Making a splash! (Redraw of this piece from 2019)
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Sweet Seals For You, Always
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❣ Chile in a Photography ❣
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@thedobermutt
Making a splash! (Redraw of this piece from 2019)
Actually you're CONFUSED, let me HELP. Want module to exist? [Y/N]
smile, dog!
Looking for clues, evidence for the existence of the unnatural
pa made them work the shop
the multiverse has it's many mysteries~🔍
(thanks @charlesoberonn for the idea!)
[ID. A tweet by Alex Hirsch saying "Oh, this... thisis beautiful." followed by # The Art of Gravity Falls invades bookstores THIS FALL!, and the artist palette and pine tree emoji. The tweet also includes a video showing the book. End ID]
GRAVITY FALLS ART BOOK
FINALLY.
Oh my goddddddddddd I have wanted this FOREVER.
As is now traditional, Barnes & Noble have an "exclusive" edition. From the order page:
This Barnes & Noble Exclusive Edition includes a bonus replica of the letter Dipper received in the Gravity Falls finale. Take a road trip . . . back to where it all started. For years, the true origins of Gravity Falls have been hidden under lock and key. Now, for the first time ever, series creator Alex Hirsch and cowriter Rob Renzetti crack open the vault to reveal the definitive visual history of Gravity Falls. Inside The Art of Gravity Falls, youll find never-before-revealed development art from Alex Hirschs personal archives, including first inklings of the characters and world, lost episode ideas, cut jokes, deviously hidden easter eggs, every single one of Mabels sweaters, and much, much more! With interviews from the creative team and a foreword by animation legend James Baxter, The Art of Gravity Falls is a celebration of the incredible artists behind the beloved series, and a blueprint for creatives who want to turn their own ideas into animated worlds. The Mystery Shack is waiting. . . . Are you ready to step inside?
Including the full URL here, because it's kind of hilarious:
https://www.barnesandnoble.com/w/untitled-7869-anonymous-anonymous/1149516579
"untitled-7869-anonymous-anonymous" lollll
Yeah, if you search "Gravity Falls" on their site, it does not come up yet. But the order link is live, I just pre-ordered.
I don't have a pre-order link for Amazon yet.
[ID. Above, a tweet from Alex Hirsch saying, "This book is MASSIVE - 256 apges of behind the scenes secrets, concept art, cut stories, never-before-seen origins, a fold-out of every Mabel sweater, and MUCH more! (Emojis of artist palette, pine tree, and question mark.) Me and Rob Renzetti waited 10 years to share this with you and crammed it with as much love as physically possible. Pre-order your copy now!" With a link to the Disney pre-order page - link in body text below. Followed by pages from the book showing concept art for Dreamscaperers, and Into the Bunker. End ID]
Here is the link to the Disney pre-order page. Its drop-down menu links to Amazon, Barnes & Noble, Target, and Books-a-Million sites.
And, here's a tidbit: the Disney page says the book is 252 pages. But Alex's tweet above says it's 256 pages. The longer version seems to be the Barnes & Noble exclusive edition, which also comes with the "See You Next Summer" letter.
Speaking of which - that temp link in the original post to the B&N page now no longer works. Here's the updated B&N link.
Not now kitten, daddy’s hearing voices
Henry “I love my wife” Stein.
A redraw of this piece from 2018.
The collection of DCTL graphic novel redraws! One of my favorite Bendy novels, this was fun practice. (Warning for some body horror)
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
9 years of smiles.
your friends hating you is a lie pushed by Big Trauma. don't believe it!!!!!
this is not an expedition...
iron lung, eh?
cool movie, I liked it
The Man Behind The Monster