Carp Diem, 2019; Finger painted by Iris Scott (American, b. 1984)
Acquired Stardust

Discoholic 🪩

ellievsbear
Cosimo Galluzzi
noise dept.
One Nice Bug Per Day
Xuebing Du

Kiana Khansmith
NASA
cherry valley forever
🪼
Keni
Monterey Bay Aquarium

Andulka
Cosmic Funnies
tumblr dot com
i don't do bad sauce passes
Today's Document
taylor price
YOU ARE THE REASON

seen from United States
seen from United States
seen from China

seen from Brazil
seen from Philippines

seen from United States
seen from Brazil
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Malaysia

seen from United States

seen from Iraq
@thyflowers
Carp Diem, 2019; Finger painted by Iris Scott (American, b. 1984)
da world
No, you see, I wish to be an author. Not in marketing. Or an influencer. I wish to tell my stories, be told I did a fantastic job, and then go back to my hovel to scribble some more. I am delicate of constitution and awkward in crowds.
FUNNY FACE (1957)
don’t flirt with me I’ll throw up blood
stargazer prints | patreon
From what I can tell this is the standard level of sexual dimorphism for booktok romance couples
Most interesting thing about this post is people tagging it as like ‘straight people version of yaoi size dynamics’ like. Let’s all stop and think for a second where the “penetrative sexual partner is large, dominant, and masculine; the penetrated sexual partner is small, submissive, and feminine” thing (and the presumption of these roles being a necessity and immutable) might also come from.
And now it's "more tall bottoms!" "let the tiny girl PEG the man" let us instead continue this thought exercise and examine why we presume that a sexual relationship must be defined around a penetrator/penetrated dynamic, or that there must by necessity be "A top" or "A bottom" and that these roles cannot be fluid, or that penetrative sex is a necessity in a relationship to begin with, or that penetration is an act of dominance and humiliation and by extension it's a Subversive Feminist Win for the Bigger and/or Masculine party to receive, or that these misogynistic-homophobic ideals can be meaningfully addressed by simply Reversing the dynamic. My final message........goodbye..........
JENNIFER CHECK — 2009, Jennifer's Body // dir. Karyn Kusama
what if it all worked out in my favour
"In fact, when I finished it, I handed it to my wife, and I said, 'I think I just wrote something incomprehensible about four women wandering aimlessly on a hiking trail in North Florida. Could you please check for me?' She read it and thankfully gave it the stamp of approval and said it was actually a novel and actually made sense."
Jeff Vandermeer about Annihilation, Clarkesworld magazine, July 2014.
Statement of Y/N, regarding their time in servitude to the entity formerly known as One Direction. Statement begins.
Turns out that lonely people are all the same.
Happy Together / 春光乍洩 (1997) dir. Wong Kar-Wai
Hey I have a question for y'all.
From where you are right now, could you reach the nearest sea or ocean by foot in less than a day?
Yes
No
(reblog for sample size)
It's like 10 miles, would take ages and I'd bitch about ot the entire time but yeah of i had to
gonna be a lover for a minute, reblog and put in the tags the last movie that you LOVED like intensely loved like 5 stars on letterboxd LOVED
about 90% of fanfiction takes place in a utopia where men are thoughtful and unsure of their place in the world
it's really funny how the entire world basically just blew the fuck up six short years ago and nobody wants to admit that that may have had some lasting consequences lmao
like so much of Everything today is premised on the idea that the earth-shattering catastrophe which happened within living memory of everyone older than a third grader has had no meaningful material or psychological effects on the general public and i don't think that's good, lol.
"(some of) the top-line economic indicators (sorta) recovered (in most places) so everything is fine and we don't need to talk about it" is not a sustainable framework for interfacing with reality
cannot stop thinking abt the paris review’s essay series on the history of significance of certain colours, hue’s hue:
Periwinkle, the Color of Poison, Modernism, and Dusk
Eau de Nil, the Light-Green Color of Egypt-Obsessed Europe
Marian Blue, the Color of Angels, Virgins, and Other Untouchable Things
Incarnadine, the Bloody Red of Fashionable Cosmetics and Shakespearean Poetics
Jonquil, the Light Yellow of Early Flowers, Mad Painters, and Dust Bowl–Era Pottery
Scheele’s Green, the Color of Fake Foliage and Death
Lilac, the Color of Half Mourning, Doomed Hotels, and Fashionable Feelings
Hooker’s Green: The Color of Apple Trees and Envy
Blaze Orange, the Color of Fear, Warnings, and the Artificial
Chartreuse, the Color of Elixirs, Flappers, and Alternate Realities
Living Coral, the Brutal Hue of Climate Change and Brand New iPhones
Mustard, the Color of Millennial Candidates, Problematic Lattes, and Aboriginal Paintings
Russet, the Color of Peasants, Fox Fur, and Penance
Verdigris: The Color of Oxidation, Statues, and Impermanence
But Wait, There’s More! as i found out after making the initial post, there are a few other colours katy kelleher also covered in other outlets: payne’s gray, haint blue, rose madder, falu red, glaucous, fuchsia, caput mortuum, prussian blue, gamboge, celadon, and puce.
also shoutout to her other series, the ugly history of beautiful things, which talks about: lockets, angora, perfume, pearls, mirrors, and orchids.