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@thefreckledone
Short rest on the old road
The beautiful art of Lin Sun
American Girl stories were the best tbh
Dude, read the books, she and her mom freed themselves in Book 1. We don’t disrespect American Girl in this house
Don’t you dare disrespect Addy, or any of my girls for that matter. American Girl used to be legit. Good stories, good dolls, good movies.
Felicity’s story was set in the beginnings of the American Revolution, and addressed the conflict that she faced when her loved ones were split between patriots and loyalists. It also covered the effects of animal abuse, and forgiving those who are unforgivable.
Samantha’s stories centered around the growth of industrial America, women’s suffrage, child abuse, and corruption in places of power. Also, it emphasises how dramatically adoption into a caring family can turn a life around.
Kit’s story is one of my favorites. Her family is hit hard by the Great Depression, and they begin taking in boarders and raise chickens to help make ends meet. Her books include themes of poverty, police brutality, homelessness, prejudice, and the importance of unity in difficult times.
Molly’s father, a doctor, is drafted during the Second World War. Throughout her story, friends of hers suffer the loss of their husbands, sons, and brothers overseas. Her mother leaves the traditional housewife position and works full-time to help with the war effort. They also take in an English refugee child, who learns to open up after a life of traumatic experience.
American Girl stories have always featured the very harsh realities of America through the years. But they’re always presented honestly, yet in ways that kids can understand. They just go to show that you don’t have to live in a perfect time to be a real American girl.
Dont you fucking dare disrespect the American Girls in my house. ESPECIALLY Addy!! That was my first REAL contact with the horrors of slavery, as I read about her father being whipped and sold and her mother escaping with her to freedom, but also how freedom was still a struggle.
A slave doll. Please. Read the books.
Don’t forget Kirsten, the Swedish immigrant who had to deal with balancing her own culture and learning the english language and customs of her classmates, or Kaya (full name Kaya'aton'my, or She Who Arranges Rocks) , the brave but careless girl from the Nez Perce tribe, or Josefina, the Mexican girl learning to be a healer.
And then there are the later dolls, that kids younger than me would have grown up with (I was just outgrowing American Girl as these came out), like Rebecca, the Jewish girl who dreams of becoming an actress in the budding film industry, or Julie, who fights against her school’s gender policy surrounding sports in the 70s, or Nanea, the Hawaiian girl whose father worked at Pearl Harbor.
These books, these characters, are fantastic pictures into life for girls in America throughout the years, they pull no punches with the horrors that these girls had to face in their different time periods, and in many cases I learned more history from these series than social studies at school. And that’s without even mentioning the “girl of the year” series where characters are created in the modern world to help girls deal with issues like friend problems, moving, or bullying. We do NOT disrespect American Girl in this house.
American Girl is probably going to be the only exposure young girls are going to get to history from a female perspective. This is actually kind of important considering that in history classes we dont really get that exposure. We dont hear about what women felt and endured during these time periods cause schools are too busy teaching us about what happened from the male perspective, which is not unimportant, but we need both. Girls need both.
These books were such a crucial part of my childhood and shaped my love of history, which still ensures today. These books can be a young girl’s first lessons in diversity and cultural awareness (hopefully burying that insensitive “we’re all Americans” tripe) and looking at history from more perspectives than just that taught in school. They also are an example of how women have ALWAYS been part of history, which some people would rather us not believe.
I think Kit and Kaya were the newest American Girls when I started “aging out” of the books, but hearing about some of these kinda makes me want to revisit them!
I wasn’t gonna say anything, but you know what?
Nah.
OP (of the tweet thread) was either a actively trying to start shit or is just a huge fucking moron. Probably both.
I’d like to point out that the company that makes American Girl dolls actually doesn’t skimp when doing their research and they don’t make the dolls with the intent to be offensive in any way:
And they departed from the norm in Kaya’s doll to fit her culture! The other dolls all show their teeth, and Kaya does not because that is considered rude in the Nez Perce culture!
It is absolutely true that these books covered the stuff in history that was absent from our history books. I still distinctly remember reading about Addy being forced to eat bugs she missed on tobacco plants, and that started me out from a different perspective and made it easier for me to know to reject the sanitized version of the slave trade we’re taught in school. And these books are targeted at ages 8+, which is a pretty critical time for developing your own thinking and morals.
Reblogging for general awesome
when i was in 3rd grade i was reading the Meet Addy book at school & a couple boys made fun of me for reading a “doll book” - my teacher overheard & started reading Meet Addy to the class after every recess. everyone became extremely invested & by the end of the year we had read the entire collection of Addy books & did a presentation on the civil war at the end of the year that we all presented to the class one by one.
i think back on this & realize that as third graders we were talking about how awful slavery was & because we were simply innocent kids without any societal or institutional influence yet, all of us could kept saying “why would you treat a HUMAN like that ?!” this one girl for her birthday invited all of us for her party & she got the Addy doll - every single one of us (boys included) held her & was in awe of this doll - it was such a touching experience.
i went back home about a year ago & ran into my third grade teacher in the grocery store. she said that year opened up a whole new teaching structure for her. she now reads american girl stories to her students starting day one of class every day to calm them down after recess & she’ll get through maybe four or five sets of books a year. she has the dolls in the room with packets on information from the doll’s time period that her students can “check out” to take home for weekends to care for them.
we oftentimes overlook how powerful toys can be in influencing young children & american girl honestly knew that kids could read intense moments in history & synthesize the issues to learn how to be a better person. my grandma bought me my first doll, molly, when i was only six & the dolls became a huge part of my childhood. when i turned 21 a couple years ago - we were living in minneapolis - she took me to have lunch for my birthday at the american doll place in the mall of america & bought me the Addy doll for my birthday. it was such a powerful moment i hasn’t expected.
i’ve since gotten rid of majority of my childhood toys, but i still have every single one of my dolls & all the books that i plan on gifting to my future children.
I’m white and my first real introduction to slavery and the underground railroad was Addy. She was a young girl like me I could connect to and care about her story. American Girl does a great job of making history relevant to kids.
Also American Girl sells all sorts of books unrelated to the dolls. The Care and Keeping of You books were super important as I started puberty and were the most comprehensive, non judgemental account of what was going to happen.
They also have “the smart girls guide” series which covers topics like crushes, worry, middle school, drama and gossip, sports, friendship, the digital world, communication, money, confidence, etc.
Oh I had those too and I loved them!
I want to say I think there was an American Girl Doll magazine series that came out, but don’t quote me on that. there were lots of helpful girl guides that used the American girls as examples for doing good or learning lessons or trying to understand why girls did what they did
I learned a lot of my core beliefs from these girls.
I remember being very invested in Molly, Addy, and Kaya. Mostly cuz I look like Molly, and the other two had a lot of information on two of my favorite time periods. But I owe a lot of my personality to these lovvely girls
yo don’t forget my girl Caroline. Her father was captured by the British during the war of 1812 and she basically learned how to sail and rescued him herself.
omg yeah i love caroline
I can confirm that they really do their research - during the creation of Caroline the company called a museum I was associated with and quizzed them extensively about what sort of food kids would have eaten at the turn of the 19th century.
When i was like ten I wrote a letter to the American Girl magazine saying that the girls in their magazine were all really skinny and it made me, a chonk, really sad because it was showing that I couldn’t wear any of the outfits they suggested, and I got a personal letter back from the editor apologizing for making me feel that way and saying they would work on that. Dunno if they actually did, i can’t remember, but they did promptly personally respond to a letter about something that was not exactly on the radar for girl’s media in fucking 2002. So there’s that.
I’m happy to report that the messages from American Girl have only gotten better in recent years.
These are from one of their latest books, A Smart Girl’s Guide to Body Image:
They got a lot of flak from conservative parents for this and they did. not. back. down.
Their newest historical doll, Claudie, is a black girl growing up in the Harlem Renaissance of the 1920s. Her story is about Black artists thriving, and making a safe, beautiful place for themselves in a society that tries to reject them. It teaches about the NAACP’s protests against lynchings, in ways kids can understand, but there’s also so much Black joy and creativity showcased in her story.
Another historical doll, Melody, is growing up in the 1960s during the Civil Rights movement. She faces the struggles and triumphs of attending a newly integrated school, and learns about the bombing of a Black church in Alabama that killed four little girls her age. Her stories show how black people found support and community within the church, as well as music— she loves to sing! If you have a free hour, I highly recommend watching her special on Amazon (free with prime). It stars Caila Marsai Martin from Blackish and it will make you weep.
The girl of the year for 2022, Corinne, is Asian, and her story touches on the issues of anti-Asian hate in the wake of covid. When conservative parents threw a fit about this, American Girl went ahead and made the girl of the year for 2023 Asian, too.
Any of their dolls can be customized with assistive devices like hearing aids, service dogs, and wheelchairs. They also have bald dolls, to include stories about girls battling cancer or alopecia. And it’s not just girl dolls— they have boy dolls now, too! And dolls with no gender assigned to them! People complained that they couldn’t find any dolls in the Just Like Me line that looked like them, so they now give people the ability to create their own custom doll, with tons of different options.
I’m not claiming American Girl as a company is perfect, but I am saying they’re important. Girl perspectives, girl stories, and girl communities are IMPORTANT. If there are kids in your life who would benefit from these stories, or if you’d like to read them yourself, you can find any American Girl book for pretty much dirt cheap on eBay, and libraries usually stock tons of them!
Fcking sobbing, we were so lucky. Addy also helped teach me about the realty of slavery, and I remember reading the stuff about Kaya and being slightly suspicious, but then learning about the Nez Perce tribe later on and knowing AG were right.
I had Samantha and Kaya when I was little (I’m sure those two are in my parent’s basement somewhere… I should see about getting them and maybe cleaning them up and putting them on display) and the American Girl Doll books where a CRUCIAL part of my childhood.
We don’t disrespect AG in this house. At all. I am SO pleased to see that they have continued to do good things.
When I was growing up in the ‘90s as a baby tradwife, American Girl books weren’t allowed in our house because they were too woke. (I read them at the library.) And I’m going to bring up one more aspect that was really important to me back then and is still important to my aromantic adult self now:
While some of the girls have male friends their own age, *none* of the historical AG stories I remember reading have the narratorial tone of “of course she’s going to marry him when she grows up” that was otherwise absolutely ubiquitous to stories with girl-child characters. They portray male-female friendships *as* friends, or the only boys are close relatives or obnoxious jerks – who also don’t get the “he likes you or he wouldn’t bully you” treatment, even.
(Maybe things are better in middle-grade girls’ fiction now, I don’t know, but I’d bet it’s still a crapshoot. Love and marriage are so widely assumed to be things that all little girls must inherently be interested in, or must be only temporarily not interested in *yet*. Even Jo March has to get married, though Lou Alcott never did. The reliability of something as big as American Girl repeatedly telling kids like baby!me “it’s possible to be a girl and still have dreams and a future that don’t necessarily involve you becoming a wife-and-mother” is so, so important.)
"who do you self insert as when you read?"
This is me when I read:
feels like fake news
This is so silly but I'm watching a short video essay on sincerity in cinema and the creator is talking about how he watched Lord of the Rings for the first time at 17. He explains that he'd grown so used to the 'ironic' meta style commentary in the movies of the 2010's that as he was watching the opening narration of LotR, he spent the entire time waiting for the joke to come. For someone to take it all back with a zinger line. He listened to Blanchett describe and explain the backstory, and he waited for the other comedic shoe to drop.
And he kept doing it. Scene after scene.
He spent the film expecting someone to make a joke about how unserious things were or to break the fourth wall or do some other self referential type thing.
Now, maybe I'm just at that point in my cycle or maybe I'm too delicate in general, but I literally teared up hearing that. Straight up cried a bit. It is so fucking sad that sincerity and genuineness is being bred out of people.
People say all the time 'this generation can't take anything seriously!' and really, is it any wonder? Younger people have been trained out of it. You are no longer encouraged to be genuine or show emotion or be honest. You are actively punished for it. In fact, you are almost guaranteed to suffer for it.
That is so fucked up. I'm sorry to go on a bit of a random ramble rant but it's so fucking gut wrenching to see younger people lose that element of themselves. You can't express your passion without being told you're 'crashing out' or 'cringe'. You have to live in this neutral state of fear of perception, and god forbid anybody step outside of it!
You're told you should only consume and succumb and be ironic and emotionless and cool.
Listen, if you're following me and you're like.... 25 or under, let's say. Please. I beg of you. Do not fall for this rhetoric. Please, for the love of all things, feel. Feel and create and be honest with yourself. Indulge in things that make you happy. Be sincere. Wear your heart on your sleeve. Do not let this hyper-capitalistic, hyper-consumerist, self-centred, individualist culture take that from you.
Bleed yourself into the work you create. Live. Don't fucking let anyone tell you different.
On to the next adventure!
Fruit Love Island is the philosophical opposite of Monster Fucking
It’s what Diogenes would throw at Plato after he tries to define monsterfucking.
Oyster mermaid~
ah fuck, so sorry ma’am-
There's so many horror games about having to try to weed out and deal with inhuman imposters, but I want one where the script is flipped. You are something inhuman, you are an imposter, and if you want to survive you have to blend into a world that is trying to hunt you down and destroy you. You aren't human, but you must masquerade as one and infiltrate their world, or you will die.
I actually think we need to start inverting more Horror premises/tropes.
Like "You have to venture into the scary insane asylum!" VS "You're a patient who was admitted by force to an asylum, and you are very clearly in real danger, but everyone is pretending that you're just deluded, and are essentially leaving you to die because they don't really see you as a person."
I feel like there's a lot of Horror tropes built off of the fear of the other, when in reality it's actually often the other who is in danger. Maybe we could start recognising that more.
Interesting how the first half of the post has picked up popularity while the second part, which perhaps clarifies the idea of the original post, hasn't.
It's been interesting to see what media people are recommending based on the first post alone. A lot of recommendations for games/franchises like World of Darkness, Carrion, Kill All Humans, Among Us, etc. It's interesting because these are games that put you into the shoes of the violent other that has to infiltrate, without actually challenging the idea that the other is a threat. They actually parrot the ideas of the other as violent.
Funnily enough, the people recommending the comedy game Octodad understand the post much better than most of the people recommending horror media. A few mentions of Am I Nima, which isn't finished yet but does look like it could be what I am describing, so brownie points to the people recommending that.
But everyone saying stuff like "This is just being Trans/Autistic/Etc" really gets it, like really really gets it. Horror always communicates the fears and anxieties of the people who create it, this post was basically: "What if instead of communicating the fear of the other, we communicated the fears of the others, which are actually vastly more legitimate than the dominant groups fear of the other. We should recognise that it is overwhelmingly the others who are the ones who actually suffer and die, all for the perceived "saftey" and "comfort" of the dominant group."
This idea is about transphobia, it is about ableism, about anti-imigrant rhetoric and white supremacy, about queerphobia, it's about all of it. It is horror from the perspective of minority groups. It is the twisting of a trope built upon reactionary fears and narratives in order to critique them, it is a direct allegory for all those experiences you are describing.
Overall, it's just interesting to see who gets it and who doesn't.
This is being marginalized, hands down
you have a disgusting storytelling addiction
It’s true. It goes back a long way, too. It all started when…
Anything to walk on land 🔪 2021
Siana Park - Under the Oak Tree
the snitchuation
given recent events, an important reminder
Pointe Skirt by Darinika Atelier
tamora pierce always was trans positive though because she innately understood the concept of gender and how it actually applied to people and to the world. her understanding is not surface level like many writers who’ve been revealed to be less than ideal, morally and/or craftwise.
we now have what didn’t exist then, which is popular scholarship on real trans men who were historical “women in disguise” and it turns out there IS a largely distinction we can draw between those who wanted to be identified as men and those for whom dressing as a man was a means to an end. and i didn’t get it at the time and i’m sure tamora pierce didn’t either but like the longing alana feels to wear dresses is so trans coded because her life would be so much easier if she actually were a trans man, if she could just hide that she is a woman forever and just galavant about as a knight as she wishes. in her writing, gender is something innate but also distinct from sex, and that is apparent 25 years before she ever featured a trans character in her worlds. tamora pierce is the author who wrote a story about a cis character where god herself had to come down and tell the mc that she cant hide her gender forever because she will make herself miserable, and it’s simply not who she is. and alanna discovering women warriors is an incredible parallel of the trans experience of discovering your real gender by learning about the trans community.
70s-80s feminist fantasy writers really knew what they were doing and i will never not love them for it. jk rowling could never
Also I love how Alanna goes on to play gender like a fiddle. I love the scene in Lioness Rampant where she very calmly explains why she needs to wear pants to the coronation. Not because the dress isn’t stunning or she’s unwilling to wear it. But IT IS POLITICAL THEATER TIME GUYS AND WE ARE SENDING A MESSAGE HERE. Pierce saying decades later that Alanna is genderfluid feels genuine. It’s clearly something she thought about as our understanding of gender deepened and changed. And it tracks with the character. I’m so glad I had these books as a young person.
A QUEEN
Okay, I don’t normally add on to posts but in this case I’ve got to.
Rachel Ann Bovier is a Pittsburgh legend who has been publishing her poems in city newspapers for decades. In more recent years, she started putting up these bill boards along major roads. For what reason? I have no clue. But I would often pass them on my way to Oakland for therapy. They never failed to cheer me up.
As a young trans writer, they gave me this precious little spark of joy. There was someone like me, a writer, a Pittsburgher, a trans person, who was confident enough to put their face on a bill board! I would always smile as we passed by and my mom took note.
Fast forward a few years and it’s my 21st birthday. My mom has been super excited about my gift and teased me about it over and over again. She said it was the best gift she’d ever gotten me and in many ways she was right. It was a custom poem she commissioned from Miss Bouvier! It congratulated me on my birthday, my academic success, lots of little stuff. It was simple and sweet and perfect.
I’m still not out to my parents about being trans, but that poem serves as a reminder to me that trans people are every where, they are artists, they are all ages, and their visibility is essential. So thank you to Rachel Ann Bouvier for being a great poetess and a Pittsburgh treasure!
Queer joy detected!