fwip ur shling

[tondratic]

hey I'm chekr. i'm an illustrator based in toronto

check out #my art or my art-only blog if that be your will!

[desk-drawerr]

He eat a nemon

[valentinetheeviljester]

Maybe lean out

[valentinetheeviljester]

[jabberding0]

tree grafting techniques

[darkmodepls]

isn't it bizarre that people and animals have to match precise genetic markers for organ donation and take immunosuppressive medication for the rest of their life or else the body will reject it, yet you can pull all sorts of Frankenstein nonsense on plants and it will work so long as they're roughly in the same family

[dogpuppy]

[viewtiful-kim-deactivated202105]

Hamlet adaptation where Hamlet is a vlogger and all his soliloquies are breakdowns he uploads to YouTube

[animatedamerican]

… I am unironically here for this

[oldfilmsflicker]

this is the funniest thing I’ve ever seen in my life

[kabesattic]

This is - legitimately - my favourite delivery of Shakespeare I have EVER seen (and I have seen some good-ass productions yo, in the Globe Theatre itself even). Like seriously, even though the words are unchanged, he’s stripped away ALL of the archaic pretense and assumed grandeur of ~presenting the bard~ that makes even the most wildly talented of actors and innovative of productions inherently inaccessible to a modern audience. Like, they’re still great, they can still communicate the message and (some) of the nuance, but they’re still always a step removed from being identifiable to any viewer’s lived experience. They’re still always reciting 15th century poetry. But this guy? This guy is like, screw iambic pentameter, to hell with being precious about the material, HOW WOULD AN ACTUAL PERSON SAY THIS SHIT?

Like this. And it’s beautiful. It’s beautiful to hear a soliloquy I loved so much already, and have it come to life in a way it never, ever, did before. I feel like I grasp his motivations, his twists and turns, no longer on an academic level but on a visceral, instinctive one. Because he’s presenting his mental and emotional journey in a way that speaks honestly, like a real person.

So yeah, this shit post? I love it. Deeply and sincerely.

[spicedtealeaves]

A post about this went round recently, and I’m delighted to announce she’s since come out as trans and goes by Jasmine 🏳️‍⚧️

Jasmine Brimsmayd

Actor and Writer

There’s a whole series of the Hamlet videos on her YouTube, as well as a bunch of other films she’s made

[miamaimania]

"24th Street Intersection" (1977) ◹ Wayne Thiebaud

[cookbookbutch]

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.

2026/07/16

[yeyinde]

Collins is gone.

Namaygoosisagagun First Nation/Collins has burned to the ground. The entire community is nothing but ashes after being quickly consumed by wildfires. They did not have any support from emergency services, and no one offered aid. The community saved themselves by escaping into boats because no one came.

Mishkeegogamang and Cat Lake have lost power. Families are ending up in shelters with nothing. Armstrong, Lac La Croix, Whitesand, Gull Bay, Lac des Mille Lacs are currently in the fires path and all members are being evacuated.

All this loss, all this devastation, and it was entirely preventable.

After steadily underfunding wildland firefighting and purposefully excluding Indigenous wildland firefighters and Indigenous wildfire organizations from wildfire operations, firefighter training, decisionmaking, and resource exchanges, in 2025, Doug Ford slashed the forest firefighting budget.

It's hard to ignore his decision to cut funding and leave us out of adequate fire training (even though we've lived with forest fires for thousands of years—far longer than settlers have been in Canada—and made sure fires like the ones we're all seeing today were prevented through kinisitotēn) when, despite making up less than 5% of the population, we account for 42% percent of all wildfire evacuations in Canada.

And when we are successfully evacuated, we face discrimination and racism—like Kashechewan—because it's always been easier to blame us than it is to blame the true culprit: denialism, corportate greed, and colonization.

The people of Collins and every other impacted community deserve better.

Right now, the AFN is currently accepting donations to help Collins First Nation. If you're able to, please consider donating.

ONWA (Ontario Native Women's Association) is another great place to donate to. They have outreach vans going to motels and inns and offering food, water, resources, and cultural support to those impacted by the wildfires.

Other places to consider donating to are Mikinakoos Emergency Fund, Red Cross, True North Aid, Indigenous Climate Action. You can also send donations directly to Whitesand First Nation via e-transfer ([email protected]) and they request that you add your full name in the e-transfer comment section to receive a tax receipt.

*Before sending money, verify that the appeal appears on an official First Nation, Tribal Council or registered charity channel.

If you can't offer financial support, please consider donating items of need. Moontime Connections is currently accepting drop-off donations. If you live in the Thunder Bay area, Namaygoosisagagun Health Office is also taking in donations! They can also bemailed to Superior Inn Hotel & Conference Centre at 555 West Arthur Street, Thunder Bay, ON, P7E 5P8.

items needed are: food, diapers, medical masks, men’s and women’s joggers (all sizes), children’s clothing (newborn to size 14), children’s shoes, summer clothing, men’s clothing, toiletries (lotion, Vaseline, toothpaste, toothbrushes, shampoo, conditioner, soap, deodorant, etc.), strollers, adult depends-all sizes, dog & cat food

wīya ispīh iyiniw-kiskīyihtamowin pasikōpayiki kāwi askiy ta-iyihyīmakan

[hometoursandotherstuff]

Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.

My favorite part is the sink.

Details of a recipe book.

All the details in tiny glass beads.

Love the pie in the oven.

Love this so much.

No wonder it took 5 yrs.

https://whitney.org/collection/works/34855?

[tepkunset]

Since Canada is currently trying to sell itself as an "ethical alternative" to Iran's oil, I would just like to remind folks / share some quick information:

More than 50% of Indigenous communities in reserve areas in Canada are at high risk of pipeline spills. When there is a spill, reserves are disproportionately impacted.

The National Energy Board and Supreme Court of Canada has a history of declaring the "public interest and economic interests outweigh Indigenous and treaty rights." Basically, Indigenous peoples don't count enough as "public" to matter.

Pipelines are built without proper consent from the Indigenous Nations they choose to occupy. Keep in mind I say choose, because this is the case even when alternative pipeline routes are suggested that could avoid reserve land. This is a direct, constant, and often violent threat to Indigenous sovereignty.

The MMIW crisis is funded by the oil industry through the creation of worker's "man camps" near reserve land. These "man camps" are nothing but pits of sexual violence and human trafficking of Indigenous women and girls. I am not exaggerating; this is well studied and well documented.

Resources & Sources:

To become an ‘energy superpower’, Canada wants to bulldoze Indigenous rights (START HERE!)

Indigenous Resistance to Alberta Oil and Gas Development Report

When the environment is destroyed, you're destroyed: Achieving Indigenous led pipeline justice

First Nations Consent Ignored as Canadians Asked to Subsidize LNG Expansion

Oil pipelines and food sovereignty: threat to health equity for Indigenous communities

Is Violence against Indigenous Women in “Canada’s interest”? Liquified Natural Gas in B.C., Sexual Violence & Narratives of Terra Nullius

The colonial playbook never ended, Canada’s pipeline deal proves it

Stand together: Alberta's First Nations and non-Indigenous unite against Big Oil

[64mpg]

[watasnak]

what the fuck are my mutuals doing

[aflo]

Settlers of catan

[blemgoid]

just clicked a sausage link

[digitalkiddo]

If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

Reblog to save for later. Your WIP will thank you.

[peast]

if you are in the Thunder Bay area, the Whitesand First Nations families who have evacuated their homes burning down in Ontario are requesting supplies or monetary dnations

Source and most frequently updated post

OP last updated: July 15th

[dogpuppy]