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Pop Culture Rants nobody asked for Part 2: Do the Beatles still matter?
I was looking at new music on iTunes today (yes, iTunes is still thing) and I saw that Paul McCartney had released a new album today. It’s called “Pure McCartney (Deluxe Edition)”, and at first I was already annoyed. I personally think Deluxe Edition albums are stupid. Yeah sure you might get an extra song or two and maybe some Digital booklet that does nothing but take up megabytes in your music library (come on, who actually looks at that shit?), and they’re probably priced the same as the regular album, but if you already have the regular album what’s the point? It’s just a cash grab for the distributor (in this case Concord), but I’m getting off point. Now back to the rant: so this album apparently is a compilation album of McCartney’s work from 1970 to 2015, and I looked at the track list and it has 68 songs. Most them are just filler in my opinion with a few titles that actually popped out to me ( Maybe I’m Amazed, Ebony and Ivory, Band on the Run, Live and Let Die, etc.), and includes songs from his solo career, duets, Wings, hell even the Fireman are there. Anyway I went to read the reviews and as you would expect overwhelmingly positive with a few outlying 1 stars here and there, but one three star review really stuck out to me. This review read something along the line of “all good songs, but if you already have the music than theres no need in buying this album, you can pretty much piece it together with what you already have, but if you’re a new fan go ahead and buy this.” That got me thinking; this album, while full of good music, is more a fan service to existing fans than an attempt to make new music. So my mind started wandering again like it normally does when I got to thinking about the Beatles, and I wondered would a band like the Beatles make it in today’s world of pop music? Now this is what led me to today’s topic; are the Beatles still relevant today?
I feel as though it’s impossible to discuss this topic without offending someone somewhere, so I’m going to go ahead and clarify some things; the Beatles are one of my all time favorite bands, hell I have a box full of their vinyl (yes kids those still exist too) sitting in front of me while I type this out, including one of my most prized possessions, an original 1969 UK released copy of Abbey Road. I think the Beatles made amazing music that really defined an era in not only the history of pop music but just history itself. If you told somebody to list somethings that describe the 1960s, most of them would probably put the Beatles in one of their top five spots. The Beatles have influenced so many artists that it would be impossible to list them all, but it’s important to know that fact. I’m going to try and look at this sacred cow as objectively as possible, and if I offend anyone in the process, there’s nothing I can do about that. I’m going to try and discuss the band as a whole, and then focus on the individual members.
So the Beatles, what made them the gods of music we know them as today? Well it all started in a little town known as Liverpool England. I’m not going to go into the whole history of the band but more hit the high points, and at Liverpool the Beatles really started the road to success when the encountered local record store owner Brian Epstein, whom they would eventually make their manager. The Beatles had been playing mostly around Liverpool and Hamburg Germany and building a sizable following in these two cities, but it would be Epstein who really helped them branch out into mainstream success. Epstein helped negotiate early ends to their prior label agreements which were holding the band back, but in mid 1962, he was able to convince George Martin to sign the band to EMI. George Martin would play a much more important role later in the story, but right now it was the band’s time to shine. Epstein also played an important role in convincing the band to replace drummer Pete Best with Ringo Starr. With Martin’s help, the band released their first album “Please Please Me”, which was moderately successful when compared to other Beatle albums. When asking someone what the first Beatle song to reach number 1 was, most people wold probably say “Love Me Do” or “Please Please Me”, but it was actually “From Me to You”. That first number one would start a record of 20 number one singles, the most for any artist ever, and a record that still stands today.
This was the start of Beatlemania in Britain, but once you make it in America that’s when you really go global. This is where Epstein’s genius really shined, as he helped create a marketing campaign never before seen in the states. He secured deals with radio DJ’s all over the country to play Beatle’s music, sponsored free merchandize give aways, started up fan clubs, etc. But surely this can’t be the only reason the Beatles made it in America right? Well you are correct. The Beatles were simply in the right place at the right time. Rock and Rock was dying in America. Jerry Lee Lewis was a disgraced, incestuous pervert, Elvis had joined the army, Little Richard had become a preacher, and Buddy Holly, Big Bopper, and Ritchie Valens had all died in a plane crash, not a good time for American music. But behold, these savvy, wise cracking, good looking, long haired, exotic Brits had come to save American youth from the wretches of the man. Ironically the British invasion probably saved American music more than any Americans ever did. The Brits had been taken aback by the raw passion of American rock and roll and had turned it into something uniquely British in the process, and the Beatles were undoubtedly the leaders of this movement. In 1964 the Beatles had invaded America, and later that year they would appear on the Ed Sullivan show before over 70 million TV viewers, the largest audience for anything ever up to that point. The day after the critics actually railed against the Beatles, but it was too late, the Beatles were here to stay. They toured America, seeing all we had to offer, even inspiring some change along the the way (they refused to play at any places in the south that weren’t integrated). After that the Beatles just met success after success, with the hit film Hard Day’s night, and albums “Beatles for Sale”, “Help”, and “Rubber Soul”.
Then things took a downturn in 1966 when John Lennon decided he just couldn’t keep his mouth shut about Jesus (more on that later), and they decided to stop touring after they realized that their fans were just in it for the hype and not the music. The Beatles then decided to show people that it was the music that mattered, and through this effort we got Sgt. Pepper’s. Ringo Starr once said “Sgt. Pepper’s for me, it’s a fine album, but I did learn to play chess on it”, which I think pretty much sums up where the band was at this time in history. They weren’t really like a band anymore, things got complicated and you didn’t have to record together anymore. It was a time they tried to experiment, and they succeeded, but at the cost of unity. Shortly after Epstein died unexpectedly of a drug overdose which the members took very hard. Epstein was the last real tangible aspect that was truly holding the band together and after his death the band quite honestly didn’t have much to do with each other. Sure in 1968 they made the stupid (yeah I said it, stupid) decision to go to India to try and be enlightened or whatever, but it simply didn’t work. They came back, recorded the white album, “Let it Be” and then “Yellow Submarine” and things fell apart. Despite all this George Martin helped them through it, and was really able to show them what each was capable of creatively. Martin really took the limits of of what the band could do, and I believe the quality of their later work really shows for this. The last album they recorded (not released) was Abbey Road, and it was really here that the Beatles showed their sense of duty to the music and put their differences aside for one last time, and it was beautiful. But it didn’t last, the group broke up in 1970, and released their last album almost a month later, leaving a void of disillusionment that would last really for the next twenty years.
So yeah that cool, but what about the individuals? Well let’s start with the larger than life figure John. John is a compelling figure in the history of pop culture to me personally, doing as what I see a complete 180 in terms of personality. He started out a charming, witty British youth with eyes of world fame in his grasp. Yes the John of the early years was a force to be reckoned with. Although we see Lennon today as this tolerant peace loving individual, it wasn’t always this way. Brian Epstein was both gay and Jewish, two things Lennon often loved to tease about, often referring to him as that “queer Jew” or that “fag Jew”. Lennon was also a fighter in his early days, often resulting to violence after a few drinks. In fact once after someone made a remark about his and Epstein’s relationship, John beat the man senseless saying “He called me a queer, so I battered his bloody his ribs in”. Don’t get me wrong, Epstein and Lennon were marvelous friends, but I’m trying to illustrate that sensitivity and rationale were never quite that much of importance to John. Then John becomes famous, and here is where we really see something peculiar. Fame made John both more stable in his behavior, and more erratic in his personality. It made him more stable in that he finally started to see that other people (foreigners, gays, women, his kids) did matter, and that it wasn’t just about him, but it made him more erratic in that he increasing took positions on issues or made statements that weren’t widely accepted at the time, which I guess you can say made him ahead of his time. This can be first with the whole bigger than Jesus controversy. I get that John probably didn’t mean it in the way people took it, but come on, how big of an ego do you have to have to compare yourself to fucking Jesus in any context other than ironic? Do I personally take offense to this comment? No, because I’m not a religious person, but even so I can see where people would be offended. I could see this being more true in the years following the 60s, as religion is starting to more and more take that back seat in most peoples lives (hence that ahead of his time thing). John’s identity took its biggest curveball the day he met Yoko Ono.
Yeah yeah, Yoko is awful, and I completely agree. One thing that always bothered me about Yoko is that seemed to take away that British charm that John had. You can really see a change is him pre and post Yoko. He becomes more serious, his banter less witty, and just overall more cynical. She took John and made him political, which is what would ultimately would happen to all the Beatles, but that’s how it happened to John. I can take someone being political, but the problem with John and Yoko is that they almost never made sense to me. They were way too vague and overly philosophical in their protests (which were almost always for general peace, yes very concrete there), and they just came off as though they were doing them just to do them with no real goals in mind. John’s attempts to justify Yoko’s “art” was what always turned me off of him. I know it’s probably unfair to do that to him, but I don’t care, I just can’t stand Yoko that much. I think Bill Burr explains it pretty well.
Anyway, the thing that really saves John from obscurity, sadly, is his death. He really died at a pretty high point in his life. He wasn’t quite at the top, but he hadn’t fallen down yet. However, this also hinders him as it means he personally probably has the least effect on young people of today, simply because he died before most 35 year olds of today were even born.
Now what about Paul? Unlike John, Paul really stayed course and never really let fame change him personally in my opinion. To use an old political cliche, I’m pretty sure I’d rather have a beer with Paul than John, just seems to be more of a people kinda guy. Like John however, Paul got political, which was his downfall. I say downfall in not in the sense of being less popular, but in that when he talks to you, you go “what’s he going to preach about this time”. So you still like him, but you expect less of him. Nobody likes to be preached to, you’re probably mad at me right now and I don’t blame you. Paul is definitely the most active of the Beatles, simply because he’s the more famous of the only two remaining (sorry Ringo). You have to admire Paul’s longevity with the success of both his solo career and say Wings over the years, but other than that theres not much to say about him to be honest.
So now we move on to George. Ah poor George, the unsung and underused hero of the band. George to me is actually to the most talented of the four musically, probably not lyrically since Paul and John pretty much had that locked down, but but in terms of actually playing beautiful music, theres no comparison. Hell, he’s number eleven on the Rolling Stone’s list of the 100 greatest guitarist ever. He also wrote one of my personal top 5 Beatle songs, “Something”. I think the best thing that happened to George creatively was the Beatles breaking up. Paul and John were never going to let him be a major song writer, and his experiments with indian music I think would never have been fully accepted as part of the Beatles discography. Solo though, it works for him perfectly, because that’s just who George is. George also really was the only one to reach out beyond music. He had a hand in filmmaking, personally producing over twenty films and even helping finance the Monty Python classic “Life of Brian”. George also doesn’t suffer from the lack of authenticity that I think plagues the other Beatles. When he did something, you really felt as though you were getting the full effort of his being. George however suffered where John didn’t, he died in relative obscurity later in life after a long slouch in his career. He also died about a month after 9/11, so the world wasn’t really focused on musicians of the past at the time. So to me, the legacy of George Harrison is like that of a star; it gets brighter and bright until it eventually burns out, while the the rest of the universe moves on around it, but hey while it was at it’s brightest it was an amazing sight.
Finally, we make it to Ringo. Ringo often earns the moniker of “nobody’s favorite Beatle”, which is an unfortunate one to say the least. Ringo is seen as that goofy funny drummer who was just riding that wave as long as he could and didn’t want it end. This couldn’t be farther from the truth though. Yes, Ringo was probably the least used of the four, but it’s not like he took that lying down. He hated always having his input not taken seriously by the others and often got frustrated with them. It’s generally believed Lennon was first to quit the Beatles, but actually it was Ringo in 1968 who quit after finally reaching his breaking point in not being taken seriously. Granted, it was only for two weeks, but it that act of defiance the other band members realized that in order to be a band, they needed each other. Still though, after the band’s breakup, Ringo’s solo career was… let’s say lackluster. He actually usually only regained that old success when he worked with another Beatle, but it never lasted long. Despite my defense of Ringo I have to say, I don’t think any Beatle sold out harder than him. Just watch this Sketchers commercial.
So, now that we know all this, do the Beatles still matter? Well, what do I think…? No.
Now now, before you kill me, hear me out. The Beatles defined an era like I said, and they influenced many artists throughout the years, but as to actually contributing anything currently to the zeitgeist? They simply just aren’t. Sure their influence can be felt today, but the top experimental genres of today (i.e. rap, EDM, new R&B, Heavy Metal) borrow very little from the Beatles. I do think their value of experimentation is still quite relevant, but I don’t think we can give the Beatles all the credit there. Also there’s simply only two of the Beatles left, and they just can’t be in everything. The Beatles didn’t suffer when they broke up, they suffered as soon as they decided to try and be political and artsy, which don’t get me wrong is perfectly fine, but it alienates a good bit of your audience and I think this is what led to them being downplayed over the years.
But does this ruling actually mean anything? Well, no. This just what I think the Beatles mean to the current trends in pop culture. If you love the Beatle (which I do), then more power to you, if you hate the Beatles then that’s perfectly fine too. Just remember though, just because the Beatles aren’t that important anymore isn’t a bad thing. It means that the future holds more room for possibly an even greater band to come in and take their place. The Beatles defined themselves by breaking past the rules and traditions of their day, and if we hold onto them with impunity and without regard for anything new, then we go against everything the Beatles ever stood for. How will we ever create anything new if we so vehemently cling to the past? Doesn’t mean we have to forget the Beatles, we just need to stop relying on them so much and remember what it really means to be creative. That’s it for this rant, thank for reading and if you have any comments or suggestions for rants let me know.
Pop Culture Rants nobody asked for Part 3: An Ode to the Original King of Comedy, John Belushi
I recently watched one of my all time favorite comedies the other day, The Blues Brothers, and it got me to really start thinking about the short life and tragic end to John Belushi. Belushi to me is really the real archetypal representation of the sex, drugs, and rock and roll time that were the 1970′s. He lived for the moment, with an amazing amount of vigor and spirit that drove him forward in a world of disillusionment and angst, he brought laughter to a era that desperately needed it. How could such an icon be lost in his prime? Well, let me tell you the story for John.
John was born into the rough and tough world of the westside of Chicago in 1949. He was the son of working class Albanian immigrants, and attended Wheaton Central High School where he would meet his future wife Judith, whom he would spend the rest of his life with. John was your average tough Chicagoan with a tendency for fighting and just being a man. It was here in high school that John would discover his talent for pleasing an audience. He was captain of the Football team, voted prom king, and was an extremely popular student despite his rather average attributes. What made John stick out was his ability to make others laugh and bring a smile to anyone’s face. His drama teacher often remarked how could so easily light up any room he walked into, and could bring anybody out of the dumps with a long list of memorized jokes and stories. After high school, John worked as standup in and around Chicago before finally being asked to join Chicago’s famous Second City Comedy club. It was here where he would meet fellow comedian Harold Ramis, whom he would work with on numerous occasions. He eventually moved to New York City where he worked with National Lampoon on one of their radio shows. While checking out a local Second City in Toronto in 1974, John met young Canadian comedian Dan Aykroyd, whom he would develop close friendship and a partnership with that would define comedy for the 7 years. Meanwhile NBC was looking to develop a show to replace reruns of the Carson show on Saturday night, and tasked Lorne Michaels and Dick Ebersol to do so. The duo eventually came up with the idea for a late night variety show to feature a new celebrity host every week and a permanent supporting cast. The show was called NBC’s Saturday Night, and showcased a cast of some the best comedians from around the country, including Aykroyd and John. John proved to be a natural, playing one the show’s first recurring characters in late 1975, the Samurai Futaba.
He spoke bad “Engrish”, wielded a Katana, and usually did jobs that you normally wouldn’t expect a Samurai to do. Despite usually scaring his patrons, Futaba would always complete the tasks he was given perfectly. This character may seem dated and not very politically correct by today’s standards, but it really does show John’s capabilities and range as not only a comedian but an actor as well. Then in 1976, John and Aykroyd would debut their trademark characters, Jake “Joliet” and Elwood Blues, or the Blues Brothers. The Blue Brothers would go much further than just the show, which in 1977 had changed its name to the Saturday Night Live, and in 1978 when they released their first album “A Briefcase Full of Blues”, which shot straight to the number one spot in the US. 1978 would arguably be John’s greatest year, because also that year the college comedy movie National Lampoon’s Animal House was released, which John had a starring role in as John “Bluto” Blutarsky, the archetypal college slacker who loved toga parties, slutty coeds, booze, drugs, food fights, and had an astonishing GPA of 0.0. The movie was a smash hit, opening number one at the box office. With this accomplishment, John hit a triple with the number one movie, number one album, and number one show all at the same time, a feat never before accomplished by any entertainer, and as far as my research can find has never been replicated since. John was now at the pinnacle of stardom, untouched by anyone, and the king of the three cites (SNL in New York, The Blues Brothers in Chicago, and Hollywood in Los Angeles).
But as the old adage goes, all kings must fall, and boy did John fall. John’s wife Judith said to understand John you need to understand excess, because that was what defined his character. Everything he did he had to give it his all, and he could never be beaten. How do we cope with such extraneous amounts of work and success? Well we indulge in it, which is exactly what John did. Aykroyd claims cocaine followed faster than coffee in the early days of SNL, and it was so abundant that it was impossible to not partake in it. Well, like stated, when John partook in something, he went full force. It wasn’t that nobody cared about the drug abuse, it’s just that back then it wasn’t seen as something that was really a problem, but that the individual needed to control themselves. But, like Rick James said:
John soon found out the power of addiction was very much a real one, and that it would take much more than just willpower to beat it. John left SNL in 1979 to fully pressure a career in acting, and after a string of critical and commercial flops, he seemed to be on the edge of devastation. The Blue Brothers, an amazing film in its own right, was an absolute nightmare in production, a production that would ultimately come to represent the total havoc that John’s life of excess was wreaking. After narrowly beating Paramount in a bidding War for the film, Universal originally wanted to approve a budget of $12 million, however the the filmmakers wanted $20 million, but negotiations couldn’t even begin because there was no script. Aykroyd got to work on the script something which he had never written or even read before, and the final draft ended up 324 pages long (compared to an average script that was about 110 pages long). The director John Landis, who had also directed Animal House, was tasked with shortening the script, which he claims took almost two weeks to do. Finally after a final budget of $17 million was approved, principal photography began around the Chicago area in July of 1979. The project fell behind schedule, much in part to John’s behavior. He would often wander off set to go party in the city, and literally everyone would give him booze and drugs so they could have “their own Belushi story”. Because of the partying, Alcohol and drug abuse John would often miss calls, and sometimes skip out on whole days of filming. Meanwhile the project quickly went over budget (it’s claimed that a whole portion of the budget was dedicated to cocaine), and Universal was furious. Landis tasked Carrie Fisher (herself struggling with cocaine addiction) to keep John straight. However despite this, Landis claims he once found John passed out in a “mountain” of cocaine in his trailer, and after an emotional confrontation John tearfully admitted he was scared the drug would kill him. After some convincing from his wife and Aykroyd, John was able to stay clean for the remaining of filming and finish the movie, which had now amassed a cost of over $30 million to produce (about $90 million today), the most expensive comedy ever made at the time.
After filming was complete, John had hired bodyguard Smokey Wendel to help keep him away from drugs, which he succeeded. Smokey also helped John with his alcoholism, and even got him on an exercise routine where he actually lost some weight. John felt as though he owed smokey his life, but Smokey told him in 1981 that he felt he didn’t need him anymore and that he need to personally take charge of his life, and with that Smokey left. John later claimed that the summer of 1981 was the happiest of his life, spent at Martha’s Vineyard with his wife Judith and Aykroyd.
On the last day of his life on March 5, 1982, he went to Los Angeles to discuss a movie he was going to be in. He spent the latter part of that day slipping back into his old ways, getting high with drug dealers and partiers. That evening drug dealer Catherine Smith supplied John with a “speedball”, a mixture of cocaine and heroin, and the next morning, he was found dead by his trainer in the hotel. The autopsy revealed that John had injections sites all up and down his arms, indicating he had been using heroin for quite some time prior to his death. Aykroyd was the first to receive the news, who ran across New York City to tell Judith before she found out from anyone else. Aykroyd claims he was working on Ghostbusters at the time he got the call, which John would’ve had a lead part in.
John’s story is that of which legends are made. He was a larger than life figure who lived life to its extremes. He was excessive in every endeavor for which he partook in, and never slowed to look back. The success that he cultivated would ultimately be his own demise, and with his life he took with in an innocence that had permeated the entertainment industry at the time. For the first time the party was over for someone in this circle, and caused the others to really examine their own lives and vulnerabilities. They saw what the lifestyle could do to them if they continue along the path uninhibited, and now his life of excess serves as a cautionary tale for those looking to enter the business, but this won’t be John’s main legacy. What John will be remembered for is his passion for the art of entertainment, and how anyone can partake in it if they have the determination. Yes John I say to you, you made me laugh, you made me cry, and everything in-between. Rest In peace John Belushi.
Pop Culture Rants nobody asked for Part 2: Do the Beatles still matter?
I was looking at new music on iTunes today (yes, iTunes is still thing) and I saw that Paul McCartney had released a new album today. It’s called “Pure McCartney (Deluxe Edition)”, and at first I was already annoyed. I personally think Deluxe Edition albums are stupid. Yeah sure you might get an extra song or two and maybe some Digital booklet that does nothing but take up megabytes in your music library (come on, who actually looks at that shit?), and they’re probably priced the same as the regular album, but if you already have the regular album what’s the point? It’s just a cash grab for the distributor (in this case Concord), but I’m getting off point. Now back to the rant: so this album apparently is a compilation album of McCartney’s work from 1970 to 2015, and I looked at the track list and it has 68 songs. Most them are just filler in my opinion with a few titles that actually popped out to me ( Maybe I’m Amazed, Ebony and Ivory, Band on the Run, Live and Let Die, etc.), and includes songs from his solo career, duets, Wings, hell even the Fireman are there. Anyway I went to read the reviews and as you would expect overwhelmingly positive with a few outlying 1 stars here and there, but one three star review really stuck out to me. This review read something along the line of “all good songs, but if you already have the music than theres no need in buying this album, you can pretty much piece it together with what you already have, but if you’re a new fan go ahead and buy this.” That got me thinking; this album, while full of good music, is more a fan service to existing fans than an attempt to make new music. So my mind started wandering again like it normally does when I got to thinking about the Beatles, and I wondered would a band like the Beatles make it in today’s world of pop music? Now this is what led me to today’s topic; are the Beatles still relevant today?
I feel as though it’s impossible to discuss this topic without offending someone somewhere, so I’m going to go ahead and clarify some things; the Beatles are one of my all time favorite bands, hell I have a box full of their vinyl (yes kids those still exist too) sitting in front of me while I type this out, including one of my most prized possessions, an original 1969 UK released copy of Abbey Road. I think the Beatles made amazing music that really defined an era in not only the history of pop music but just history itself. If you told somebody to list somethings that describe the 1960s, most of them would probably put the Beatles in one of their top five spots. The Beatles have influenced so many artists that it would be impossible to list them all, but it’s important to know that fact. I’m going to try and look at this sacred cow as objectively as possible, and if I offend anyone in the process, there’s nothing I can do about that. I’m going to try and discuss the band as a whole, and then focus on the individual members.
So the Beatles, what made them the gods of music we know them as today? Well it all started in a little town known as Liverpool England. I’m not going to go into the whole history of the band but more hit the high points, and at Liverpool the Beatles really started the road to success when the encountered local record store owner Brian Epstein, whom they would eventually make their manager. The Beatles had been playing mostly around Liverpool and Hamburg Germany and building a sizable following in these two cities, but it would be Epstein who really helped them branch out into mainstream success. Epstein helped negotiate early ends to their prior label agreements which were holding the band back, but in mid 1962, he was able to convince George Martin to sign the band to EMI. George Martin would play a much more important role later in the story, but right now it was the band’s time to shine. Epstein also played an important role in convincing the band to replace drummer Pete Best with Ringo Starr. With Martin’s help, the band released their first album “Please Please Me”, which was moderately successful when compared to other Beatle albums. When asking someone what the first Beatle song to reach number 1 was, most people wold probably say “Love Me Do” or “Please Please Me”, but it was actually “From Me to You”. That first number one would start a record of 20 number one singles, the most for any artist ever, and a record that still stands today.
This was the start of Beatlemania in Britain, but once you make it in America that’s when you really go global. This is where Epstein’s genius really shined, as he helped create a marketing campaign never before seen in the states. He secured deals with radio DJ’s all over the country to play Beatle’s music, sponsored free merchandize give aways, started up fan clubs, etc. But surely this can’t be the only reason the Beatles made it in America right? Well you are correct. The Beatles were simply in the right place at the right time. Rock and Rock was dying in America. Jerry Lee Lewis was a disgraced, incestuous pervert, Elvis had joined the army, Little Richard had become a preacher, and Buddy Holly, Big Bopper, and Ritchie Valens had all died in a plane crash, not a good time for American music. But behold, these savvy, wise cracking, good looking, long haired, exotic Brits had come to save American youth from the wretches of the man. Ironically the British invasion probably saved American music more than any Americans ever did. The Brits had been taken aback by the raw passion of American rock and roll and had turned it into something uniquely British in the process, and the Beatles were undoubtedly the leaders of this movement. In 1964 the Beatles had invaded America, and later that year they would appear on the Ed Sullivan show before over 70 million TV viewers, the largest audience for anything ever up to that point. The day after the critics actually railed against the Beatles, but it was too late, the Beatles were here to stay. They toured America, seeing all we had to offer, even inspiring some change along the the way (they refused to play at any places in the south that weren’t integrated). After that the Beatles just met success after success, with the hit film Hard Day’s night, and albums “Beatles for Sale”, “Help”, and “Rubber Soul”.
Then things took a downturn in 1966 when John Lennon decided he just couldn’t keep his mouth shut about Jesus (more on that later), and they decided to stop touring after they realized that their fans were just in it for the hype and not the music. The Beatles then decided to show people that it was the music that mattered, and through this effort we got Sgt. Pepper’s. Ringo Starr once said “Sgt. Pepper’s for me, it’s a fine album, but I did learn to play chess on it”, which I think pretty much sums up where the band was at this time in history. They weren’t really like a band anymore, things got complicated and you didn’t have to record together anymore. It was a time they tried to experiment, and they succeeded, but at the cost of unity. Shortly after Epstein died unexpectedly of a drug overdose which the members took very hard. Epstein was the last real tangible aspect that was truly holding the band together and after his death the band quite honestly didn’t have much to do with each other. Sure in 1968 they made the stupid (yeah I said it, stupid) decision to go to India to try and be enlightened or whatever, but it simply didn’t work. They came back, recorded the white album, “Let it Be” and then “Yellow Submarine” and things fell apart. Despite all this George Martin helped them through it, and was really able to show them what each was capable of creatively. Martin really took the limits of of what the band could do, and I believe the quality of their later work really shows for this. The last album they recorded (not released) was Abbey Road, and it was really here that the Beatles showed their sense of duty to the music and put their differences aside for one last time, and it was beautiful. But it didn’t last, the group broke up in 1970, and released their last album almost a month later, leaving a void of disillusionment that would last really for the next twenty years.
So yeah that cool, but what about the individuals? Well let’s start with the larger than life figure John. John is a compelling figure in the history of pop culture to me personally, doing as what I see a complete 180 in terms of personality. He started out a charming, witty British youth with eyes of world fame in his grasp. Yes the John of the early years was a force to be reckoned with. Although we see Lennon today as this tolerant peace loving individual, it wasn’t always this way. Brian Epstein was both gay and Jewish, two things Lennon often loved to tease about, often referring to him as that “queer Jew” or that “fag Jew”. Lennon was also a fighter in his early days, often resulting to violence after a few drinks. In fact once after someone made a remark about his and Epstein’s relationship, John beat the man senseless saying “He called me a queer, so I battered his bloody his ribs in”. Don’t get me wrong, Epstein and Lennon were marvelous friends, but I’m trying to illustrate that sensitivity and rationale were never quite that much of importance to John. Then John becomes famous, and here is where we really see something peculiar. Fame made John both more stable in his behavior, and more erratic in his personality. It made him more stable in that he finally started to see that other people (foreigners, gays, women, his kids) did matter, and that it wasn’t just about him, but it made him more erratic in that he increasing took positions on issues or made statements that weren’t widely accepted at the time, which I guess you can say made him ahead of his time. This can be first with the whole bigger than Jesus controversy. I get that John probably didn’t mean it in the way people took it, but come on, how big of an ego do you have to have to compare yourself to fucking Jesus in any context other than ironic? Do I personally take offense to this comment? No, because I’m not a religious person, but even so I can see where people would be offended. I could see this being more true in the years following the 60s, as religion is starting to more and more take that back seat in most peoples lives (hence that ahead of his time thing). John’s identity took its biggest curveball the day he met Yoko Ono.
Yeah yeah, Yoko is awful, and I completely agree. One thing that always bothered me about Yoko is that seemed to take away that British charm that John had. You can really see a change is him pre and post Yoko. He becomes more serious, his banter less witty, and just overall more cynical. She took John and made him political, which is what would ultimately would happen to all the Beatles, but that’s how it happened to John. I can take someone being political, but the problem with John and Yoko is that they almost never made sense to me. They were way too vague and overly philosophical in their protests (which were almost always for general peace, yes very concrete there), and they just came off as though they were doing them just to do them with no real goals in mind. John’s attempts to justify Yoko’s “art” was what always turned me off of him. I know it’s probably unfair to do that to him, but I don’t care, I just can’t stand Yoko that much. I think Bill Burr explains it pretty well.
Anyway, the thing that really saves John from obscurity, sadly, is his death. He really died at a pretty high point in his life. He wasn’t quite at the top, but he hadn’t fallen down yet. However, this also hinders him as it means he personally probably has the least effect on young people of today, simply because he died before most 35 year olds of today were even born.
Now what about Paul? Unlike John, Paul really stayed course and never really let fame change him personally in my opinion. To use an old political cliche, I’m pretty sure I’d rather have a beer with Paul than John, just seems to be more of a people kinda guy. Like John however, Paul got political, which was his downfall. I say downfall in not in the sense of being less popular, but in that when he talks to you, you go “what’s he going to preach about this time”. So you still like him, but you expect less of him. Nobody likes to be preached to, you’re probably mad at me right now and I don’t blame you. Paul is definitely the most active of the Beatles, simply because he’s the more famous of the only two remaining (sorry Ringo). You have to admire Paul’s longevity with the success of both his solo career and say Wings over the years, but other than that theres not much to say about him to be honest.
So now we move on to George. Ah poor George, the unsung and underused hero of the band. George to me is actually to the most talented of the four musically, probably not lyrically since Paul and John pretty much had that locked down, but but in terms of actually playing beautiful music, theres no comparison. Hell, he’s number eleven on the Rolling Stone’s list of the 100 greatest guitarist ever. He also wrote one of my personal top 5 Beatle songs, “Something”. I think the best thing that happened to George creatively was the Beatles breaking up. Paul and John were never going to let him be a major song writer, and his experiments with indian music I think would never have been fully accepted as part of the Beatles discography. Solo though, it works for him perfectly, because that’s just who George is. George also really was the only one to reach out beyond music. He had a hand in filmmaking, personally producing over twenty films and even helping finance the Monty Python classic “Life of Brian”. George also doesn’t suffer from the lack of authenticity that I think plagues the other Beatles. When he did something, you really felt as though you were getting the full effort of his being. George however suffered where John didn’t, he died in relative obscurity later in life after a long slouch in his career. He also died about a month after 9/11, so the world wasn’t really focused on musicians of the past at the time. So to me, the legacy of George Harrison is like that of a star; it gets brighter and bright until it eventually burns out, while the the rest of the universe moves on around it, but hey while it was at it’s brightest it was an amazing sight.
Finally, we make it to Ringo. Ringo often earns the moniker of “nobody’s favorite Beatle”, which is an unfortunate one to say the least. Ringo is seen as that goofy funny drummer who was just riding that wave as long as he could and didn’t want it end. This couldn’t be farther from the truth though. Yes, Ringo was probably the least used of the four, but it’s not like he took that lying down. He hated always having his input not taken seriously by the others and often got frustrated with them. It’s generally believed Lennon was first to quit the Beatles, but actually it was Ringo in 1968 who quit after finally reaching his breaking point in not being taken seriously. Granted, it was only for two weeks, but it that act of defiance the other band members realized that in order to be a band, they needed each other. Still though, after the band’s breakup, Ringo’s solo career was… let’s say lackluster. He actually usually only regained that old success when he worked with another Beatle, but it never lasted long. Despite my defense of Ringo I have to say, I don’t think any Beatle sold out harder than him. Just watch this Sketchers commercial.
So, now that we know all this, do the Beatles still matter? Well, what do I think…? No.
Now now, before you kill me, hear me out. The Beatles defined an era like I said, and they influenced many artists throughout the years, but as to actually contributing anything currently to the zeitgeist? They simply just aren’t. Sure their influence can be felt today, but the top experimental genres of today (i.e. rap, EDM, new R&B, Heavy Metal) borrow very little from the Beatles. I do think their value of experimentation is still quite relevant, but I don’t think we can give the Beatles all the credit there. Also there’s simply only two of the Beatles left, and they just can’t be in everything. The Beatles didn’t suffer when they broke up, they suffered as soon as they decided to try and be political and artsy, which don’t get me wrong is perfectly fine, but it alienates a good bit of your audience and I think this is what led to them being downplayed over the years.
But does this ruling actually mean anything? Well, no. This just what I think the Beatles mean to the current trends in pop culture. If you love the Beatle (which I do), then more power to you, if you hate the Beatles then that’s perfectly fine too. Just remember though, just because the Beatles aren’t that important anymore isn’t a bad thing. It means that the future holds more room for possibly an even greater band to come in and take their place. The Beatles defined themselves by breaking past the rules and traditions of their day, and if we hold onto them with impunity and without regard for anything new, then we go against everything the Beatles ever stood for. How will we ever create anything new if we so vehemently cling to the past? Doesn’t mean we have to forget the Beatles, we just need to stop relying on them so much and remember what it really means to be creative. That’s it for this rant, thank for reading and if you have any comments or suggestions for rants let me know.
Pop Culture Rants nobody asked for Part 1: Carlton Banks and the Fresh Prince of Bel-Air
Hey guys, today I have decided to jump back into the world of tumblr, this time to use as a forum to bitch about things pop culture related from the past, present, and future that no one really cares about, but hey you’re reading this, so here we go. To inaugurate my new series, I decided to first talk about both one of my favorite shows and characters from TV, the Fresh Prince of Bel-Air and Carlton Banks. Now I was born in 1996, so I wasn’t around for this show’s heyday, but I did grow up watching reruns and in the meme culture of the 2010′s which has really taken a love to this show. Now I will give my personal opinion of why this show, and in particular Carlton, have become such mainstays in our culture.
So to talk about this we first have to go back in time a far forgotten era know as the 70′s. The 70′s was an era of sex, drugs, and rock and roll, but foremost it was an era of politics. Now the 70′s in my opinion were the most politicized decade in recent history. Sure you can say the 60′s beats them, but does it really? Most pop culture of the 60′s attempted to avoid being political quite successfully. Hell the most popular shows of the 60′s were feel good shows (Andy Griffith, Lassie, The Beverly Hillbillies, Gilligan’s Island, etc.), Westerns, or often delved into the realms of the absurd (Bewitched, I Dream of Jeanie, The Twilight Zone, etc.). Sure these shows had political moments, but they weren’t overt about them. In contrast the 70′s were overtly Political. The two most popular shows of this era, All in the Family and MASH, made this their very basis. So what does this have to do with anything? Well this was particularly true for Black culture. Being white in the 70′s wasn’t (and still isn’t) an aspect that you needed to base yourself around, and you didn’t have to make it a part of your show. In stark contrast, to be black in the 70′s was your whole premise. If you were black on a show in the 70′s you had to emphasize this and defend it at all times. This can be seen very well on shows like Good Times and The Jeffersons, who always almost always showed a pride of being black and a love for the black power movement and often made race an important part of almost every episode. Was this wrong? No, it was simply a product of its time (right on the edge of the civil rights movement and in the middle of the black power movement).
Now we move on the 80′s, which in contrast to the 70′s was still political but moved much more to the conservative side of the spectrum. Now we see Black culture take on a more “white” approach to the success. This can seen very well with arguably the most popular show of the 80′s, the Cosby Show. Now, today it’s all too easy to bash Bill Cosby (which he rightfully deserves) but we often forget what a powerful force the Cosby Show was. It is one of only three shows to be be number one in Neilson ratings for five consecutive seasons. The Huxtable’s were black, and they often were proud of the fact and made it an important part of the show, but they more often dealt with other issues and rarely ever mentioned race. Again, it’s a product of it’s era. Conservatism often likes to sweep race out of the equation completely, and while a black show certainly couldn’t completely do this, they definitely could try. We see them as a sorta “model” minority a family, which is what made it so popular. However, it was never very popular with black audiences (80% of the viewership was white). This is important because it shows that shows that black audience never really bought the model minority thing that Cosby had going for it.
Now we get to the 90s and the whole point of this rant, The Fresh Prince of Bel-Air. First, we look at the producer, Quincy Jones. Quincy Jones (founder of Motown records), was a real genius when it came to seeing how the times were changing. He saw what the 90′s were, a rejection of the conservatism and the predictability of the 80′s. He wanted to cast someone would be a perfect foil to the bourgeois of the Banks, and he found that someone in Will Smith. He was hip, young, (fuck it, I’ll say it) fresh, a rapper, and a couple million dollars in debt to the IRS so he was pretty much guaranteed to take the part. Now we get to our next part, Will. We see Will come into the Banks’ life as a brash, abrasive, rebellious young man, or to be more blunt a real young black man. Will often dealt with the issue of race, but more on the aspect of what it means to be black, rather how to interact with society as a whole. This was confined almost solely within the family aspect of the show. Sure the Banks were black, but Will was “really” black, or at least to him anyway. However, throughout the show we see the Banks as a family struggling to branch out and not be defined just by their race, and they want to do it by playing along with the system. In contrast Will is trying to do the same thing but through his own rebellious way. But which way is the right way? The Banks always acknowledged their race as did Will, ironically it’s almost always the white people they interact with on the show who don’t acknowledge race. In episode one of the third season, the Banks are throwing a charity event where one white patron keeps insisting they call him whitey because that’s his nickname with everyone. Obviously they don’t want to, but both him and his wife just keep insisting they do not realizing they’re just trying to not sound racial. As stated, the Banks often dealt with things in the “responsible” way with their wealth,
and Will dealt with things in his own street smart kinda way, both of which worked on numerous occasions (sometimes),with both parties learning lessons in process. So which is the right way? Well neither is right or wrong. I know, seems like a cop out but hear me out. Sometimes Will needed to learn to be grounded and play along with the system, and other times the Banks needed Will’s street smarts. More often than not both sides learned just that; that you need to both be yourself and learn from others. The show showed that there is no proper way to be black, which I believe is where the the shows of 70′s and the Cosby show fail. The 70′s taught us that being black while something to be proud of is what you need to define yourself with, while the Cosby Show wanted to take race out of it and go only by your merits. The Fresh Prince really brings these two aspects together better than really any show I’ve ever watched. Sure you can be black and proud, but you need to be yourself and work towards your own goals. This is something that audiences of all races can relate to. Never forget your roots, but be yourself as well and don’t let society define you. This is the reason I believe this show has remained engrained in our culture today, and still beloved by people of all backgrounds.
Now I will Move on to this dude here:
Carlton is by far the most memorable character of the show. Think about it. Other than the theme song, which I’m sure 99.9999% of all Americans know every single word to, if you asked the average person what they remember most from that show, 9 out of 10 will most likely say the Carlton Dance. It’s become a staple in pop culture. If I had to list the characters in terms of memorability, it would be Carlton, Will, Uncle Phil, Geoffery, Aunt Viv, Hilary, and Ashley (hell I’d put Nicky above Ashley, that kid aged 5 years in one season). Anyway, Carlton has transcended the show and become both a pop icon and a meme in his own right, making him by far the most memorable character.
So why is Carlton so memorable? Well, he is the personification of that dynamic that I wrote about earlier. He is both black and a nerd, the ultimate clash of cultures, but why is that? Can black people not be nerds, or is it nerds that can’t be black? Well neither is true, and Carlton proves this. Carlton is a surprisingly complex character. He almost always tries to prove to Will that following the system will get you far in life, yet at the same time he tries to prove to Will that he can be “black” as well. Wether it be get rich quick schemes, stripping, sorta joining a gang, getting arrested, losing his virginity, or any other number of things, Carlton is always showing this struggle of the dynamic that controls the show. Carlton often times to needs to be reminded that it’s okay to be himself, often by Will, the very source of much of his torment. In one episode, Will ends up in the hospital after taking a bullet to save Carlton. Now Will deals with this situation in his usual snarky, humor filled way, but Carlton is really torn by this situation, and it causes him to really question himself and his beliefs. He end’s up deciding to carry a gun around with him, which Will convinces to give to him because “it ain’t him”. I know Will’s scene about his father his often the scene that get’s the most praise from fans, but to me this scene is the most powerful. It shows the two most important characters really struggling with the realities and fears that we face in the world. The world is a scary place, and we often can’t rely on just beliefs to get us by because most of the time they’re going to challenged. Carlton is also the actual yin to to Will’s Yang. Sure you could say that title should actually go to Uncle Phil, but think about it. Carlton and Will are the same age, they interact with the same people on a daily basis, and do many of the same things together. So Will’s interaction with Carlton is much larger than that with Phil. Despite all this, Carlton was never really that popular with the public during the show’s initial run, why is that you might ask? Well it all had to do with another black nerd of the time:
That’s right, Steve Urkel kept Carlton on the fringes of real success. It may be hard to remember today, but Steve Urkel was huge. He was the epitome of not only black nerds, but nerds in general, which you really have to admire him for. However, he wasn’t a real nerd, he was a cartoonishly exaggerated nerd. Carlton on the other had was a real nerd, someone who people can really relate too. So how could Urkel have possibly beat out Carlton? Well once it again, it’s all about the times. Nerds in the 90′s were still just that, nerds, nothing really special about them. People just didn’t care if a nerd was a nerd, however Urkel was this absurd mockery of a nerd who always went on the wacky misadventures, which just intrigued people, as opposed to Carlton who was just a regular nerd. Today however, nerd culture has become firmly part of the zeitgeist, and now that we really appreciate nerds for who they are Carlton has taken over the cartoony Urkel as the great nostalgic nerd of the 90′s because nerds of today can relate much more to him.
So that’s my rant for today, if you made it this far, I applaud you for letting me waste your time so elegantly. I promise to continue with this, and I will be discussing many aspects of popular culture from TV, movies, music, video games, books, the internet, etc. If you have any suggestions or any requests for rants, let me know and I’ll try my best to get to them.
Anyway this is Jeff, the Murican Tragedy, thank you for reading.
Oh and also:
Russell proving that British Accents aren’t sexy
mars: i’m wet
earth: i’m coming over
News station thinks the Moon orbits the Sun, without orbiting Earth.
Jay Rock Ft Kendrick Lamar & SZA - “Easy Bake”
Red lips and stripes💖
im so glad
When you’re a polite Fuckboy