View towards Stadsgården from Slussen - Bo Larsson , 1975.
Swedisah , b. 1945 -
Oil on canvas , 85 x 120 cm.
Monterey Bay Aquarium
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One Nice Bug Per Day

Discoholic 🪩
Cosimo Galluzzi
we're not kids anymore.
occasionally subtle

oozey mess

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AnasAbdin

@theartofmadeline

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Aqua Utopia|海の底で記憶を紡ぐ
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★

titsay

Love Begins
almost home
TVSTRANGERTHINGS
$LAYYYTER
seen from United States

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@theofylakt
View towards Stadsgården from Slussen - Bo Larsson , 1975.
Swedisah , b. 1945 -
Oil on canvas , 85 x 120 cm.
Moon blanket by Walshlandic
The snow outside - Kaoru Yamada
Japanese , b. 1975 -
The Yellow Chair, 2026 by Kate Lewis (American, b. 1977); Oil on canvas, 31×25 in
betting on losing dogs 📍 at the germany-curaçao world cup
Zhiyong Jing, Insomnia
Jing Zhiyong (Chinese b. 1982), Insomnia, 2026, Oil on canvas
no cops at pride just my girl friend who’s into medieval weaponry and her sword collection
The Greek for “divine possession” is enthusiasmos—enthusiasm. To be enthused or enthusiastic is to be “engodded,” to be divinely inspired.
—Stephen Fry, Mythos
You know that thing would eat you if you died, right? *pointing to the false image of you that others perceive*
its awesome that neither mind reading nor god are real and all of the thoughts inside of your head are completely private and consequenceless forever #myprivacy
Sorry but if a female author or poet acted even a smidge like Richard Siken they'd literally crucify her. Can I say that
bat filet crochet (chart)
Obsessed with this red-figure art because from left to right, the figures are identified as Talthybius and Clytemnestra (on the back of the vase) and Chrysothemis, Orestes, and Aegisthus (on the front). It's dated about 500 BC, almost a century before Sophocles's Electra, the only known play to give Chrysothemis a speaking role, was written. And I for one would kill to know what the story behind it is, because it is so different from the way things played out in Electra. In the play, Chrysothemis is portrayed as going along with Clytemnestra and Aegisthus, refusing to join Electra in plotting their deaths because she doesn't want to risk her own safety for vengeance. Contrast that with Chrysothemis literally standing in front of her brother, who is actively killing Aegisthus, while Clytemnestra charges at them with an axe. Red-figure Chrysothemis what is your story
if you're a ceaseless watcher it must feel good as fuck to turn your gaze upon a wretched thing
today lets all be #medicated
Judith and Holofernes by Bela Čikoš Sesija