telly

20s. she/her. constant brainrot

[ellisdweller]

[zendeyas]

Zendaya wearing MATIERES – New York premiere of The Odyssey

[bpdloop]

wow! your understanding of this character is so. . . Unique! just wondering by the way but when was the last time you directly interacted with the source media

[blubbed]

hi guys ! my short story Hatchlings is out now in Issue 3 of NECKSNAP Magazine, a venue for experimental horror :)) you can read it for free on the site or download the ebook through this link<3

Hatchlings is one of my favorite short stories I've ever written, and i'm rlly glad for it to have found a home here. check it and the other works out !

[itadoriahh]

listening to pluto projector and tearing up over this beautiful boy oh my god 😭😭😭😭

[kuviraissues]

not your nikki

[dad-dumpster]

best movie of da year lowk

[ambrcia]

saw this on twt and omg if this isn’t artrick in 2007

they loved each other too much :( they LOVED each other too much. they loved each other TOO much

[bongjoonhoe]

Y Tu Mamá También (2001) dir. Alfonso Cuarón

[donetbhlmao]

when y tu mamá también said globalization and its effects come to hurt those most vulnerable in the end. when y tu mamá también said friendship, real friendship, is the root of deepest romantic love. when y tu mamá también said masculinity is your prison and you have the key but you’ll never dare use it. when y tu mamá también said living authentically could cost you everything but is the truest path to happiness. when y tu mamá también said youth is fleeting, like time, like lust, like sand on the beach, so you’d better enjoy it while you can. when y tu mamá también said life is like foam. so give yourself away like the sea.

[mynnub-blog]

"The wooden boy with the borrowed soul."

[smashbrok]

Guillermo out here with the good takes about AI art

[letterful]

“Writing is, rather, entering an immense cemetery where every tomb is waiting to be profaned. Writing is getting comfortable with everything that has already been written—great literature and commercial literature, if useful, the novel-essay and the screenplay—and in turn becoming, within the limits of one’s own dizzying, crowded individuality, something written. Writing is seizing everything that has already been written and gradually learning to spend that enormous fortune. (…) Thus in order to devote ourselves to literary work must we subscribe to the great scroll of writing? Yes. Writing inevitably has to reckon with other writing, and it’s from the terrain of the already written that the sentence might jump out that sets in motion a small admirable book or the great book that displays a trajectory and constructs a unique world of words, characters, and conflicts.”

— ELENA FERRANTE, from In the Margins: On the Pleasures of Reading and Writing, trans. Ann Goldstein.

[holdoncallfailed]

this comment on that vulture article about the "fanfic-to-romance novel pipeline" is very interesting and not something i've seen articulated...much to think about...

[nn-ee-zz]

The passage of the seasons - Summer defeating Spring

Summer as blinding light, heatwaves, and fire

[nn-ee-zz]

''Poor Spring'' There’d be no Summer without Spring and she happily welcomes someone who surpasses her in this fight

[ouiouhie]

morph 🧿

[dateamonster]

tbh im not entirely immune to a villain with a tragic backstory but i do think villain origins are a lot more interesting when the focus is less "here is the original sin, the first big bad thing that happened to them that made them who they are" and more "here is the first time a person who maybe otherwise felt powerless in their life realized that they could hurt someone and get away with it"

[dateamonster]

you can get a lot more mileage out of analyzing a truly abhorrent character through the lens of like. what sort of conditions would allow or even incentivize this kind of cruelty? what kind of person benefits from those conditions and how? over the more typical who hurt them type analysis. imo.