scattered lights, 3/27/2021
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

#extradirty
No title available
Cosmic Funnies
d e v o n
I'd rather be in outer space 🛸
h
macklin celebrini has autism
AnasAbdin
Not today Justin
Alisa U Zemlji Chuda
art blog(derogatory)
KIROKAZE
Xuebing Du
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
dirt enthusiast
todays bird
taylor price
seen from United States
seen from Germany

seen from Malaysia
seen from United States
seen from Peru

seen from Malaysia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
@thatdoesntsoundwrite
scattered lights, 3/27/2021
maybe there will be untold horrors - there already are. maybe it is foolish to make tiny poems when there are already whole libraries of better writers and smarter scholars. maybe it is insipid to love flowers when there are more beautiful and thoughtful vistas and visions. maybe, maybe.
but i am holding your hand, and you smell like the cupcakes we have been baking, and this is somehow new, isn't it, the way energy is reconstituted into magic around you. there is a nowhere land you take me to, somehow; a place where a little kindness is big enough to fill the lungs of peace, a place where hope actually knows her name. we will make the bed and sing along to bad music and the way you laugh will be enough. and i am melting for you, stunned suddenly - oh, oh! the answer had always been love.
This flat, hot hell
exists, god-abandoned.
I've seen landscapes,
impossibly made,
and eyes with sunken
depths that have known
the holy and the rotten.
Here, only a wasteland,
uncomfortably untouched by either.
(@thatdoesntsoundwrite)
the night settles
over white sheets
then, in the dark,
soft arms
and a warm chest,
breathing with dreams.
we have loved before,
known tender words,
traced backs of hands,
and I would eat
the dawn to prevent
your waking here.
the timbre of your voice,
echoing warmth like the
cedar sound of my guitar.
Sue Zhao
“the morning after I tried killing myself, I fell in love with the vivid oranges and rosy pink skies, the chilly winter breeze teasing my skin, the serenity of nothingness and everything-ness. I defied all the odds, and I showed the whole world how to love again. I accepted and understood that death, indeed, has no rush. sooner or later, we will all be deep underground; living is not guaranteed. I gasped for air as if I had been deprived for eternity. I experienced waves of emotions flooding all”
— journalsbyrm
we live a slow death, here
i can feel myself rotting
oh pandora. sometimes, i wake up with your name on my lips. when people asked you: what was left, when all the evil came out? i think you lied. i think you folded your own hope and stashed it in there. glistening and wet and mewling. after all, my love. it is still your hope i keep at the end of the dawn.
i mean - what use is the hope of rich young lovers? of smiling people with fancy cars? of hope that is bottled, of hope that is branded, of hope that comes from a poisoned well.
no. give me the hope of 3 AM. give me the hope of someone standing alone in the wind. give me the hope of building edges, of sirens, of a new wound healing. give me the hope of fresh bread, of holding hands, of shaky yes. give me the hope of hurt-before. give me the hope that has seen each dark and evil thing and said - okay, i can go further, even despite this.
pandora, that is your hope. the real hope. angry, bitter, sapphire-hard. the kind of hope that cannot be squashed. the kind of hope that kernels, small and wonderful - the kind of hope that calls home, after all. the kind of hope that clutches the back of my hand and says: it can hurt. it can keep hurting. but it hasn't killed you yet, and it can't if you don't let it. the hope that says - not this. i have more. i am more. i will live and eat the monster that chases me. i will live and i will find a way to cherish memory. i will live, damn it, and i will look into the empty box and when people ask me are you okay , i will lie and i will say i have hope, because of course i do, somewhere, somewhere, somewhere. if i just stop and look.
oh, open the box! the thing about hope is that she cannot die. she has already grown accustomed to the dark. a fable in catalyst, then - when the lid comes off, and all else is gone, hope is exposed to the light. and she stays. and she burns. and she gleams in the night.
“i don’t like… crabs,” i say. the rock skips on the water four times.
“your star sign is cancer,” you say. the rock skips once.
“it is both terrible in name and in form, correct,” i say. the rock skips twice.
the lake at our feet is gentle and too cold but we both keep bending to touch it in an odd ritual. we are taking turns throwing rocks at water, but, like, horizontally. i chatted about surface tension for an hour before this.
“crabs aren’t bad,” you say, “they could make great hairdressers.”
you and i bend to pick up the same rock. i try not to act like your touch is a shock, but i fumble it. i don’t know if you notice. i press my palm to my chest.
“crabs….. freak me out,” i say. my cheeks feel red. i tell myself it’s from the wind. you bend to flick the stone and your shoulder brushes me. i tell myself it’s because we’re both in big coats and not familiar with our new sizes.
you don’t move to be further. i don’t move either, but then i feel weird, so i pick up a rock. it skips three times. “they’re hard spiders,” i say, “crabs are…. bad.”
you laugh at that. it’s just you and me and the pine trees and this big rock beach and this big skipping-rock lake and your laugh, ringing. it sounds so beautiful out on the air.
“you’re a lesbian,” you say, “i’d think you like crabs,” you turn and hold up two gloved fingers, snipping the space in front of my nose, “scissors.”
i laugh too. you’re so close. our breath is steam. your cheeks are flush. i always forget that i’m taller than you, just by a little. i think about how small you are, how easy it would be to wrap you in my arms. “you’re so tiny,” i say, trying to joke with a tight throat, “i could suplex you into this here water. skip you like a rock.”
you bring yourself close to my chest, wrapping your arms lazily around my shoulders. i pretend my heartrate doesn’t sky rocket. “i’d like to see you try it,” your voice is low and your breath is warm and your head is tilted back, just a little, just enough to show off that jawbone and smirk, that knowing grin.
your eyes are dark with something i can’t name and my pulse is racing and your fingers are resting on the flat of my shoulder blades and you bring your face so close to mine and i can’t help that i glance to your lips because you’re here and real and my heart skips and skips and skips and i can’t stop thinking about just one kiss just one kiss
you lean in and whisper, “i’d like to see you try it.”
I have been walking the executioner's road for so long I forget where it ended: with the words hanging between us as inevitable as death.
Pain does not last long when your heart does not beat, or when you sentence me to the guillotine for a truth I have held close.
Agony, though, leaves it's mark for a moment as I stare into you, my sunshine gold executioner.
what would we be if we hadn't smiled when they put the noose around our necks because they told us it was a necklace. what would we be if we weren't forced to dance like a morbid puppet for an audience on fire
you are the aftertaste of chocolate and coffee and tea and everything else that is good while you have it but terrible once gone
I would like to live the highlight reel of my life and leave out the nights where I lie awake cursing the stars for creating me. Why must suffering, and causing others to suffer, be so innately human? Can I not simply love and be loved? Can I not simply live my victories, and not my downfalls? Can we not simply live unnervingly happy for our entire lives?