happy vax’ildan! (i just binge watched the entire animated series in the past 3 days. i love me a good doomed sibling)
styofa doing anything

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Sade Olutola
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i don't do bad sauce passes
One Nice Bug Per Day
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todays bird
Lint Roller? I Barely Know Her

Janaina Medeiros
we're not kids anymore.
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sheepfilms
dirt enthusiast
AnasAbdin

Andulka
d e v o n

Product Placement
YOU ARE THE REASON
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@thesecretlamppost
happy vax’ildan! (i just binge watched the entire animated series in the past 3 days. i love me a good doomed sibling)
y'know I never gave much credence to the theories that Thjazi's spirit was literally tied to Julien's shadow curse, but I will admit, in light of recent information, it is by far the funniest answer to "where in the afterlife is Thjazi Fang?"
Paraphrasing here, but when Brennan said: 'When you love something fake, an idealized version of a person, you start to hate the real thing' it killed me. It can apply to sooo much, at the same time that to me it is a direct commentary on parasocial relationships. Like so many Internet users seem to take the perspective of "I helped create you by liking you! How dare you be a person and challenge this caricature I have in my head!'
Before tonight's episode- the priests of the Lux are definitely warlocks, right? In contract with Tyranny's father? Like Sam made an entire religion and created a character that is only able to do magic because of his divine heritage (literally the type of sorcerer he is) but didn't consider the fact that the rest of the religion doesn't have the same heritage. We're all in agreement here yeah? Cool
My current theories about the paint:
It's part of a larger ritual, one to do with life and death--pretty much confirmed by the actual play (this dovetails nicely into a pet theory of mine, which is that Thjazi was setting up a rebellion-- but on the other side, so to speak)
It's actually disguised filament (listen the Halovars have been shipping filament everywhere for some reason--it has to be powerful)
OR
It's basically just disguise paint, like how they used it on the Pariah Blades--something like that would be very useful in Thjazi's line of work. I don't truly think this because Brennan has placed a ton of emphasis on it, but sometimes the simplest explanation is still correct, you know?
Feeling mildly validated after the latest episode, it may not be filament but it's still blood! (The blood of another celestial, perhaps?)
My current theories about the paint:
It's part of a larger ritual, one to do with life and death--pretty much confirmed by the actual play (this dovetails nicely into a pet theory of mine, which is that Thjazi was setting up a rebellion-- but on the other side, so to speak)
It's actually disguised filament (listen the Halovars have been shipping filament everywhere for some reason--it has to be powerful)
OR
It's basically just disguise paint, like how they used it on the Pariah Blades--something like that would be very useful in Thjazi's line of work. I don't truly think this because Brennan has placed a ton of emphasis on it, but sometimes the simplest explanation is still correct, you know?
the homoeroticism of hal killing bolaire cannot be overstated
Still behind on Critical Role but I did finish the seekers arc and I really just sat with the irony of what they were trying to do to Occtis. Like the thing that made him disposable, his lack of innate sorcery, is actually what made him the best candidate for their ritual? They actually needed him but had already driven him away. The forgotten boy, only valuable because he's not like the rest of his family (and saved only because he managed to make friends outside of the family)
Reasons the soldiers table sticks together: Vengence! Love! Family! Loyalty! Protection! Friendship!
Reasons the seekers table sticks together: *pointing at Occtis* motherfucker I am not letting you out of my sight,
Got too confident, updated like four of my unfinished ao3 fics in December, and then immediately got hit by the ao3 curse. My fault, I should have updated slowly and sporadically to avoid triggering the gremlin that fucks up your life when you get too many kudos.
Judith Butler, philosopher: ‘If you sacrifice a minority like trans people, you are operating within a fascist logic’
I often wonder what happened to authors of unfinished fanfictions.
I hope they’re having a nice life
we absolutely are not and that unfinished fic haunts us to this day
Reblog if that unfinished fic haunts you to this day
I listened to the Magnus Archives
Im very normal about this media
I'm the #1 time travel fix-it fan like yess send that blorbo back in time to save the future but destroy the world they knew in the process!!! let them give everyone a happy ending while they have to deal with leaving their versions of those people behind
WHO REBLOGGED THIS AND CURSED ME WITH 69 NEW NOTIFS
People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.
Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.
For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.
When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.
Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.
Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.
(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)
Also, people who know more than me about the concept of estel, feel free to @ me.
take a verleth sketch, as a treat