Greetings; I'm a part-time Non/Dis Editor, part-time fan idea generator with no money & not much else. Ā I aspire to one day be a panda. Ā Find me here: http://www.deviantart.com/lonewolf-sparrowhawk
Men writing a female character: Her stature was regal, her figure divine, her hair luscious, her eyes burning like stars, her soul spirited, her personality fiery
Women writing a male character: He briefly made eye contact and my skin prickled, my breath caught, my pulse raced, my hands grew sweaty, my face burned; the only rational explanation is that I was facing a serial killer
You are Julius Caesar, and you are in a council meeting. Suddenly, Brutus stands up, then the rest of the council members. Then a hundred other time travelers draw their daggers.
Rats, theyāve found me again! I shapeshift into an eagle and fly for the window, dodging the blades as I go. My next form will have to be something simple, lower rankingāmaybe a tax collector. I should lay low for a couple decades until everything blows over, but Iāll definitely need to camp out somewhere less noticeable. The Middle East sounds like a good place; no one important lives there.
Unpopular opinion: thereās no difference between thinking and feeling.
Thereās people who are okay with their emotions and people who arenāt.
Thereās people who understand their emotions and people who donāt.
Thereās people who respond more readily to impulse without questioning it and people who make an effort to slow down and reason it out to find out whatās motivating it.
Everyone is human. Feelings are a natural part of that. They are not good or bad. They just are. Some people are more okay with that and some people are less okay with that. Some people let the first impulses win and some people donāt.
Thereās no difference between thinking and feeling. Some people just have better practice at self control.
Yāall, I need to know something: is there some kind of conspiracy or superstition about the printed copies of Charles Dickensās A Christmas Carol that none of them come without at least one typo, misprint, misspelling or something? Bc thatās what literally every single printed copy of this book I have ever read in my life and I want to understand why
Have you ever had a dream that wasnāt a nightmare but was just really bizarre in the moment but then you remember it years later and itās actually horrifying like oh my god why was this inside of me
Buckle up, babes, weāre going in...to the depths of Gethsemane. Because I neeeeed to talk about it and the numerous layers within this fantastic episode. I hope you're ready...this one's a doozy!
When Jesus is done initiating the new covenant of His body and blood and sharing it with His disciples, He leads them to Gethsemane. Gethsemane means āoil press,ā which, beyond the obvious, holds an incredible depth of meaning for Christās sacrifice. It generally takes around 3 years for an olive tree to produce olives that can be crushed for their oil, which parallels Jesusā 3-year ministry before Heās crushed for our iniquities (Isaiah 53:5). Once olive trees reach maturity, they continue producing their fruit for years, much like Jesusā sacrifice has done and continues to do. And like us, believers who require consistent connection to the Vine for our maintenance, the trees require care and upkeep to make sure they stay healthy and produce optimal fruit.
In ancient times, there were two steps to oil pressing: 1. crushing the olives using a crushing stone; and 2. pressing the crushed olives with force, extracting the precious oil. (This was wonderfully depicted in s4e4, entitled Calm Before, when Jesus, in emotional distress, happens upon Mary Magdalene, Tamar, and Zebedee pressing olives to extract the oil to sell in order to financially support Jesusā ministry.) Individuals used a wooden beam as a lever to press the olives because it exerted a large force over a small distance. This represents the patibulum of the cross Jesus carried, which weighedāpressed and crushedāHim down as it exerted its force against Him, both as He carried it to Golgotha and as His arms were stretched across it.
Olive juice contains both water and oil, and eventually the desired product, the oil, separates from the water, allowing it to be extracted. After giving up His spirit on the cross, āone of the soldiers pierced Jesusā side with a spear, bringing a sudden flow of blood and waterā (John 19:34), but itās His bloodāof the new covenant He earlier establishedāthatās the ādesiredā product, His blood that is the atoning sacrifice that makes all the difference in the world.
In biblical times, olive oil was used for many things: to keep lamps burning in the tabernacle (Ex. 27:20-21; Lev. 24:1-4); to heal wounds (Is. 1:6); and to anoint kings (1 Sam. 10:1, 16:13), among other things. It also symbolizes blessing, Godās abundance and favor, and the presence of the Holy Spirit. Messiah also means āthe anointed one,ā and Jesus is the anointed King.
Gethsemane is a garden, and throughout the Bible, gardens are the archetypal place where God meets with His people (Eden ā God walks with Adam and Eve; Solomonās temple ā built full of garden imagery, itās the place Godās chosen people meet with and make reparations to Him; Garden of Gethsemane ā where Jesus often goes to pray and commune with His Father; and the New Earth foretold of in Revelation ā a re-creation of Eden with the reappearance of the same Tree of Life where the bride of Christ is forever with Him). Itās not happenstance that Jesus shares His greatest sorrow with the Fatherāand garners the strength He needs from Himāin a garden, the historical Meeting Place between God and His people.
And all of this symbolism just with Jesus entering Gethsemane to pray before His Passion.
When Jesus leads Peter, James, and John into the Garden and stumbles, He tells them of the depth of His sorrow. They immediately think to get a doctor. Jesus refuses them, and instead says, āThe Great Physician Himself will minister to Me.ā The first instance of God being called Jehovah-Rapha, meaning āthe Lord Who heals,ā is in Exodus 15:26. After the parting of the Red Sea, Moses leads Israel into the desert for three days (sounds familiar) without water. They arrive at the undrinkable waters of Marah, which means bitter (also familiar). God provides a way (again, familiar) to change the bitter water into drinkable sustenance and says of Himself, āI am the Lord, who heals you,ā or Jehovah-Rapha. Jesus calls on this most familiar aspect of His Fatherās character to help Him through His sorrow.
Jesus then asks the three to ābe near Me.ā When Big James says, āwe will,ā a slight look of relief, gratefulness even, coupled with pain (likely because He knows they intend to but wonāt), crosses Jesusā face. He then says Heās going to go further into the garden to pray (again reminiscent of the Garden of Eden, walking with God; and the future of Revelation, the Garden of God).
Jesus enters the darkest part of the garden and touches one of the olive branches (hello, pain!). Upon seeing a large boulder, He falls down before it and states, āthis is the place.ā The oil press. āIām here. Iām ready,ā He cries, and though everything about this visual representation of the passages of Scripture and Jesusā own words illustrate how not ready He is, this entire exchange between Him and God is about how Heās ready to be willing to do what God asks of Him, however much He desperately wants it not to be what He knows is coming.
He collapses over the rock, grasping at it, and weeping, and I canāt help thinking of that boulder as symbolizing God the Father as The Rock. Throughout the Old Testament, rocks and rocky crags were places that Godās people hid from their enemies. David hid from Saul in caves and rocky places, and rocky areas were used as fortresses. David often called God āthe rock of my salvation,ā and in 1 Sam. 2, Hannah prays āthere is no Rock like our God,ā acknowledging the security, stability, and protection of the Lord. Jesus here is clinging and crying on a physical symbol of God as the Rock as He pours His aching heart out to Him.
The boulder He cries upon can also be seen as an altar: the Lamb of God Who takes away the sins of the world upon a stone memorial. Stone altars throughout the OT were built at the instruction of GodāHeād command His people to build a structure to permanently mark a place where encounters with Him occurred. These were to be memorials for His people, indicating locations where God had manifested His covenant to them or where sacrifices were offered. This visual of Jesusāthe new covenant, the sacrifice that would cleanse us and make us one with God againāupon the altar holds historically ancient and prophetic meaning.
Jesus hears the sound of an ax chopping wood and follows it to see Abraham crying as heās chopping wood, preparing to sacrifice his own son. He sees a father, readying to sacrifice his son, crying. This visionāa memory for Jesusāstrengthens Him, as Isaac calls out for his Abba, just as Jesus has/will continue to do. Issac offers to carry the wood for the sacrifice on his back for his father. Resoluteness comes over Jesusā face as He sees the innocent willingness of Isaac to help and obey his abba. And Jesus knows He must do the same: the Truly Innocent being willing to carry the woodāthe crossbeamāon His back to the place of the sacrifice while calling out to His Abba.
Genesis 22: 3 tells us that once enough wood was cut, Abraham and Isaac traveled for three days (sounds familiar) to the place where the sacrifice would occur. On this third day, Issac asked Abraham where the sacrificial lamb was. Abraham responded that God would provide the lamb (vs. 8). In Hebrew, what Abraham actually says is āGod will provide Himself (as) the lamb.ā God will provide Himself. As Jesus recalls, āWe spared you [Isaac],ā and the vision reminds Jesus that no other human can do what He will do, and He Himself, as promised, would be provided as the ultimate sacrifice of the covenant for the people of God.
Jesus asks God to remove the cup from Him before falling at the Rock/altar again and saying, āBut not my will but Yours be done.ā āI trust you, Abba,ā He states, even as His heart is breaking and He knows the answer is no, this cup will not be removed from Him.
Upon finding the three disciples sleeping and entreating them to stay alert and pray, He tells them (and Himself?) that the spirit is willing but the flesh is weak, and reminds themāseemingly innocuouslyāabout the āhelper,ā the Spirit, Heās promised to send to them.
He returns to kneel again at the Rock/altar, reminding Himself in prayer that āYour will be done.ā He then senses another message from the Father, follows the creeping mist along the ground, and finds Himself in the valley of dry bones (Ezekiel 37). The dry bones, remains of those long dead, far past the point of resuscitation, represent not only Israelās hopeless condition in exile during Ezekielās time, but all followersā exile into sin, now, from where He is in Gethsemane, and onward throughout time.
Ezekiel 37: 12-14 says, āTherefore, prophesy and say to them, āThis is what the Sovereign Lord says: O my people, I am going to open your graves [not just the physical graves, but the spiritual one] and bring you up from them; I will bring you back to the land of Israel [the Promised Land, physically in ancient Israel, and spiritually in eternity]. Then you, my people, will know that I am the Lord, when I open your graves and bring you up from them. I will put my Spirit in you [as Jesus reminded the three moments ago] and you will [spiritually] live [forever], and I will settle you in your own land [Heaven]. Then you will know that I the Lord have spoken, and I have done it [more immediately, for the remnant of Ezekielās day, and now and throughout the rest of eternity future, through Jesusā sacrifice], declares the Lord.āā
In His vision, Jesus, in the valley of dry bones, is surrounded by deathāa dark night of the soul, a dry and weary land, the valley of the shadow of death. He asks Ezekiel, āTell me, son of man, can these bones live?,ā just as He did when Ezekiel lived and prophesied (Ez. 37:3). Ezekiel answers, Oh, Lord. Only you know (vs. 3).ā And Jesus cries. Because He does know. He knows what He must do to make all those dry bones, long dead in sin, live again. Ezekiel nods at Jesus in affirmation: this is the way.
(Side note: the title āSon of man,ā used throughout Ezekiel, for Ezekiel, simply means āa human.ā But in Daniel 7:13-14, the prophet has a vision about a deity, the Messiah, āone like a son of man, coming with the clouds of heaven. He approached the Ancient of Days [a title for God] and was led into his presence. He was given authority, glory, and sovereign power; all peoples, nations, and men of every language worshiped him. His dominion is an everlasting dominion that will not pass away, and his kingdom is one that will never be destroyed.ā While signifying a human being, the title also refers to one of divine nature and of someone fulling Danielās prophecy, and āSon of Manā was the title by which Jesus most commonly referred to Himself, indicating He was both human and divine, as well as the ultimate fulfillment of Danielās prophecy.)
Following this encounter with Ezekiel, Jesus returns once more to the disciples and again finds them sleeping. He looks upon them with a sigh of disappointment, then, upon a second look, sees them as children. Itās after the vivid reminder of the valley of dry bones, of God Himself opening up the graves and putting His Spirit in them, of Him having been the one to do itāto restore them, revive them, save them, return them to their homeāreturn them to Himāthat He sees them as kids. Innocent and unable to do this impossible task on their own. They need Him to do it; they [we] cannot do it ourselves. Jesus looks on them with compassion, understanding, and love, and, with a small smile of understanding and a knowing look towards heaven, Jesus returns to His prayerful solitude.
He stands alone in the middle of the Garden of the Olive Press and touches an olive on a small branch. Knowing whatās to come, He goes once more to the Rock/altar and falls upon it. He weeps, sweating profusely, full of sorrow at the will of the Father and the cup He wants to forego.
Itās at this moment, when His anguish is the deepest, that He suddenly feels a hand on his head, and He looks up into the face of His earthly father. Joseph, a welcome sight since heās been gone from Jesusā life for years at this point, also pointedly and profoundly represents His heavenly Father. Joseph gives Him a small smile before Jesus begins sobbing in earnest, and He falls into His fatherās arms. Joseph wipes the sweat from Jesusā brow, the last gentle touch the Savior will know until Heās resurrected, and He looks at His father and says, āthank you,ā His voice heavy with gratitude for both the vision of Joseph and who he represents. Joseph looks intently at Jesus and purposefully states, āIāll be waiting for You.ā Jesus weeps again because He knows what this means. Both of His fathers will be waiting. On the other side. In Glory. Thereās something better after what comes next. Something He knows. Someone He knows. And He knows what He must do to see him (them) again.
And then Joseph is gone, and Jesus is alone again. He steadfastly inhales, accepting the will of His Father, resolutely stands up, and walks back to the disciples, ready as Heāll ever be to face what comes next.
I have so very many things to say about the parts of this episode I didn't delve into here, but the depth of Gethsemane alone is an essay. So thanks for coming to my TedTalk <3
Writing update: Yesterday I finished Project Soulmate!
Hope it's good enough to interest some publisher, maybe, who knows. I still have many doubts because what if I'm not a good writer, what if I didn't give this project enough care, what if it could've been better? But at the same time I'm so happy I wrote this story and there are even people who read it and liked it and it's such a wonderful feeling. Almost three years of planning writing and polishing. I'm scared of sending it further but the thought I could hold my book one day, the possibility of such a thing makes me want to try my luck.
And on to another project we go...
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