styofa doing anything

Love Begins
Jules of Nature
Game of Thrones Daily
todays bird

if i look back, i am lost

❣ Chile in a Photography ❣

tannertan36
will byers stan first human second
KIROKAZE

Origami Around
Alisa U Zemlji Chuda

JBB: An Artblog!
hello vonnie
Keni

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#extradirty
Peter Solarz

seen from United States

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@thismachinewill
sir david attenborough starts a group chat
Alpharius isn’t Guilliman, Guilliman is actually Alpharius.
This is literary genius
magic cat
blessed post
WORKING CLASS SOLIDARITY
My dad told me recently that the most important public health workers are garbage collectors and janitors. So much of our health relies on a clean environment. These people do some of the most important work in society. If we learned in dirty public environments full of garbage, we’d all be sick. I cannot thank these people enough for the valuable work that they do.
HOW DID I SCROLL PAST THIS WITHOUT GIVING IT A CHANCE
With this gif, we shall achieve world peace.
2017.07.20 カワセミ
季節外れの求愛ダンス!と思いきや、男同士の戯れでした。
You ask a girl for her phone number
You roll a 20. You get her social security number.
Xólotl, the Aztec yellow dog to carry the souls through the first level of Mictlán. There’s a lot of different variations of the myth, but my favorite is the giant dog that literally carries you through the after-life.
Me articulating all the flaws in a piece of media & enjoying it anyway
I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:
I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.
That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!
But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?
Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…
If the devil has a pitchfork and the grim reaper has a scythe, is agriculture a major industry in the underworld?
well....yeah? pretty self-evidently i’d say, gotta plant, tend and harvest the dead afterall.
Since they’re talking about poly relationships on twitter, I thought I’d add my 2 cents.