Practical Magic (1998) dir. Griffin Dunne
noise dept.
$LAYYYTER
todays bird
we're not kids anymore.

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ojovivo
Sade Olutola
Alisa U Zemlji Chuda
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"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

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hello vonnie

oozey mess
TVSTRANGERTHINGS

izzy's playlists!
Misplaced Lens Cap
NASA
seen from India
seen from Italy
seen from Italy
seen from Malaysia
seen from United States

seen from Italy
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seen from Sweden

seen from Malaysia
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@tellisse
Practical Magic (1998) dir. Griffin Dunne
just remembered that no live organism can continue to exist sanely under conditions of absolute reality
the handmaiden (2016)
The girl with the dragon boy
Prints available from June 2-10
MY NEIGHBOR TOTORO
Wanda Maximoff’s appearances throughout the MCU
i love final girl concept so much because yes the last one standing should always be a woman. women even. i am greedy like that
no. kill all men
the prestige (2006) dir. christopher nolan
THE PRINCESS AND THE FROG (2009)
dir. john musker and ron clements
Disney Princesses running away from their love interests
The Eva kids
of course, there are many things to discuss about the spear cuts through water and its many dynamics amongst the characters but the one that continues to leave an itch in my brain is the dynamic between jun and the first terror.
there’s just something about being a bad man and yet having undeniable love for your sons. every single one of them despite them being numerous. though none that he loved more than jun. and it’s not just stated explicitly in the text, but it is shown.
when jun fled with the empress, all the red peacocks had an inkling that the thief was jun. but not the first terror. he was willing to believe the ‘best’ of his son’s character until the very end. perhaps maybe there was a small gnawing at his instincts but he ignored it. because he loved jun!
keema was only able to grab that moment of weakness to cut off the first terror’s head because once the mask was ripped off jun’s face, the thought of his son being the very same man he had been chasing across the country rendered the first terror vulnerable and open to attack. he literally told keema that it is so very rare that he loses a battle.
his head was literally kept in a jar that jun refused to open for an entire day and he still had faith that his son would come back to him.
even when his head was sewn back on, he offered jun his forgiveness and acceptance and it was genuine. even when jun rejected this offer, he still told him he was going to save him. because he loved his son. even as luubu used his word to force jun to kill his father, saam ossa was ready to die by his son’s hand. if luubu’s plan had gone through, the first terror’s last words to jun -no, his very last words, full stop- would have literally been “there is nothing to forgive”.
there’s no denying that jun loved this father as well, even though of course a part of him hated the man for moulding him into the red peacock he was. the love was so evident: after all, he didn’t throw his father’s head in the thousands to forever be lost despite the opportunity. with a blade in his hand and luubu’s influence and manipulation in his ear, jun still didn’t want to kill his father, he didn’t want his father to die! he literally had to forcibly stop himself from crying after his father’s death, and scolded himself for feeling bad that he was gone and the fact that he truly missed him.
oh complex relationships between parent and child, how i love you!
this is a love story to its blade-dented bone.
could he act? no. but was his character good? also no. and were his plotlines compelling? not really. but did he look good? also no. but did i enjoy his time on the show? again, no. but would i watch more of his character? also no
osaka memories
BOTTOMS (2023) scr. Emma Seligman, Rachel Sennott
the masses: there’s no perfect way to begin a book
shirley jackson: