Jekyll & Hyde musical but w/ Harv

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@taliaalghhul
Jekyll & Hyde musical but w/ Harv
Jason: Uh, hello? Is anyone in there? My name is Jason Braun, and I’m, uh, looking for Oracle.
Barbara: Who are you? Who sent you here?
Jason: What do I say?
Gotham: Tell her.
Jason: The city.
Barbara: I’m sorry, I didn’t catch that.
Jason: I said, the city sent me here to you.
Barbara: You’re saying the city of Gotham told you to come here?
Jason: She thinks I’m insane.
Gotham: You think you are speaking to a woman. Use your other senses, Jason. What is on the other side of the door.
Narration: The whisper of a cape in motion. A memory of violence and terror and pain. A bodiless warrior, beaten but not vanquished. An Oracle.
Jason: Listen, I really need to know where to find the spirit of Gotham. I have a message to deliver.
Barbara: Let me understand this. You’re sort of on a special mission, is that it? A quest and I’m the…the high priestess who can direct you to the grail?
Jason: Please, I’m kind of in a time crunch here, I have to do this before I can leave town, can’t you help me?
Barbara: Do you know where to find the old Gotham graveyard? It’s behind the courthouse, not five blocks from here. Just walk straight down Thirteenth Street. Look for the grave with the cowled angel. It’s right under a big tree, you can’t miss it. That’s where you’ll find your spirit. Good luck.
I hope I made your task easy enough, Don Quixote, because you don’t have much time left. Another difficult case solved by the lady Oracle.
Jason: Hey, thank you. And the city says…Gotham says…”You serve me better this way than you ever did before.”
No Man’s Land: Secret Files
Miss Talia Al Ghul
[Image ID: digital paining of Talia al Ghul in a white sleeveless dress with a diamond-shaped keyhole on her chest. She is wearing golden accessories- a thick belt, a double band on her upper arm, earrings, three golden necklaces of various lengths, a pair of double looped earrings, and a golden wreath. She holds a furry boa, and the background is a white sun with angular yellow rays. The following images are close ups of her face and hands. End ID]
@ant-ifascottlang thank you so much for the image id!!
Saying you want found family but wanting every family to fit a conventional role
Like that one person who was like you can never really call Superman brave. A good man absolutely, a kind man who has all the power in the world and chooses to do good because of it. But Clark can't be brave because he's not afraid in the same way regular people are. Lois though, Lois you can call brave. Someone who does everything Superman does but without any of the invulnerability.
"How in God's name is she always exactly where she shouldn't be."
- Lois lane in a sentence
"Trouble is...Trouble is for guys like you, that is...There's too much here in Metropolis for me to leave it forever. Yeah. There's too much here I care about."
- Superman Issue 700: the comeback by James Robinson and Bernard Chang
Lana Lang is a character that I like in theory. I've enjoyed comics with her in it and I like the whole Clark has a childhood friend who he has a crush on and then as adults they walk different paths and they'll always be important to each other. It feels real and it's nice. I just hate how her character in used to constantly put Lois down.
Time lapse of my chesh drawing
"Ah dear Starfire you may be smarter than I believed but you are as beautiful as I was told. It’s a shame that I must scar such lovely features, eh?" (The New Teen Titans Annual 2 1980s)
Reading the early Superman Comics reminded me of how picky I am with Clark Kent characterization...
I hate like the bumbly version of Clark? Like the soft sweet version where he's, for lack of a better word, like a himbo. Clark being genuinely anxious and shy will never make sense to me because this man has the ability to bend metal in half, there's no way that doesn't bring you a lot of confidence! Like situations are way less anxious once you're superman!
And in general it plays to the unfortunate trend that DC has where they make Clark and superheroes in general so passive because they really want to be apolitical. Like there's an issue 3, when Clark finds out about unsafe mine conditions he sneaks in as a miner gets the boss of the mine and a bunch of rich people to go in and basically lets them all get trapped in there because of the unsafe mone conditions. Like obviously he's there to make sure no one actually gets hurt, but Clark or Superman at least is very bold. He's a man of action, he's the champion of the oppressed (or at least he was lol) like modern Clark would never be allowed to do something like that because that would involve DC trying to make a statement lmao. I guess my overall problem is just a) I don't buy that Clark would be genuinely so nervous and sweet (a good person != sweet person Golden Age Clark's kind of a dick but he is a fundamentally good person) and b) it just honestly annoys me
But I also not a huge fan of like Clark pretending to be a coward either? This is a lot more subjective because I understand why Golden Age wrote Clark like that, its a nice way of throwing people off his guard, its a fun contrast, lois's distaste for him is a lot more reasonable, it's funny and its pragmatic etc.
But it leads him in situations where in Action Comic 1 he appears ok or complicit in Lois being harassed. Obvs Clark doesn't think its okay and we the readers know that, but Lois doesn't. So I mean it does make Lois's genuine disgust at Clark make more sense and becomes more reasonable. Idk, I guess the main reason why I don't like is because Clark is simultaneously acts like a coward but is also willing to go into a war zone, prison etc and its like his coworkers know this and expect him to do this so I don't understand why Clark goes so hard in pretending like he's cowardly.
My ideal version of Clark is someone whose very confident, whose very sure of himself and is very calm and cool headed. He's willing to pretend to be mild, or even let someone think they've got the upper hand on him but not to the point where he's not even trying to help someone being harassed? Like a tamer version of Superman essentially.
DC Pride #1 - “Finding Batman” (2022)
written by Kevin Conroy art by J. Bone
i think that’s why there’s so few todd fic where i actually enjoy reading him and feel like it fit my interpretation of him. they all make him to be so soft and scared and paralyzed by trauma and lost when he’s not like that at all. he’s angry and vengeful and cold and calculating. he’s an asshole and competent and a lot of things but not guilty or remorseful. as soon as i read “but i kill people, its wrong!” or “i wasn’t feeling right when i did that*” or “i regret what i did to you then*” (*refering to utrh, literally first red hood canon) i just have to leave because i cannot see jason ever saying that. he thought he was in the right when he did all of urth, that’s his main motivation: helping the city the way batman doesn’t, being better than him. he sees killing as a tool and when he does it he doesn’t back down. when he kills it’s not vengeance it’s practical, which is why you can’t just have him say “but it’s wrong!” because in his own mind it doesn’t even matter if the act itself is right or wrong, it’s the thing needed to make thing better so he will do it.
same for low self-esteem, he was loved as a kid and he knows it, and he’s angry when he comes back because he believes that robin!him deserved better than what he got (aka being replaced in 6 months and forgotten). he’s got a pretty strong sense of self and identity
jason became robin because he was inherently just and wanted to do the right thing even when batman ignored him. this is literally his origin story.
the pattern of him being naturally kind and sensitive to injustice preserves throughout all of his robin days. even when he was written by starlin – a writer who hated him on principle and wanted to make him as unlikeable as possible, he was still motivated by how much he *cared* about other people and how much he wanted to be loved. the incident with garzonas, for example – he chased him because he was so deeply traumatised by learning that a woman he knew for mere minutes committed suicide. the whole reason for which he wanted to find his biological mother – he wanted to be loved!
now, utrh (and some earlier flashbacks) already retconned a lot of this stuff to create the idea of the ‘angry’ or the ‘mean’ robin. that’s an issue especially when you consider how classist it is to insist that a child who was taken off the streets can have no other fate than becoming a criminal. but even there, in the utrh, jason was anything but cold. was his plan calculated, was it cruel in many ways and morally questionable? it was. was it cold? no. honestly, i just don’t get how you can read a scene in which a teenager offers his father an ultimatum between killing his killer or him and think it’s a reasonable, cold decision. on the contrary, it’s utterly delusional and desperate. if jason wanted to just get rid of the joker, he could – but he wants bruce to prove that he still means something to him. he wants to be loved. he cares.
“delusional” and “desperate” also describe his methods in general pretty well. i know it goes against a popular reading that jason is very down to earth and pragmatic because he’s intimate with the way crime and evil works. it is true, to a certain extent. but his aim itself, that is to do everything he can to minimise harm of other people, no matter the cost? is it not utterly delusional? and yes, he doesn’t agree with batman’s moral code. but the reason he feels so strongly about it is because they have essentially the same goal – protecting people, and he sees that batman sometimes fails at it. and jason cares so much, he can’t take any failure, he can’t let anyone be harmed, he takes it all personally.
even in jason’s villain era (I’m talking the battle for the cowl shtick for example) jason was anything but cold. his targets were always extremely personal. and that’s the content when he was written as a villain, it’s not even canon anymore.
it’s also pretty ironic that you say that he has a pretty strong sense of identity, given that he completely commits to being the red hood and doesn’t even have a civilian identity. and ‘red hood’ is a cruel reference to a man killed him, too. that doesn’t seem like a strong sense of identity to me, it seems like he sacrifices himself for what he thinks is right and like he identifies with his trauma so strongly that he can’t move on.
you’re talking of jason being ‘soft’ in fanon but that’s the point of his character in comics. he cares too much and it makes him cross the line. it makes him cruel. he’s a very interesting twist of an anti-hero archetype because of that: anti-heroes usually lack idealism, and act out of self-interest. their heroism is more of a side-effect of their actions. jay is the polar opposite: he is an idealist at the core and his heroism is what makes him defy conventional ethical codes. and I love seeing that, i love seeing him morally failing when his only goal is to be *moral.* what do you call an urge to keep other people safe, if not moral?
but the thing is, sacrificing yourself to become an authoritarian murderous robin hood will not change the world. i think at some point he would fuck up and harm people he intended to protect. and jason cares. so it would make sense for him to step back and consider his actions.
jason is no punisher nor deathstroke. he has a considerable baggage as a legacy character, and your reading completely disregards his original robin story. and that’s boring, tbh. because what makes him so appealing and tragic is that he is all of those things that he was when he was a robin still – an idealist, a protector, someone who cares. even the most awful plotlines point it out. i hated most of that specific plotline, but when damian said that jason is ‘the most emotional one’? facts.
“jason todd doesn’t have identity issues” my brother in christ he named his sole public identity after his murderer
one day you will be your own bat
who the hell is actually invested in modern comics. is it not enough to romanticize your favorite 90s series for the rest of forever.
Everybody likes to make fun of Dick Grayson for Discowing, but it’s no wonder the boy has the fashion sense that he does. My boy grew up in a circus, where eye-catching, bright colors were a staple, and then he was sent down the express-route to Bruce “I dress like a giant bat” Wayne. The real wonder is that he manages to look so good in everything.