Writer By Night

“Don't tell me the moon is shining; show me the glint of light on broken glass.” Anton Chekhov

[thewritersarchive]

This is an ultimate masterlist of many resources that could be helpful for writers. I apologize in advance for any not working links. Check out the ultimate writing resource masterlist here (x) and my “novel” tag here (x).

✑ PLANNING

Outlining & Organizing

For the Architects: The Planning Process

Rough Drafts

How do you plan a novel?

Plot Development: Climax, Resolution, and Your Main Character

Plotting and Planing

I Have An Idea for a Novel! Now What?

Choosing the Best Outline Method

How to Write a Novel: The Snowflake Method

Effectively Outlining Your Plot

Conflict and Character within Story Structure

Outlining Your Plot

Ideas, Plots & Using the Premise Sheets

✑ INSPIRATION

Finding story ideas

Choosing ideas and endings

When a plot isn’t strong enough to make a whole story

Writing a story that’s doomed to suck

How to Finish What You Start: A Five-Step Plan for Writers

Finishing Your Novel

Finish Your Novel

How to Finish Your Novel when You Want to Quit

How To Push Past The Bullshit And Write That Goddamn Novel: A Very Simple No-Fuckery Writing Plan

✑ PLOT

In General

25 Turns, Pivots and Twists to Complicate Your Story

The ABCs (and Ds and Es) of Plot Development

Originality Is Overrated

How to Create a Plot Outline in Eight Easy Steps

Finding Plot: Idea Nets

The Story Goal: Your Key to Creating a Solid Plot Structure

Make your reader root for your main character

Creating Conflict and Sustaining Suspense

Tips for Creating a Compelling Plot

The Thirty-six (plus one) Dramatic Situations

Adding Subplots to a Novel

Weaving Subplots into a Novel

7 Ways to Add Subplots to Your Novel

Crafting a Successful Romance Subplot

How to Improve your Writing: Subplots and Subtext

Understanding the Role of Subplots

How to Use Subtext in your Writing

The Secret Life of Subtext

How to Use Subtext

Beginning

Creating a Process: Getting Your Ideas onto Paper (And into a Story)

Why First Chapters?

Starting with a Bang

In the Beginning

The Beginning of your Novel that isn’t the Beginning of your Novel

A Beginning from the Middle

Starting with a Bang

First Chapters: What To Include @ The Beginning Writer

23 Clichés to Avoid When Beginning Your Story

Start Writing Now

Done Planning. What Now?

Continuing Your Long-Format Story

How to Start a Novel 

100 best first lines from novels

The First Sentence of a Book Report

How To Write A Killer First Sentence To Open Your Book

How to Write the First Sentence of a Book

The Most Important Sentence: How to Write a Killer Opening

Hook Your Reader from the First Sentence: How to Write Great Beginnings

Foreshadowing

Foreshadowing and the Red Hering

Narrative Elements: Foreshadowing

Foreshadowing and Suspense

Foreshadowing Key Details

Writing Fiction: Foreshadowing

The Literary Device of Foreshadowing

All About Foreshadowing in Fiction

Foreshadowing

Flashbacks and Foreshadowing

Foreshadowing — How and Why to Use It In Your Writing

Setting

Four Ways to Bring Settings to Life

Write a Setting for a Book

Writing Dynamic Settings

How To Make Your Setting a Character

Guide for Setting

5 Tips for Writing Better Settings

Building a Novel’s Setting

Ending

A Novel Ending

How to End Your Novel

How to End Your Novel 2

How to End a Novel With a Punch

How to End a Novel

How to Finish a Novel

How to Write The Ending of Your Novel

Keys to Great Endings

3 Things That End A Story Well

Ending a Novel: Five Things to Avoid

Endings that Ruin Your Novel

Closing Time: The Ending

✑ CHARACTER

Names

Behind the Name

Surname Meanings and Origins

Surname Meanings and Origins - A Free Dictionary of Surnames

Common US Surnames & Their Meanings

Last Name Meanings & Origins

Name Generators

Name Playground

Different Types of Characters

Ways To Describe a Personality

Character Traits Meme

Types of Characters

Types of Characters in Fiction

Seven Common Character Types

Six Types of Courageous Characters

Creating Fictional Characters (Masterlist)

Building Fictional Characters

Fiction Writer’s Character Chart

Character Building Workshop

Tips for Characterization

Fiction Writer’s Character Chart

Advantages, Disadvantages and Skills 

Males

Strong Male Characters

The History and Nature of Man Friendships

Friendship for Guys (No Tears!)

‘I Love You, Man’ and the rules of male friendship

Male Friendship

Understanding Male Friendship

Straight male friendship, now with more cuddling

Character Development

P.O.V. And Background

Writing a Character: Questionnaire

10 Days of Character Building

Getting to Know Your Characters

Character Development Exercises

✑ STYLE

Chapters

How Many Chapters is the Right Amount of Chapters?

The Arbitrary Nature of the Chapter

How Long is a Chapter?

How Long Should Novel Chapters Be?

Chapter & Novel Lengths 

Section vs. Scene Breaks

Dialogue 

The Passion of Dialogue

25 Things You Should Know About Dialogue

Dialogue Writing Tips

Punctuation Dialogue

How to Write Believable Dialogue

Writing Dialogue: The Music of Speech

Writing Scenes with Many Characters

It’s Not What They Say …

Top 10 Tips for Writing Dialogue

Speaking of Dialogue

Dialogue Tips

Interrupted Dialogue

Two Tips for Interrupted Dialogue

Show, Don’t Tell (Description)

“Tell” Makes a Great Placeholder

The Literary Merit of the Grilled Cheese Sandwich

Bad Creative Writing Advice

The Ultimate Guide to Writing Better Than You Normally Do

DailyWritingTips: Show, Don’t Tell

GrammarGirl: Show, Don’t Tell

Writing Style: What Is It?

Detail Enhances Your Fiction

Using Sensory Details

Description in Fiction

Using Concrete Detail

Depth Through Perception

Showing Emotions & Feelings

Character Description

Describing Your Characters (by inkfish7 on DeviantArt)

Help with Character Development

Creating Characters that Jump Off the Page

Omitting Character Description

Introducing Your Character(s): DON’T

Character Crafting

Writer’s Relief Blog: “Character Development In Stories And Novels”

Article: How Do You Think Up Your Characters?

5 Character Points You May Be Ignoring

List of colors, hair types and hairstyles

List of words to use in a character’s description 

200 words to describe hair

How to describe hair

Words used to describe the state of people’s hair

How to describe your haircut

Hair color sharts

Four Ways to Reveal Backstory

Words Used to Describe Clothes

Flashbacks

Using Flashbacks in Writing

Flashbacks by All Write

Using Flashback in Fiction

Fatal Backstory

Flashbacks as opening gambit

Don’t Begin at the Beginning

Flashbacks in Books

TVTropes: Flashback

Objects in the Mirror Are Closer Than They Appear: Flashback Techniques in Fiction

3 Tips for Writing Successful Flashbacks

The 5 Rules of Writing Effective Flashbacks

How to Handle Flashbacks In Writing

Flashbacks and Foreshadowing

Reddit Forum: Is a flashback in the first chapter a good idea?

Forum Discussing Flackbacks

P.O.V

You, Me, and XE - Points of View

What’s Your Point of View?

Establishing the Right Point of View: How to Avoid “Stepping Out of Character”

How to Start Writing in the Third Person

The Opposite Gender P.O.V.

LANGUAGE

 How To Say Said

200 Words Instead of Said

Words to Use Instead of Said

A List of Words to Use Instead of Said

Alternatives to “Walk”

60 Synonyms for “Walk”

✑ USEFUL WEBSITES/LINKS

Grammar Monster

Google Scholar

GodChecker

Tip Of My Tounge

Speech Tags

Pixar Story Rules

Written? Kitten!

TED Talks

DarkCopy

Family Echo

Some Words About Word Count

How Long Should My Novel Be?

The Universal Mary Sue Litmus Test

Writer’s “Cheat Sheets”

Last but not least, the most helpful tool for any writer out there is Google!

[emotionalmilkshake]

So so helpful

[the-writers-society-deactivated]

5 Moral Dilemmas That Make Characters and Stories Even Better

Readers can’t resist turning pages when characters are facing tough choices. Use these 5 keys to weave moral dilemmas into your stories–and watch your fiction climb to new heights.

#1: Give Your Character Dueling Desires

Before our characters can face difficult moral decisions, we need to give them beliefs that matter: The assassin has his own moral code not to harm women or children, the missionary would rather die than renounce his faith, the father would sacrifice everything to pay the ransom to save his daughter.

A character without an attitude, without a spine, without convictions, is one who will be hard for readers to cheer for and easy for them to forget.

So, to create an intriguing character facing meaningful and difficult choices, give her two equally strong convictions that can be placed in opposition to each other.

For example: A woman wants (1) peace in her home and (2) openness between her and her husband. So, when she begins to suspect that he’s cheating on her, she’ll struggle with trying to decide whether or not to confront him about it. If she only wanted peace she could ignore the problem; if she only wanted openness she would bring it up regardless of the results. But her dueling desires won’t allow her such a simple solution.

That creates tension.

And tension drives a story forward.

So, find two things that your character is dedicated to and then make him choose between them. Look for ways to use his two desires to force him into doing something he doesn’t want to do.

For instance, a Mennonite pastor’s daughter is killed by a drunk driver. When the man is released on a technicality, does the minister forgive him (and what would that even look like?) or does he take justice into his own hands? In this case, his (1) pacifist beliefs are in conflict with his (2) desire for justice. What does he do?

Good question.

Good tension.

Good drama.

Another example: Your protagonist believes (1) that cultures should be allowed to define their own subjective moralities, but also (2) that women should be treated with the same dignity and respect as men. She can’t stand the thought of women being oppressed by the cultures of certain countries, but she also feels it’s wrong to impose her values on someone else. When she is transplanted to one of those countries, then, what does she do?

Construct situations in which your character’s equally strong convictions are in opposition to each other, and you will create occasions for thorny moral choices.

#2: Put Your Character’s Convictions to the Test

We don’t usually think of it this way, but in a very real sense, to bribe someone is to pay him to go against his beliefs; to extort someone is to threaten him unless he goes against them.

For example:

How much would you have to pay the vegan animal rights activist to eat a steak (bribery)? Or, how would you need to threaten her in order to coerce her into doing it (extortion)?

What would it cost to get the loving, dedicated couple to agree never to see each other again (bribery)? Or, how would you need to threaten them to get them to do so (extortion)?

What would you need to pay the pregnant teenage Catholic girl to convince her to have an abortion (bribery)? What threat could you use to get her to do it (extortion)?

Look for ways to bribe and extort your characters. Don’t be easy on them. As writers we sometimes care about our characters so much that we don’t want them to suffer. As a result we might shy away from putting them into difficult situations.

Guess what?

That’s the exact opposite of what needs to happen in order for our fiction to be compelling.

What’s the worst thing you can think of happening to your character, contextually, within this story? Now, challenge yourself—try to think of something else just as bad, and force your character to decide between the two.

Plumb the depths of your character’s convictions by asking, “How far will s/he go to … ?” and “What would it take for … ?”

(1) How far will Frank go to protect the one he loves?

(2) What would it take for him to stand by and watch the one he loves die when he has the power to save her?

(1) How far will Angie go to find freedom?

(2) What would it take for her to choose to be buried alive?

(1) How far will Detective Rodriguez go to pursue justice?

(2) What would it take for him to commit perjury and send an innocent person to death row?

Ask yourself: What does my character believe in? What priorities does she have? What prejudices does she need to overcome? Then, put her convictions to the ultimate test to make her truest desires and priorities come to the surface.

#3: Force Your Character into a Corner

Don’t give him an easy out. Don’t give him any wiggle room. Force him to make a choice, to act. He cannot abstain. Take him through the process of dilemma, choice, action and consequence:

(1) Something that matters must be at stake.

(2) There’s no easy solution, no easy way out.

(3) Your character must make a choice. He must act.

(4) That choice deepens the tension and propels the story forward.

(5) The character must live with the consequences of his decisions and actions.

If there’s an easy solution there’s no true moral dilemma. Don’t make one of the choices “the lesser of two evils”; after all, if one is lesser, it makes the decision easier.

For example, say you’ve taken the suggestion in the first key above and forced your character to choose between honoring equal obligations. He could be caught between loyalty to two parties, or perhaps be torn between his family obligations and his job responsibilities. Now, raise the stakes—his marriage is at risk and so is his job, but he can’t save them both. What does he do?

The more imminent you make the choice and the higher the stakes that decision carries, the sharper the dramatic tension and the greater your readers’ emotional engagement. To achieve this, ask “What if?” and the questions that naturally follow:

What if she knows that being with the man she loves will cause him to lose his career? How much of her lover’s happiness would she be willing to sacrifice to be with him?

What if an attorney finds herself defending someone she knows is guilty? What does she do? What if that person is her best friend?

What if your character has to choose between killing himself or being forced to watch a friend die?

Again, make your character reevaluate his beliefs, question his assumptions and justify his choices. Ask yourself: How is he going to get out of this? What will he have to give up (something precious) or take upon himself (something painful) in the process?

Explore those slippery slopes. Delve into those gray areas. Avoid questions that elicit a yes or no answer, such as: “Is killing the innocent ever justified?” Instead, frame the question in a way that forces you to take things deeper: “When is killing the innocent justified?” Rather than, “Does the end justify the means?” ask, “When does the end justify the means?”

#4: Let the Dilemmas Grow From the Genre

Examine your genre and allow it to influence the choices your character must face. For instance, crime stories naturally lend themselves to exploring issues of justice and injustice: At what point do revenge and justice converge? What does that require of this character? When is preemptive justice really injustice?

Love, romance and relationship stories often deal with themes of faithfulness and betrayal: When is it better to hide the truth than to share it? How far can you shade the truth before it becomes a lie? When do you tell someone a secret that would hurt him? For example, your protagonist, a young bride-to-be, has a one-night stand. She feels terrible because she loves her fiancé, but should she tell him what happened and shatter him—and perhaps lose him—or keep the truth hidden?

Fantasy, myth and science fiction are good venues for exploring issues of consciousness, humanity and morality: How self-aware does something need to be (an animal, a computer, an unborn baby) before it should be afforded the same rights as fully developed humans? At what point does destroying an AI computer become murder? Do we really have free will or are our choices determined by our genetic makeup and environmental cues?

#5: Look the Third Way

You want your readers to be thinking, I have no idea how this is going to play out. And then, when they see where things go, you want them to be satisfied.

There’s a story in the Bible about a time religious leaders caught a woman committing adultery and brought her to Jesus. In those days, in that culture, adultery was an offense that was punishable by death. The men asked Jesus what they should do with this woman. Now, if Jesus had told them to simply let her go free he would have been contravening the law; if, however, he told them to put her to death, he would have undermined his message of “forgiveness and mercy.”

It seemed like a pretty good trap, until he said, “Whoever is without sin among you, let him cast the first stone.”

Nicely done.

I call this finding the Third Way. It’s a solution that’s consistent with the character’s attitude, beliefs and priorities, while also being logical and surprising.

We want the solutions that our heroes come up with to be unexpected and inevitable.

Present yours with a seemingly impossible conundrum.

And then help him find the Third Way out.

I hope this helped! I’ve been really busy today, seeing how my mom had surgery and I’ve been trying to continue writing my novel today as well. I thought I’d squeeze in some more stuff for you guys!

If you have any questions or just want to talk, feel free to visit my ask box!

[writeworld-blog]

SYNONYMS FOR WORDS COMMONLY USED IN STUDENTS' WRITINGS

by larae.net

Amazing- incredible, unbelievable, improbable, fabulous, wonderful, fantastic, astonishing, astounding, extraordinary

Anger- enrage, infuriate, arouse, nettle, exasperate, inflame, madden

Angry- mad, furious, enraged, excited, wrathful, indignant, exasperated, aroused, inflamed

Answer- reply, respond, retort, acknowledge

Ask- question, inquire of, seek information from, put a question to, demand, request, expect, inquire, query, interrogate, examine, quiz

Awful- dreadful, terrible, abominable, bad, poor, unpleasant

Bad- evil, immoral, wicked, corrupt, sinful, depraved, rotten, contaminated, spoiled, tainted, harmful, injurious, unfavorable, defective, inferior, imperfect, substandard, faulty, improper, inappropriate, unsuitable, disagreeable, unpleasant, cross, nasty, unfriendly, irascible, horrible, atrocious, outrageous, scandalous, infamous, wrong, noxious, sinister, putrid, snide, deplorable, dismal, gross, heinous, nefarious, base, obnoxious, detestable, despicable, contemptible, foul, rank, ghastly, execrable

Beautiful - pretty, lovely, handsome, attractive, gorgeous, dazzling, splendid, magnificent, comely, fair, ravishing, graceful, elegant, fine, exquisite, aesthetic, pleasing, shapely, delicate, stunning, glorious, heavenly, resplendent, radiant, glowing, blooming, sparkling

Begin - start, open, launch, initiate, commence, inaugurate, originate

Big - enormous, huge, immense, gigantic, vast, colossal, gargantuan, large, sizable, grand, great, tall, substantial, mammoth, astronomical, ample, broad, expansive, spacious, stout, tremendous, titanic, mountainous

Brave - courageous, fearless, dauntless, intrepid, plucky, daring, heroic, valorous, audacious, bold, gallant, valiant, doughty, mettlesome

Break - fracture, rupture, shatter, smash, wreck, crash, demolish, atomize

Bright - shining, shiny, gleaming, brilliant, sparkling, shimmering, radiant, vivid, colorful, lustrous, luminous, incandescent, intelligent, knowing, quick-witted, smart, intellectual

Calm - quiet, peaceful, still, tranquil, mild, serene, smooth, composed, collected, unruffled, level-headed, unexcited, detached, aloof

Come - approach, advance, near, arrive, reach

Cool - chilly, cold, frosty, wintry, icy, frigid

Crooked - bent, twisted, curved, hooked, zigzag

Cry - shout, yell, yowl, scream, roar, bellow, weep, wail, sob, bawl

Cut - gash, slash, prick, nick, sever, slice, carve, cleave, slit, chop, crop, lop, reduce

Dangerous - perilous, hazardous, risky, uncertain, unsafe

Dark - shadowy, unlit, murky, gloomy, dim, dusky, shaded, sunless, black, dismal, sad

Decide - determine, settle, choose, resolve

Definite - certain, sure, positive, determined, clear, distinct, obvious

Delicious - savory, delectable, appetizing, luscious, scrumptious, palatable, delightful, enjoyable, toothsome, exquisite

Describe - portray, characterize, picture, narrate, relate, recount, represent, report, record

Destroy - ruin, demolish, raze, waste, kill, slay, end, extinguish

Difference - disagreement, inequity, contrast, dissimilarity, incompatibility

Do - execute, enact, carry out, finish, conclude, effect, accomplish, achieve, attain

Dull - boring, tiring,, tiresome, uninteresting, slow, dumb, stupid, unimaginative, lifeless, dead, insensible, tedious, wearisome, listless, expressionless, plain, monotonous, humdrum, dreary

Eager - keen, fervent, enthusiastic, involved, interested, alive to

End - stop, finish, terminate, conclude, close, halt, cessation, discontinuance

Enjoy - appreciate, delight in, be pleased, indulge in, luxuriate in, bask in, relish, devour, savor, like

Explain - elaborate, clarify, define, interpret, justify, account for

Fair - just, impartial, unbiased, objective, unprejudiced, honest

Fall - drop, descend, plunge, topple, tumble

False - fake, fraudulent, counterfeit, spurious, untrue, unfounded, erroneous, deceptive, groundless, fallacious

Famous - well-known, renowned, celebrated, famed, eminent, illustrious, distinguished, noted, notorious

Fast - quick, rapid, speedy, fleet, hasty, snappy, mercurial, swiftly, rapidly, quickly, snappily, speedily, lickety-split, posthaste, hastily, expeditiously, like a flash

Fat - stout, corpulent, fleshy, beefy, paunchy, plump, full, rotund, tubby, pudgy, chubby, chunky, burly, bulky, elephantine

Fear - fright, dread, terror, alarm, dismay, anxiety, scare, awe, horror, panic, apprehension

Fly - soar, hover, flit, wing, flee, waft, glide, coast, skim, sail, cruise

Funny - humorous, amusing, droll, comic, comical, laughable, silly

Get - acquire, obtain, secure, procure, gain, fetch, find, score, accumulate, win, earn, rep, catch, net, bag, derive, collect, gather, glean, pick up, accept, come by, regain, salvage

Go - recede, depart, fade, disappear, move, travel, proceed

Good - excellent, fine, superior, wonderful, marvelous, qualified, suited, suitable, apt, proper, capable, generous, kindly, friendly, gracious, obliging, pleasant, agreeable, pleasurable, satisfactory, well-behaved, obedient, honorable, reliable, trustworthy, safe, favorable, profitable, advantageous, righteous, expedient, helpful, valid, genuine, ample, salubrious, estimable, beneficial, splendid, great, noble, worthy, first-rate, top-notch, grand, sterling, superb, respectable, edifying

Great - noteworthy, worthy, distinguished, remarkable, grand, considerable, powerful, much, mighty

Gross - improper, rude, coarse, indecent, crude, vulgar, outrageous, extreme, grievous, shameful, uncouth, obscene, low

Happy - pleased, contented, satisfied, delighted, elated, joyful, cheerful, ecstatic, jubilant, gay, tickled, gratified, glad, blissful, overjoyed

Hate - despise, loathe, detest, abhor, disfavor, dislike, disapprove, abominate

Have - hold, possess, own, contain, acquire, gain, maintain, believe, bear, beget, occupy, absorb, fill, enjoy

Help - aid, assist, support, encourage, back, wait on, attend, serve, relieve, succor, benefit, befriend, abet

Hide - conceal, cover, mask, cloak, camouflage, screen, shroud, veil

Hurry - rush, run, speed, race, hasten, urge, accelerate, bustle

Hurt - damage, harm, injure, wound, distress, afflict, pain

Idea - thought, concept, conception, notion, understanding, opinion, plan, view, belief

Important - necessary, vital, critical, indispensable, valuable, essential, significant, primary, principal, considerable, famous, distinguished, notable, well-known

Interesting - fascinating, engaging, sharp, keen, bright, intelligent, animated, spirited, attractive, inviting, intriguing, provocative, though-provoking, challenging, inspiring, involving, moving, titillating, tantalizing, exciting, entertaining, piquant, lively, racy, spicy, engrossing, absorbing, consuming, gripping, arresting, enthralling, spellbinding, curious, captivating, enchanting, bewitching, appealing

Keep - hold, retain, withhold, preserve, maintain, sustain, support

Kill - slay, execute, assassinate, murder, destroy, cancel, abolish

Lazy - indolent, slothful, idle, inactive, sluggish

Little - tiny, small, diminutive, shrimp, runt, miniature, puny, exiguous, dinky, cramped, limited, itsy-bitsy, microscopic, slight, petite, minute

Look - gaze, see, glance, watch, survey, study, seek, search for, peek, peep, glimpse, stare, contemplate, examine, gape, ogle, scrutinize, inspect, leer, behold, observe, view, witness, perceive, spy, sight, discover, notice, recognize, peer, eye, gawk, peruse, explore

Love - like, admire, esteem, fancy, care for, cherish, adore, treasure, worship, appreciate, savor

Make - create, originate, invent, beget, form, construct, design, fabricate, manufacture, produce, build, develop, do, effect, execute, compose, perform, accomplish, earn, gain, obtain, acquire, get

Mark - label, tag, price, ticket, impress, effect, trace, imprint, stamp, brand, sign, note, heed, notice, designate

Mischievous - prankish, playful, naughty, roguish, waggish, impish, sportive

Move - plod, go, creep, crawl, inch, poke, drag, toddle, shuffle, trot, dawdle, walk, traipse, mosey, jog, plug, trudge, slump, lumber, trail, lag, run, sprint, trip, bound, hotfoot, high-tail, streak, stride, tear, breeze, whisk, rush, dash, dart, bolt, fling, scamper, scurry, skedaddle, scoot, scuttle, scramble, race, chase, hasten, hurry, hump, gallop, lope, accelerate, stir, budge, travel, wander, roam, journey, trek, ride, spin, slip, glide, slide, slither, coast, flow, sail, saunter, hobble, amble, stagger, paddle, slouch, prance, straggle, meander, perambulate, waddle, wobble, pace, swagger, promenade, lunge

Moody - temperamental, changeable, short-tempered, glum, morose, sullen, mopish, irritable, testy, peevish, fretful, spiteful, sulky, touchy

Neat - clean, orderly, tidy, trim, dapper, natty, smart, elegant, well-organized, super, desirable, spruce, shipshape, well-kept, shapely

New - fresh, unique, original, unusual, novel, modern, current, recent

Old - feeble, frail, ancient, weak, aged, used, worn, dilapidated, ragged, faded, broken-down, former, old-fashioned, outmoded, passe, veteran, mature, venerable, primitive, traditional, archaic, conventional, customary, stale, musty, obsolete, extinct

Part - portion, share, piece, allotment, section, fraction, fragment

Place - space, area, spot, plot, region, location, situation, position, residence, dwelling, set, site, station, status, state

Plan - plot, scheme, design, draw, map, diagram, procedure, arrangement, intention, device, contrivance, method, way, blueprint

Popular - well-liked, approved, accepted, favorite, celebrated, common, current

Predicament - quandary, dilemma, pickle, problem, plight, spot, scrape, jam

Put - place, set, attach, establish, assign, keep, save, set aside, effect, achieve, do, build

Quiet - silent, still, soundless, mute, tranquil, peaceful, calm, restful

Right - correct, accurate, factual, true, good, just, honest, upright, lawful, moral, proper, suitable, apt, legal, fair

Run - race, speed, hurry, hasten, sprint, dash, rush, escape, elope, flee

Say/Tell - inform, notify, advise, relate, recount, narrate, explain, reveal, disclose, divulge, declare, command, order, bid, enlighten, instruct, insist, teach, train, direct, issue, remark, converse, speak, affirm, suppose, utter, negate, express, verbalize, voice, articulate, pronounce, deliver, convey, impart, assert, state, allege, mutter, mumble, whisper, sigh, exclaim, yell, sing, yelp, snarl, hiss, grunt, snort, roar, bellow, thunder, boom, scream, shriek, screech, squawk, whine, philosophize, stammer, stutter, lisp, drawl, jabber, protest, announce, swear, vow, content, assure, deny, dispute

Scared - afraid, frightened, alarmed, terrified, panicked, fearful, unnerved, insecure, timid, shy, skittish, jumpy, disquieted, worried, vexed, troubled, disturbed, horrified, terrorized, shocked, petrified, haunted, timorous, shrinking, tremulous, stupefied, paralyzed, stunned, apprehensive

Show - display, exhibit, present, note, point to, indicate, explain, reveal, prove, demonstrate, expose

Slow - unhurried, gradual, leisurely, late, behind, tedious, slack

Stop - cease, halt, stay, pause, discontinue, conclude, end, finish, quit

Story - tale, myth, legend, fable, yarn, account, narrative, chronicle, epic, sage, anecdote, record, memoir

Strange - odd, peculiar, unusual, unfamiliar, uncommon, queer, weird, outlandish, curious, unique, exclusive, irregular

Take - hold, catch, seize, grasp, win, capture, acquire, pick, choose, select, prefer, remove, steal, lift, rob, engage, bewitch, purchase, buy, retract, recall, assume, occupy, consume

Tell - disclose, reveal, show, expose, uncover, relate, narrate, inform, advise, explain, divulge, declare, command, order, bid, recount, repeat

Think - judge, deem, assume, believe, consider, contemplate, reflect, mediate

Trouble - distress, anguish, anxiety, worry, wretchedness, pain, danger, peril, disaster, grief, misfortune, difficulty, concern, pains, inconvenience, exertion, effort

True - accurate, right, proper, precise, exact, valid, genuine, real, actual, trusty, steady, loyal, dependable, sincere, staunch

Ugly - hideous, frightful, frightening, shocking, horrible, unpleasant, monstrous, terrifying, gross, grisly, ghastly, horrid, unsightly, plain, homely, evil, repulsive, repugnant, gruesome

Unhappy - miserable, uncomfortable, wretched, heart-broken, unfortunate, poor, downhearted, sorrowful, depressed, dejected, melancholy, glum, gloomy, dismal, discouraged, sad

Use - employ, utilize, exhaust, spend, expend, consume, exercise

Wrong - incorrect, inaccurate, mistaken, erroneous, improper, unsuitable

[wordsnstuff]

☼ Masterlist ☼

☼  Masterlist is updated regularly & subject to frequent change  ☼

☼  Writing Help Posts  ☼

Beginning A Story And Sticking With It

Tips and Advice For Aspiring Writers, Authors, and Poets

How To Write An Article That People Will Read

How To Motivate Yourself To Write

Improving Flow In Writing

Kiss Scenes 101: How to Write The Perfect Kiss

Step-By-Step Plan: Editing Your Own Writing

Novel Planning 101

How To Write A Good Plot Twist

How To Foreshadow

Setting: How To Describe The Setting In Your Stories

Tips For Fanfiction Writers

Tips For Writers Who Want To Post Their Work Online

Commentary On Social Issues In Writing

How To Incorporate Health Into Your Writing Routine

What To Cut Out Of Your Story

How To Fall In Love With Writing

Constructive Criticism: How To Give, Receive, and Utilize

Tackling Subplots

How To Make A Scene More Heartfelt

Tips For Songwriters

How To Develop A Distinct Voice In Your Writing

How To Perfect The Tone In A Piece Of Writing

20 Mistakes To Avoid When Writing Young Adult Fiction/Romance

Tips On Writing Skinny Love

Writing Through Mental Health Struggles

Tips On Dialogue

How To Actually Get Writing Done

Writing On A Schedule

Tips On Writing About Mental Illness

Editing & Proofreading Cheat Sheet

Things A Reader Needs From A Story (feat. @papercutwriting)

Tips For Horror Writers

A *Strange* Method Of Brainstorming Character Styles & Traits

A Guide To Tension & Suspense In Your Writing

☼  Prompt Lists  ☼

Themed Lists

Challenges For {Types Of} Writers

Challenges For {Types Of} Writers II

Tol & Smol Prompts

Enemies Turned Lovers Prompts

Best Friends Turned Lovers Prompts

Study Date Prompts

Skinny Love Prompts

Seasonal Prompts: Spring

Dark Quotes & Prompts

50 Things Couples Can Do Together 

50 More Things Couples Can Do Together

Forbidden Love Prompts

Angst Prompts

☼ Monthly Reading/Writing Challenges ☼

31 Days Of Prompts: Wordsnstuff January Writing Challenge

28 Days Of Memories: Wordsnstuff February Writing Challenge

#10weektbrchallenge : March/April Reading/Reviewing Challenge

☼  Synonyms Lists  ☼

Body Types: Words To Describe Bodies and How They Move Around

Words To Describe…

Words To Describe Someone’s Voice

All About Colors

A Writer’s Thesaurus

☼  Playlists  ☼

Writing Playlist // Spotify **Updated Frequently** 

Things To Listen To When You’re Working *Masterpost*

Chaos Killed The Dinosaurs Chaos and impeding doom. We’re all in the middle of it, so let’s suffer together and try to our universal struggle more poetic. Listen On Spotify

Sweet Dreams & Beautiful Nightmares This playlist is a beautiful mix of sweet melody and sinister undertones. This playlist will help you drift into a peaceful sleep and comforting nightmares. Listen On Spotify

Ambient Ambient tunes to calm you down and inspire you. Whether turned on for a relaxing evening, a late night of deep thinking, or just something to listen to that’s catchy, but not too heavy, this is perfect for any time. Listen On Spotify

Classical & Instrumental Whether you’re studying, reading, sipping Earl Grey, writing, etc. this playlist will relax and inspire you. Listen On Spotify

Badassery Embrace your inner badassery and do it to the perfect soundtrack. Listen On Spotify

Stay Wild  Everyone needs adventure and some risk in their lives. Sneak out, dance, experiment, and have fun while you’re young and free. Roll down the windows, activate your soundtrack, and stay wild;) Listen On Spotify

Like Or Like-Like You may be going through a breakup or relationship troubles in general. Sometimes you just need to listen to music and either cry, or get mad. Here’s the perfect soundtrack. Listen On Spotify

I Was Never What You Wanted A lot of people are in that bubbly, exciting place, where you’re trying to figure out if they like you back. Here’s to new romance and the pain and butterflies that come with it. Listen On Spotify

Soaked To The Skin With Emotion These song’s are bursting at the seams with emotional weight, and it can be therapeutic to indulge in someone else’s overwhelming thoughts. These songs are relatable, nostalgic, depressing, and honest, and they’re well worth a listen. Listen On Spotify

New Old Favorites Classics and love songs ~ From Sinatra to Lana, this playlist takes you back to the good old times.. whenever those were. Listen On Spotify

“Just Friends” “Just friends” don’t look at each other like that… Listen On Spotify

Calmly Sad Sometimes it’s important to take the time and let the emotions flow. For those rainier days, here is some calm music to listen to while you clear your system of whatever is bringing you down.  Listen On Spotify

Skin Emotion is like skin. Some is soft, some is rough, some is dark, and some is light. All emotion should be felt, through our skin and inside our bones. Here’s a list of songs to sit back and let sink in through the skin.  Listen On Spotify (feat. @redwatersounds​)

Cuddles To Kisses Night in with your favorite person? Need some romantic, slightly steamy ambiance? These songs will set the mood for a memorable evening. Listen On Spotify (feat. @redwatersounds​)

Hurt Me, Won’t You? All the songs she cried to over you.. Listen On Spotify

Pagan Underground In history class, we learned about witches. About them being hunted down. We were told this was all a misconception. That true witches were never to be found. But I know the real truth, the one everyone says is wrong. Listen On Spotify

Driving At Night Windows down, stereo loud, and our throats raw from singing along as our worries are soaked up by the stars above.. Listen On Spotify

2 AM With You On The Beach Here I am, drowning in an ocean of you.. Listen On Spotify (feat. @redwatersounds)

Rebellious Teenagers The greatest pleasure in life is doing what others say you cannot.. Listen On Spotify (feat. @redwatersounds​)

Silk Sheets & Afternoon Tea We all need a calm day in bed with a cup of tea sometimes, as well as a soundtrack to go with..Listen On Spotify (feat. @redwatersounds​)

Warmth Warm songs for cold days..Listen On Spotify

Valentine’s Day You know you’re in love when you can’t fall asleep because reality is finally better than your dreams..Listen On Spotify (feat. @redwatersounds​)

Good Old Days When we had the time to just lay and listen..Listen On Spotify

We Were Picturesque Remember those days? I’m starting to forget…Listen On Spotify

Mocha Sit back, sip a coffee, and enjoy…Listen On Spotify

Home The songs that embody home and familiarity..Listen On Spotify

Wordsnstuff’s Writing Playlist

☼ Resources For Writing ☼

Useful Writing Resources

Useful Writing Resources II

Resources For Romance Writers

Resources For Fantasy & Mythology Writers

Resources For Crime, Mystery, & Thriller Writers

Resources For Writing Sketchy Topics

Resources For Writing Period Pieces: High Middle Ages & Renaissance

Resources For Describing Physical Things

Resources For Describing Characters

Resources For Describing Emotions

Resources For Creating Characters

☼ Miscellaneous ☼

Book Recommendations

Word Counts Converted To Novel Pages

Mental Illness Awareness

10 Easy Changes You Can Make To Your Lifestyle To Be Happier And Healthier Almost Instantly

25 Study Tips To Make Your Life Easier

Reasons To Improve Your Lifestyle

How To Make Study Dates More About Studying (And Have Fun At The Same Time)

Study Environment & How To Make Studying Easier

Healthy Forms Of Motivation

How To Have A Productive Mindset

So You Want To Start A Blog

Resources For Students

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For A VERY useful fact, click here

[memewhore]

[colemckenzies]

you can make nearly any object into a good insult if you put ‘you absolute’ in front of it

example: you absolute coat hanger

[ggiornojo]

as well u can just add ‘ed’ to any object and it’s sounds like you were really drunk

example: i was absolutely coat hangered last night

[colemckenzies]

#i was gazeboed mate #i was absolutely baubled

[animatedamerican]

Meanwhile, “utter” works for the first (e.g., “you utter floorboard”) but somehow “utterly” doesn’t seem to work as well for the second (“I was utterly floorboarded”).

[nentuaby]

Utterly doesn’t work for drunk because it’s the affix for turning random objects into terms for *shocked*, obviously.

[animatedamerican]

… huh.  I thought that might just be the similarity to “floored”, and yet “I was utterly coat hangered” does seem to convey something similar.

I have to tell you, I am utterly sandwiched at this discovery.

[thepioden]

Completely makes the phrase mean “super tired”.

“God, it’s been a long week, I am completely coat-hangered.”

[derinthescarletpescatarian]

Something is

Something is wrong with our language

[rooksandravens]

Is it a glitch or a feature?

[cranberrybogmummy]

Feature

[maggieisalarrie]

Resources For Writers

This is a list of resources for writers and people who enjoy writing! If you’d like me to include anything, please let me know! 

Keep reading

[maggieisalarrie]

Updated today!!

[wordsnstuff]

Resources For Describing Emotion

Emotions

Without Making Your Character Feel Too Self Aware

Showing Emotion Without Telling About It

Emotions Associated With Body Language

Telling Readers What The Character Doesn’t Want To Show

Hiding Emotions

Expressing Cardinal Emotions: Masculine vs. Feminine

Writing Extreme Emotion Without Melodrama

Specific Emotions

Conveying Shock

Conveying Embarrassment

Conveying Disappointment

Conveying Love/Attraction

Conveying Annoyance

Conveying Relief

Conveying Uncertainty

Conveying Impatience

Conveying Shame

Conveying Resentment

Conveying Panic

Conveying Guilt

Conveying Desperation

Conveying Sarcasm & Verbal Disrespect

Conveying Confusion

Conveying Stubbornness

Conveying Frustration

Conveying Indifference

Conveying Indignation

Conveying Confidence & Pride

Conveying Smugness

Conveying Enthusiasm

Conveying Curiosity

Conveying Hopefulness

Conveying Unease

Conveying Reluctance

Conveying Worry

Conveying Humility & Meekness

Conveying Happiness & Joy

Conveying Amusement

Conveying Disgust

Conveying Resignation

Conveying Jealousy

Conveying Anticipation

Conveying Contentment

Conveying Defeat

Conveying Excitement

Conveying Fear

Conveying Hatred

Conveying Hurt

Conveying Being Overwhelmed

Conveying Sadness & Grief

Conveying Satisfaction

Conveying Somberness

Conveying Sympathy & Empathy

Conveying Wariness

Conveying Defensiveness

Conveying Desire

Conveying Doubt

Conveying Energy

Conveying Exhaustion

Conveying Hunger

Conveying Loneliness

Conveying Physical Pain

Emotional Wounds

A Role Model Who Disappoints

A Sibling’s Betrayal

A Speech Impediment

Becoming a Caregiver at an Early Age

Being Bullied

Being Fired or Laid Off

Being Held Captive

Being Mugged

Being Publicly Humiliated

Being Raised by Neglectful Parents

Being Raised by Overprotective Parents

Being So Beautiful It’s All People See

Being the Victim of a Vicious Rumor

Being Stalked

Being Trapped in a Collapsed Building

Being Unfairly Blamed For The Death of Another

Childhood Sexual Abuse (by a family member or known person)

Discovering One’s Parent is a Monster

Discovering One’s Sibling was Abused

Experiencing a Miscarriage or Stillbirth

Failing At School

Failing To Do The Right Thing

Financial Ruin Due To A Spouse’s Irresponsibility

Finding Out One’s Child Was Abused

Finding Out One Was Adopted

Getting Lost In a Natural Environment

Growing Up In A Cult

Growing Up in a Dangerous Neighborhood

Growing Up In Foster Care

Growing Up In The Public Eye

Growing Up In The Shadow of a Successful Sibling

Growing Up with a Sibling Who Has a Chronic Disability or Illness

Having Parents Who Favored One Child Over Another

Having To Kill Another Person To Survive

Infertility

Infidelity (emotional or physical)

Losing a Limb

Losing a Loved One To A Random Act of Violence

Making a Very Public Mistake

Overly Critical or Strict Parents

Physical Disfigurement

Rejection By One’s Peers

Telling The Truth But Not Being Believed

The Death of a Child On One’s Watch

Victimization via Identity Theft

Watching A Loved One Die

Wrongful Imprisonment

Spending Time In Jail

Suffering From a Learning Disability

Motivation

Achieving Spiritual Enlightenment

Avoiding Certain Death

Avoiding Financial Ruin

Beating a Diagnosis or Condition

Being Acknowledged and Appreciated by Family

Being a Leader of Others

Being the Best At Something

Caring for an Aging Parent

Carrying on a Legacy

Catching The Bad Guy or Girl

Coming To Grips With Mental Illness

Discovering One’s True Self

Escaping a Dangerous Life one Doesn’t Want

Escaping a Killer

Escaping a Widespread Disaster

Escaping Confinement

Escaping Homelessness

Escaping Invaders

Finding Friendship or Companionship

Finding a Lifelong Partner

Having a Child

Helping a Loved One See They Are Hurting Themselves and Others

Obtaining Shelter From The Elements

Overcoming Abuse and Learning To Trust

Overcoming Addiction

Protecting One’s Home or Property

Pursuing Justice For Oneself or Others

Realizing a Dream

Reconciling with an Estranged Family Member

Rescuing a Loved One From a Captor

Restoring A Name or Reputation

Righting a Deep Wrong

Seeking Out One’s Biological Roots

Stopping an Event From Happening

Trying Again When One Has Previously Failed

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[sarahtaylorgibson]

Writing a novel when you imagine all you stories in film format is hard because there’s really no written equivalent of “lens flare” or “slow motion montage backed by Gregorian choir”

[audacityinblack]

You can get the same effect of a lens flare with close-detail descriptions, combined with breaks to new paragraphs.

Your slow-motion montage backed by a Gregorian choir can be done with a few technques that all involve repetition.

First is epizeuxis, the repeating of a word for emphasis.

Example:

Falling. Falling. Falling. There was nothing to keep Marie from plunging into the rolling river below. She could only hope for a miracle now, that she would come out alive somehow despite a twenty-foot drop into five-foot-deep water.

Then there’s anaphora, where you write a number of phrases with the same words at the beginning.

There were still mages out there living in terror of shining steel armor emblazoned with the Sword of Mercy.

There were still mages out there being forced by desperation into the clutches of demons.

There were mages out there being threatened with Tranquility as punishment for their disobedience, and the threats were being made good upon.

Mages who had attempted to flee, but knew nothing of the outside world and were forced to return to their prison out of need for sustenance and shelter.

Mages who only desired to find the families they were torn from.

Mages who only wanted to see the sun.

This kind of repetition effectively slows the pace of your writing and puts the focus on that small scene. That’s where you get your slow pan. The same repetition also has a subtle musicality to it depending on the words you use. That’s where you get the same vibe as you might get from a Gregorian choir.

[sarahtaylorgibson]

Damn I made relatable reblog- bait post and writer Tumblr went hard with it. This is legitimately very good advice. 

[radicalrevisions]

So, so many works I’ve read could be vastly improved with tightening and shaving of superfluous words. Wordiness is an easy stumbling block, as we’re used to how we talk. We’re used to how others (long ago) wrote. But times change, my friend, and so do expectations of the writer. We don’t get paid by the word in fiction. So show your smarts and say as much as you can with as much power as you can in as few words as possible.

Here are a few things you can cut without reserve to help shorten your story right now. And as you catch yourself using these words in your next draft, hit that backspace before you finish the sentence! It’s okay if you already have. You can go delete them now. No one will ever know.

Moment/Second/Minute

It’s so tempting. I am guilty of using this word like fertilizer in my first drafts. But most of the time, these words aren’t needed at all. They add nothing.

He sat down for a moment, sipping his coffee. vs. He sat down and sipped at his coffee.

But he only did it for a moment, you say!

He sat down for a moment, sipping his coffee. When the door opened a second later, he shot to his feet. vs. He sat down and sipped his coffee. The door opened, and before he could swallow his first sip, he shot to his feet.

I know, this is about making your writing more concise and my “right” example has more words than the first example. But what’s the difference? The words used in the second sentence are more tangible. They give a visual that “a second later” and “for a moment” don’t. And you could leave that part out, of course, if you’re really going for trimming word count. It doesn’t paint quite the same image, but “The door opened and he shot to his feet.” is a perfectly good sentence.

Suddenly/All of a sudden

You’ve heard this one, before, surely. These words are used…when? When you’re trying to portray suddenness. Surprise, perhaps. So why are you adding in extra words to slow down the pace?

She flipped on the TV and reclined in her chair. All of sudden, the TV flashed a bright light and the power went out. vs. She flipped on the TV and reclined in her chair. The TV flashed once before the lights went dark. The power was out.

That sense of immediacy is felt when stuff just happens. So let it happen. If it’s rhythm you’re worried about, then find more useful words to create the rhythm. Notice that I didn’t just cut “All of a sudden” out of the sentence and leave it. I reworded it a bit to make it stronger.

Finally

It can be a useful word, but more often than not, it’s just taking up space.

Really/Very

Just…delete them.

To alter a Mark Twain quote:

“Substitute ’[fucking]’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.”

But seriously, if you’re saying, “She was breathing very hard.” You could just cut the “very” and say, “She was breathing hard.” Or, even better, “She was panting.” Or, EVEN BETTER: “She panted.”

Himself/herself/myself/themselves

Reflexive nouns have a specific purpose, though they can still often be avoided. They fall into the category of “use only when it’s confusing otherwise.”

Correct: He looked at himself in the mirror. Better: He looked in the mirror.

Incorrect: She gave them to Andrew and myself before leaving. Correct: She gave them to Andrew and me before leaving.

Technically correct I guess: I haven’t eaten lunch myself. (Intensive pronoun; aka waste of words) Better: I haven’t eaten lunch.

Intensive pronouns add emphasis, but that emphasis is negligible and often negated by the power of tightening your narrative.

That

You can likely cut 60% of your “that"s and your story will be unaffected. Sometimes, you do need to add a “that” here and there for clarification, but not always. And sometimes it’s just plain incorrect.

The jacket was the coolest one that he’d ever owned. vs. The jacket was the coolest one he’d ever owned.

In other cases, you might do well to substitute “that” with “which.” Though, if you’re doing this, make sure you do it properly. That change can often alter the meaning of your sentence. That can be for the better, though.

The vandalism that read “Bad Wolf” made Rose nervous. vs. The vandalism, which read “Bad Wolf,” made Rose nervous.

Do you see the difference? In the first sentence, the words are what make Rose nervous. In the second, the vandalism itself makes Rose nervous, and it happens to say “Bad Wolf.” In this case, if you’ve watched Doctor Who, then you know the first example is the correct one.

So when you’re sharing details using “that” or “which,” contemplate how important they are to meaning of the sentence to determine which type of clause you need to use.

Then

Or worse, “And then.”

It makes your writing sound a bit juvenile. Either cut it entirely, or substitute “and.”

She jumped into the pool, then hit her head on the bottom. vs. She jumped into the pool and hit her head on the bottom.

And then, after all that time, she fell asleep. vs. After all that time, she fell asleep.

Even

Sometime “even” can help emphasize a situation or behavior, but when it’s used in narrative improperly, it sounds childish and silly.

He couldn’t even breathe. vs. He couldn’t breathe.

Even with the new hair gel, his hair was terrible. (This one is fine, though you could still cut that “even” if you really wanted to…)

Just

Just…Delete it.

Breathe/breath/exhale/inhale/sigh/nod/shrug

Another one I’m so guilty of. In my first drafts, I tend to talk about how a character is breathing, or when they’re sighing like nobody’s business. I know a lot of writers who are guilty of this, too. It’s a great tool to use scarcely. In intense moments, you can let your character take a final deep breath to calm themselves. When a character almost drowns, those first few sweet breaths are important. But you readers know that people breath all the time. And just because you need a beat in your dialogue doesn’t mean you need to remind your reader that the character is still breathing or moving.

Rather/quite/somewhat

She was rather tall. She was tall. He was quite idiotic. He was idiotic. They were somewhat snazzy. They were snazzy. Why do you need those words? Kill ‘em.

Start/begin

This is a great example of fluff.

She started to run toward the shop. vs. She ran toward the shop.

He began scolding them for their performance. vs. He scolded them for their performance.

There are obviously uses for this word, like anything. He started the car. Begin your tests! But when you’re using it to slow the action and the pace of your narrative, then consider heavily if you need it. You probably don’t.

In order to/in an attempt to

Phrases that add unneeded complications, cumbersome wording…kill ‘em!

She bit down in an attempt to stop herself from screaming. vs. She bit down to stop herself from screaming.

Was able to

He was able to call. vs. He could call. OR He called.

This is one that isn’t inherently bad, but it can easily be overused and cutting it will help simplify your narrative.

Due to

Ugh. Are you trying to sound proper and stuffy? Because that’s a reason, I guess, to use this phrase…and yet it sounds like doodoo. (Yes. I’m an adult.) Rephrase. Use “Because of” or just avoid the need altogether.

We stopped due to traffic. vs. We stopped because of traffic. OR (Strength of narrative!) We stopped mid-highway. The parked cars went on beyond the curve of the road, out of sight.

Visibly/obviously/apparently/audibly

These are a sign of telling in your narrative when you should probably be showing.

She was visibly shaking. –> She shivered, hugging her upper arms. He was obviously tired. –> He yawned and tripped on his own feet as he crossed the room. They were apparently angry. –> They stomped and shouted, demanding attention. She screamed audibly. (Really?) –> She screamed.

Don’t tell your readers what emotion a character is feeling. Instead, give a few clues that they can see/hear/feel the emotion too.

While

This word has lots of legitimate uses. However, if you’re using it poorly, then your narrative reads like an Early Reader’s book, and you (unless that’s what you’re writing) probably don’t want that.

“Get it together,” he said while flipping them off. vs. “Get it together,” he said, flipping them off.

Turned

One of the classics. So overused, my friends. It’s needed on occasion, but not nearly as often as we use it. Just cut it out.

They turned toward her as they spoke. vs. They gave her their full attention as they spoke. OR They looked into her eyes. OR (Nothing. Readers don’t have to be updated on every little movement.)

Saw/looked/regarded

UGH. Regarded:Looked::Mentioned:Said

And, like “said,” many, many instances of these words can be nixed.

She saw them run for the hills. vs. They ran for the hills.

This can be tricky, I know, when you’re writing in limited-third or first POV. It’s tempting to put every action directly through your POV character’s filter. But resist that temptation! There are times when it’s appropriate, occasionally, but it can be overdone so easily.

I looked at her and said, “Please.” vs. I said,“ Please.” OR. I took her hand. “Please.”

This example sides with the breathing and the turning. It’s often an unneeded update on the tiny movements of the characters. And, again, sometimes you need that beat or that little detail in an intense moment, but not often.

Said/replied/stated/spoke/mentioned/asked/commented/yelled/cried/shouted

I’m not here to tell you to cut all your dialogue tags (please don’t). I’m also going to the last person who insists you get rid of “said.” In fact, I’m in the “said is invisible” party of writing nerds and I think, if you’re going to use a standard tag, it should be “said” 90% of the time. 

But aside from that, using as few dialogue tags as possible is a good thing. I’ll do a full post on this soon, but for now, be aware of how often you rely on these words in your dialogue and do your best not to overuse them. Use surrounding action and context to take some of the reliance off of these words. 

To-Be in all its conjugated forms

If you’re using any of this list:

am, is, are, was, were, be, being, had been

Then check yo'self. Some tenses call for an auxiliary verb. Some types of sentence do, too, not doubt about it. But many don’t, and cutting to-be verbs when you can will help tighten your writing.

We were going to the store. vs. We went to the store.

Sounds were echoing through the chamber. vs. Sounds echoed through the chamber.

To-be verbs can also be an indicator of passive voice, though they aren’t always.

He was hit by the ball. vs. The ball hit him.

Last but not least, check all of your adverbs.

Chances are, if you’re using an adverb, you could be using a single strong verb instead and giving each sentence more punch.

He ran quickly. –> He sprinted. I hit him hard. –> I socked him. She spoke quietly. –> She whispered. They ran into each other fast. –> They crashed.

So what am I supposed to do about this?

Take it to heart. Try not to let these words take over your brain as you write. Once your manuscript is finished, try this method:

Use Find and Replace. Replace any and all of the aforementioned words in ALL-CAPS. Now, if you’ve paid attention to my advice in using emphasis, then those all-caps will really stick out as you’re reading over your work and you can decide at each instance whether your usage is appropriate, or if it needs to be rewritten. As I did to this very old draft of mine from my first NaNoWriMo (in which I used every single word on this list, I’m sure).

When I used this method with my most recent WIP, I was able to cut my word count from 105k to 93k without cutting any content whatsoever. It takes a lot of work and it’s pretty tedious but the results are amazing!

It wouldn’t be the English language without exceptions, would it?

Now, there is actually an important time for intentionally using any or all of the words on this list. You know when that is?

When it fits the character’s voice. - More on this in my next post!

[niakantorka-deactivated20220102]

Good advice!

[lqtraintracks]

Yessssssss! Every single writer I know, myself super included, will do some if not all of these to a fault at some point or other. (I mean, JKR with the fucking ADVERBS, omg woman!) You should see me editing myself; I take out ‘justs’ like you wouldn’t believe, and there are still so many left that I’m stupidly attached to. I’m not a proponent of never doing the above examples, but it’s always good to be aware of when we’re doing these things so that leaving them in is an informed choice and not this cringe-worthy thing we don’t even know we’re doing.

[cameronmcbaird]

Some Notes on How Not To Write Trans People

Yikes yikes yikes have y’all read Garret Robinson’s Academy Journals series? I finished The Alchemist’s Touch because I was waiting for some apparently fantastic representation. Plus side, there was a cool wlw, and the world acknowledged that there are people other than straight people. I knew the second one had a trans woman and a bi guy in it so I was hyped to read it, but the trans woman was…………………. astoundingly offensively written.

So folks. If you want to avoid some Writing Trans People Taboos, take note of this mess of an introduction to the series’ only trans woman in The Mindmage’s Wrath:

Keep reading

[garrettauthor]

Well, shit.

Thank you for this post. It’s incredibly, incredibly obvious now that you point it out, and something I absolutely did not think of while creating Perrin.

Keep reading

[patrexes]

hey so i was consulted for the original post and just for the record this is probably the… best response to criticism i have ever seen an author take.

good on you, my guy.

[copperbooms]

when did tumblr collectively decide not to use punctuation like when did this happen why is this a thing

[rodimuss]

it just looks so smooth I mean look at this sentence flow like a jungle river

[prismatic-bell]

ACTUALLY

This is really exciting, linguistically speaking.

Because it’s not true that Tumblr never uses punctuation. But it is true that lack of punctuation has become, itself, a form of punctuation. On Tumblr the lack of punctuation in multisentence-long posts creates the function of rhetorical speech, or speech that is not intended to have an answer, usually in the form of a question. Consider the following two potential posts. Each individual line should be taken as a post:

ugh is there any particular reason people at work have to take these massive handfuls of sauce packets they know they’re not going to use like god put that back we have to pay for that stuff

Ugh. Is there any particular reason people at work have to take these massive handfuls of sauce packets they know they’re not going to use? Like god, put that back. We have to pay for that stuff.

In your head, those two potential posts sound totally different. In the first one I’m ranting about work, and this requires no answer. The second may actually engage you to give an answer about hoarding sauce packets. And if you answer the first post, you will likely do so in the same style. 

Here’s what makes this exciting: the English language has no actual punctuation for rhetorical speech–that is, there are no special marks that specifically indicate “this speech is in the abstract, and requires no answer.” Not only that, it never has. The first written record of English (actually proto-English, predating even Old English) dates to the 400s CE, so we’re talking about 1600 years of having absolutely no marker whatsoever for rhetorical speech.

A group of teens and young adults on a blogging website literally reshaped a deficit a millennium and a half old in our language to fit their language needs. More! This group has agreed on a more or less universal standard for these new rules, which fits the definition of “language.” Which is to say Tumblr English is its own actual, real, separate dialect of the English language, and because it is spoken by people worldwide who have introduced concepts from their own languages into it, it may qualify as a written form of pidgin. 

Tumblr English should literally be treated as its own language, because it does not follow the rules of any form of formal written English, and yet it does have its own consistent internal rules. If you don’t think that’s cool as fuck then I don’t even know what to tell you.

[sussexbound]

i love this post

[wordsnstuff]

Quick tips to my writers who have trouble describing the ambiance of their setting:

There’s a site called ambientmixer.com that allows you to create mixes of sounds and background noise in order to place you in a certain time or place depending on what sounds you choose to include. I found this, created a mix based on a setting in my story, and listening to it helped in two ways: 1. Setting myself in the place so it was easier to write. 2. Figuring out exactly what the place would sound like so you can take inspiration from the track to describe it in writing.

If descriptions or details are a weak point for you when it comes to writing, I highly recommend this.

You can find this site here (and by the way, it already has thousands of tracks made by other people as well as a massive library of available sounds to choose from).

[theglintoflightonbrokenglass]

Best writing tip

To put my money where my mouth is with this blog, I’ll kick this off with the best advice I’ve received about my writing. Which is so simple and I couldn’t believe multiple years of writing classes hadn’t drilled it in. But it was life-changing at the time. Anyway, it was just a little note from an editor (which I actually went back and found, look at me!):

“If you’re in deep POV you don’t need thought, felt, heard and those sort of words. Also you can lose “knew” if you’re in their head, we know they know”

So the sentence (which is mine, don’t worry) in question was:

She knew she could not blame him entirely for her foul mood, but it felt better to focus on the anger instead of the disappointment.

If we shift this into deep POV, we can make it a stronger sentence pretty easily:

She could not blame him entirely for her foul mood, but anger was preferable to disappointment. 

With just a few tweaks we remove all that distance that I put up between my character and my reader. 

Does anyone have simple tips like this that kind of altered your writing going forward?? Don’t be shy! Share em with me! xo

[septembercfawkes]

Breaking Writing Rules Right: Don't Use Filter Words

In the writing world, filter words are often considered problematic, and for good reason. You may have been told to cut back on them in your story, or you may have been told to cut all of them. But sometimes filter words are actually the best choice.

Today I’m going to talk about what filter words are, why people discourage them, and five reasons you should break the rule and use them.

What’s the Rule?

“Filter words” are words that filter us through the character. They are phrases such as:

He looked

She felt

Julia smelled

Derek tasted

She saw

Chris touched

London stared

… and it goes onward.

While not as well known as some of the other writing rules (“Show, don’t tell,” “Don’t use ‘was’”),if you look around in the writing world, you’ll see there is no shortage of sources that say we shouldn’t use filter words.

The Rule:

Don’t use filter words.

Why it’s a Rule

At first glance, phrases like, “He looked,” seem rather innocent.

But they are weak for a few reasons.

1. They put the character between the audience and the story.

On my blog, I’ve talked several times about how it’s important for the audience to experience the story for themselves, instead of just reading about the events that happened. Only when the audience is invested and experiencing the story will the story reach its full breadth of power. (There are some stories that are exceptions of course, but they are rare.)

Filter words distance the audience just a little bit. There is a degree between them and what’s happening in the story.

When we want the audience to feel as if they are in the story, we want them to get as close and as invested in what’s unfolding as possible.

2. They are unnecessary.

Often filter words don’t communicate anything new in the story and can just be cut.

For example:

Aiden saw a beetle climbing up the mulberry tree.

The phrase “Aiden saw” is taking up space and can simply be cut.

A beetle climbed up the mulberry tree.

Unless you are writing from what I call “guided omniscient” or “first-person omniscient,” (and sometimes even then, depending on how the narrator handles it), the fact that the sentence is even on the page implies that at least the viewpoint character of that scene saw it, if not other characters.

Say that Aiden is our viewpoint character for this scene. The fact that a beetle is mentioned at all automatically suggests that Aiden saw it, because the audience knows (if only subconsciously) that we are experiencing the story from Aiden’s view.

So to say that Aiden saw the beetle is redundant and unnecessary.

If Aiden isn’t the viewpoint character, but someone with the viewpoint character, we can still imply that he also saw it. Here is one way:

A beetle climbed up the mulberry tree.

“Woah!” Aiden said, drawing closer to the trunk. “Come look!”

Dani didn’t budge. The last thing I’m going to do is get close to a bug, she thought.

In this example, Dani is the viewpoint character, but we can clearly tell Aiden saw the beetle too.

However, I should explain that since here Aiden isn’t the viewpoint character, those phrases probably aren’t technically filter words, because we are seeing the scene from Dani’s viewpoint, so we can’t be filtering through Aiden. So if I wrote this:

A beetle climbed up the mulberry tree.

Aiden stared at it.

Dani didn’t budge.Where do those bugs keep coming from? she wondered.

I’m not sure I could agree we are “filtering” through Aiden, but it’s still a phrase you might get some flack for, even though here it’s communicating that Dani saw that Aiden was staring. So some people might still have a problems with it and argue against it on your manuscript.

3. They are weak verbs

Filter phrases can kill your writing quick if you use them all the time, mainly because they are weak verbs.

For example:

Marley went out back and saw the forest. He saw it was right up close to the hotel. He looked deep into the trees and saw a squirrel. He could hear a bird singing. He felt a cool breeze on his neck. A strange noise sounded to his left, and he looked to find a man sitting on a stump. Marley wondered how long he’d been there.

Do you see all those filter words? All those verbs are pretty bland and weak. You should use stronger verbs to make the story come alive.

(Hopefully you also see that all those filter words actually distance the audience, at least a little bit.)

Sometimes filter words can simply be cut, like I showed with Aiden. Other times getting rid of them takes more effort.

When you’re a beginner, it’s a lot harder to write without them, because, darn it, “saw,” “looked,” “smelled,” “touched,” are all verbs! And if you don’t use those, well, crap, you have to find a way to get a different verb in that sentence to make it complete!

I feel your pain.

This is usually the part where the more experienced writer comes in and explains how the beginning writer needs to use more “strong verbs”–verbs that are more specific and powerful. Filter words are considered to be “weak verbs.”

I still remember the first assignment back in college where I committed myself to stretching and reaching and using only strong verbs.

I was soooo slow. I looked up so many words. It was so hard. And even after that assignment, I was still at a snail’s pace. I started to think it would always be like that.  

But it gets better.

And it was worth it.

When to Break it

- Establish and remind the audience who the viewpoint character is (third-person with multiple viewpoints) Some people will probably disagree with me on this, but sometimes a nicely placed filter phrase is the best way to tell or remind the audience who the viewpoint character is. It’s simple and straightforward. If you are writing in third-person and have multiple viewpoint characters, when you start a new scene with a new viewpoint character, you’ve got to alert the audience to it quick. Usually the first viewpoint character name to show up in the scene is the one the reader first assumes is the viewpoint. Sure, there are a few ways you can do this. For example, you could do it with an action: Tiffany slammed her bedroom door. But for some scene openings, the focus isn’t what the character is doing, it’s what the character is witnessing or feeling–that’s what’s important. In the novel I’m perpetually working on, I open a scene with the viewpoint watching someone else. If I’m not using filter words, I’m going to be describing what someone–who is not the viewpoint character–is doing, and the reader is either going to get confused, assuming that person is the viewpoint character, or they are going to feel “ungrounded” and unsure how to view or interpret what they are reading.

Keep reading

[lqtraintracks]

This is great stuff! I would say, particularly in writing something like H/D, the section on how to break the rules when you want to ‘emphasize an action over what is perceived or experienced’ is really big, since sometimes it’s the act of one of them simply looking at the other that’s important, rather than what they see. Also, I’m big into breaking the filler rule myself in relation to the next section:  “When you need a simple, bland, low-key beat, and don’t want it to take attention away from something else.”

Plus, I just really love writing tutorials that don’t only prescribe rules not to break but that acknowledge the different contexts wherein they really ought to be broken.

[briannamarguerite]

[sycretsside]

So I just started my short story writing class! These are dialogue tips

[lady-feral]

reference later

[ceeturnalia]

in the great words of John Lennon, number nine, number nine, number nine