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@thetrashhag
source 1, 2, 3.
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Whenever you need a bit of cheering up, think back to this video of Paul being surprised with a Mariachi and piñata for his birthday.
CREATING BLUEY - Tales from the Art Director
Chapter 4 - It's (gotta be) Done! Beyond Bluey
The final chapter. Beyond Bluey and the power of Animation
FREE on Substack
Vintage Wooly Whooos Owl Figures on Driftwood, A Fantasy in Wool by Sandy Finch
Accidentally got them addicted to miiboros
If your lover lives in Hong Kong and cannot get to Chicago, it will be necessary for you to go to Hong Kong. Perhaps you will spend your life there, and never see Chicago again. And you will, I assure you, as long as space and time divide you from anyone you love, discover a great deal about shipping routes, airlines, earthquake, famine, disease, and war. And you will always know what time it is in Hong Kong, for you love someone who lives there. And love will simply have no choice but to go into battle with space and time and, furthermore, to win.
James Baldwin, Nothing Personal
Hammersmith, London - July 2023
From my new book, Colour.
Available to order HERE
earlier this year 2 boys got expelled from my school for going on a teachers email and sending another teacher an email that says “you’re a disgusting little man” and i laugh about it all the time because imagine opening an email from your coworker and thinking it’s important and then it says that
I miss nadja of antipaxos. you used to be able to turn the tv on once a week and see an insane greek woman ripping people apart and killing and biting and screaming
when your job has ‘Human Hour for Positive Reinforcement’ on the main landing screen you know things have gone terribly dystopian
bringing back a classic
possibly the best ever piece of american sports journalism
"This morning, we posted NBC anchor Mary Carillo's 2004 rant about badminton because we had never seen it before and we wanted to share it with the world. Carillo just wrote an email to us, explaining how that monologue made it on the air:
"Can't believe that thing's still around. I was hosting a morning show in Athens that covered a lot of badminton—some table tennis too, but badminton, I'd been assured, was going to be "the curling of the Summer Games." (!) There was no script for that rant—just a little dead time—but it got some chuckles and a head shake from my producer. It was a pretty loose show—I'd already explained a team handball's size by comparing it against various members of the melon family, and when I found out that equestrian horses were listed as "equipment" I did a rant on the fact that horses needed passports to get into the country and dramatically produced one, so surely they needed an identity upgrade..
"That sort of nonsense got me a hosting gig on Torino's Olympic Ice show, which is still one of my all-time favorite scams. Don't know if it's still kicking around, but maybe my salute to Guido The Zamboni Guy is still out there from that wackadoodle show..
"Don't know how I stay employed,carillo
Mary Carillo is cool as hell. Also, someone please bring us her salute to Guido the Zamboni Guy.
Link to Deadspin article
Her salute to Guido the Zamboni Guy at the Torino Olympics
here's where to find it on windows 10
new year’s eve in yamanakako
2025
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.