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Friedrich Kunath
For a time, I was all you had. And for a time, you was all I had. We weren’t orphans. Not as long as we had each other.
Buster Keaton in Sherlock Jr. (1924)
The Last Kaiju, Brian Luong
ph. Juergen Teller
[Gene] Kelly wanted the title song to reflect “my moment of greatest exhilaration” and to have a child-like playfulness. “I thought of the fun children have slashing about in rain puddles and decided to become a kid myself during the number”. He had taught so many kids to dance, he had an idea of their lack of self-consciousness and joy.
Singin’ in the Rain (1952), dir. Gene Kelly, Stanley Donen
ECLETTISMI E FANTASIE | Vogue Italia septiembre 1990 (Suplemento Costura)
Mod: Yasmin Le Bon
Foto: Steven Klein
Jean Seberg, 1958
“ タモリは、ルールは嫌いだがリズムは大事だと語る(『ほぼ日刊イトイ新聞』における糸井重里との対談)。リズムは「守る、守らない」ではなく、「合う、合わない」である。ルールは周囲の人間と違っていればなんらかの罰則を受けるが、リズム感はそれぞれであり、周囲の人間と違っていてもいい。逆に多様なリズム感のアンサンブルによって、その場の全員にとって心地よい空間が生まれる。そこがルールとリズムの決定的な違いである。”
— 第3回 中居正広とMC | 青弓社 (via delihellme)
Kaila Wyatt by Emma Summerton for Vogue Germany, March 2020
Fireflies
Anna Karina in Vivre Sa Vie (1962)
Hanne Gaby Odiele by Serge Leblon for Mixt(e) Spring/Summer 2012
Keira Knightley by Mert & Marcus for Interview, April 2012
SPIDER-MAN: HOMECOMING 2017 | dir. Jon Watts
God’s Own Country (2017) dir. Francis Lee