Le maschere della commedia dell’arte #The masks of the commedia dell’arte #commedia dell’arte #maschere #masks #Harlequin #in the collection of #zeehasablog #16th Century #17th Century #18th Century #traditional #italia #italy #postcard #theatre #theater

Le maschere della commedia dell’arte

ISABELLA

Come altre maschere femminili della Commedia dell’arte, ricopriva il ruolo di «amorosa» o di pastorella, indossando naturalmente costumi diversi a seconda del ruolo.

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The masks of the commedia dell’arte

ISABELLA

Like other female masks of the Commedia dell’arte, she played the role of "amorous" or shepherdess, naturally wearing different costumes depending on the role.

Le maschere della commedia dell’arte

GIANGURGOLO

Maschera di origine calabrese, ma modellata su archetipi anichissimi. Incarna il soldato fanfarone e squattrinato, ridicolo nella sua alterigia e sfortuna in amore.

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The masks of the commedia dell’arte

GIANGURGOLO

Mask of Calabrian origin, but modeled on very ancient archetypes. He embodies the braggart and penniless soldier, ridiculous in his haughtiness and misfortune in love.

#11 of 12 #Giangurgolo #Le maschere della commedia dell’arte #The masks of the commedia dell’arte #commedia dell’arte #maschere #masks #Calabrian #in the collection of #zeehasablog #16th Century #17th Century #18th Century #postcard #traditional #italia #italy #theatre #theater

Le maschere della commedia dell’arte

TRIVELLINO Nella Commedia dell’arte si esibiva speso insieme ad Arlecchino, da cui si distingueva e per il costume, cosparso di piccoli soli e lune, e per la personalità più intrigante.

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The masks of the commedia dell’arte

TRIVELLINO In the Commedia dell'arte he often performed together with Arlecchino, from whom he distinguished himself, sprinkling his costume with small suns and moons, and for a more intriguing personality.

#5 of 12 #Trivellino #Le maschere della commedia dell’arte #The masks of the commedia dell’arte #commedia dell’arte #maschere #masks #drill #in the collection of #zeehasablog #16th Century #17th Century #18th Century #postcard #italia #italy #traditional #theatre #theater

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